Date: 1792 - YCBA Collections Search Search Results

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1797
Materials & Techniques:: Watercolor, graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 x 10 3/4 inches (20.7 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. North East View of Grantham Church, Lincolnshire

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1797
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper, mounted on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 x 7 inches (13 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. St. Augustine's Gate, Canterbury

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: between 1792 and 1793
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 x 10 5/8in. (21 x 27cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. The Witches' Cavern

Creator:: George Romney, 1734–1802
Date:: between 1792 and 1793
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/8 x 9 3/16 inches (14.3 x 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

16. 'Disease invades the chastest temperence' (Page 10)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. 'The present moment terminates our sight' (Page 13)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. 'Emblem of that which shall awake the dead' (Page 19)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. 'One radiant mark, – the death-bed of the just' (Page 41)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Night the Third. Narcissa; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. 'Its favours here are trials, not rewards' (Page 12)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Night the Second. On Time, Death and Friendship; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. 'O treacherous conscience!' (Page 27)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. 'Tis greatly wise to talk with our past hours' (Page 31)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. 'Like that, the dial speaks; and points to thee' (Page 33)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. 'Angels should paint it, angels ever there' (Page 40)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. 'Till death, that mighty hunter, earths them all' (Page 70)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. 'And vapid; sense and reason shew the door' (Page 72)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. 'When faith is virtue, reason makes it so' (Page 92)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. 'That touch, with charm celestial heals the soul' (Page 90)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. 'As if the sun could envy, check'd his beam' (Page 49)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. 'The vale of death! that hush'd cimmerian vale' (Page 54)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. 'This King of Terrors is the Prince of Peace' (Page 63)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. The Christian Triumph; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. 'The Sun beheld it – No, the shocking scene' (Page 75)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. 'His hand the good man fastens on the skies' (Page 86)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. 'Is lost in love! thou great Philanthropist' (Page 87)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. 'If angels tremble, 'tis at such a sight' (Page 93)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. 'The goddess bursts in thunder and in flame' (Page 95)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. 'Where sense runs savage broke from reason's chain' (Page 46)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. 'The thunder if in that the Almighty dwells' (Page 80)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Night the First. On Life, Death and Immortality; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. 'Swift on His Downy Pinion Flies from Woe' (Page 1)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. 'What, though my soul fantastick measures trod' (Page 4)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. 'Teaching, we learn; and giving, we retain' (Page 35)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. 'Love, and love only, is the loan for love' (Page 37)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. The Complaint, and the Consolation; or, Night Thoughts

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Bound volume of engravings
Dimensions:: Spine: 16 3/4in. (42.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. 'The longest night though longer far, would fail' (Page 15)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. 'Till at Death's toll, whose restless iron tongue' (Page 7)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. 'We censure nature for a span too short' (Page 23)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. 'Behold him, when past by; what then is seen' (Page 25)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Mrs. Montagu

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1792
Materials & Techniques:: Mezzotint and etching on medium, moderately textured, cream laid paper set in mount
Dimensions:: Mount: 12 5/8 x 9 7/16 inches (32 x 24 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

56. Philip Affleck, Esq.

Creator:: John Young, 1755–1825
Date:: 1792
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 13 3/4 x 19 7/8in. (34.9 x 50.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

57. French Privateers, Cruising in the English Channel

Creator:: Print made by unknown artist
Date:: 1792
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 1/4 × 11 5/8 inches (41.3 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

58. Thomas Graves

Creator:: unknown artist
Date:: c.1792
Materials & Techniques:: Stipple engraving
Dimensions:: Sheet: 13 1/2 x 17in. (34.3 x 43.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

59. 'The Gamester,' Act V, Scene IV

Creator:: James Fittler, 1758–1835
Date:: 1792
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 1/2 × 3 1/16 inches (14 × 7.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

60. Bridgnorth

Creator:: John Thirtle, 1777–1839
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 9 13/16 × 14 7/16 inches (24.9 × 36.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Corsham Court, Wiltshire: Elevation of the North Front

