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Collection
Prints and Drawings
42
Creator
Blake, William, 1757–1827
38
Edwards, Richard, active 1796–1797
38
Young, Edward, 1683–1765
38
Bartolozzi, Francesco, 1727–1815
2
Breda, Carl Frederick van, 1759–1818
1
Chamberlaine, John, 1745–1812
1
Condé, John, 1765–1794
1
Cosway, Richard, 1742–1821
1
Dickinson, William, 1746–1823
1
Holbein, Hans the Younger, ca. 1497–1543
1
Pyott, W., active late 18th century
1
Reynolds, Joshua, Sir, 1723–1792
1
Date
1792
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42
1797
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1842
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1783
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1786
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1772
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1790
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1760
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On-site Access
Accessible by appointment in the Study Room
42
Image Use
Free to Use
42
Image Available
Available
42
Classification
Prints
42
Creator Gender
male
42
Collective Title
Young's Night Thoughts
38
Period
18th century
42
Materials & Techniques
etching (printing process)
39
line engraving
39
wove paper
39
watercolor
38
stipple engraving
3
laid paper
2
mezzotint
1
Height [cm]
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61
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51
Work Type
intaglio print
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42
watercolor
38
drawing
27
Genre
literary theme
38
portrait
4
genre subject
2
historical subject
1
Subject Terms
literary theme
38
text
37
men
28
women
19
nudes
16
angels
8
children
7
clouds
7
grass
7
wings
7
crowns
5
vines
5
angel
4
gowns
4
pointing
4
beard
3
beds
3
book
3
cups
3
dead
3
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Associated People
Carl Bernhard Wadström (1746–1799), abolitionist
1
Jesus Christ (7–2 BC/BCE to 30–36 AD/CE)
1
Panah, Peter, son of the king of Cape Mesurado (in present-day Liberia)
1
Exhibition History
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
38
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
3
Figures of Empire: Slavery and Portraiture in Eighteenth-Century Atlantic Britain (Yale Center for British Art, 2014-10-02 - 2014-12-14)
1
The Black Figure in the European Imaginary (Cornell Fine Arts Museum, 2017-01-20 - 2017-05-15)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
39
Yale Center for British Art, Paul Mellon Fund
3
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Date
1792
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intaglio print
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1
Print made by William Blake, 1757–1827
'Swift on His Downy Pinion Flies from Woe' (Page 1)
ca. 1797
2
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
ca. 1797
3
Print made by William Blake, 1757–1827
'O treacherous conscience!' (Page 27)
ca. 1797
4
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
5
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
6
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
7
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
ca. 1797
8
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
9
Print made by William Blake, 1757–1827
Night the Second. On Time, Death and Friendship; Title Page
ca. 1797
10
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
ca. 1797
11
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
12
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
13
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
14
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
ca. 1797
15
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
16
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
ca. 1797
17
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
ca. 1797
18
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
ca. 1797
19
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
20
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
ca. 1797
21
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
22
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
ca. 1797
23
Print made by William Blake, 1757–1827
'The thunder if in that the Almighty dwells' (Page 80)
ca. 1797
24
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
25
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797
26
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
ca. 1797
27
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
ca. 1797
28
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
ca. 1797
29
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
30
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
31
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
ca. 1797
32
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
33
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
ca. 1797
34
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
ca. 1797
35
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
36
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
37
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
38
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
39
Print made by Francesco Bartolozzi, 1728–1815
Thais
1792
40
Print made by Francesco Bartolozzi, 1728–1815
Jane, Lady Lister
1792
41
Print made by John Condé, 1765–1794
Mrs. Fitzherbert
1792
42
Print made by W. Pyott, active late 18th century
The Benevolent Effects of Abolishing Slavery, or the Planter instructing his Negro
1792