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Collection
Prints and Drawings
45
Paintings and Sculpture
1
Creator
Girtin, Thomas, 1775–1802
13
Moore, James, 1762–1799
11
Ellis, William, 1747–1810
7
Johnson, Joseph, 1738–1809
6
Witton, P. H. Jr., Active 1792
6
Farington, Joseph, 1747–1821
3
Smith, John, 1749–1831
2
Thirtle, John, 1777–1839
2
Turner, J. M. W. (Joseph Mallord William), 1775–1851
2
Alken, Samuel, 1756–1815
1
Bartolozzi, Francesco, 1727–1815
1
Boydell, John, 1720–1804
1
Carter, John, 1748–1817
1
Loutherbourg, Philippe-Jacques de, 1740–1812
1
Nash, John, 1752–1835
1
Parish, Henry William, active 1792
1
Repton, John Adey, 1775–1860
1
Wheatley, Francis, 1747–1801
1
White Abbott, John, 1763–1851
1
Date
1796
332
1814
139
1800
94
1785
93
1960
84
1827
82
1795
80
1790
75
1791
75
1834
68
1818
66
1825
66
1820
59
1815
54
1799
53
1810
51
1830
49
1831
49
1793
48
1812
48
1772
47
1792
[remove]
46
1835
46
1817
45
1823
43
1811
41
1806
40
1829
38
1740
37
1836
37
1775
36
1798
36
1833
36
1859
36
1797
35
1819
34
1807
33
1770
32
1789
32
1813
32
1794
31
1832
31
1784
30
1804
30
1821
30
1822
30
1842
30
1912
30
1805
29
1755
28
1860
28
1808
27
1845
26
1746
25
1816
25
1824
25
1754
22
1761
22
1809
22
1700
21
1782
21
1786
21
1850
21
1840
20
1802
19
1828
19
1762
18
1776
18
1837
18
1745
17
1759
17
1765
17
1767
17
1826
17
1890
17
1788
16
1801
16
1880
16
1780
15
1803
15
1843
15
1887
15
1751
14
1773
14
1778
14
1787
14
1839
14
1864
14
1865
14
1779
12
1871
12
1965
12
1717
11
1747
11
1760
11
1774
11
1851
10
1852
10
1863
10
1923
10
On-site Access
Accessible by appointment in the Study Room
45
Not on view
1
Image Use
Free to Use
46
Image Available
Available
[remove]
46
Classification
Drawings & Watercolors
35
Prints
9
Drawing & Watercolors-Architectural
1
Paintings
1
Creator Gender
male
46
Collective Title
Two Volumes of 187 Drawings and Manuscripts, Including, 4 Etchings
11
Views of the Ruins of the Principal Houses Destroyed During the Riots at Birmingham
6
Vues des ruines des principaux batiments qui ont souffert dans les emeutes de Birmingham
6
An Album of Sketches on the Voyage from England to China with Lord Macartney's Embassy
1
Period
18th century
43
18th century-19th century
2
19th century
1
Materials & Techniques
graphite
34
wove paper
29
laid paper
16
watercolor
15
aquatint
7
etching (printing process)
7
brown ink
6
pen
6
black ink
4
gray wash
2
canvas
1
colored ink
1
drypoint
1
letterpress printing
1
oil paint
1
painting (technique)
1
stipple engraving
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
8
to
71
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
16
to
91
Work Type
drawing
36
watercolor
17
intaglio print
8
painting
1
relief print
1
Genre
architectural subject
30
landscape
19
cityscape
6
genre subject
6
marine art
5
animal art
2
historical subject
1
portrait
1
sporting art
1
Subject Terms
architectural subject
30
landscape
24
trees
20
ruins
11
stone
9
buildings
8
men
8
river
8
boats
7
house
7
costume
6
hats
6
park (grounds)
6
cityscape
5
country house
5
garden
5
marine art
5
bridge (built work)
4
church
4
clouds
4
more
Subject Terms
»
Associated Places
England
[remove]
46
United Kingdom
35
Europe
22
Northumberland
7
Birmingham
6
Devon
6
London
4
Greater London
3
Thames
3
Berkshire
2
Bristol
2
Cumbria
2
Dartmouth
2
Hertfordshire
2
Holy Island
2
Kent
2
Kingswear
2
Lake District
2
Lindisfarne
2
Showell Green
2
more
Associated Places
»
Associated People
Clinton, Henry Fiennes Pelham-, ninth earl of Lincoln and second duke of Newcastle under Lyme (1720–1794), politician
1
Mansell, William (second Duke of Newcastle's gamekeeper)
1
Exhibition History
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
13
Thomas Girtin and the Art of Watercolour (Tate Britain, 2002-07-04 - 2002-09-29)
5
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
4
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
3
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
2
Art of a Changing Society - British Watercolors & Drawings 1775-1950 (Wichita Art Museum, 1983-10-23 - 1983-12-04)
1
British Architectural Drawings (Yale Center for British Art) (Yale Center for British Art, 1982-04-21 - 1982-05-30)
1
Francis Wheatley (Yale Center for British Art, 2005-08-31 - 2006-02-05)
1
Gentle, Rural and Sublime - English Landscape Paintings and Watercolors, 1750-1850 (Denver Art Museum, 1993-12-11 - 1994-02-06)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (The State Hermitage Museum, 2007-10-23 - 2008-01-13)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Virginia Museum of Fine Arts, 2007-07-11 - 2007-09-30)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Yale Center for British Art, 2008-06-09 - 2008-08-17)
1
Life in England 1750 - 1850 (Paul Mellon Arts Center, 1990-03-27 - 1990-05-21)
1
Painters and Engraving - The Reproductive Print from Hogarth to Wilkie (Yale Center for British Art, 1980-03-26 - 1980-06-22)
1
Papermaking and The Art of Watercolor in Eighteenth-Century Britain: Paul Sandby's "View of…Mr. Whatman's Turkey Mill" (Yale Center for British Art, 2006-02-22 - 2006-06-04)
1
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
1
Sensation and Sensibility: Viewing Gainsborough's " Cottage Door " (The Huntington Library, Art Collections, and Botanical Gardens, 2006-02-11 - 2006-05-14)
1
Sensation and Sensibility: Viewing Gainsborough's " Cottage Door " (Yale Center for British Art, 2005-10-06 - 2005-12-31)
1
Spreading Canvas - Eighteenth - Century British Marine Painting (Yale Center for British Art, 2016-09-09 - 2016-12-04)
1
The Image of London (Barbican Art Gallery, 1987-08-06 - 1987-10-18)
1
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
45
Yale Center for British Art, Paul Mellon Fund
1
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Date
1792
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1
Philippe-Jacques de Loutherbourg, 1740–1812
The Great Fire of London
ca. 1797
Not on view
2
Joseph Mallord William Turner, 1775–1851
St. Augustine's Gate, Canterbury
between 1792 and 1793
3
Joseph Mallord William Turner, 1775–1851
North East View of Grantham Church, Lincolnshire
ca. 1797
4
John Thirtle, 1777–1839
View near Bishopsgate Bridge with Cow Tower, looking towards Mousehold
undated
5
Henry William Parish, active 1792
Madiera, South East Extremity, 10 October
1792
6
follower of John Thirtle, 1777–1839
Richmond Castle, Yorkshire
undated
7
Print made by Joseph Farington, 1747–1821
Windsor Bridge
1792
8
John Nash, 1752–1835
Corsham Court, Wiltshire: Elevation of the North Front
ca. 1797
9
Thomas Girtin, 1775–1802
The Guildhall, Exeter
ca. 1797
10
Print made by Francesco Bartolozzi, 1728–1815
To His Grace The Duke Of Newcastle, This Print Of The Return From Shooting
1792
11
William Ellis, 1747–1810
The House of William Russell, Esq., Showell Green: English and French Text
1792
12
William Ellis, 1747–1810
The New Meeting
1792
13
William Ellis, 1747–1810
Beddington
1792
14
William Ellis, 1747–1810
Bordesley Hall, the Seat of John Taylor, Esq
1792
15
William Ellis, 1747–1810
The House of William Russell, Esq., Showell Green
1792
16
William Ellis, 1747–1810
The House of George Humphrys, Esq., Spark Brook
1792
17
William Ellis, 1747–1810
Baskerville House, the Residence of John Ryland, Esq
1792
18
Attributed to John Carter, 1748–1817
North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey
1792
19
Joseph Farington, 1747–1821
Cookham on the Thames, Berkshire
1792
20
Thomas Girtin, 1775–1802
London from Highgate Hill
1792
21
Thomas Girtin, 1775–1802
Christ Church, Blackfriars, London
between 1792 and 1794
22
Thomas Girtin, 1775–1802
Kingswear Seen from Dartmouth, Devon
ca. 1797
23
Thomas Girtin, 1775–1802
Lyme Regis, Dorset
ca. 1797
24
Thomas Girtin, 1775–1802
Estuary on the River Taw, Devon
ca. 1797
25
Thomas Girtin, 1775–1802
St. Alban's Cathedral, Hertfordshire
ca. 1797
26
Thomas Girtin, 1775–1802
View of Kingswear, from Dartmouth, Devon
ca. 1797
27
Thomas Girtin, 1775–1802
St. Mary Redcliff, Bristol
ca. 1797
28
Thomas Girtin, 1775–1802
St. Alban's Cathedral, Hertfordshire
ca. 1797
29
Thomas Girtin, 1775–1802
Cottage near Newcastle, Northumberland
ca. 1797
30
Thomas Girtin, 1775–1802
Sharpham, near Totnes, Devon
ca. 1797
31
Thomas Girtin, 1775–1802
Bristol: Sketch of Boats and Buildings
ca. 1797
32
James Moore, 1762–1799
Warkworth Castle, Northumberland
1792
33
James Moore, 1762–1799
Lindisfarne Priory, Holy Island, Northumberland
1792
34
James Moore, 1762–1799
The Abbey of St. Mary, Yorkshire, England
1792
35
James Moore, 1762–1799
East End of Tynemouth Priory
1792
36
James Moore, 1762–1799
Gateshead Abbey
1792
37
James Moore, 1762–1799
Bothal Castle, Northumberland
1792
38
James Moore, 1762–1799
Ouse Bridge, York
1792
39
James Moore, 1762–1799
Bamburgh Castle, Northumberland
1792
40
James Moore, 1762–1799
Warkworth Castle, Northumberland
1792
41
James Moore, 1762–1799
Lindisfarne Priory, Holy Island, Northumberland
1792
42
James Moore, 1762–1799
Coupland Castle, Northumberland
1792
43
John Warwick Smith, 1749–1831
Ullswater, Looking toward Patterdale
1792
44
John Warwick Smith, 1749–1831
Village of Stonethwaite and Eagle Cragg, Borrowdale
1792
45
Joseph Farington, 1747–1821
View of Taplow and Maidenhead from Cliveden
1792
46
John White Abbott, 1763–1851
Slate Quarry at Widecombe, Devon
1792