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Collection
Prints and Drawings
100
Rare Books and Manuscripts
2
Creator
Blake, William, 1757–1827
38
Edwards, Richard, active 1796–1797
38
Young, Edward, 1683–1765
38
Parish, Henry William, active 1792
10
Girtin, Thomas, 1775–1802
8
Alexander, William, 1767–1816
5
Moore, James, 1762–1799
5
Smith, John, 1749–1831
4
Walker, George, active 1792–died 1795
4
Dayes, Edward, 1763–1804
3
Mabon, Robert, died 1798
3
Tambat, Gangaram Chintaman, active 1790s
3
Turner, J. M. W. (Joseph Mallord William), 1775–1851
3
Barnard, William Henry, 1767–1818
2
Howitt, Samuel, 1756–1822
2
Rowlandson, Thomas, 1756–1827
2
Barth, J. S., active 1797–1809
1
Bogle, John, 1746–1804
1
Daniell, William, 1769–1837
1
Day, William, 1764–1807
1
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Creator
»
Date
1745
279
1752
187
1790
169
1791
140
1794
138
1785
123
1797
122
1792
[remove]
102
1700
98
1787
83
1780
81
1789
78
1763
70
1793
70
1775
56
1740
53
1762
45
1783
42
1765
40
1755
36
1768
36
1798
35
1749
34
1770
34
1761
33
1771
32
1777
31
1717
30
1764
30
1760
29
1795
29
1776
28
1788
28
1753
27
1784
26
1746
25
1758
25
1736
23
1754
23
1781
23
1778
22
1782
22
1786
22
1779
16
1796
16
1799
16
1772
15
1757
14
1701
13
1723
13
1748
13
1774
13
1709
12
1720
12
1767
12
1730
11
1732
11
1742
11
1750
11
1715
10
1743
10
1773
10
1690
9
1718
9
1725
9
1738
9
1756
8
1759
8
0
6
1712
6
1734
6
1735
6
1747
6
1751
6
1800
6
1728
5
1766
5
1769
5
1724
4
1737
4
1739
4
1710
3
1711
3
1729
3
1731
3
1705
2
1707
2
1713
2
1714
2
1721
2
1722
2
1733
2
1741
2
1744
2
1830
2
1600
1
1675
1
1685
1
1697
1
1699
1
On-site Access
Accessible by appointment in the Study Room
102
Image Use
Free to Use
100
Under Certain Circumstances
2
Image Available
Available
98
Unavailable
4
Classification
Drawings & Watercolors
61
Prints
38
Archives & Manuscripts
1
Drawing & Watercolors-Architectural
1
Drawings & Watercolors-Miniatures
1
Creator Gender
male
100
unknown
2
Collective Title
Young's Night Thoughts
38
An Album of Sketches on the Voyage from England to China with Lord Macartney's Embassy
9
Two Volumes of 187 Drawings and Manuscripts, Including, 4 Etchings
2
Views in the Province of Kiang Nan, China
1
Period
18th century
[remove]
102
19th century
1
Materials & Techniques
watercolor
96
wove paper
73
graphite
55
etching (printing process)
38
line engraving
38
laid paper
27
black ink
19
pen
15
brown ink
14
gray wash
5
gray ink
4
gouache
2
black chalk
1
ivory
1
red ink
1
scraping
1
scratching out
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
6
to
51
Unknown
2
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
4
to
69
Unknown
2
Work Type
watercolor
[remove]
102
drawing
88
intaglio print
38
graphite drawing
2
sketchbook
2
armorial bookplates (provenance)
1
botanical illustration
1
engraving
1
figure drawing
1
ink drawing
1
landscape drawing
1
miniature
1
travel sketche
1
view
1
wash drawing
1
Genre
literary theme
38
landscape
31
architectural subject
16
genre subject
14
marine art
14
figure study
5
sporting art
4
portrait
2
animal art
1
cityscape
1
military art
1
religious and mythological subject
1
Subject Terms
literary theme
38
men
38
text
37
landscape
27
women
23
nudes
16
trees
16
architectural subject
13
clouds
13
marine art
13
genre subject
12
grass
9
angels
8
children
8
rocks (landforms)
8
man
7
mountains
7
wings
7
river
6
boats
5
more
Subject Terms
»
Associated Places
United Kingdom
21
Europe
19
England
14
Asia
4
China
4
Scotland
4
Devon
3
India
3
Wales
3
Cumbria
2
Cymru
2
Kent
2
Lake District
2
Pembrokeshire
2
Rio de Janeiro
2
Roxburghshire
2
Aberdeenshire
1
Amsterdam
1
Banff
1
Bangalore
1
more
Associated Places
»
Associated People
Jesus Christ (7–2 BC/BCE to 30–36 AD/CE)
1
Swinburne, Edward, 1765–1847
1
Exhibition History
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
38
Spreading Canvas - Eighteenth - Century British Marine Painting (Yale Center for British Art, 2016-09-09 - 2016-12-04)
10
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
8
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
4
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
3
Thomas Girtin and the Art of Watercolour (Tate Britain, 2002-07-04 - 2002-09-29)
3
Adapting the Eye: an archive of the British in India, 1770-1830 (Yale Center for British Art, 2011-10-11 - 2011-12-31)
2
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
2
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
2
"Of Green Leaf, Bird, and Flower" : Artists' Books and the Natural World (Yale Center for British Art, May 15, 2014-August 10, 2014)
1
Art in Focus : Wales (Yale Center for British Art, 2014-04-04 - 2014-08-10)
1
Art of a Changing Society - British Watercolors & Drawings 1775-1950 (Wichita Art Museum, 1983-10-23 - 1983-12-04)
1
British Architectural Drawings (Yale Center for British Art) (Yale Center for British Art, 1982-04-21 - 1982-05-30)
1
Gentle, Rural and Sublime - English Landscape Paintings and Watercolors, 1750-1850 (Denver Art Museum, 1993-12-11 - 1994-02-06)
1
John Glover and the Colonial Picturesque (Art Gallery of South Australia, 2004-02-19 - 2004-04-12)
1
John Glover and the Colonial Picturesque (National Gallery of Australia, 2004-04-24 - 2004-07-18)
1
John Glover and the Colonial Picturesque (National Gallery of Victoria, 2004-08-13 - 2004-10-03)
1
John Glover and the Colonial Picturesque (Tasmanian Museum and Art Gallery, 2003-12-05 - 2004-02-01)
1
Making History - Antiquaries in Britain 1707-2007 (Yale Center for British Art, 2012-02-02 - 2012-05-27)
1
Papermaking and The Art of Watercolor in Eighteenth-Century Britain: Paul Sandby's "View of…Mr. Whatman's Turkey Mill" (Yale Center for British Art, 2006-02-22 - 2006-06-04)
1
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
99
Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends
1
Language
English
2
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Date
1792
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Period
18th century
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Work Type
watercolor
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1
Joseph Mallord William Turner, 1775–1851
Man with Horse and Cart Entering a Quarry
ca. 1797
2
Joseph Mallord William Turner, 1775–1851
North East View of Grantham Church, Lincolnshire
ca. 1797
3
Joseph Mallord William Turner, 1775–1851
St. Augustine's Gate, Canterbury
between 1792 and 1793
4
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
ca. 1797
5
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
ca. 1797
6
Print made by William Blake, 1757–1827
Night the Second. On Time, Death and Friendship; Title Page
ca. 1797
7
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
8
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
9
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
10
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
ca. 1797
11
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
12
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
13
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
ca. 1797
14
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
ca. 1797
15
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
16
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
ca. 1797
17
Print made by William Blake, 1757–1827
'O treacherous conscience!' (Page 27)
ca. 1797
18
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
ca. 1797
19
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
20
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
21
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
22
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
23
Print made by William Blake, 1757–1827
'Swift on His Downy Pinion Flies from Woe' (Page 1)
ca. 1797
24
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
25
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
26
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
ca. 1797
27
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
ca. 1797
28
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
ca. 1797
29
Print made by William Blake, 1757–1827
'The thunder if in that the Almighty dwells' (Page 80)
ca. 1797
30
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
ca. 1797
31
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797
32
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
ca. 1797
33
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
ca. 1797
34
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
ca. 1797
35
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
36
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
37
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
ca. 1797
38
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
39
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
40
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
41
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
42
Lieutenant James Hunter, died 1792
Tipu Sultan's Summer Palace
1792
43
George Walker, active 1792–died 1795
Scotsman with Sword; Modern Dress of a Highland Chieftan
undated
44
George Walker, active 1792–died 1795
Industrious Jenny
undated
45
Rev. William Henry Barnard, 1767–1818
The River at Dusk, Oxford
1792
46
Rev. William Henry Barnard, 1767–1818
The Coal Wharf, Oxford
1792
47
John Glover, 1767–1849
River with Fishermen
1792
48
Gangaram Chintaman Tambat, active 1790s
Two Jeyties
1792
49
Robert Mabon, died 1798
William Lee, October 1, 1792
1792
50
Robert Mabon, died 1798
A Durbar Scene, Poona, October 3, 1792
1792
51
Gangaram Chintaman Tambat, active 1790s
Two Jeyties Wrestling
1792
52
Attributed to Gangaram Chintaman Tambat, active 1790s
View on the River Bhima at Deval Gaun, 28 Miles East of Poona
1792 to 1794
53
James Wales, ca.1747–1795
Krishna and Radha
1792 to 1795
54
John Nash, 1752–1835
Corsham Court, Wiltshire: Elevation of the North Front
ca. 1797
55
John Bogle, 1746–1804
Robert Graham of Gartmore, later Cunninghame Graham
1792
56
Julius Caesar Ibbetson, 1759–1817
Haymaking
1792
57
J. S. Barth, active 1797–1809
River Scene with Waterfall and High Trees
1792
58
William Alexander, 1767–1816
A Raree Show
between 1792 and 1793
59
John Warwick Smith, 1749–1831
The Lakes of Llanberis - from the Road from Caernarfon Going to Llanberis, Caernarfonshire
July 14, 1792
60
Henry William Parish, active 1792
Madiera, South East Extremity, 10 October
1792
61
George Walker, active 1792–died 1795
Uncle George in the Dress of a Highland Herdsman
undated
62
Thomas Rowlandson, 1756–1827
A Pier at Amsterdam (Version A)
1792
63
Samuel Howitt, 1756–1822
Racing Scene
1792
64
Samuel Howitt, 1756–1822
The Kill
1792
65
George Walker, active 1792–died 1795
Man Toasting Another Man . .
undated
66
Thomas Rowlandson, 1756–1827
The Elopement
1792
67
James Moore, 1762–1799
Dunnottar Castle
1792
68
Henry William Parish, active 1792
Teneriffe, to the East of Santa Cruz, 22 October
1792
69
Henry William Parish, active 1792
Marine sketch
1792
70
Henry William Parish, active 1792
Off Rio de Janeiro
1792
71
Henry William Parish, active 1792
St. Jago, Cape de Verde, 3 November
1792
72
Thomas Girtin, 1775–1802
Findlater Castle, Banff
between 1792 and 1793
73
Thomas Girtin, 1775–1802
Cottage near Newcastle, Northumberland
ca. 1797
74
Thomas Girtin, 1775–1802
Sharpham, near Totnes, Devon
ca. 1797
75
Thomas Girtin, 1775–1802
Kingswear Seen from Dartmouth, Devon
ca. 1797
76
Thomas Girtin, 1775–1802
Country House
ca. 1797
77
Thomas Girtin, 1775–1802
London from Highgate Hill
1792
78
James Moore, 1762–1799
Cawdor Castle, Scotland
1792
79
Thomas Girtin, 1775–1802
St. Alban's Cathedral, Hertfordshire
ca. 1797
80
Thomas Girtin, 1775–1802
Lyme Regis, Dorset
ca. 1797
81
Henry William Parish, active 1792
Island of Mayo, Cape de Verde, 2 November
1792
82
Henry William Parish, active 1792
Fort Santa Cruz, Rio de Janeiro
1792
83
Nicholas Pocock, 1740–1821
An Admiralty Yacht Running Inshore at Tenby
1792
84
Edward Dayes, 1763–1804
Elgin Cathedral, Moray
1792
85
William Alexander, 1767–1816
Mourning at a Tomb
between 1792 and 1794
86
attributed to William Alexander, 1767–1816
A Young Chinese Scholar
1792 to 1794
87
William Alexander, 1767–1816
Natives of Cochin Playing Shuttlecock in China
1792 to 1794
88
Edward Dayes, 1763–1804
Jedburgh Abbey, Roxburghshire
1792
89
Edward Dayes, 1763–1804
Melrose Abbey, Roxburghshire
1792
90
John Warwick Smith, 1749–1831
Village of Stonethwaite and Eagle Cragg, Borrowdale
1792
91
John Warwick Smith, 1749–1831
Ullswater, Looking toward Patterdale
1792
92
John Warwick Smith, 1749–1831
The Northern Boundary of St. Bride's Bay
1792
93
William Daniell, 1769–1837
Sankrydroog, Madras
1792
94
William Day, 1764–1807
Hastings
1792
95
William Alexander, 1767–1816
View in China: Figures with Pagoda and Mountain
1792 to 1794
96
Joseph Farington, 1747–1821
View of Taplow and Maidenhead from Cliveden
1792
97
John White Abbott, 1763–1851
Slate Quarry at Widecombe, Devon
1792
98
Henry William Parish, active 1792
Porto Praya, St. Jago, November
1792
99
Henry William Parish, active 1792
St. Jago, Cape de Verde and Port Praya from the Anchorage, November
1792
100
Henry William Parish, active 1792
An Album of Sketches on the Voyage from England to China with Lord Macartney's Embassy
1792-1793
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