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Collection
Prints and Drawings
506
Paintings and Sculpture
11
Rare Books and Manuscripts
5
Creator
Moore, James, 1762–1799
87
Unknown artist
46
Blake, William, 1757–1827
39
Edwards, Richard, active 1796–1797
39
Young, Edward, 1683–1765
39
Bartolozzi, Francesco, 1727–1815
31
Cruikshank, Isaac, 1764–1811
26
Newton, Richard, 1777–1798
26
Gillray, James, 1756–1815
25
Dent, William, active 1784–1793
23
Girtin, Thomas, 1775–1802
16
Ellis, William, 1747–1810
15
Reynolds, Joshua, Sir, 1723–1792
11
Thirtle, John, 1777–1839
11
Bunbury, Henry William, 1750–1811
10
Parish, Henry William, active 1792
10
Holbein, Hans the Younger, ca. 1497–1543
9
Chamberlaine, John, 1745–1812
8
Fores, S. W., 1761–1838
8
Boydell, John, 1720–1804
7
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Date
1800
1,232
1791
1,172
1802
1,077
1834
732
1745
658
1796
652
1775
644
1795
622
1749
577
1827
566
1793
549
1789
544
1771
538
1825
526
1792
[remove]
522
1804
522
1832
522
1835
519
1790
511
1830
506
1799
504
1826
486
1820
475
1794
458
1797
454
1803
450
1784
442
1836
437
1772
434
1700
429
1770
414
1808
414
1833
404
1782
378
1780
372
1785
371
1823
369
1867
351
1818
347
1807
342
1812
341
1768
339
1801
327
1798
324
1814
315
1821
315
1767
312
1750
311
1788
295
1815
294
1813
293
1853
293
1809
289
1805
288
1810
288
1783
287
1748
285
1811
285
1828
278
1764
275
1787
275
1773
273
1817
273
1839
272
1840
268
1831
267
1752
266
1824
263
1786
255
1837
255
1730
250
1546
248
1778
248
1819
246
1739
242
1755
240
1822
231
1855
230
1816
224
1806
223
1829
217
1765
209
1758
207
1725
204
1781
203
1870
201
1777
198
1838
197
1630
190
1850
190
1738
188
1877
187
1776
186
1762
185
1740
181
1763
180
1760
179
1846
177
1754
175
1779
173
On-site Access
Accessible by appointment in the Study Room
511
Not on view
11
Image Use
Free to Use
[remove]
522
Image Available
Available
505
Unavailable
17
Classification
Prints
315
Drawings & Watercolors
188
Paintings
10
Books
2
Drawing & Watercolors-Architectural
2
Drawings & Watercolors-Miniatures
2
Periodicals
2
Sculptures
1
Creator Gender
male
487
unknown
51
female
6
Collective Title
Two Volumes of 187 Drawings and Manuscripts, Including, 4 Etchings
84
Young's Night Thoughts
39
An Album of Sketches on the Voyage from England to China with Lord Macartney's Embassy
9
Views in the South Seas 1776-1780
7
Views of the Ruins of the Principal Houses Destroyed During the Riots at Birmingham
6
Vues des ruines des principaux batiments qui ont souffert dans les emeutes de Birmingham
6
Iconographie Anglaise par Reynolds et Autres
5
A Long String of Resolutions for the New Year
2
The Winter's Tale
2
A Midsummer Night's Dream
1
Antiquities of London and Environs
1
British Theatre
1
The Merry Wives of Windsor
1
The Tragedy of Macbeth
1
Views in the Province of Kiang Nan, China
1
Period
18th century
489
18th century-19th century
27
19th century
6
Materials & Techniques
wove paper
208
graphite
173
watercolor
122
laid paper
83
etching (printing process)
75
line engraving
59
stipple engraving
43
black ink
21
brown ink
21
pen
17
mezzotint
14
aquatint
10
hand coloring
10
painting (technique)
10
oil paint
9
canvas
7
gouache
6
gray wash
6
gray ink
5
soft ground
5
more
Materials & Techniques
»
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
0
to
166
Unknown
48
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
0
to
160
Unknown
49
Work Type
drawing
215
intaglio print
146
watercolor
119
painting
10
aquatint
3
ticket
3
miniature
2
bust
1
panorama
1
periodical
1
relief print
1
sculpture
1
viewbook
1
Genre
architectural subject
131
landscape
79
literary theme
54
genre subject
50
portrait
45
marine art
24
figure study
12
religious and mythological subject
11
historical subject
8
sporting art
8
cityscape
7
animal art
5
military art
3
botanical subject
1
Subject Terms
architectural subject
59
men
57
landscape
53
literary theme
50
trees
43
women
42
text
37
genre subject
30
portrait
25
caricature
23
clouds
21
man
21
caricatures
20
satire
20
costume
19
ruins
18
river
17
woman
17
marine art
16
nudes
16
more
Subject Terms
»
Associated Places
England
47
United Kingdom
46
Europe
31
Northumberland
7
Scotland
7
Asia
6
Birmingham
6
Devon
6
India
6
China
4
Greater London
4
London
4
Wales
4
Thames
3
Berkshire
2
Bristol
2
Cumbria
2
Cymru
2
Dartmouth
2
Hertfordshire
2
more
Associated Places
»
Associated People
Shakespeare, William (1564–1616), playwright and poet
19
Asaf-ud-Daulah (1748–1797), nawab wazir of Oudh
2
Colonel Mordaunt (fl. 1786)
2
Humphry, Ozias (1742–1810), miniature and portrait painter
2
Jesus Christ (7–2 BC/BCE to 30–36 AD/CE)
2
Pitt, William [known as Pitt the younger] (1759–1806), prime minister
2
Robinson, Mary (1756/1758?–1800), author and actress
2
Zoffany, Johan Joseph (1733–1810), portrait painter
2
Affleck, Philip (b. after 1725?, d. 1799), naval officer
1
Anne Page (character in The Merry Wives of Windsor)
1
Apollo
1
Carl Bernhard Wadström (1746–1799), abolitionist
1
Charlotte (1744–1818), queen of the United Kingdom of Great Britain and Ireland, and queen of Hanover, consort of George III
1
Cleopas
1
Clinton, Henry Fiennes Pelham-, ninth earl of Lincoln and second duke of Newcastle under Lyme (1720–1794), politician
1
Diana
1
Dundas, Henry, first Viscount Melville (1742–1811), British politician and lawyer
1
Elizabeth
1
Falstaff
1
Farren, Elizabeth (1759x62–1829), actress
1
more
Associated People
»
Exhibition History
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
40
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
15
Spreading Canvas - Eighteenth - Century British Marine Painting (Yale Center for British Art, 2016-09-09 - 2016-12-04)
10
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
7
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
6
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
5
Thomas Girtin and the Art of Watercolour (Tate Britain, 2002-07-04 - 2002-09-29)
5
Shakespeare and British Art (Yale Center for British Art, 1981-04-23 - 1981-07-05)
4
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
4
Adapting the Eye: an archive of the British in India, 1770-1830 (Yale Center for British Art, 2011-10-11 - 2011-12-31)
3
Francis Wheatley (Yale Center for British Art, 2005-08-31 - 2006-02-05)
3
Making History - Antiquaries in Britain 1707-2007 (Yale Center for British Art, 2012-02-02 - 2012-05-27)
3
Sensation and Sensibility: Viewing Gainsborough's " Cottage Door " (The Huntington Library, Art Collections, and Botanical Gardens, 2006-02-11 - 2006-05-14)
2
Sensation and Sensibility: Viewing Gainsborough's " Cottage Door " (Yale Center for British Art, 2005-10-06 - 2005-12-31)
2
The Creative Printmaker (Joseph and Margaret Muscarelle Museum of Art, 1986-03-05 - 1986-04-20)
2
The Creative Printmaker (Yale Center for British Art, 1985-07-09 - 1985-09-01)
2
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
2
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
2
Two Extraordinary Women : The Lives and Art of Maria Cosway (1760-1838) and Mary Darby Robinson (1757-1800) (The Fralin Museum of Art, University of Virginia, 2016-01-29 - 2016-05-01)
2
Wilde Americk - Discovery and Exploration of the New World, 1500-1850 (Yale Center for British Art, 2001-09-27 - 2001-09-27)
2
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
426
Yale Center for British Art
36
Yale Center for British Art, Paul Mellon Fund
23
Yale Center for British Art, Gift of Paul F. Walter
4
Yale Center for British Art; Yale University Art Gallery Collection
4
Yale Center for British Art, Bequest of William S. Konecky
3
Yale Center for British Art, Gift of Frederick W. Hilles
3
Yale Center for British Art; Gift of Herman W. Liebert
3
Yale Center for British Art, Gift of Chauncey Brewster Tinker
2
Yale Center for British Art, Gift of Godfrey Pearlson
2
Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth
2
Yale Center for British Art, Yale University Art Gallery Collection
2
Yale Center for British Art, Gift of David Bindman in memory of Richard Godfrey
1
Yale Center for British Art, Gift of Herman W. Liebert
1
Yale Center for British Art, Gift of Lowell Libson Ltd.
