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1. The Angel Binding Satan

The Angel Binding Satan
Creator:
Philippe-Jacques de Loutherbourg, 1740–1812
Date:
ca. 1797
Materials & Techniques:
Oil on canvas
Dimensions:
17 3/4 x 14 3/4 inches (45.1 x 37.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

2. River Scene with Waterfall and High Trees

River Scene with Waterfall and High Trees
Creator:
J. S. Barth, active 1797–1809
Date:
1792
Materials & Techniques:
Watercolor and pen and black ink with scraping on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 7/8 × 14 3/4 inches (25.1 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. John Bull Bother'd; - or - The Geese Alarming the Capitol

John Bull Bother'd; - or - The Geese Alarming the Capitol
Creator:
James Gillray, 1756–1815
Date:
1792
Materials & Techniques:
Etching and aquatint, hand-colored
Dimensions:
Sheet: 11 5/8 x 14 3/4in. (29.5 x 37.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Anticipation - Ways & Means - or - Buonaparte Really Taken!!

Anticipation - Ways & Means - or - Buonaparte Really Taken!!
Creator:
Print made by Charles Williams, active 1796–1830
Date:
1792
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 10 5/8 x 15in. (27 x 38.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. The False Alarm

The False Alarm
Creator:
Richard Newton, 1777–1798
Date:
1792
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 10 1/8 x 15in. (25.7 x 38.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

6. The Imperial Quixote and Generalissimo Sancho's Grand, Joyfull and Triumphant return to Germany after the Conquest of France

The Imperial Quixote and Generalissimo Sancho's Grand, Joyfull and Triumphant return to Germany after the Conquest of France
Creator:
Print made by William Dent, active 1784–1793
Date:
1792
Materials & Techniques:
Etching with watercolor on laid paper
Dimensions:
Sheet: 8 1/2 x 15in. (21.6 x 38.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

7. The Benevolent Effects of Abolishing Slavery, or the Planter instructing his Negro

The Benevolent Effects of Abolishing Slavery, or the Planter instructing his Negro
Creator:
Print made by W. Pyott, active late 18th century
Date:
1792
Materials & Techniques:
Mezzotint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 19 1/4 x 14 3/4 inches (48.9 x 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

8. Flying News or Seringapatam Taken by Strategem

Flying News or Seringapatam Taken by Strategem
Creator:
Print made by William Dent, active 1784–1793
Date:
1792
Materials & Techniques:
Etching with hand coloring in watercolor on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 9 1/4 × 15 inches (23.5 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Godfrey Pearlson

9. Cookham on the Thames, Berkshire

Cookham on the Thames, Berkshire
Creator:
Joseph Farington, 1747–1821
Date:
1792
Materials & Techniques:
Pen and brown ink, gray wash, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 × 15 1/8 inches (27 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection