Date: 1792 / Classification: Prints - YCBA Collections Search Search Results

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Date 1792

Classification Prints

William Blake 'Swift on His Downy Pinion Flies from Woe' (Page 1)

Print made by William Blake, 1757–1827

'Swift on His Downy Pinion Flies from Woe' (Page 1)

ca. 1797

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

ca. 1797

William Blake 'O treacherous conscience!' (Page 27)

Print made by William Blake, 1757–1827

'O treacherous conscience!' (Page 27)

ca. 1797

William Blake 'Like that, the dial speaks; and points to thee' (Page 33)

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

ca. 1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

ca. 1797

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

ca. 1797

William Blake Night the First. On Life, Death and Immortality; Title Page

Print made by William Blake, 1757–1827

Night the First. On Life, Death and Immortality; Title Page

ca. 1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

ca. 1797

William Blake Night the Second. On Time, Death and Friendship; Title Page

Print made by William Blake, 1757–1827

Night the Second. On Time, Death and Friendship; Title Page

ca. 1797

William Blake 'Emblem of that which shall awake the dead' (Page 19)

Print made by William Blake, 1757–1827

'Emblem of that which shall awake the dead' (Page 19)

ca. 1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

ca. 1797

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

ca. 1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

ca. 1797

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

ca. 1797

William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

ca. 1797

William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

ca. 1797

William Blake 'This King of Terrors is the Prince of Peace' (Page 63)

Print made by William Blake, 1757–1827

'This King of Terrors is the Prince of Peace' (Page 63)

ca. 1797

William Blake The Christian Triumph; Title Page

Print made by William Blake, 1757–1827

The Christian Triumph; Title Page

ca. 1797

William Blake 'And vapid; sense and reason shew the door' (Page 72)

Print made by William Blake, 1757–1827

'And vapid; sense and reason shew the door' (Page 72)

ca. 1797

William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Print made by William Blake, 1757–1827

'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

ca. 1797

William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)

Print made by William Blake, 1757–1827

'The Sun beheld it – No, the shocking scene' (Page 75)

ca. 1797

William Blake 'His hand the good man fastens on the skies' (Page 86)

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

ca. 1797

William Blake 'The thunder if in that the Almighty dwells' (Page 80)

Print made by William Blake, 1757–1827

'The thunder if in that the Almighty dwells' (Page 80)

ca. 1797

William Blake 'Is lost in love! thou great Philanthropist' (Page 87)

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

ca. 1797

William Blake 'That touch, with charm celestial heals the soul' (Page 90)

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

ca. 1797

William Blake 'If angels tremble, 'tis at such a sight' (Page 93)

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

ca. 1797

William Blake 'The goddess bursts in thunder and in flame' (Page 95)

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

ca. 1797

William Blake 'Where sense runs savage broke from reason's chain' (Page 46)

Print made by William Blake, 1757–1827

'Where sense runs savage broke from reason's chain' (Page 46)

ca. 1797

William Blake 'As if the sun could envy, check'd his beam' (Page 49)

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

ca. 1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

ca. 1797

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

ca. 1797

William Blake 'Love, and love only, is the loan for love' (Page 37)

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

ca. 1797

William Blake 'One radiant mark, – the death-bed of the just' (Page 41)

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

ca. 1797

William Blake 'Till death, that mighty hunter, earths them all' (Page 70)

Print made by William Blake, 1757–1827

'Till death, that mighty hunter, earths them all' (Page 70)

ca. 1797

William Blake The Complaint, and the Consolation; or, Night Thoughts

Print made by William Blake, 1757–1827

The Complaint, and the Consolation; or, Night Thoughts

ca. 1797

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

ca. 1797

William Blake 'We censure nature for a span too short' (Page 23)

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

ca. 1797

William Blake 'Behold him, when past by; what then is seen' (Page 25)

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

ca. 1797

William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

ca. 1797

Joseph Constantine Stadler The Farm House

Joseph Constantine Stadler, active 1780–1812

The Farm House

1792

Robert Dodd "The Indian Emperor" or "The Conquest of Mexico"

Robert Dodd, 1748–1816

"The Indian Emperor" or "The Conquest of Mexico"

