Date: 1792 / Image Available: Available / Classification: Prints

1. 'The present moment terminates our sight' (Page 13)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. 'Emblem of that which shall awake the dead' (Page 19)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Night the Second. On Time, Death and Friendship; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. 'Like that, the dial speaks; and points to thee' (Page 33)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. 'Teaching, we learn; and giving, we retain' (Page 35)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. 'Love, and love only, is the loan for love' (Page 37)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. 'One radiant mark, – the death-bed of the just' (Page 41)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Night the Third. Narcissa; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. 'As if the sun could envy, check'd his beam' (Page 49)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. The Christian Triumph; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. 'Till death, that mighty hunter, earths them all' (Page 70)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. 'And vapid; sense and reason shew the door' (Page 72)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Night the First. On Life, Death and Immortality; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. 'O treacherous conscience!' (Page 27)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. 'Tis greatly wise to talk with our past hours' (Page 31)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. 'Angels should paint it, angels ever there' (Page 40)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. 'The Sun beheld it – No, the shocking scene' (Page 75)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. 'Is lost in love! thou great Philanthropist' (Page 87)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. 'Swift on His Downy Pinion Flies from Woe' (Page 1)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. 'Its favours here are trials, not rewards' (Page 12)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. 'The vale of death! that hush'd cimmerian vale' (Page 54)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. 'This King of Terrors is the Prince of Peace' (Page 63)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. 'The thunder if in that the Almighty dwells' (Page 80)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. 'His hand the good man fastens on the skies' (Page 86)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. 'That touch, with charm celestial heals the soul' (Page 90)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. 'When faith is virtue, reason makes it so' (Page 92)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. 'If angels tremble, 'tis at such a sight' (Page 93)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. 'The goddess bursts in thunder and in flame' (Page 95)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. 'What, though my soul fantastick measures trod' (Page 4)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. 'Disease invades the chastest temperence' (Page 10)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. 'Where sense runs savage broke from reason's chain' (Page 46)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. The Complaint, and the Consolation; or, Night Thoughts

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Bound volume of engravings
Dimensions:: Spine: 16 3/4in. (42.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. 'Till at Death's toll, whose restless iron tongue' (Page 7)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. 'The longest night though longer far, would fail' (Page 15)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. 'We censure nature for a span too short' (Page 23)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. 'Behold him, when past by; what then is seen' (Page 25)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Jonathan Shipley, Bishop of St. Asaph

Creator:: Thomas Trotter, ca. 1750–1803
Date:: 1792
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 × 6 3/8 inches (22.5 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Mrs. Robinson

Creator:: Print made by William Birch, 1755–1834
Date:: 1792
Materials & Techniques:: Stipple engraving and acquatint on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 7 × 5 7/16 inches (17.8 × 13.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Chinese Pavilion in European Landscape

Creator:: William Byrne, 1743–1805
Date:: 1792
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 16 5/16 × 21 3/4 inches (41.4 × 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. "King Lear", Act V, Scene III

Creator:: Francis Legat, 1755–1809
Date:: 1792
Materials & Techniques:: Engraving on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 21 13/16 × 28 inches (55.4 × 71.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

44. Falstaff Reproved by King Henry

Creator:: unknown artist
Date:: 1792
Materials & Techniques:: Engraving and stipple engraving
Dimensions:: Sheet: 13 7/8 x 17 9/16in. (35.2 x 44.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

45. Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III

Creator:: Peltro W. Tomkins, 1760–1840
Date:: 1792
Materials & Techniques:: Line engraving and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 5/8 × 19 1/4 inches (42.2 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

46. Reverend John Moore, Lord Archbishop of Canterbury

Creator:: John Jones, ca. 1745–1797
Date:: 1792
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 19 3/8 × 14 11/16 inches (49.2 × 37.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Windsor Bridge

Creator:: Print made by Joseph Farington, 1747–1821
Date:: 1792
Materials & Techniques:: Etching, hand-colored on thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 15/16 × 15 3/8 inches (30.4 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. After Sun-Set

Creator:: Print made by John Browne, 1741–1801
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 5/8 x 16 5/8 inches (32.1 x 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Morning

Creator:: Print made by John Browne, 1741–1801
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 11/16 x 16 7/8 inches (32.2 x 42.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Moon-Light

Creator:: Print made by John Browne, 1741–1801
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 1/16 x 17 1/16 inches (33.2 x 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Moon-Light

Creator:: Print made by John Browne, 1741–1801
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 5/8 x 16 7/16 inches (32 x 41.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Evening

Creator:: Print made by John Browne, 1741–1801
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 12 11/16 x 16 5/8 inches (32.3 x 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Evening

Creator:: Print made by John Browne, 1741–1801
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 5/16 x 17 3/16 inches (33.8 x 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Action off Cape St. Vicent, 14 February 1797

Creator:: Robert Dodd, 1748–1816
Date:: ca. 1797
Dimensions:: Sheet: 19 1/2 x 29in. (49.5 x 73.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. View of the Forth, Including the Queen's Ferry

Creator:: Francis Jukes, 1747–1812
Date:: 1792
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 21 1/2 x 29 3/4in. (54.6 x 75.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Westminster Bridge

Creator:: unknown artist
Date:: 1792
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 11 11/16 x 15 1/4in. (29.7 x 38.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. The Parish Church of St. Botolph without Aldgate

Creator:: unknown artist
Date:: 1792
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 5/8 x 9 1/16in. (39.7 x 23cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. View on Westminster Bridge

Creator:: unknown artist
Date:: 1792
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 11 7/8 x 15 1/4in. (30.2 x 38.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. The Sun Setting

Creator:: unknown artist
Date:: 1792
Materials & Techniques:: Stipple engraving
Dimensions:: Sheet: 7 3/8 x 10 5/8in. (18.7 x 27cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Arundel House in London 1646

Creator:: unknown artist
Date:: 1792
Materials & Techniques:: Etching and engraving on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 9 15/16 × 10 1/16 inches (25.2 × 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. The Murder of James First, King of Scotland

Creator:: Thomas Ryder, 1746–1810
Date:: 1792
Materials & Techniques:: Etching and stipple engraving on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 20 7/8 × 25 inches (53 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. The Bank

Creator:: unknown artist
Date:: 1792
Materials & Techniques:: Hand colored engraving on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 6 × 8 7/8 inches (15.2 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Camberwell

Creator:: William Ellis, 1747–1810
Date:: 1792
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 7 3/8 x 9 1/16in. (18.7 x 23cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Cheapside Cross

Creator:: unknown artist
Date:: 1792
Materials & Techniques:: Engraving
Dimensions:: Sheet: 8 7/8 x 6 7/8in. (22.5 x 17.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Partial View of the West Front of St. Pauls

Creator:: Thomas Morris, born 1771
Date:: 1792
Materials & Techniques:: Engraving
Dimensions:: Sheet: 22 1/4 x 17in. (56.5 x 43.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Greenwich Hospital

Creator:: William Walker, 1791–1867
Date:: 1792
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Monument in St. Botolph's Bishopsgate

Creator:: unknown artist
Date:: 1792
Materials & Techniques:: Engraving
Dimensions:: Sheet: 9 x 6 13/16in. (22.9 x 17.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Funeral Card of Sir Joshua Reynolds

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1792
Materials & Techniques:: Stipple engraving, line engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 9 1/8 inches (18.4 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frederick W. Hilles

69. Monument for Sir Joshua Reynolds

Creator:: George Saunders, c.1762–1839
Date:: 1792
Materials & Techniques:: Line engraving
Dimensions:: Sheet: 6 5/8 x 4in. (16.8 x 10.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frederick W. Hilles

70. Dr. Samuel Johnson

Creator:: Thomas Trotter, ca. 1750–1803
Date:: 1792
Materials & Techniques:: Stipple engraving
Dimensions:: Sheet: 7 3/8 x 5 3/8in. (18.7 x 13.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frederick W. Hilles

71. Falstaff's Escape - "The Merry Wives of Windsor," Act IV, Scene II

Creator:: John Chapman, active ca. 1792–1823
Date:: 1792
Materials & Techniques:: Engraving and stipple engraving
Dimensions:: Sheet: 17 x 20in. (43.2 x 50.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

72. Falstaff's Escape - "The Merry Wives of Windsor," Act IV, Scene II

Creator:: John Chapman, active ca. 1792–1823
Date:: 1792
Materials & Techniques:: Engraving and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

73. Helena in the Dress of a Pilgrim - "All's Well That Eends Well," Act III, Scene V

Creator:: John Chapman, active ca. 1792–1823
Date:: 1792
Materials & Techniques:: Engraving and stipple engraving
Dimensions:: Sheet: 16 3/8 x 19in. (41.6 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

74. Rosalind, Celia and Touchstone - "As You Like It," Act II, Scene III

Creator:: John Chapman, active ca. 1792–1823
Date:: 1792
Materials & Techniques:: Engraving and stipple engraving
Dimensions:: Sheet: 16 3/8 x 19 1/8in. (41.6 x 48.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

75. The Supposed Death of Imogen, 'Cymbeline,' Act IV, Scene IV

Creator:: Print made by Thomas Cheesman, 1760–1834/35
Date:: 1792
Materials & Techniques:: Engraving and stipple engraving
Dimensions:: Sheet: 16 1/2 x 19in. (41.9 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

76. Macbeth and the Murderers - "Macbeth," Act III, Scene I

Creator:: unknown artist
Date:: 1792
Materials & Techniques:: Engraving and stipple engraving
Dimensions:: Sheet: 16 1/4 x 18 3/4in. (41.3 x 47.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

77. [Fox-hunting] Two Hunters / Belonging to Henry U. Reay of Burn Hall in the County of Durham ....

