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Joseph Mallord William Turner A Limekiln, Possibly at Briton Ferry in South Wales
Joseph Mallord William Turner, 1775–1851
A Limekiln, Possibly at Briton Ferry in South Wales
ca. 1795-96
Not on view
Philippe-Jacques de Loutherbourg The Great Fire of London
Philippe-Jacques de Loutherbourg, 1740–1812
The Great Fire of London
ca. 1797
Not on view
Arthur William Devis Grinding Corn
Arthur William Devis, 1762–1822
Grinding Corn
between 1792 and 1795
Not on view
Sawrey Gilpin A Horse Frightened by a Snake
Sawrey Gilpin, 1733–1807
A Horse Frightened by a Snake
1792
Not on view
George Morland Foxhunting in Hilly Country
George Morland, 1763–1804
Foxhunting in Hilly Country
1792
Not on view
Francis Wheatley Valentine rescuing Silvia from Proteus, from Shakespeare's "The Two Gentlemen of Verona," Act V, Scene 4, the Outlaws' Cave
Francis Wheatley, 1747–1801
Valentine rescuing Silvia from Proteus, from Shakespeare's "The Two Gentlemen of Verona," Act V, Scene 4, the Outlaws' Cave
1792
Not on view
Philippe-Jacques de Loutherbourg The Angel Binding Satan
Philippe-Jacques de Loutherbourg, 1740–1812
The Angel Binding Satan
ca. 1797
Not on view
Julius Caesar Ibbetson A Stage Coach on a Country Road
Julius Caesar Ibbetson, 1759–1817
A Stage Coach on a Country Road
1792
Not on view
Henry Fuseli Christ Disappearing at Emmaus
Henry Fuseli, 1741–1825
Christ Disappearing at Emmaus
1792
Not on view
Joseph Nollekens Charles James Fox
Joseph Nollekens, 1737–1823
Charles James Fox
1792
Not on view
Joseph Mallord William Turner Man with Horse and Cart Entering a Quarry
Joseph Mallord William Turner, 1775–1851
Man with Horse and Cart Entering a Quarry
ca. 1797
Joseph Mallord William Turner North East View of Grantham Church, Lincolnshire
Joseph Mallord William Turner, 1775–1851
North East View of Grantham Church, Lincolnshire
ca. 1797
Joseph Mallord William Turner St. Augustine's Gate, Canterbury
Joseph Mallord William Turner, 1775–1851
St. Augustine's Gate, Canterbury
between 1792 and 1793
George Romney The Witches' Cavern
George Romney, 1734–1802
The Witches' Cavern
between 1792 and 1793
William Blake 'The present moment terminates our sight' (Page 13)
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
ca. 1797
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
ca. 1797
William Blake Night the Second. On Time, Death and Friendship; Title Page
Print made by William Blake, 1757–1827
Night the Second. On Time, Death and Friendship; Title Page
ca. 1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
William Blake 'One radiant mark, – the death-bed of the just' (Page 41)
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
ca. 1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
William Blake The Christian Triumph; Title Page
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
ca. 1797
William Blake 'Till death, that mighty hunter, earths them all' (Page 70)
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
ca. 1797
William Blake 'And vapid; sense and reason shew the door' (Page 72)
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
William Blake Night the First. On Life, Death and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
ca. 1797
William Blake 'O treacherous conscience!' (Page 27)
Print made by William Blake, 1757–1827
'O treacherous conscience!' (Page 27)
ca. 1797
William Blake 'Tis greatly wise to talk with our past hours' (Page 31)
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
ca. 1797
William Blake 'Angels should paint it, angels ever there' (Page 40)
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
William Blake 'Is lost in love! thou great Philanthropist' (Page 87)
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
William Blake 'Swift on His Downy Pinion Flies from Woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on His Downy Pinion Flies from Woe' (Page 1)
ca. 1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
ca. 1797
William Blake 'This King of Terrors is the Prince of Peace' (Page 63)
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
ca. 1797
William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
ca. 1797
William Blake 'The thunder if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder if in that the Almighty dwells' (Page 80)
ca. 1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
ca. 1797
William Blake 'That touch, with charm celestial heals the soul' (Page 90)
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797
William Blake 'When faith is virtue, reason makes it so' (Page 92)
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
ca. 1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
ca. 1797
William Blake 'The goddess bursts in thunder and in flame' (Page 95)
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
ca. 1797
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
William Blake 'Where sense runs savage broke from reason's chain' (Page 46)
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
ca. 1797
William Blake The Complaint, and the Consolation; or, Night Thoughts
Print made by William Blake, 1757–1827
The Complaint, and the Consolation; or, Night Thoughts
ca. 1797
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
Thomas Trotter Jonathan Shipley, Bishop of St. Asaph
Thomas Trotter, ca. 1750–1803
Jonathan Shipley, Bishop of St. Asaph
1792
William Birch Mrs. Robinson
Print made by William Birch, 1755–1834