1792

John Raphael Smith His Royal Highness George, Prince of Wales

John Raphael Smith, 1752–1812

His Royal Highness George, Prince of Wales

1792

Francesco Bartolozzi Lodona

Francesco Bartolozzi, 1728–1815

Lodona

1792

Francesco Bartolozzi The Freeing of Amoret

Francesco Bartolozzi, 1728–1815

The Freeing of Amoret

1792

unknown artist The Sun Rising

unknown artist

The Sun Rising

1792

John Raphael Smith Eloisa

John Raphael Smith, 1752–1812

Eloisa

1792

Francesco Bartolozzi Georgius Johannes Commes, Spencer

Francesco Bartolozzi, 1728–1815

Georgius Johannes Commes, Spencer

1792

unknown artist Falstaff reproved by King Henry

unknown artist

Falstaff reproved by King Henry

1792

George Townly Stubbs [Fox-hunting] Two Hunters / Belonging to Henry U. Reay of Burn Hall in the County of Durham ....

George Townly Stubbs, 1748–1815

[Fox-hunting] Two Hunters / Belonging to Henry U. Reay of Burn Hall in the County of Durham ...

1792

Francesco Bartolozzi Mrs. Montagu

Print made by Francesco Bartolozzi, 1728–1815

Mrs. Montagu

1792

James Fittler 'The Gamester,' Act V, Scene IV

James Fittler, 1758–1835

'The Gamester,' Act V, Scene IV

1792

John Browne Moon-Light

Print made by John Browne, 1741–1801

Moon-Light

ca. 1797

Charles Gauthier Playter Henry the Eighth

Charles Gauthier Playter, died 1809

Henry the Eighth

1792

Robert Dodd Action off Cape St. Vicent, 14 February 1797

Robert Dodd, 1748–1816

Action off Cape St. Vicent, 14 February 1797

ca. 1797

John Browne Evening

Print made by John Browne, 1741–1801

Evening

ca. 1797

John Browne Evening

Print made by John Browne, 1741–1801

Evening

ca. 1797

Francis Jukes View of the Forth, Including the Queen's Ferry

Francis Jukes, 1747–1812

View of the Forth, Including the Queen's Ferry

1792

Joseph Farington Windsor Bridge

Print made by Joseph Farington, 1747–1821

Windsor Bridge

1792

Francesco Bartolozzi Miss Farren

Print made by Francesco Bartolozzi, 1728–1815

Miss Farren

1792

Francesco Bartolozzi Thais

Print made by Francesco Bartolozzi, 1728–1815

Thais

1792

Thomas Cheesman Marchioness of Townshend and Child

Print made by Thomas Cheesman, 1760–1834/35

Marchioness of Townshend and Child

1792

unknown artist French Privateers, Cruising in the English Channel

Print made by unknown artist

French Privateers, Cruising in the English Channel

1792

John Chapman Rosalind, Celia and Touchstone - "As You Like It," Act II, Scene III

