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Collection
Prints and Drawings
53
Paintings and Sculpture
1
Creator
Blake, William, 1757–1827
38
Edwards, Richard, active 1796–1797
38
Young, Edward, 1683–1765
38
Bunbury, Henry William, 1750–1811
3
Bartolozzi, Francesco, 1727–1815
2
Fittler, James, 1758–1835
2
Opie, John, 1761–1807
2
Unknown artist
2
Wheatley, Francis, 1747–1801
2
Wright, John Massey, 1777–1866
2
Barry, James, 1741–1806
1
Bell, John, 1745–1831
1
Birch, William, 1755–1834
1
Cosway, Maria Hadfield, 1759–1838
1
Flaxman, John, 1755–1826
1
Legat, Francis, 1755–1809
1
Northcote, James, 1746–1831
1
Reynolds, Joshua, Sir, 1723–1792
1
Romney, George, 1734–1802
1
Smith, John Raphael, 1752–1812
1
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Creator
»
Date
1834
257
1797
114
1804
114
1793
93
1794
73
1837
72
1808
55
1792
[remove]
54
1839
48
1789
47
1788
44
1835
40
1783
34
1821
33
1826
32
0
28
1749
28
1825
27
1830
26
1836
26
1800
24
1803
24
1776
21
1786
21
1833
20
1773
18
1900
17
1745
16
1768
16
1802
16
1779
15
1780
15
1784
15
1896
14
1741
13
1782
13
1798
13
1827
13
1775
12
1785
12
1790
12
1795
12
1778
11
1781
11
1769
10
1787
10
1875
10
2001
10
1674
9
1767
9
1770
9
1772
9
1809
9
1972
9
1791
8
1805
8
1815
8
1844
8
1848
8
1777
7
1796
7
1807
7
1880
7
1700
6
1771
6
1799
6
1801
6
1832
6
1842
6
1857
6
1859
6
1746
5
1813
5
1820
5
1822
5
1824
5
1879
5
1893
5
1705
4
1729
4
1733
4
1761
4
1765
4
1766
4
1774
4
1811
4
1829
4
1843
4
1852
4
1853
4
1854
4
1856
4
1863
4
1876
4
1892
4
1960
4
2002
4
1728
3
1739
3
1748
3
On-site Access
Accessible by appointment in the Study Room
53
Not on view
1
Image Use
Free to Use
54
Image Available
Available
54
Classification
Prints
49
Drawings & Watercolors
4
Paintings
1
Creator Gender
male
54
unknown
2
female
1
Collective Title
Young's Night Thoughts
38
The Winter's Tale
2
A Midsummer Night's Dream
1
British Theatre
1
Iconographie Anglaise par Reynolds et Autres
1
The Merry Wives of Windsor
1
The Tragedy of Macbeth
1
Period
18th century
52
18th century-19th century
2
Materials & Techniques
wove paper
44
etching (printing process)
40
line engraving
39
watercolor
39
stipple engraving
5
laid paper
4
graphite
3
aquatint
2
brown ink
2
Engraving
1
black ink
1
brown wash
1
mezzotint
1
painting (technique)
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
13
to
166
Unknown
3
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
8
to
133
Unknown
3
Work Type
intaglio print
48
watercolor
40
drawing
31
painting
1
Genre
literary theme
[remove]
54
figure study
3
portrait
2
Subject Terms
literary theme
48
text
37
men
32
women
25
nudes
16
angels
8
children
7
clouds
7
grass
7
wings
7
crowns
6
vines
5
angel
4
gesturing
4
gowns
4
plays by William Shakespeare
4
pointing
4
beard
3
beds
3
book
3
more
Subject Terms
»
Associated Places
Tower of London
1
Associated People
Shakespeare, William (1564–1616), playwright and poet
10
Anne Page (character in The Merry Wives of Windsor)
1
Falstaff
1
Fenton (character in The Merry Wives of Windsor)
1
Henry IV (1367–1413), king of England and lord of Ireland, and duke of Aquitaine
1
Henry VI (1421–1471), king of England and lord of Ireland, and duke of Aquitaine
1
Herne the Hunter
1
Jesus Christ (7–2 BC/BCE to 30–36 AD/CE)
1
Macbeth (character in The Tragedy of Macbeth)
1
Messr. Ford (character in The Merry Wives of Windsor)
1
Messr. Page (character in The Merry Wives of Windsor)
1
Mistress Ford (character in The Merry Wives of Windsor)
1
Mistress Page (character in The Merry Wives of Windsor)
1
Mistress Quickly (character in The Merry Wives of Windsor)
1
Pistol (character in The Merry Wives of Windsor)
1
Proteus
1
Robinson, Mary (1756/1758?–1800), author and actress
1
Silvia (character in The Two Gentlemen of Verona)
1
Sir Hugh Evans (character in The Merry Wives of Windsor)
1
Sir John Falstaff
1
more
Associated People
»
Exhibition History
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
38
Shakespeare and British Art (Yale Center for British Art, 1981-04-23 - 1981-07-05)
4
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
3
Francis Wheatley (Yale Center for British Art, 2005-08-31 - 2006-02-05)
2
Shakespeare in Western Art (Isetan Museum of Art, 1992-10-29 - 1992-11-24)
1
Shakespeare in Western Art (Kintetsu Museum of Art, 1993-01-09 - 1993-02-02)
1
Shakespeare in Western Art (Museum of Modern Art, Ibaraki, 1992-11-28 - 1992-12-23)
1
Shakespeare in Western Art (Takamatsu City Museum of Art, 1993-01-09 - 1993-02-08)
1
Shakespeare on Canvas (Yale Center for British Art, 2012-01-02 - 2012-06-30)
1
Two Extraordinary Women : The Lives and Art of Maria Cosway (1760-1838) and Mary Darby Robinson (1757-1800) (The Fralin Museum of Art, University of Virginia, 2016-01-29 - 2016-05-01)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
46
Yale Center for British Art, Paul Mellon Fund
5
Yale Center for British Art, Gift of Chauncey Brewster Tinker
1
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938
1
Yale Center for British Art, Yale University Art Gallery Collection
1
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Date
1792
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1
Francis Wheatley, 1747–1801
Valentine rescuing Silvia from Proteus, from Shakespeare's "The Two Gentlemen of Verona," Act V, Scene 4, the Outlaws' Cave
1792
Not on view
2
Print made by William Blake, 1757–1827
'Swift on His Downy Pinion Flies from Woe' (Page 1)
ca. 1797
3
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
ca. 1797
4
Print made by William Blake, 1757–1827
'O treacherous conscience!' (Page 27)
ca. 1797
5
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
6
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
7
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
8
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
ca. 1797
9
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
10
Print made by William Blake, 1757–1827
Night the Second. On Time, Death and Friendship; Title Page
ca. 1797
11
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
ca. 1797
12
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
13
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
14
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
15
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
ca. 1797
16
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
17
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
ca. 1797
18
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
ca. 1797
19
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
ca. 1797
20
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
21
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
ca. 1797
22
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
23
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
ca. 1797
24
Print made by William Blake, 1757–1827
'The thunder if in that the Almighty dwells' (Page 80)
ca. 1797
25
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
26
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797
27
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
ca. 1797
28
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
ca. 1797
29
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
ca. 1797
30
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
31
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
32
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
ca. 1797
33
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
34
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
ca. 1797
35
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
ca. 1797
36
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
37
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
38
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
39
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
40
George Romney, 1734–1802
The Witches' Cavern
between 1792 and 1793
41
John Massey Wright, 1777–1866
Falstaff Disguised as Herne
undated
42
Francesco Bartolozzi, 1728–1815
Lodona
1792
43
Francesco Bartolozzi, 1728–1815
The Freeing of Amoret
1792
44
John Raphael Smith, 1752–1812
Eloisa
1792
45
unknown artist
Falstaff reproved by King Henry
1792
46
James Fittler, 1758–1835
'The Gamester,' Act V, Scene IV
1792
47
Francis Legat, 1755–1809
"King Lear", Act V, Scene III
1792
48
unknown artist
Falstaff Reproved by King Henry
1792
49
Print made by William Birch, 1755–1834
Mrs. Robinson
1792
50
Print made by James Fittler, 1758–1835
The Winter's Tale, Act IV, Scene III
1792
51
John Massey Wright, 1777–1866
The Rustics Perform from "A Midsummer Night's Dream"
undated
52
Peltro W. Tomkins, 1760–1840
Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III
1792
53
Print made by Robert Thew, 1758–1802
King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)
1792
54
John Flaxman, 1755–1826
Illustration to Pilgrim's Progress
1792