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Date 1792

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Work Type intaglio print

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William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
ca. 1797
William Blake 'When faith is virtue, reason makes it so' (Page 92)
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
ca. 1797
William Blake 'The goddess bursts in thunder and in flame' (Page 95)
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
ca. 1797
William Blake 'Angels should paint it, angels ever there' (Page 40)
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
William Blake The Christian Triumph; Title Page
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
ca. 1797
William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
ca. 1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
ca. 1797
William Blake 'Is lost in love! thou great Philanthropist' (Page 87)
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
William Blake 'This King of Terrors is the Prince of Peace' (Page 63)
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
ca. 1797
William Blake 'That touch, with charm celestial heals the soul' (Page 90)
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797
William Blake 'And vapid; sense and reason shew the door' (Page 72)
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
William Blake 'The thunder if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder if in that the Almighty dwells' (Page 80)
ca. 1797
William Blake 'Till death, that mighty hunter, earths them all' (Page 70)
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
ca. 1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
William Blake 'The present moment terminates our sight' (Page 13)
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
ca. 1797
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
ca. 1797
William Blake 'Tis greatly wise to talk with our past hours' (Page 31)
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
ca. 1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
William Blake 'One radiant mark, – the death-bed of the just' (Page 41)
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
ca. 1797
William Blake 'Where sense runs savage broke from reason's chain' (Page 46)
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
ca. 1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
William Blake Night the First. On Life, Death and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
ca. 1797
William Blake 'O treacherous conscience!' (Page 27)
Print made by William Blake, 1757–1827
'O treacherous conscience!' (Page 27)
ca. 1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
William Blake Night the Second. On Time, Death and Friendship; Title Page
Print made by William Blake, 1757–1827
Night the Second. On Time, Death and Friendship; Title Page
ca. 1797
William Blake 'Swift on His Downy Pinion Flies from Woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on His Downy Pinion Flies from Woe' (Page 1)
ca. 1797
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
ca. 1797
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
Thomas Cheesman Marchioness of Townshend and Child
Print made by Thomas Cheesman, 1760–1834/35
Marchioness of Townshend and Child
1792
Francesco Bartolozzi Miss Farren
Print made by Francesco Bartolozzi, 1728–1815
Miss Farren
1792
Francesco Bartolozzi Miss Farren
Print made by Francesco Bartolozzi, 1728–1815
Miss Farren
1792
Francesco Bartolozzi Miss Farren
Print made by Francesco Bartolozzi, 1728–1815
Miss Farren
1792
Francesco Bartolozzi Thais
Print made by Francesco Bartolozzi, 1728–1815
Thais
1792
John Condé Mrs. Fitzherbert
Print made by John Condé, 1765–1794
Mrs. Fitzherbert
1792
Francesco Bartolozzi Sir John More
Print made by Francesco Bartolozzi, 1728–1815
Sir John More
1792
Francesco Bartolozzi Katherine, Duchess of Suffolk
Print made by Francesco Bartolozzi, 1728–1815
Katherine, Duchess of Suffolk
1792
Francesco Bartolozzi Katherine, Duchess of Suffolk
Print made by Francesco Bartolozzi, 1728–1815
Katherine, Duchess of Suffolk
1792
Francesco Bartolozzi Thais
Francesco Bartolozzi, 1728–1815
Thais
1792
John Raphael Smith Eloisa
John Raphael Smith, 1752–1812
Eloisa
1792
Francesco Bartolozzi Britannia Rewarding Music and Literature
Francesco Bartolozzi, 1728–1815
Britannia Rewarding Music and Literature
1792
John Raphael Smith His Royal Highness George, Prince of Wales
John Raphael Smith, 1752–1812
His Royal Highness George, Prince of Wales
1792
Francesco Bartolozzi The Freeing of Amoret
Francesco Bartolozzi, 1728–1815
The Freeing of Amoret
1792
Thomas Ryder The Murder of James First, King of Scotland
Thomas Ryder, 1746–1810
The Murder of James First, King of Scotland
1792
unknown artist The Bank
unknown artist
The Bank
1792
Francesco Bartolozzi Meditation
Francesco Bartolozzi, 1728–1815
Meditation
1792
Francesco Bartolozzi Admiration
Francesco Bartolozzi, 1728–1815
Admiration
1792
Francesco Bartolozzi Andrew Kippis
Francesco Bartolozzi, 1728–1815
Andrew Kippis
1792
Francesco Bartolozzi Georgius Johannes Commes, Spencer
Francesco Bartolozzi, 1728–1815
Georgius Johannes Commes, Spencer
1792
Thomas Ryder The Murder of James I, King of Scotland
Thomas Ryder, 1746–1810
The Murder of James I, King of Scotland
1792
James Gillray The Dagger Scene: - or - The Plot Discover'd
James Gillray, 1756–1815
The Dagger Scene: - or - The Plot Discover'd
1792
James Gillray The Bishop of a Tun's Breeches; - or - The Flaming Eveque, Purifying the House of Office
James Gillray, 1756–1815
The Bishop of a Tun's Breeches; - or - The Flaming Eveque, Purifying the House of Office
1792
James Gillray Taking Physick; - or - The News of Shooting the King of Sweden!
James Gillray, 1756–1815
Taking Physick; - or - The News of Shooting the King of Sweden!