1
Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends
1
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938
1
Yale Center for British Art; Gift of David Bindman
1
Yale Center for British Art; Yale University Art Gallery Collection; Gift of John Gerli, B.A. 1932
1
Language
English
5
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Date
1792
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1
Joseph Mallord William Turner, 1775–1851
A Limekiln, Possibly at Briton Ferry in South Wales
ca. 1795-96
Not on view
2
Arthur William Devis, 1762–1822
Grinding Corn
between 1792 and 1795
Not on view
3
William Redmore Bigg, 1755–1828
The Benevolent Heir or the Tenant Restored to his Family
ca. 1797
Not on view
4
Francis Wheatley, 1747–1801
Valentine rescuing Silvia from Proteus, from Shakespeare's "The Two Gentlemen of Verona," Act V, Scene 4, the Outlaws' Cave
1792
Not on view
5
Philippe-Jacques de Loutherbourg, 1740–1812
The Great Fire of London
ca. 1797
Not on view
6
George Morland, 1763–1804
Foxhunting in Hilly Country
1792
Not on view
7
Sawrey Gilpin, 1733–1807
A Horse Frightened by a Snake
1792
Not on view
8
Henry Fuseli, 1741–1825
Christ Disappearing at Emmaus
1792
Not on view
9
Philippe-Jacques de Loutherbourg, 1740–1812
The Angel Binding Satan
ca. 1797
Not on view
10
Julius Caesar Ibbetson, 1759–1817
A Stage Coach on a Country Road
1792
Not on view
11
Joseph Nollekens, 1737–1823
Charles James Fox
1792
Not on view
12
Joseph Mallord William Turner, 1775–1851
North East View of Grantham Church, Lincolnshire
ca. 1797
13
Joseph Mallord William Turner, 1775–1851
Man with Horse and Cart Entering a Quarry
ca. 1797
14
Joseph Mallord William Turner, 1775–1851
St. Augustine's Gate, Canterbury
between 1792 and 1793
15
George Romney, 1734–1802
The Witches' Cavern
between 1792 and 1793
16
Print made by William Blake, 1757–1827
The Complaint, and the Consolation; or, Night Thoughts
ca. 1797
17
Print made by William Blake, 1757–1827
Night the Second. On Time, Death and Friendship; Title Page
ca. 1797
18
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
ca. 1797
19
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
ca. 1797
20
Print made by William Blake, 1757–1827
'Swift on His Downy Pinion Flies from Woe' (Page 1)
ca. 1797
21
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
22
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
23
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
ca. 1797
24
Print made by William Blake, 1757–1827
'O treacherous conscience!' (Page 27)
ca. 1797
25
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
ca. 1797
26
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
27
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
ca. 1797
28
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
ca. 1797
29
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
30
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
31
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
32
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
33
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
34
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
35
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
36
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
ca. 1797
37
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
ca. 1797
38
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
ca. 1797
39
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
40
Print made by William Blake, 1757–1827
'The thunder if in that the Almighty dwells' (Page 80)
ca. 1797
41
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
42
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
ca. 1797
43
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
ca. 1797
44
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
ca. 1797
45
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
46
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
ca. 1797
47
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797
48
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