Creator:: John Nash, 1752–1835
Date:: ca. 1797
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 9/16 × 14 3/8 inches (19.2 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. The Guildhall, Exeter

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1797
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 8 1/8 × 10 1/8 inches (20.6 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. A Raree Show

Creator:: William Alexander, 1767–1816
Date:: between 1792 and 1793
Materials & Techniques:: Watercolor and pen and black ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 7 5/8 × 6 1/4 inches (19.4 × 15.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. The Coal Wharf, Oxford

Creator:: Rev. William Henry Barnard, 1767–1818
Date:: 1792
Materials & Techniques:: Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 17 inches (27.3 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Castle Acre Priory

Creator:: John Thirtle, 1777–1839
Date:: undated
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 × 11 5/8 inches (38.1 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Tipu Sultan's Summer Palace

Creator:: Lieutenant James Hunter, died 1792
Date:: 1792
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 9/16 × 18 13/16 inches (29.3 × 47.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Robert Graham of Gartmore, later Cunninghame Graham

Creator:: John Bogle, 1746–1804
Date:: 1792
Materials & Techniques:: Gouache and watercolor on ivory
Dimensions:: Image: 2 1/4 x 1 3/4 inches (5.7 x 4.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Near Mallwyd on the Dovey

Creator:: Sir Robert Ker Porter, 1777–1842
Date:: undated
Materials & Techniques:: Watercolor, wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 5/8 x 15 13/16in. (27 x 40.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

Creator:: Christian von Mechel, 1737–1817
Date:: 1792
Materials & Techniques:: Engraving on slightly textured, thick, cream wove paper
Dimensions:: Sheet: 18 3/4 × 25 1/2 inches (47.6 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Near the Ferry going to Gott's, Leeds

Creator:: attributed to John Thirtle, 1777–1839
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 8 3/8 inches (26.7 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. A Church Porch

Creator:: John Thirtle, 1777–1839
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 8 3/4 inches (20.3 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Fye Bridge, Norwich

Creator:: John Thirtle, 1777–1839
Date:: undated
Materials & Techniques:: Brown wash and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 9 3/4 × 8 1/4 inches (24.8 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. A Durbar Scene, Poona, October 3, 1792

Creator:: Robert Mabon, died 1798
Date:: 1792
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/2 × 6 1/16 inches (11.4 × 15.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. William Lee, October 1, 1792

Creator:: Robert Mabon, died 1798
Date:: 1792
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 × 6 inches (14 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Two Jeyties Wrestling

Creator:: Gangaram Chintaman Tambat, active 1790s
Date:: 1792
Materials & Techniques:: Watercolor and graphite with pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/4 × 9 inches (13.3 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Two Jeyties

Creator:: Gangaram Chintaman Tambat, active 1790s
Date:: 1792
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 5/8 × 8 15/16 inches (14.3 × 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. View on the River Bhima at Deval Gaun, 28 Miles East of Poona

Creator:: Attributed to Gangaram Chintaman Tambat, active 1790s
Date:: 1792 to 1794
Materials & Techniques:: Watercolor, graphite, pen and brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Image: 11 × 16 7/8 inches (27.9 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. The Lakes of Llanberis - from the Road from Caernarfon Going to Llanberis, Caernarfonshire

Creator:: John Warwick Smith, 1749–1831
Date:: July 14, 1792
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 5 1/8 x 8 1/2 inches (13 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Madiera, South East Extremity, 10 October

Creator:: Henry William Parish, active 1792
Date:: 1792
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/8 × 10 7/16 inches (10.5 × 26.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Mrs. Martha Udney

Creator:: John Massey Wright, 1777–1866
Date:: undated
Materials & Techniques:: Watercolor with gouache and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 x 5 1/2 inches (22.5 x 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

81. The Resolution Beating through the Ice, with the Discovery in the most eminent Danger in the Distance

Creator:: John Webber, 1752–1793
Date:: 1792
Materials & Techniques:: Graphite, squared for transfer on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 16 7/8 inches (26 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. The Resolution Beating through the Ice, with the Discovery in the most eminent Danger in the Distance

Creator:: John Webber, 1752–1793
Date:: 1792
Materials & Techniques:: Graphite; verso: transferred soft ground on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. A Sailing Canoe of Otaheite

Creator:: John Webber, 1752–1793
Date:: 1792
Materials & Techniques:: Graphite; verso: transferred soft ground on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 17 1/4 inches (30.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. View in the Island of Pulo Condore

Creator:: John Webber, 1752–1793
Date:: 1792
Materials & Techniques:: Graphite, squared for transfer on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 × 16 3/4 inches (28.6 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. View in the Island of Pulo Condore

Creator:: John Webber, 1752–1793
Date:: 1792
Materials & Techniques:: Graphite; verso: transferred soft ground on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 17 inches (29.5 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. A Man Lifting a Trunk, Two studies on one sheet

Creator:: George Morland, 1763–1804
Date:: 1792
Materials & Techniques:: Graphite, black chalk, and red chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/16 x 8 1/16in. (28.7 x 20.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. "The Indian Emperor" or "The Conquest of Mexico"

Creator:: Robert Dodd, 1748–1816
Date:: 1792
Materials & Techniques:: Etching and engraving
Dimensions:: Sheet: 17 11/16 x 21 1/2in. (44.9 x 54.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of David Bindman

88. Lady Bective

Creator:: Andrew Robertson, 1777–1845
Date:: undated
Materials & Techniques:: Watercolor and gouache on ivory
Dimensions:: Image: 3 1/8 x 2 1/2 inches (7.9 x 6.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Scotsman with Sword; Modern Dress of a Highland Chieftan

Creator:: George Walker, active 1792–died 1795
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 3/8 × 2 15/16 inches (11.1 × 7.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Uncle George in the Dress of a Highland Herdsman

Creator:: George Walker, active 1792–died 1795
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 3/8 × 3 inches (11.1 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Figure Sketches

Creator:: George Walker, active 1792–died 1795
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 2 15/16 × 3 3/16 inches (7.5 × 8.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Rural Scene

Creator:: George Walker, active 1792–died 1795
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 1/4 × 4 1/16 inches (8.3 × 10.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Man Haranguing a Gatepost

Creator:: George Walker, active 1792–died 1795
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 2 1/2 × 3 13/16 inches (6.4 × 9.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Industrious Jenny

Creator:: George Walker, active 1792–died 1795
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 × 3 inches (11.4 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. The River at Dusk, Oxford

Creator:: Rev. William Henry Barnard, 1767–1818
Date:: 1792
Materials & Techniques:: Watercolor, black chalk and graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 8 × 12 7/8 inches (20.3 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Richmond Castle, Yorkshire

Creator:: follower of John Thirtle, 1777–1839
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 9 1/2 × 13 1/2 inches (24.1 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Shore Scene with Sailing Ship at Quay

Creator:: John Thirtle, 1777–1839
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 12 3/4 inches (23.5 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Pirates

Creator:: John Massey Wright, 1777–1866
Date:: undated
Materials & Techniques:: Watercolor with graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 × 11 5/8 inches (24.1 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III

Creator:: Peltro W. Tomkins, 1760–1840
Date:: 1792
Materials & Techniques:: Line engraving and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 5/8 × 19 1/4 inches (42.2 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

100. River with Fishermen

Creator:: John Glover, 1767–1849
Date:: 1792
Materials & Techniques:: Watercolor and graphite on thick, moderately textured, beige laid paper
Dimensions:: Sheet: 4 x 6 inches (10.2 x 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Date 1792

Search Results

1. A Limekiln, Possibly at Briton Ferry in South Wales

2. Grinding Corn

3. The Benevolent Heir or the Tenant Restored to his Family

4. Valentine rescuing Silvia from Proteus, from Shakespeare's "The Two Gentlemen of Verona," Act V, Scene 4, the Outlaws' Cave

5. The Great Fire of London

6. A Horse Frightened by a Snake

7. Foxhunting in Hilly Country

8. The Angel Binding Satan

9. Christ Disappearing at Emmaus

10. A Stage Coach on a Country Road

11. Charles James Fox

12. Man with Horse and Cart Entering a Quarry

13. North East View of Grantham Church, Lincolnshire

14. St. Augustine's Gate, Canterbury

15. The Witches' Cavern

16. 'Disease invades the chastest temperence' (Page 10)

17. 'The present moment terminates our sight' (Page 13)

18. 'Emblem of that which shall awake the dead' (Page 19)

19. 'One radiant mark, – the death-bed of the just' (Page 41)

20. Night the Third. Narcissa; Title Page

21. 'Its favours here are trials, not rewards' (Page 12)

22. Night the Second. On Time, Death and Friendship; Title Page

23. 'O treacherous conscience!' (Page 27)

24. 'Tis greatly wise to talk with our past hours' (Page 31)

25. 'Like that, the dial speaks; and points to thee' (Page 33)

26. 'Angels should paint it, angels ever there' (Page 40)

27. 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

28. 'Till death, that mighty hunter, earths them all' (Page 70)

29. 'And vapid; sense and reason shew the door' (Page 72)

30. 'When faith is virtue, reason makes it so' (Page 92)

31. 'That touch, with charm celestial heals the soul' (Page 90)

32. 'As if the sun could envy, check'd his beam' (Page 49)

33. 'The vale of death! that hush'd cimmerian vale' (Page 54)

34. 'This King of Terrors is the Prince of Peace' (Page 63)

35. The Christian Triumph; Title Page

36. 'The Sun beheld it – No, the shocking scene' (Page 75)

37. 'His hand the good man fastens on the skies' (Page 86)

38. 'Is lost in love! thou great Philanthropist' (Page 87)

39. 'If angels tremble, 'tis at such a sight' (Page 93)

40. 'The goddess bursts in thunder and in flame' (Page 95)

41. 'Where sense runs savage broke from reason's chain' (Page 46)

42. 'Ungrateful, shall we grieve their hovering shades' (Page 55)

43. 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

44. 'The thunder if in that the Almighty dwells' (Page 80)

45. Night the First. On Life, Death and Immortality; Title Page

46. 'Swift on His Downy Pinion Flies from Woe' (Page 1)

47. 'What, though my soul fantastick measures trod' (Page 4)

48. 'Teaching, we learn; and giving, we retain' (Page 35)

49. 'Love, and love only, is the loan for love' (Page 37)

50. The Complaint, and the Consolation; or, Night Thoughts

51. 'The longest night though longer far, would fail' (Page 15)

52. 'Till at Death's toll, whose restless iron tongue' (Page 7)

53. 'We censure nature for a span too short' (Page 23)

54. 'Behold him, when past by; what then is seen' (Page 25)

55. Mrs. Montagu

56. Philip Affleck, Esq.

57. French Privateers, Cruising in the English Channel

58. Thomas Graves

59. 'The Gamester,' Act V, Scene IV

60. Bridgnorth

61. Corsham Court, Wiltshire: Elevation of the North Front

62. The Guildhall, Exeter

63. A Raree Show

64. The Coal Wharf, Oxford

65. Castle Acre Priory

66. Tipu Sultan's Summer Palace

67. Robert Graham of Gartmore, later Cunninghame Graham

68. Near Mallwyd on the Dovey

69. Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

70. Near the Ferry going to Gott's, Leeds

71. A Church Porch

72. Fye Bridge, Norwich

73. A Durbar Scene, Poona, October 3, 1792

74. William Lee, October 1, 1792

75. Two Jeyties Wrestling