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William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
ca. 1797
William Blake 'And vapid; sense and reason shew the door' (Page 72)
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
ca. 1797
William Blake 'The thunder if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder if in that the Almighty dwells' (Page 80)
ca. 1797
William Blake 'The goddess bursts in thunder and in flame' (Page 95)
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
ca. 1797
William Blake 'One radiant mark, – the death-bed of the just' (Page 41)
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
ca. 1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
William Blake 'Where sense runs savage broke from reason's chain' (Page 46)
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
ca. 1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
William Blake 'When faith is virtue, reason makes it so' (Page 92)
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
ca. 1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
ca. 1797
William Blake The Christian Triumph; Title Page
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
ca. 1797
William Blake 'Till death, that mighty hunter, earths them all' (Page 70)
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
ca. 1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
ca. 1797
William Blake 'Is lost in love! thou great Philanthropist' (Page 87)
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
William Blake 'O treacherous conscience!' (Page 27)
Print made by William Blake, 1757–1827
'O treacherous conscience!' (Page 27)
ca. 1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
William Blake 'The present moment terminates our sight' (Page 13)
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
ca. 1797
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
ca. 1797
William Blake 'Tis greatly wise to talk with our past hours' (Page 31)
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
ca. 1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
William Blake 'Angels should paint it, angels ever there' (Page 40)
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
William Blake Night the Second. On Time, Death and Friendship; Title Page
Print made by William Blake, 1757–1827
Night the Second. On Time, Death and Friendship; Title Page
ca. 1797
William Blake 'This King of Terrors is the Prince of Peace' (Page 63)
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
ca. 1797
William Blake 'That touch, with charm celestial heals the soul' (Page 90)
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797
William Blake Night the First. On Life, Death and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
ca. 1797
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
William Blake 'Swift on His Downy Pinion Flies from Woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on His Downy Pinion Flies from Woe' (Page 1)
ca. 1797
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
William Blake The Complaint, and the Consolation; or, Night Thoughts
Print made by William Blake, 1757–1827
The Complaint, and the Consolation; or, Night Thoughts
ca. 1797
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
Robert Dodd "The Indian Emperor" or "The Conquest of Mexico"
Robert Dodd, 1748–1816
"The Indian Emperor" or "The Conquest of Mexico"
1792
unknown artist The Archiepiscopal Palace of Lambeth
unknown artist
The Archiepiscopal Palace of Lambeth
1792
Isaac Cruikshank A Right Honorable (sic) Alias a sans Culotte
Isaac Cruikshank, 1764–1811
A Right Honorable (sic) Alias a sans Culotte
1792
Isaac Cruikshank A Ward of Chancery
Isaac Cruikshank, 1764–1811
A Ward of Chancery
1792
Isaac Cruikshank Mad Tom's First Practical Essay on the Rights of Man
Isaac Cruikshank, 1764–1811
Mad Tom's First Practical Essay on the Rights of Man
1792
James Gillray Committee of Grievances and Apprehensions
James Gillray, 1756–1815
Committee of Grievances and Apprehensions
1792
James Gillray The Fall of the Wolsey of the Woolsack
James Gillray, 1756–1815
The Fall of the Wolsey of the Woolsack
1792
John Condé Mrs. Fitzherbert
Print made by John Condé, 1765–1794
Mrs. Fitzherbert
1792
Richard Newton A Saviour of the Nation between Two Thieves
Richard Newton, 1777–1798
A Saviour of the Nation between Two Thieves
ca. 1797
Isaac Cruikshank Oysters. Oysters. I Us'd for to Cry, When the Wind Blew so Hard that my Boat could not Ply
Print made by Isaac Cruikshank, 1764–1811
Oysters. Oysters. I Us'd for to Cry, When the Wind Blew so Hard that my Boat could not Ply
1792
William Dent The High-German Quack...and choice Assistant, or, a Weak Attempt to cure the French
Attributed to William Dent, active 1784–1793
The High-German Quack...and choice Assistant, or, a Weak Attempt to cure the French
1792
William Dent The Oriental Orpheus, or, Scotch Conjurer Charming John Bull with the Idea of Eastern Resources
Print made by William Dent, active 1784–1793
The Oriental Orpheus, or, Scotch Conjurer Charming John Bull with the Idea of Eastern Resources
1792
William Dent A Promising Budget, Or, John Bull
William Dent, active 1784–1793
A Promising Budget, Or, John Bull
1792
William Dent A National Beggar On Horseback, Or, An Illustrious Overshot At Newmarket...
