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Collection
Prints and Drawings
46
Paintings and Sculpture
1
Creator
Girtin, Thomas, 1775–1802
13
Moore, James, 1762–1799
11
Ellis, William, 1747–1810
8
Johnson, Joseph, 1738–1809
6
Witton, P. H. Jr., Active 1792
6
Farington, Joseph, 1747–1821
3
Smith, John, 1749–1831
2
Thirtle, John, 1777–1839
2
Turner, J. M. W. (Joseph Mallord William), 1775–1851
2
Alken, Samuel, 1756–1815
1
Bartolozzi, Francesco, 1727–1815
1
Boydell, John, 1720–1804
1
Carter, John, 1748–1817
1
Loutherbourg, Philippe-Jacques de, 1740–1812
1
Nash, John, 1752–1835
1
Parish, Henry William, active 1792
1
Repton, John Adey, 1775–1860
1
Wheatley, Francis, 1747–1801
1
White Abbott, John, 1763–1851
1
Date
1796
333
1814
139
1785
107
1800
104
1827
90
1960
83
1795
80
1791
79
1790
75
1834
75
1825
68
1818
65
1820
59
1815
55
1799
53
1810
52
1830
52
1793
48
1831
48
1792
[remove]
47
1812
47
1835
47
1772
46
1817
44
1823
41
1806
40
1811
40
1829
37
1833
37
1836
37
1740
36
1859
36
1775
35
1797
35
1819
34
1770
33
1798
33
1807
33
1700
32
1789
32
1813
32
1794
31
1805
31
1821
31
1832
31
1784
30
1804
30
1822
30
1842
30
1912
30
1755
28
1808
27
1845
27
1746
25
1816
25
1824
25
1860
25
1761
24
1754
22
1809
22
1782
21
1776
20
1786
20
1767
19
1802
19
1828
19
1863
19
1826
18
1837
18
1850
18
1745
17
1759
17
1762
17
1765
17
1780
17
1801
16
1887
16
1778
15
1788
15
1840
15
1890
15
1751
14
1787
14
1803
14
1839
14
1864
14
1773
13
1865
13
1774
12
1779
12
1843
12
1871
12
1965
12
1717
11
1747
11
1760
11
1720
10
1777
10
1852
10
1861
10
On-site Access
Accessible by appointment in the Study Room
46
Not on view
1
Image Use
Free to Use
47
Image Available
Available
46
Unavailable
1
Classification
Drawings & Watercolors
35
Prints
10
Drawing & Watercolors-Architectural
1
Paintings
1
Creator Gender
male
47
Collective Title
Two Volumes of 187 Drawings and Manuscripts, Including, 4 Etchings
11
Views of the Ruins of the Principal Houses Destroyed During the Riots at Birmingham
6
Vues des ruines des principaux batiments qui ont souffert dans les emeutes de Birmingham
6
An Album of Sketches on the Voyage from England to China with Lord Macartney's Embassy
1
Period
18th century
44
18th century-19th century
2
19th century
1
Materials & Techniques
graphite
34
wove paper
30
laid paper
16
watercolor
15
aquatint
8
etching (printing process)
8
brown ink
6
pen
6
black ink
4
gray wash
2
canvas
1
colored ink
1
drypoint
1
letterpress printing
1
oil paint
1
painting (technique)
1
stipple engraving
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
8
to
71
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
16
to
91
Work Type
drawing
36
watercolor
17
intaglio print
9
painting
1
relief print
1
Genre
architectural subject
30
landscape
20
genre subject
7
cityscape
6
marine art
5
animal art
2
historical subject
1
portrait
1
sporting art
1
Subject Terms
architectural subject
30
landscape
25
trees
21
ruins
11
buildings
9
stone
9
men
8
river
8
boats
7
costume
7
hats
7
house
7
park (grounds)
7
church
5
cityscape
5
country house
5
garden
5
genre subject
5
marine art
5
bridge (built work)
4
more
Subject Terms
»
Associated Places
England
[remove]
47
United Kingdom
36
Europe
22
Northumberland
7
Birmingham
6
Devon
6
Greater London
4
London
4
Thames
3
Berkshire
2
Bristol
2
Cumbria
2
Dartmouth
2
Hertfordshire
2
Holy Island
2
Kent
2
Kingswear
2
Lake District
2
Lindisfarne
2
Showell Green
2
more
Associated Places
»
Associated People
Clinton, Henry Fiennes Pelham-, ninth earl of Lincoln and second duke of Newcastle under Lyme (1720–1794), politician
1
Mansell, William (second Duke of Newcastle's gamekeeper)
1
Exhibition History
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
13
Thomas Girtin and the Art of Watercolour (Tate Britain, 2002-07-04 - 2002-09-29)
5
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
4
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
3
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
2
Art of a Changing Society - British Watercolors & Drawings 1775-1950 (Wichita Art Museum, 1983-10-23 - 1983-12-04)
1
British Architectural Drawings (Yale Center for British Art) (Yale Center for British Art, 1982-04-21 - 1982-05-30)
1
Francis Wheatley (Yale Center for British Art, 2005-08-31 - 2006-02-05)
1
Gentle, Rural and Sublime - English Landscape Paintings and Watercolors, 1750-1850 (Denver Art Museum, 1993-12-11 - 1994-02-06)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (The State Hermitage Museum, 2007-10-23 - 2008-01-13)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Virginia Museum of Fine Arts, 2007-07-11 - 2007-09-30)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Yale Center for British Art, 2008-06-09 - 2008-08-17)
