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Collection
Prints and Drawings
44
Creator
Blake, William, 1757–1827
32
Alexander, William, 1767–1816
5
Bartolozzi, Francesco, 1727–1815
2
Hamilton, William, 1751–1801
2
Macklin, Thomas, active 1779–1793
2
Angus, William, 1752–1821
1
Daniell, Thomas, 1749–1840
1
Daniell, William, 1769–1837
1
Davis, Samuel, 1760–1819
1
Gillray, James, 1756–1815
1
Girtin, Thomas, 1775–1802
1
Humphrey, Hannah, ca. 1745–1818
1
Malton, Thomas, 1726–1801
1
Morland, George, 1763–1804
1
Rowlandson, Thomas, 1756–1827
1
Date
1797
77
1794
70
1792
54
1793
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44
1745
40
1789
38
1790
25
1749
23
1773
23
1785
22
1715
20
1780
20
1700
18
1770
18
1717
17
1783
17
1762
16
1730
15
1755
15
1775
15
1765
14
1776
14
1784
14
1787
14
1798
14
1754
13
1772
13
1720
12
1751
12
1761
12
1712
11
1788
11
1779
10
1795
10
1740
9
1764
9
1767
9
1774
9
1791
9
1799
9
1725
8
1748
8
1750
8
1760
8
1768
8
1771
8
1737
7
1753
7
1782
7
1786
7
1736
6
1738
6
1744
6
1769
6
1781
6
1796
6
1719
5
1728
5
1739
5
1752
5
1756
5
1778
5
1723
4
1729
4
1742
4
1746
4
1713
3
1731
3
1735
3
1743
3
1747
3
1766
3
1800
3
0
2
1701
2
1704
2
1705
2
1707
2
1710
2
1734
2
1741
2
1758
2
1759
2
1763
2
1777
2
1690
1
1697
1
1699
1
1709
1
1711
1
1721
1
1722
1
1727
1
1733
1
1757
1
1805
1
1813
1
1818
1
On-site Access
Accessible by appointment in the Study Room
44
Image Use
Free to Use
44
Image Available
Available
42
Unavailable
2
Classification
Prints
36
Drawings & Watercolors
8
Creator Gender
male
44
female
1
Collective Title
America. A Prophecy, Copy M
16
For Children: The Gates of Paradise, Copy E
11
Visions of the Daughters of Albion, Copy I
5
The Costume of China
1
The Seats of the Nobility and Gentry in Great Britain and Wales in a Collection of Select Views
1
Views in the Province of Kiang Nan, China
1
Period
18th century
[remove]
44
Materials & Techniques
wove paper
39
watercolor
28
black ink
21
relief etching
21
etching (printing process)
15
line engraving
12
color printing
10
graphite
8
laid paper
4
colored ink
3
brown ink
2
stipple engraving
2
cartridge paper
1
gouache
1
gray ink
1
gum
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
6
to
42
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
4
to
55
Work Type
watercolor
28
drawing
27
relief print
21
intaglio print
15
frontispiece
2
Genre
religious and mythological subject
16
historical subject
11
genre subject
7
landscape
7
literary theme
7
architectural subject
5
cityscape
2
marine art
2
Subject Terms
men
[remove]
44
text
29
nudes
25
religious and mythological subject
16
women
16
clouds
15
trees
13
historical subject
11
landscape
8
children
7
literary theme
7
beard
6
genre subject
6
leaf
6
snake
6
architectural subject
5
birds
5
boats
5
branches
5
flames
5
more
Subject Terms
»
Associated Places
Asia
5
China
5
England
2
Europe
2
United Kingdom
2
Bradwell Lodge
1
Chu
1
Coquet
1
Essex
1
Fort Al Jalali
1
Fort Al-Mirani
1
Guangdong
1
Guangzhou
1
Hai He
1
Masqat
1
Ningbo
1
Northumberland
1
Oman
1
Tianjin Shi
1
Warkworth
1
more
Associated Places
»
Exhibition History
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
21
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
21
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
17
William Blake - The Artist (Tate Britain, 2019-09-11 - 2020-02-20)
16
William Blake: Visionary (The J. Paul Getty Museum, 2023-10-17 - 2024-01-14)
16
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
15
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
11
Romantics & Revolutionaries : Regency Portraits from the National Portrait Gallery (Yale Center for British Art, 2003-01-23 - 2003-03-30)
5
William Blake and the Age of Aquarius (Block Museum of Art, 2017-09-23 - 2018-03-11)
3
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
2
British Comic Art 1730 - 1830 (Museum of Art and Archaelogy, University of Missouri-Columbia, 1988-10-14 - 1988-12-04)
1
Masters of the Sea - British Marine Watercolors (National Maritime Museum, 2005-08-25 - 2005-10-25)
1
Masters of the Sea - British Marine Watercolors (Yale Center for British Art, 1987-06-10 - 1987-08-02)
1
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
1
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
1
Thomas Girtin and the Art of Watercolour (Tate Britain, 2002-07-04 - 2002-09-29)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