Print made by William Dent, active 1784–1793
A National Beggar On Horseback, Or, An Illustrious Overshot At Newmarket..
1792
William Dent A Jord-n for the Duke's Chamber
Print made by William Dent, active 1784–1793
A Jord-n for the Duke's Chamber
1792
William Dent The Imperial Quixote and Generalissimo Sancho's Grand, Joyfull and Triumphant return to Germany after the Conquest of France
Print made by William Dent, active 1784–1793
The Imperial Quixote and Generalissimo Sancho's Grand, Joyfull and Triumphant return to Germany after the Conquest of France
1792
William Dent Flying News; Or, Seringapatam taken by Stratagem...
William Dent, active 1784–1793
Flying News; Or, Seringapatam taken by Stratagem..
1792
unknown artist The Ladies Register Office for Tall Footmen
unknown artist
The Ladies Register Office for Tall Footmen
1792
unknown artist The Combustible Breeches
unknown artist
The Combustible Breeches
1792
Thomas Rowlandson A Lying-In Visit, or a Short-Sighted Mistake
Thomas Rowlandson, 1756–1827
A Lying-In Visit, or a Short-Sighted Mistake
1792
Thomas Rowlandson An Essay on the Sublime and Beautiful, The Maiden Speech
Thomas Rowlandson, 1756–1827
An Essay on the Sublime and Beautiful, The Maiden Speech
1792
Richard Newton Pluck'd Pigeons
Richard Newton, 1777–1798
Pluck'd Pigeons
1792
Richard Newton Ca Ira - or John Bull studying the Graces!!---
Richard Newton, 1777–1798
Ca Ira - or John Bull studying the Graces!!---
1792
Richard Newton An Old Maid, Treating a Favorite Cat to a Duck and Green Peas
Richard Newton, 1777–1798
An Old Maid, Treating a Favorite Cat to a Duck and Green Peas
1792
Richard Newton A Shot at a Cock; or, An Alarm of Assassination
Richard Newton, 1777–1798
A Shot at a Cock; or, An Alarm of Assassination
1792
Richard Newton Scene in the Road to Ruin
Richard Newton, 1777–1798
Scene in the Road to Ruin
1792
James Sayer Monsieur Francois introduces Master Pr----------tly to the National Assembly
James Sayer, 1748–1823
Monsieur Francois introduces Master Pr----------tly to the National Assembly
1792
Thomas Rowlandson Flying Breakfast, or the Contents of a Night Coach
Thomas Rowlandson, 1756–1827
Flying Breakfast, or the Contents of a Night Coach
1792
unknown artist Justice and Humility at Home
unknown artist
Justice and Humility at Home
1792
unknown artist Sturdy Beggars Collecting for the Emigrant French Clergy
unknown artist
Sturdy Beggars Collecting for the Emigrant French Clergy
1792
William Dent The Fall of Wolsey, or, turning a Great Man out of Office.
Print made by William Dent, active 1784–1793
The Fall of Wolsey, or, turning a Great Man out of Office
1792
William Dent New Reformers, Or Corporal Bardolph's New-Raised Corps of Active Citizens
Print made by William Dent, active 1784–1793
New Reformers, Or Corporal Bardolph's New-Raised Corps of Active Citizens
1792
Richard Newton Psalm Singing at the Chapel XXXXX (Royal)
Richard Newton, 1777–1798
Psalm Singing at the Chapel XXXXX (Royal)
1792
Richard Newton The False Alarm
Richard Newton, 1777–1798
The False Alarm
1792
Richard Newton The Windsor Milkman or, Anything to turn a Penny
Richard Newton, 1777–1798
The Windsor Milkman or, Anything to turn a Penny
1792
Richard Newton A Proclamation in Lilliput
Richard Newton, 1777–1798
A Proclamation in Lilliput
1792
unknown artist A Batch of Peers
unknown artist
A Batch of Peers
1792
unknown artist Content and Discontent
unknown artist
Content and Discontent
1792
unknown artist Liberty and Equality
unknown artist
Liberty and Equality
1792
Richard Newton The Thieves detected at Last, or - a Wonderful Discovery at Windsor Farm
Richard Newton, 1777–1798
The Thieves detected at Last, or - a Wonderful Discovery at Windsor Farm
1792
Richard Newton Contributing to the Sinking Fund
Richard Newton, 1777–1798
Contributing to the Sinking Fund
1792
Richard Newton Political Boxing; or an Attack, at the Woolsack
Richard Newton, 1777–1798
Political Boxing; or an Attack, at the Woolsack
1792
unknown artist A Revolution General in Full Dress
unknown artist
A Revolution General in Full Dress
1792
Richard Newton The Duke of Brunswick Attacking the Rear of the Sans Culottes
Richard Newton, 1777–1798
The Duke of Brunswick Attacking the Rear of the Sans Culottes
1792
Richard Newton Prussian Bobadils, Returning to Berlin!!!!!!!
