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Collection
Prints and Drawings
50
Creator
Blake, William, 1757–1827
39
Edwards, Richard, active 1796–1797
39
Young, Edward, 1683–1765
39
Bunbury, Henry William, 1750–1811
3
Bartolozzi, Francesco, 1727–1815
2
Fittler, James, 1758–1835
2
Opie, John, 1761–1807
2
Unknown artist
2
Barry, James, 1741–1806
1
Bell, John, 1745–1831
1
Birch, William, 1755–1834
1
Cosway, Maria Hadfield, 1759–1838
1
Legat, Francis, 1755–1809
1
Northcote, James, 1746–1831
1
Reynolds, Joshua, Sir, 1723–1792
1
Smith, John Raphael, 1752–1812
1
Thew, Robert, 1758–1802
1
Tomkins, Peltro William, 1760–1840
1
Wheatley, Francis, 1747–1801
1
Date
1834
257
1804
108
1793
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1797
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1792
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On-site Access
Accessible in the Study Room
50
Image Use
Free to Use
50
Image Available
Available
50
Classification
Prints
[remove]
50
Creator Gender
male
50
unknown
2
female
1
Collective Title
Young's Night Thoughts
39
British Theatre
1
Iconographie Anglaise par Reynolds et Autres
1
The Winter's Tale
1
Period
18th century
50
Materials & Techniques
wove paper
41
etching (printing process)
40
line engraving
40
watercolor
38
stipple engraving
5
laid paper
3
aquatint
2
Engraving
1
hand coloring
1
mezzotint
1
Height [cm]
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75
Unknown
3
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71
Unknown
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intaglio print
49
relief print
39
watercolor
39
Genre
literary theme
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50
portrait
2
Subject Terms
literary theme
43
text
37
men
28
women
20
nudes
16
angels
8
children
7
clouds
7
grass
7
wings
7
crowns
5
vines
5
angel
4
gowns
4
pointing
4
beard
3
beds
3
book
3
cups
3
dead
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Subject Terms
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Associated Places
Tower of London
1
Associated People
Shakespeare, William (1564–1616), playwright and poet
6
Falstaff
1
Henry IV (1367–1413), king of England and lord of Ireland, and duke of Aquitaine
1
Henry VI (1421–1471), king of England and lord of Ireland, and duke of Aquitaine
1
Jesus Christ (7–2 BC/BCE to 30–36 AD/CE)
1
Robinson, Mary (1756/1758?–1800), author and actress
1
Exhibition History
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
38
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
4
Francis Wheatley (Yale Center for British Art, 2005-08-31 - 2006-02-05)
1
Two Extraordinary Women : The Lives and Art of Maria Cosway (1760-1838) and Mary Darby Robinson (1757-1800) (The Fralin Museum of Art, University of Virginia, 2016-01-29 - 2016-05-01)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
45
Yale Center for British Art, Paul Mellon Fund
3
Yale Center for British Art, Gift of Chauncey Brewster Tinker
1
Yale Center for British Art, Yale University Art Gallery Collection
1
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Date
1792
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1
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
ca. 1797
2
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
ca. 1797
3
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797
4
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
5
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
6
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
ca. 1797
7
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
8
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
ca. 1797
9
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
ca. 1797
10
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
11
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
ca. 1797
12
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
13
Print made by William Blake, 1757–1827
'The thunder if in that the Almighty dwells' (Page 80)
ca. 1797
14
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
ca. 1797
15
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
ca. 1797
16
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
ca. 1797
17
Print made by William Blake, 1757–1827
Night the First. On Life, Death, and Immortality; Title Page
ca. 1797
18
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
ca. 1797
19
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
20
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
ca. 1797
21
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
ca. 1797
22
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
ca. 1797
23
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
24
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
ca. 1797
25
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
26
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
27
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
28
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
29
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
30
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
31
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
ca. 1797
32
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
ca. 1797
33
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
34
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
ca. 1797
35
Print made by William Blake, 1757–1827
The Complaint, and the Consolation; or, Night Thoughts
ca. 1797
36
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
37
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
38
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
39
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
40
James Fittler, 1758–1835
'The Gamester,' Act V, Scene IV
1792
41
Print made by William Birch, 1755–1834
Mrs. Robinson
1792
42
Francis Legat, 1755–1809
"King Lear", Act V, Scene III
1792
43
unknown artist
Falstaff Reproved by King Henry
1792
44
Peltro W. Tomkins, 1760–1840
Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III
1792
45
Print made by James Fittler, 1758–1835
The Winter's Tale, Act IV, Scene III
1792
46
Print made by Robert Thew, 1758–1802
King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)
1792
47
unknown artist
Falstaff reproved by King Henry
1792
48
Francesco Bartolozzi, 1728–1815
The Freeing of Amoret
1792
49
Francesco Bartolozzi, 1728–1815
Lodona
1792
50
John Raphael Smith, 1752–1812
Eloisa
1792