1792
James Gillray French Liberty - British Slavery
James Gillray, 1756–1815
French Liberty - British Slavery
1792
James Gillray The Bottomless-Pitt
James Gillray, 1756–1815
The Bottomless-Pitt
1792
James Gillray Anti-Sacharrites, - or - John Bull and His Family Leaving off the Use of Sugar
James Gillray, 1756–1815
Anti-Sacharrites, - or - John Bull and His Family Leaving off the Use of Sugar
1792
James Gillray The Power of Beauty; - St. Cecillia Charming the Brute; - or - The Seduction of the Welch-Ambassador (from: Caricature, vol. 2)
James Gillray, 1756–1815
The Power of Beauty; - St. Cecillia Charming the Brute; - or - The Seduction of the Welch-Ambassador (from: Caricature, vol. 2)
1792
James Gillray A Duet. - Turn Fair Clora, Turn Ah Cruel, Turn Again
James Gillray, 1756–1815
A Duet. - Turn Fair Clora, Turn Ah Cruel, Turn Again
1792
James Gillray A Sphere, Projecting against a Plane ---
James Gillray, 1756–1815
A Sphere, Projecting against a Plane ---
1792
James Gillray Vices overlook'd in the New Proclamation
James Gillray, 1756–1815
Vices overlook'd in the New Proclamation
1792
James Gillray John Bull Bother'd; - or - The Geese Alarming the Capitol
James Gillray, 1756–1815
John Bull Bother'd; - or - The Geese Alarming the Capitol
1792
James Gillray The National Assembly Petrified / The National Assembly Revivified
James Gillray, 1756–1815
The National Assembly Petrified / The National Assembly Revivified
1792
James Gillray Wha Wants Me?
James Gillray, 1756–1815
Wha Wants Me?
1792
Francesco Bartolozzi Sir John More
Print made by Francesco Bartolozzi, 1728–1815
Sir John More
1792
Francesco Bartolozzi Jane, Lady Lister
Print made by Francesco Bartolozzi, 1728–1815
Jane, Lady Lister
1792
John Eginton The Affectionate Daughter
John Eginton, active 1763–1800
The Affectionate Daughter
1792
William Sharp Niobe
Figures engraved by William Sharp, 1749–1824
Niobe
1792
Francesco Bartolozzi Jane, Lady Lister
Print made by Francesco Bartolozzi, 1728–1815
Jane, Lady Lister
1792
Francesco Bartolozzi Jane, Lady Lister
Print made by Francesco Bartolozzi, 1728–1815
Jane, Lady Lister
1792
Francesco Bartolozzi Margaret, Lady Elyot
Print made by Francesco Bartolozzi, 1728–1815
Margaret, Lady Elyot
1792
John Eginton Setting out for the Fair
John Eginton, active 1763–1800
Setting out for the Fair
1792
James Fittler The Winter's Tale, Act IV, Scene III
Print made by James Fittler, 1758–1835
The Winter's Tale, Act IV, Scene III
1792
Francesco Bartolozzi Mrs. Lenox
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Lenox
1792
Francesco Bartolozzi Miss Price
Print made by Francesco Bartolozzi, 1728–1815
Miss Price
1792
William Ellis The New Meeting
William Ellis, 1747–1810
The New Meeting
1792
William Ellis Baskerville House, the Residence of John Ryland, Esq.
William Ellis, 1747–1810
Baskerville House, the Residence of John Ryland, Esq
1792
Francesco Bartolozzi Ticket for the Brandenbourg House Masquerade
Francesco Bartolozzi, 1728–1815
Ticket for the Brandenbourg House Masquerade
ca. 1797
Francesco Bartolozzi Ticket for the Benefit of Mr. Dragonetti
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Dragonetti
1792
William Ellis The House of George Humphrys, Esq., Spark Brook
William Ellis, 1747–1810
The House of George Humphrys, Esq., Spark Brook
1792
William Ellis The House of William Russell, Esq., Showell Green
William Ellis, 1747–1810
The House of William Russell, Esq., Showell Green
1792
William Ellis Beddington
William Ellis, 1747–1810
Beddington
1792
William Ellis Bordesley Hall, the Seat of John Taylor, Esq.
William Ellis, 1747–1810
Bordesley Hall, the Seat of John Taylor, Esq
1792
Richard Earlom Colonel Mordaunt's Cock Match
Print made by Richard Earlom, 1743–1822
Colonel Mordaunt's Cock Match
1792
Francesco Bartolozzi To His Grace The Duke Of Newcastle, This Print Of The Return From Shooting
Print made by Francesco Bartolozzi, 1728–1815
To His Grace The Duke Of Newcastle, This Print Of The Return From Shooting
1792
Richard Earlom Colonel Mordaunt's Cock Match
Print made by Richard Earlom, 1743–1822
Colonel Mordaunt's Cock Match
1792
John Browne Moon-Light
Print made by John Browne, 1741–1801
Moon-Light
ca. 1797
John Browne Evening
Print made by John Browne, 1741–1801
Evening
ca. 1797
John Browne Morning
Print made by John Browne, 1741–1801
Morning
ca. 1797
John Browne After Sun-Set
Print made by John Browne, 1741–1801
After Sun-Set
ca. 1797
unknown artist Falstaff Reproved by King Henry
unknown artist
Falstaff Reproved by King Henry
1792
Peltro W. Tomkins Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III
Peltro W. Tomkins, 1760–1840
Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III
1792