John Chapman, active ca. 1792–1823

Rosalind, Celia and Touchstone - "As You Like It," Act II, Scene III

1792

Francis Legat "King Lear", Act V, Scene III

Francis Legat, 1755–1809

"King Lear", Act V, Scene III

1792

unknown artist Falstaff Reproved by King Henry

unknown artist

Falstaff Reproved by King Henry

1792

William Birch Mrs. Robinson

Print made by William Birch, 1755–1834

Mrs. Robinson

1792

Francesco Bartolozzi Miss Farren

Print made by Francesco Bartolozzi, 1728–1815

Miss Farren

1792

John Jones Reverend John Moore, Lord Archbishop of Canterbury

John Jones, ca. 1745–1797

Reverend John Moore, Lord Archbishop of Canterbury

1792

John Chapman Falstaff's Escape - "The Merry Wives of Windsor," Act IV, Scene II

John Chapman, active ca. 1792–1823

Falstaff's Escape - "The Merry Wives of Windsor," Act IV, Scene II

1792

John Chapman Falstaff's Escape - "The Merry Wives of Windsor," Act IV, Scene II

John Chapman, active ca. 1792–1823

Falstaff's Escape - "The Merry Wives of Windsor," Act IV, Scene II

1792

Thomas Cheesman The Supposed Death of Imogen, 'Cymbeline,' Act IV, Scene IV

Print made by Thomas Cheesman, 1760–1834/35

The Supposed Death of Imogen, 'Cymbeline,' Act IV, Scene IV

1792

unknown artist Macbeth and the Murderers - "Macbeth," Act III, Scene I

unknown artist

Macbeth and the Murderers - "Macbeth," Act III, Scene I

1792

Thomas Trotter Jonathan Shipley, Bishop of St. Asaph

Thomas Trotter, ca. 1750–1803

Jonathan Shipley, Bishop of St. Asaph

1792

William Gmelin Vue des Petites Cascatelles a Tivoli

William Gmelin, 1745–1821

Vue des Petites Cascatelles a Tivoli

1792

Francesco Bartolozzi Funeral Card of Sir Joshua Reynolds

Print made by Francesco Bartolozzi, 1728–1815

Funeral Card of Sir Joshua Reynolds

1792

Thomas Trotter Dr. Samuel Johnson

Thomas Trotter, ca. 1750–1803

Dr. Samuel Johnson

1792

George Saunders Monument for Sir Joshua Reynolds

George Saunders, c.1762–1839

Monument for Sir Joshua Reynolds

1792

Thomas Morris Partial View of the West Front of St. Pauls

Thomas Morris, born 1771

Partial View of the West Front of St. Pauls

1792

William Ellis Islington Church

William Ellis, 1747–1810

Islington Church

1792

William Ellis Islington

William Ellis, 1747–1810

Islington

1792

Thomas Ryder The Murder of James First, King of Scotland

Thomas Ryder, 1746–1810

The Murder of James First, King of Scotland

1792

William Ellis Camberwell

William Ellis, 1747–1810

Camberwell

1792

unknown artist The Bank

unknown artist

The Bank

1792

unknown artist A Gentleman's Seat on Stockwell Common, Surrey

unknown artist

A Gentleman's Seat on Stockwell Common, Surrey

1792

unknown artist Old Charing Cross

unknown artist

Old Charing Cross

1792

Francesco Bartolozzi Sir John More

Print made by Francesco Bartolozzi, 1728–1815

Sir John More

1792

Francesco Bartolozzi Katherine, Duchess of Suffolk

Print made by Francesco Bartolozzi, 1728–1815

Katherine, Duchess of Suffolk

1792

John Eginton Setting out for the Fair

John Eginton, active 1763–1800

Setting out for the Fair

1792

Caroline Watson King Henry VI, Part II, Act III, Scene III

Print made by Caroline Watson, 1760–1814

King Henry VI, Part II, Act III, Scene III

1792

Francesco Bartolozzi Jane, Lady Lister

Print made by Francesco Bartolozzi, 1728–1815

Jane, Lady Lister

1792

John Eginton The Fairings

John Eginton, active 1763–1800

The Fairings

1792

Francesco Bartolozzi Jane, Lady Lister

Print made by Francesco Bartolozzi, 1728–1815

Jane, Lady Lister

1792

James Fittler The Winter's Tale, Act IV, Scene III

Print made by James Fittler, 1758–1835

The Winter's Tale, Act IV, Scene III

1792

William Sharp Niobe

Figures engraved by William Sharp, 1749–1824

Niobe

1792

Francesco Bartolozzi Mrs. Lenox

Print made by Francesco Bartolozzi, 1728–1815

Mrs. Lenox

1792

Francesco Bartolozzi Miss Price

Print made by Francesco Bartolozzi, 1728–1815

Miss Price

1792

Samuel Howitt Herd of Eight Horses under a Tree

Samuel Howitt, 1756–1822

Herd of Eight Horses under a Tree

1792

William Ellis The House of William Russell, Esq., Showell Green

William Ellis, 1747–1810

The House of William Russell, Esq., Showell Green

1792

William Ellis The House of William Russell, Esq., Showell Green: English and French Text

William Ellis, 1747–1810

The House of William Russell, Esq., Showell Green: English and French Text

1792

William Ellis Baskerville House, the Residence of John Ryland, Esq.

William Ellis, 1747–1810

Baskerville House, the Residence of John Ryland, Esq

1792