Richard Newton, 1777–1798
Prussian Bobadils, Returning to Berlin!!!!!!!
1792
Richard Newton Louis Dethron'd; or Hell Broke Loose in Paris
Richard Newton, 1777–1798
Louis Dethron'd; or Hell Broke Loose in Paris
1792
Richard Newton Arming in the Defence of the French Princes or the Parting of Hector and Andromache
Richard Newton, 1777–1798
Arming in the Defence of the French Princes or the Parting of Hector and Andromache
1792
unknown artist The Argus of the Constitution
unknown artist
The Argus of the Constitution
1792
Isaac Cruikshank The Genius of France Extirpating Despo-tism Tyranny and Oppression from the Face of the Earth, Or - The Royal Warriors Defeated
Isaac Cruikshank, 1764–1811
The Genius of France Extirpating Despo-tism Tyranny and Oppression from the Face of the Earth, Or - The Royal Warriors Defeated
1792
Isaac Cruikshank The New Prussian Exercise, Or - The Allied Armies Distressed in their Rears with a Hint at the Convenience of Sans Culottes
Print made by Isaac Cruikshank, 1764–1811
The New Prussian Exercise, Or - The Allied Armies Distressed in their Rears with a Hint at the Convenience of Sans Culottes
1792
Isaac Cruikshank A Delitanti Performance of Midas at Turnbridge Wells, October 1792
Isaac Cruikshank, 1764–1811
A Delitanti Performance of Midas at Turnbridge Wells, October 1792
1792
unknown artist The Gagger Gagged!!
unknown artist
The Gagger Gagged!!
1792
Isaac Cruikshank Sedition, Levelling and Plundering
Print made by Isaac Cruikshank, 1764–1811
Sedition, Levelling and Plundering
1792
Thomas Ryder The Murder of James I, King of Scotland
Thomas Ryder, 1746–1810
The Murder of James I, King of Scotland
1792
Richard Newton The Tar and the Jordan!
Richard Newton, 1777–1798
The Tar and the Jordan!
ca. 1797
Richard Newton Dainty Nice Sprats, Ho!
Richard Newton, 1777–1798
Dainty Nice Sprats, Ho!
1792
Richard Newton Michael driving Satan out of Paradise
Richard Newton, 1777–1798
Michael driving Satan out of Paradise
1792
Richard Newton A Visit to the Grandfather, How Do Grand Pa?
Richard Newton, 1777–1798
A Visit to the Grandfather, How Do Grand Pa?
1792
James Sayer Loyalty - Against - Levelling - "Nought can Make us Rue if England to itself do Rest but True" (from: Caricature, vol. 5)
James Sayer, 1748–1823
Loyalty - Against - Levelling - "Nought can Make us Rue if England to itself do Rest but True" (from: Caricature, vol. 5)
1792
unknown artist How D'ye do?
unknown artist
How D'ye do?
1792
unknown artist Duke Manifesto's Triumphant Entry into Paris, and Introduction to the Lady President of the Fishwomen, with the Presenting him with a Helmet of New Construction, being the Free Will offering of her Ladyships Bum Battery
unknown artist
Duke Manifesto's Triumphant Entry into Paris, and Introduction to the Lady President of the Fishwomen, with the Presenting him with a Helmet of New Construction, being the Free Will offering of her Ladyships Bum Battery
1792