Creator:: George Townly Stubbs, 1748–1815
Date:: 1792
Materials & Techniques:: Stipple engraving
Dimensions:: Sheet: 13 1/2 x 18 11/16in. (34.3 x 47.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. To His Grace The Duke Of Newcastle, This Print Of The Return From Shooting

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1792
Materials & Techniques:: Color-printed stipple engraving with aquatint and drypoint
Dimensions:: Sheet: 21 x 26 1/4in. (53.3 x 66.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Colonel Mordaunt's Cock Match at Lucknow

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1792
Materials & Techniques:: Mezzotint and etching with hand coloring in watercolor on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 21 x 28 7/8 inches (53.3 x 73.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Falstaff reproved by King Henry

Creator:: unknown artist
Date:: 1792
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Gallery Collection

81. Thais

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1792
Materials & Techniques:: Etching and stipple engraving (second state) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 20 5/8 × 13 inches (52.4 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

82. Mrs. Fitzherbert

Creator:: Print made by John Condé, 1765–1794
Date:: 1792
Materials & Techniques:: Stipple engraving and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 23 × 17 1/8 inches (58.4 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

83. Miss Farren

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1792
Materials & Techniques:: Color-printed etching and stipple engraving with hand coloring in watercolor (possibly fifth state) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 1/2 × 13 1/2 inches (54.6 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

84. "The Indian Emperor" or "The Conquest of Mexico"

Creator:: Robert Dodd, 1748–1816
Date:: 1792
Materials & Techniques:: Etching and engraving
Dimensions:: Sheet: 17 11/16 x 21 1/2in. (44.9 x 54.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of David Bindman

85. Vue des Petites Cascatelles a Tivoli

Creator:: William Gmelin, 1745–1821
Date:: 1792
Materials & Techniques:: Engraving
Dimensions:: Image: 14 15/16 x 21 9/16in. (37.9 x 54.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. 'The Gamester,' Act V, Scene IV

Creator:: James Fittler, 1758–1835
Date:: 1792
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 1/2 × 3 1/16 inches (14 × 7.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

87. Philip Affleck, Esq.

Creator:: John Young, 1755–1825
Date:: 1792
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 13 3/4 x 19 7/8in. (34.9 x 50.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

88. The Farm House

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1792
Materials & Techniques:: Engraving
Dimensions:: Sheet: 11 3/16 x 16 3/4in. (28.4 x 42.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

Creator:: Christian von Mechel, 1737–1817
Date:: 1792
Materials & Techniques:: Engraving on smooth, thick, cream wove paper
Dimensions:: Sheet: 19 × 25 3/8 inches (48.3 × 64.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

Creator:: Christian von Mechel, 1737–1817
Date:: 1792
Materials & Techniques:: Engraving on slightly textured, thick, cream wove paper
Dimensions:: Sheet: 18 3/4 × 25 1/2 inches (47.6 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

Creator:: Christian von Mechel, 1737–1817
Date:: 1792
Materials & Techniques:: Colored engraving on textured, moderately thick, cream laid paper
Dimensions:: Sheet: 19 3/8 × 25 3/4 inches (49.2 × 65.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Henry the Eighth

Creator:: Charles Gauthier Playter, died 1809
Date:: 1792
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 x 15 5/8in. (33 x 39.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. A South View of Scarborough

Creator:: unknown artist
Date:: ca. 1797
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 14 1/4 x 20in. (36.2 x 50.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Miss Farren

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1792
Materials & Techniques:: Etching and stipple engraving (fourth state) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 1/2 × 13 1/2 inches (54.6 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

95. Miss Farren

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1792
Materials & Techniques:: Etching and stipple engraving (fifth state) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 22 1/4 × 14 1/4 inches (56.5 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

96. Marchioness of Townshend and Child

Creator:: Print made by Thomas Cheesman, 1760–1834/35
Date:: 1792
Materials & Techniques:: Stipple engraving and etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 × 16 3/4 inches (53.3 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