ca. 1797
49
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
ca. 1797
50
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
51
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
52
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
53
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
54
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
55
George Walker, active 1792–died 1795
Scotsman with Sword; Modern Dress of a Highland Chieftan
undated
56
George Walker, active 1792–died 1795
Industrious Jenny
undated
57
George Walker, active 1792–died 1795
Uncle George in the Dress of a Highland Herdsman
undated
58
George Walker, active 1792–died 1795
Rural Scene
undated
59
Christian von Mechel, 1737–1817
Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
1792
60
John Thirtle, 1777–1839
Castle Acre Priory
undated
61
George Morland, 1763–1804
A Man Lifting a Trunk, Two studies on one sheet
1792
62
Robert Dodd, 1748–1816
"The Indian Emperor" or "The Conquest of Mexico"
1792
63
Andrew Robertson, 1777–1845
Lady Bective
undated
64
attributed to John Thirtle, 1777–1839
Near the Ferry going to Gott's, Leeds
undated
65
Sir Robert Ker Porter, 1777–1842
Near Mallwyd on the Dovey
undated
66
John Thirtle, 1777–1839
A Church Porch
undated
67
John Thirtle, 1777–1839
Fye Bridge, Norwich
undated
68
J. S. Barth, active 1797–1809
River Scene with Waterfall and High Trees
1792
69
John Thirtle, 1777–1839
A View of Waltham Abbey, Herts, Essex
undated
70
Joseph Constantine Stadler, active 1780–1812
The Farm House
1792
71
Christian von Mechel, 1737–1817
Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
1792
72
Christian von Mechel, 1737–1817
Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
1792
73
John Massey Wright, 1777–1866
Pirates
undated
74
follower of John Thirtle, 1777–1839
Richmond Castle, Yorkshire
undated
75
John Glover, 1767–1849
River with Fishermen
1792
76
John Massey Wright, 1777–1866
Falstaff Disguised as Herne
undated
77
John Nash, 1752–1835
Corsham Court, Wiltshire: Elevation of the North Front
ca. 1797
78
John Bogle, 1746–1804
Robert Graham of Gartmore, later Cunninghame Graham
1792
79
George Walker, active 1792–died 1795
Man Haranguing a Gatepost
undated
80
John Thirtle, 1777–1839
Shore Scene with Sailing Ship at Quay
undated
81
Robert Mabon, died 1798
William Lee, October 1, 1792
1792
82
Robert Mabon, died 1798
A Durbar Scene, Poona, October 3, 1792
1792
83
Attributed to Gangaram Chintaman Tambat, active 1790s
View on the River Bhima at Deval Gaun, 28 Miles East of Poona
1792 to 1794
84
James Wales, 1746 or 1747–1795
Krishna and Radha
1792 to 1795
85
John Thirtle, 1777–1839
View near Bishopsgate Bridge with Cow Tower, looking towards Mousehold
undated
86
John Walker, active 1792–1803
Worcester
1792
87
James Gillray, 1756–1815
The Bishop of a Tun's Breeches; - or - The Flaming Eveque, Purifying the House of Office
1792
88
James Gillray, 1756–1815
John Bull Bother'd; - or - The Geese Alarming the Capitol
1792
89
James Gillray, 1756–1815
French Liberty - British Slavery
1792
90
James Gillray, 1756–1815
Design for the New Gallery of Busts and Pictures
1792
91
James Gillray, 1756–1815
The Bottomless-Pitt
1792
92
James Gillray, 1756–1815
The Power of Beauty; - St. Cecillia Charming the Brute; - or - The Seduction of the Welch-Ambassador (from: Caricature, vol. 2)
1792
93
James Gillray, 1756–1815
Anti-Sacharrites, - or - John Bull and His Family Leaving off the Use of Sugar
1792
94
James Gillray, 1756–1815
A Sphere, Projecting against a Plane ---
1792
95
James Gillray, 1756–1815
The National Assembly Petrified / The National Assembly Revivified
1792
96
Print made by Robert Thew, 1758–1802
King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)
1792
97
James Gillray, 1756–1815
The Dagger Scene: - or - The Plot Discover'd
1792
98
William Walker, 1791–1867
Worcester
1792
99
James Gillray, 1756–1815
Vices overlook'd in the New Proclamation
1792
100
James Gillray, 1756–1815
Sin, Death, and the Devil
1792
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