44
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Date
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1
Print made by William Blake, 1757–1827
Alas! (Plate 9)
1793
2
Print made by William Blake, 1757–1827
Earth (Plate 5)
1793
3
Print made by William Blake, 1757–1827
Fire (Plate 7)
1793
4
Print made by William Blake, 1757–1827
My Son! My Son! (Plate 10)
1793
5
Print made by William Blake, 1757–1827
Death's Door (Plate 17)
1793
6
Print made by William Blake, 1757–1827
"Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
1793
7
Print made by William Blake, 1757–1827
Title Page. America, A Prophecy (Plate 2)
1793
8
Print made by William Blake, 1757–1827
Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
1793
9
Print made by William Blake, 1757–1827
"Silent as despairing love, and strong as jealousy..." (Plate 4)
1793
10
Print made by William Blake, 1757–1827
"The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
1793
11
Print made by William Blake, 1757–1827
Frontispiece. Albion's Angel (Plate 1)
1793
12
Print made by William Blake, 1757–1827
"In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
1793
13
Print made by William Blake, 1757–1827
Water (Plate 4)
1793
14
Print made by William Blake, 1757–1827
Air (Plate 6)
1793
15
Print made by William Blake, 1757–1827
Aged Ignorance (Plate 13)
1793
16
Print made by William Blake, 1757–1827
Does Thy God O Priest Take such Vengeance as This? (Plate 14)
1793
17
Print made by William Blake, 1757–1827
Fear & Hope Are -- Vision (Plate 15)
1793
18
Print made by William Blake, 1757–1827
The Traveller Hasteth in the Evening (Plate 16)
1793
19
Print made by William Blake, 1757–1827
Title Page, Visions of the Daughters of Albion (Plate 2)
1793
20
Print made by William Blake, 1757–1827
Frontispiece (Plate 1)
1793
21
Print made by William Blake, 1757–1827
Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
1793
22
Print made by William Blake, 1757–1827
"And none but Bromian can hear my lamentations..." (Plate 6)
1793
23
Print made by William Blake, 1757–1827
"But when the morn arose, her lamentation renewd..." (Plate 8)
1793
24
Print made by William Blake, 1757–1827
"The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
1793
25
Print made by William Blake, 1757–1827
"Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
1793
26
Print made by William Blake, 1757–1827
Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
1793
27
Print made by William Blake, 1757–1827
"So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
1793
28
Print made by William Blake, 1757–1827
"What time the thirteen Governors that England sent convene..." (Plate 15)
1793
29
Print made by William Blake, 1757–1827
"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
1793
30
Print made by William Blake, 1757–1827
A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)
1793
31
Print made by William Blake, 1757–1827
"Appear to the Americans upon the cloudy night..." (Plate 6)
1793
32
Print made by William Blake, 1757–1827
"Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
1793
33
George Morland, 1763–1804
Landscape with Cottage and Figures on Horseback
1793
34
Print made by James Gillray, 1756–1815
Flannel-Armour; Female-Patriotism, -or- Modern Heroes Accoutred for the Wars
1793
35
Print made by William Angus, 1752–1821
Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley
1793
36
William Alexander, 1767–1816
The Hindostan at Anchor in the Strait of Mi-a-tau of the City of Ten-choo-fou at the Entrance to the Gulf of Pekin
1793
37
William Alexander, 1767–1816
Barges of the Embassy Being Raised from One Canal to Another on Their Way from Han-Tcheou-Foo to Tchu-San, 16 November 1793
1793
38
William Alexander, 1767–1816
Remains of a Bridge at San-Sien-Wey on the Pei-Ho near Tong-Tcheou, August 15, 1793
1793
39
Thomas Girtin, 1775–1802
Warkworth Castle, Northumberland
ca. 1798
40
William Alexander, 1767–1816
Fort Opposite the Factory, Canton
1793
41
William Alexander, 1767–1816
View in the Province of Kiang-nan, China, Taken from Nature
1793
42
Thomas Daniell, 1749–1840
East View of the Forts Jellali and Merani, Muskat
1793
43
Print made by Francesco Bartolozzi, 1728–1815
February
1793
44
Print made by Francesco Bartolozzi, 1728–1815
March
1793