97. French Privateers, Cruising in the English Channel

Creator:: Print made by unknown artist
Date:: 1792
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 1/4 × 11 5/8 inches (41.3 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

98. Colonel Mordaunt's Cock Match at Lucknow

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1792
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 1/4 x 27 1/2 inches (54 x 69.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. The Farmer's Stable

Creator:: George Morland, 1763–1804
Date:: 1792
Materials & Techniques:: Hand colored mezzotint
Dimensions:: Sheet: 18 3/4 x 23 3/4in. (47.6 x 60.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Mrs. Montagu

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1792
Materials & Techniques:: Mezzotint and etching on medium, moderately textured, cream laid paper set in mount
Dimensions:: Mount: 12 5/8 x 9 7/16 inches (32 x 24 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

YCBA Collections Search

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Date 1792

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1. 'The present moment terminates our sight' (Page 13)

2. 'Emblem of that which shall awake the dead' (Page 19)

3. Night the Second. On Time, Death and Friendship; Title Page

4. 'Like that, the dial speaks; and points to thee' (Page 33)

5. 'Teaching, we learn; and giving, we retain' (Page 35)

6. 'Love, and love only, is the loan for love' (Page 37)

7. 'One radiant mark, – the death-bed of the just' (Page 41)

8. Night the Third. Narcissa; Title Page

9. 'As if the sun could envy, check'd his beam' (Page 49)

10. The Christian Triumph; Title Page

11. 'Till death, that mighty hunter, earths them all' (Page 70)

12. 'And vapid; sense and reason shew the door' (Page 72)

13. Night the First. On Life, Death and Immortality; Title Page

14. 'O treacherous conscience!' (Page 27)

15. 'Tis greatly wise to talk with our past hours' (Page 31)

16. 'Angels should paint it, angels ever there' (Page 40)

17. 'Ungrateful, shall we grieve their hovering shades' (Page 55)

18. 'The Sun beheld it – No, the shocking scene' (Page 75)

19. 'Is lost in love! thou great Philanthropist' (Page 87)

20. 'Swift on His Downy Pinion Flies from Woe' (Page 1)

21. 'Its favours here are trials, not rewards' (Page 12)

22. 'The vale of death! that hush'd cimmerian vale' (Page 54)

23. 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

24. 'This King of Terrors is the Prince of Peace' (Page 63)

25. 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

26. 'The thunder if in that the Almighty dwells' (Page 80)

27. 'His hand the good man fastens on the skies' (Page 86)

28. 'That touch, with charm celestial heals the soul' (Page 90)

29. 'When faith is virtue, reason makes it so' (Page 92)

30. 'If angels tremble, 'tis at such a sight' (Page 93)

31. 'The goddess bursts in thunder and in flame' (Page 95)

32. 'What, though my soul fantastick measures trod' (Page 4)

33. 'Disease invades the chastest temperence' (Page 10)

34. 'Where sense runs savage broke from reason's chain' (Page 46)

35. The Complaint, and the Consolation; or, Night Thoughts

36. 'Till at Death's toll, whose restless iron tongue' (Page 7)

37. 'The longest night though longer far, would fail' (Page 15)

38. 'We censure nature for a span too short' (Page 23)

39. 'Behold him, when past by; what then is seen' (Page 25)

40. Jonathan Shipley, Bishop of St. Asaph

41. Mrs. Robinson

42. Chinese Pavilion in European Landscape

43. "King Lear", Act V, Scene III

44. Falstaff Reproved by King Henry

45. Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III

46. Reverend John Moore, Lord Archbishop of Canterbury

47. Windsor Bridge

48. After Sun-Set

49. Morning

50. Moon-Light

51. Moon-Light

52. Evening

53. Evening

54. Action off Cape St. Vicent, 14 February 1797

55. View of the Forth, Including the Queen's Ferry

56. Westminster Bridge

57. The Parish Church of St. Botolph without Aldgate

58. View on Westminster Bridge

59. The Sun Setting

60. Arundel House in London 1646

61. The Murder of James First, King of Scotland

62. The Bank

63. Camberwell

64. Cheapside Cross

65. Partial View of the West Front of St. Pauls

66. Greenwich Hospital

67. Monument in St. Botolph's Bishopsgate

68. Funeral Card of Sir Joshua Reynolds

69. Monument for Sir Joshua Reynolds

70. Dr. Samuel Johnson

71. Falstaff's Escape - "The Merry Wives of Windsor," Act IV, Scene II

72. Falstaff's Escape - "The Merry Wives of Windsor," Act IV, Scene II

73. Helena in the Dress of a Pilgrim - "All's Well That Eends Well," Act III, Scene V