1
Life in England 1750 - 1850 (Paul Mellon Arts Center, 1990-03-27 - 1990-05-21)
1
Painters and Engraving - The Reproductive Print from Hogarth to Wilkie (Yale Center for British Art, 1980-03-26 - 1980-06-22)
1
Papermaking and The Art of Watercolor in Eighteenth-Century Britain: Paul Sandby's "View of…Mr. Whatman's Turkey Mill" (Yale Center for British Art, 2006-02-22 - 2006-06-04)
1
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
1
Sensation and Sensibility: Viewing Gainsborough's " Cottage Door " (The Huntington Library, Art Collections, and Botanical Gardens, 2006-02-11 - 2006-05-14)
1
Sensation and Sensibility: Viewing Gainsborough's " Cottage Door " (Yale Center for British Art, 2005-10-06 - 2005-12-31)
1
Spreading Canvas - Eighteenth - Century British Marine Painting (Yale Center for British Art, 2016-09-09 - 2016-12-04)
1
The Image of London (Barbican Art Gallery, 1987-08-06 - 1987-10-18)
1
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
46
Yale Center for British Art, Paul Mellon Fund
1
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Date
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1
Philippe-Jacques de Loutherbourg, 1740–1812
The Great Fire of London
ca. 1797
Not on view
2
Joseph Mallord William Turner, 1775–1851
St. Augustine's Gate, Canterbury
between 1792 and 1793
3
Joseph Mallord William Turner, 1775–1851
North East View of Grantham Church, Lincolnshire
ca. 1797
4
Thomas Girtin, 1775–1802
The Guildhall, Exeter
ca. 1797
5
follower of John Thirtle, 1777–1839
Richmond Castle, Yorkshire
undated
6
Henry William Parish, active 1792
Madiera, South East Extremity, 10 October
1792
7
John Nash, 1752–1835
Corsham Court, Wiltshire: Elevation of the North Front
ca. 1797
8
Print made by Francesco Bartolozzi, 1728–1815
To His Grace The Duke Of Newcastle, This Print Of The Return From Shooting
1792
9
William Ellis, 1747–1810
Baskerville House, the Residence of John Ryland, Esq
1792
10
William Ellis, 1747–1810
Beddington
1792
11
William Ellis, 1747–1810
Bordesley Hall, the Seat of John Taylor, Esq
1792
12
William Ellis, 1747–1810
The House of William Russell, Esq., Showell Green
1792
13
William Ellis, 1747–1810
The House of William Russell, Esq., Showell Green: English and French Text
1792
14
William Ellis, 1747–1810
The House of George Humphrys, Esq., Spark Brook
1792
15
William Ellis, 1747–1810
The New Meeting
1792
16
Print made by Joseph Farington, 1747–1821
Windsor Bridge
1792
17
Attributed to John Carter, 1748–1817
North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey
1792
18
Thomas Girtin, 1775–1802
Lyme Regis, Dorset
ca. 1797
19
Thomas Girtin, 1775–1802
Estuary on the River Taw, Devon
ca. 1797
20
Thomas Girtin, 1775–1802
Christ Church, Blackfriars, London
between 1792 and 1794
21
Thomas Girtin, 1775–1802
Sharpham, near Totnes, Devon
ca. 1797
22
Thomas Girtin, 1775–1802
Cottage near Newcastle, Northumberland
ca. 1797
23
Thomas Girtin, 1775–1802
View of Kingswear, from Dartmouth, Devon
ca. 1797
24
Thomas Girtin, 1775–1802
St. Mary Redcliff, Bristol
ca. 1797
25
Thomas Girtin, 1775–1802
St. Alban's Cathedral, Hertfordshire
ca. 1797
26
Thomas Girtin, 1775–1802
St. Alban's Cathedral, Hertfordshire
ca. 1797
27
Thomas Girtin, 1775–1802
Bristol: Sketch of Boats and Buildings
ca. 1797
28
John Thirtle, 1777–1839
View near Bishopsgate Bridge with Cow Tower, looking towards Mousehold
undated
29
John Warwick Smith, 1749–1831
Ullswater, Looking toward Patterdale
1792
30
John Warwick Smith, 1749–1831
Village of Stonethwaite and Eagle Cragg, Borrowdale
1792
31
Thomas Girtin, 1775–1802
Kingswear Seen from Dartmouth, Devon
ca. 1797
32
Thomas Girtin, 1775–1802
London from Highgate Hill
1792
33
James Moore, 1762–1799
Warkworth Castle, Northumberland
1792
34
James Moore, 1762–1799
Lindisfarne Priory, Holy Island, Northumberland
1792
35
James Moore, 1762–1799
Bamburgh Castle, Northumberland
1792
36
James Moore, 1762–1799
Lindisfarne Priory, Holy Island, Northumberland
1792
37
James Moore, 1762–1799
Coupland Castle, Northumberland
1792
38
James Moore, 1762–1799
Gateshead Abbey
1792
39
James Moore, 1762–1799
Ouse Bridge, York
1792
40
James Moore, 1762–1799
The Abbey of St. Mary, Yorkshire, England
1792
41
James Moore, 1762–1799
East End of Tynemouth Priory
1792
42
James Moore, 1762–1799
Warkworth Castle, Northumberland
1792
43
James Moore, 1762–1799
Bothal Castle, Northumberland
1792
44
Joseph Farington, 1747–1821
Cookham on the Thames, Berkshire
1792
45
Joseph Farington, 1747–1821
View of Taplow and Maidenhead from Cliveden
1792
46
John White Abbott, 1763–1851
Slate Quarry at Widecombe, Devon
1792
47
Print made by William Ellis, 1747–1810
Clapham
1792