Mrs. Robinson
1792
William Byrne Chinese Pavilion in European Landscape
William Byrne, 1743–1805
Chinese Pavilion in European Landscape
1792
Francis Legat "King Lear", Act V, Scene III
Francis Legat, 1755–1809
"King Lear", Act V, Scene III
1792
unknown artist Falstaff Reproved by King Henry
unknown artist
Falstaff Reproved by King Henry
1792
Peltro W. Tomkins Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III
Peltro W. Tomkins, 1760–1840
Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III
1792
John Jones Reverend John Moore, Lord Archbishop of Canterbury
John Jones, ca. 1745–1797
Reverend John Moore, Lord Archbishop of Canterbury
1792
Lieutenant James Hunter Tipu Sultan's Summer Palace
Lieutenant James Hunter, died 1792
Tipu Sultan's Summer Palace
1792
George Walker Scotsman with Sword; Modern Dress of a Highland Chieftan
George Walker, active 1792–died 1795
Scotsman with Sword; Modern Dress of a Highland Chieftan
undated
George Walker Industrious Jenny
George Walker, active 1792–died 1795
Industrious Jenny
undated
George Walker Man Haranguing a Gatepost
George Walker, active 1792–died 1795
Man Haranguing a Gatepost
undated
George Walker Rural Scene
George Walker, active 1792–died 1795
Rural Scene
undated
George Walker Figure Sketches
George Walker, active 1792–died 1795
Figure Sketches
undated
Rev. William Henry Barnard The River at Dusk, Oxford
Rev. William Henry Barnard, 1767–1818
The River at Dusk, Oxford
1792
Rev. William Henry Barnard The Coal Wharf, Oxford
Rev. William Henry Barnard, 1767–1818
The Coal Wharf, Oxford
1792
John Glover River with Fishermen
John Glover, 1767–1849
River with Fishermen
1792
Joseph Farington Windsor Bridge
Print made by Joseph Farington, 1747–1821
Windsor Bridge
1792
Robert Dodd Action off Cape St. Vicent, 14 February 1797
Robert Dodd, 1748–1816
Action off Cape St. Vicent, 14 February 1797
ca. 1797
Francis Jukes View of the Forth, Including the Queen's Ferry
Francis Jukes, 1747–1812
View of the Forth, Including the Queen's Ferry
1792
Gangaram Chintaman Tambat Two Jeyties
Gangaram Chintaman Tambat, active 1790s
Two Jeyties
1792
Robert Mabon William Lee, October 1, 1792
Robert Mabon, died 1798
William Lee, October 1, 1792
1792
Robert Mabon A Durbar Scene, Poona, October 3, 1792
Robert Mabon, died 1798
A Durbar Scene, Poona, October 3, 1792
1792
Gangaram Chintaman Tambat Two Jeyties Wrestling
Gangaram Chintaman Tambat, active 1790s
Two Jeyties Wrestling
1792
Gangaram Chintaman Tambat View on the River Bhima at Deval Gaun, 28 Miles East of Poona
Attributed to Gangaram Chintaman Tambat, active 1790s
View on the River Bhima at Deval Gaun, 28 Miles East of Poona
1792 to 1794
James Wales Krishna and Radha
James Wales, ca.1747–1795
Krishna and Radha
1792 to 1795
unknown artist Westminster Bridge
unknown artist
Westminster Bridge
1792
unknown artist The Parish Church of St. Botolph without Aldgate
unknown artist
The Parish Church of St. Botolph without Aldgate
1792
unknown artist View on Westminster Bridge
unknown artist
View on Westminster Bridge
1792
unknown artist The Sun Setting
unknown artist
The Sun Setting
1792
unknown artist Arundel House in London 1646
unknown artist
Arundel House in London 1646
1792
Thomas Ryder The Murder of James First, King of Scotland
Thomas Ryder, 1746–1810
The Murder of James First, King of Scotland
1792
unknown artist The Bank
unknown artist
The Bank
1792
William Ellis Camberwell
William Ellis, 1747–1810
Camberwell
1792
unknown artist Cheapside Cross
unknown artist
Cheapside Cross
1792
Thomas Morris Partial View of the West Front of St. Pauls
Thomas Morris, born 1771
Partial View of the West Front of St. Pauls
1792
William Walker Greenwich Hospital
William Walker, 1791–1867
Greenwich Hospital
1792
unknown artist Monument in St. Botolph's Bishopsgate
unknown artist
Monument in St. Botolph's Bishopsgate
1792
Francesco Bartolozzi Funeral Card of Sir Joshua Reynolds
Print made by Francesco Bartolozzi, 1728–1815
Funeral Card of Sir Joshua Reynolds
1792
George Saunders Monument for Sir Joshua Reynolds
George Saunders, c.1762–1839
Monument for Sir Joshua Reynolds
1792
Thomas Trotter Dr. Samuel Johnson
Thomas Trotter, ca. 1750–1803
Dr. Samuel Johnson
1792
John Chapman Falstaff's Escape - "The Merry Wives of Windsor," Act IV, Scene II
John Chapman, active ca. 1792–1823
Falstaff's Escape - "The Merry Wives of Windsor," Act IV, Scene II
1792
John Chapman Falstaff's Escape - "The Merry Wives of Windsor," Act IV, Scene II
John Chapman, active ca. 1792–1823
Falstaff's Escape - "The Merry Wives of Windsor," Act IV, Scene II
1792
John Chapman Helena in the Dress of a Pilgrim - "All's Well That Eends Well," Act III, Scene V
John Chapman, active ca. 1792–1823
Helena in the Dress of a Pilgrim - "All's Well That Eends Well," Act III, Scene V
1792
John Chapman Rosalind, Celia and Touchstone - "As You Like It," Act II, Scene III
John Chapman, active ca. 1792–1823
Rosalind, Celia and Touchstone - "As You Like It," Act II, Scene III
1792
Thomas Cheesman The Supposed Death of Imogen, 'Cymbeline,' Act IV, Scene IV
Print made by Thomas Cheesman, 1760–1834/35
The Supposed Death of Imogen, 'Cymbeline,' Act IV, Scene IV
1792
unknown artist Macbeth and the Murderers - "Macbeth," Act III, Scene I
unknown artist
Macbeth and the Murderers - "Macbeth," Act III, Scene I
1792
John Nash Corsham Court, Wiltshire: Elevation of the North Front
John Nash, 1752–1835
Corsham Court, Wiltshire: Elevation of the North Front
ca. 1797