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1. St. Augustine's Gate, Canterbury

St. Augustine's Gate, Canterbury
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
between 1792 and 1793
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/4 x 10 5/8in. (21 x 27cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Man with Horse and Cart Entering a Quarry

Man with Horse and Cart Entering a Quarry
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1797
Materials & Techniques:
Watercolor, graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/8 x 10 3/4 inches (20.7 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. A Pier at Amsterdam (Version A)

A Pier at Amsterdam (Version A)
Creator:
Thomas Rowlandson, 1756–1827
Date:
1792
Materials & Techniques:
Watercolor with pen and red-brown and brown ink over graphite on medium, slightly textured, wove paper
Dimensions:
Sheet: 8 7/16 x 11 1/8 inches (21.4 x 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. The Guildhall, Exeter

The Guildhall, Exeter
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1797
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 1/8 × 10 1/8 inches (20.6 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. The House of William Russell, Esq., Showell Green: English and French Text

The House of William Russell, Esq., Showell Green: English and French Text
Creator:
William Ellis, 1747–1810
Date:
1792
Materials & Techniques:
Letterpress on medium, slightly textured, cream wove paper (page in book), pasted on left edge to B1977.14.14752a
Dimensions:
Sheet: 8 1/8 x 11 15/16 inches (20.6 x 30.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. 1. ... The Men Methods & Machines chiefly employed for the Reformation & Improvement of Farriery & the / treatment of Cattle in General ...

1. ... The Men Methods & Machines chiefly employed for the Reformation & Improvement of Farriery & the / treatment of Cattle in General ...
Creator:
Charles Loraine Smith, 1751–1835
Date:
1792
Materials & Techniques:
Hand colored engraving
Dimensions:
Sheet: 8 1/4 x 10 3/8in. (21 x 26.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. The Bobadil disgraced, or Kate in a Rage___For Brunswicks Duke with Ninety Thousand Men, March'd into France and Then!!___and Then March'd Out Again

The Bobadil disgraced, or Kate in a Rage___For Brunswicks Duke with Ninety Thousand Men, March'd into France and Then!!___and Then March'd Out Again
Creator:
Isaac Cruikshank, 1764–1811
Date:
1792
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 3/8 x 12 7/8in. (21.3 x 32.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. The Antiquities of Malmsbury

The Antiquities of Malmsbury
Creator:
Isaac Cruikshank, 1764–1811
Date:
1792
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/4 x 12 7/8in. (21 x 32.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey

North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey
Creator:
Attributed to John Carter, 1748–1817
Date:
1792
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/8 × 10 3/4 inches (21.3 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. A National Beggar On Horseback, Or, An Illustrious Overshot At Newmarket...

A National Beggar On Horseback, Or, An Illustrious Overshot At Newmarket...
Creator:
Print made by William Dent, active 1784–1793
Date:
1792
Materials & Techniques:
Line engraving with water color on laid paper
Dimensions:
Sheet: 8 3/8 x 11 5/8in. (21.3 x 29.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

11. Psalm Singing at the Chapel XXXXX (Royal)

Psalm Singing at the Chapel XXXXX (Royal)
Creator:
Richard Newton, 1777–1798
Date:
1792
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/8 x 12 7/8in. (20.6 x 32.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

12. An Essay on the Sublime and Beautiful, The Maiden Speech

An Essay on the Sublime and Beautiful, The Maiden Speech
Creator:
Thomas Rowlandson, 1756–1827
Date:
1792
Materials & Techniques:
Etching, hand colored
Dimensions:
Sheet: 8 1/16 x 12 3/4in. (20.5 x 32.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. The New Prussian Exercise, Or - The Allied Armies Distressed in their Rears with a Hint at the Convenience of Sans Culottes

The New Prussian Exercise, Or - The Allied Armies Distressed in their Rears with a Hint at the Convenience of Sans Culottes
Creator:
Print made by Isaac Cruikshank, 1764–1811
Date:
1792
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 7/16 x 15 1/4in. (21.4 x 38.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

14. 2nd. Lecture upon the newly approv'd / Method of Casting and [Fireing]

2nd. Lecture upon the newly approv'd / Method of Casting and [Fireing]
Creator:
Charles Loraine Smith, 1751–1835
Date:
1792
Materials & Techniques:
Hand colored engraving
Dimensions:
Sheet: 8 1/4 x 10 3/8in. (21 x 26.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. 4. Lecture / Philosophical remarks upon the Nature & effects of Amputation

4. Lecture / Philosophical remarks upon the Nature & effects of Amputation
Creator:
Charles Loraine Smith, 1751–1835
Date:
1792
Materials & Techniques:
Hand colored engraving
Dimensions:
Sheet: 8 1/4 x 10 3/8in. (21 x 26.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. 3. Lecture, / Upon the most Novel safe & sure method of Popping a Horse-Ball

3. Lecture, / Upon the most Novel safe & sure method of Popping a Horse-Ball
Creator:
Charles Loraine Smith, 1751–1835
Date:
1792
Materials & Techniques:
Hand colored engraving
Dimensions:
Sheet: 8 1/4 x 10 3/8in. (21 x 26.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection