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Date 1791

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301. A Warlike Minister

A Warlike Minister
Creator:
Print made by William Dent, active 1784–1793
Date:
1791
Materials & Techniques:
Etching with watercolor on laid paper
Dimensions:
Sheet: 7 x 10 7/8in. (17.8 x 27.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

302. No Abatement

No Abatement
Creator:
Print made by William Dent, active 1784–1793
Date:
1791
Materials & Techniques:
Etching with watercolor on laid paper
Dimensions:
Sheet: 9 7/8 x 13 3/4in. (25.1 x 34.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

303. The Effect of French Wine and French Spirits at a Revolution Drinking bout

The Effect of French Wine and French Spirits at a Revolution Drinking bout
Creator:
Print made by William Dent, active 1784–1793
Date:
1791
Materials & Techniques:
Etching with watercolor on laid paper
Dimensions:
Sheet: 6 13/16 x 10 11/16in. (17.3 x 27.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

304. The Birmingham Priest - and Flaming Patriots inflamed at Birmingham, or An apology for not being at the (Crown) and Anchor.

The Birmingham Priest - and Flaming Patriots inflamed at Birmingham, or An apology for not being at the (Crown) and Anchor.
Creator:
Print made by William Dent, active 1784–1793
Date:
1791
Materials & Techniques:
Etching with watercolor on laid paper
Dimensions:
Sheet: 6 15/16 x 10 3/4in. (17.6 x 27.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

305. L'Assemble Nationale

L'Assemble Nationale
Creator:
Print made by William Dent, active 1784–1793
Date:
1791
Materials & Techniques:
Etching with watercolor on laid paper
Dimensions:
Sheet: 13 7/8 x 5 3/8in. (35.2 x 13.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

306. Floating Batteries or, an Attempt to Enter the Baltic

Floating Batteries or, an Attempt to Enter the Baltic
Creator:
William Dent, active 1784–1793
Date:
1791
Materials & Techniques:
Etching with watercolor on laid paper
Dimensions:
Sheet: 8 3/16 x 11 1/16in. (20.8 x 28.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

307. Capture of the Royal Fugitives

Capture of the Royal Fugitives
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 5/8 x 13 5/8in. (21.9 x 34.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

308. The Flattering Glass, or Nell's Mistake

The Flattering Glass, or Nell's Mistake
Creator:
William Dent, active 1784–1793
Date:
1791
Materials & Techniques:
Etching with watercolor on laid paper
Dimensions:
Sheet: 6 3/4 x 10 9/16in. (17.1 x 26.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

309. Grand and Effectual Attack in the Baltic

Grand and Effectual Attack in the Baltic
Creator:
William Dent, active 1784–1793
Date:
1791
Materials & Techniques:
Etching with watercolor on laid paper
Dimensions:
Sheet: 9 9/16 x 13 5/8in. (24.3 x 34.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

310. An Alarming Anniversary!!! or, King's Champion and 'Squire, Alamode Don Quixote and Sancho, taking a peep at the [Crown] and [Anchor]

An Alarming Anniversary!!! or, King's Champion and 'Squire, Alamode Don Quixote and Sancho, taking a peep at the [Crown] and [Anchor]
Creator:
William Dent, active 1784–1793
Date:
1791
Materials & Techniques:
Etching with watercolor on laid paper
Dimensions:
Sheet: 10 x 14in. (25.4 x 35.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

311. Public Credit, Or, The State Idol...

Public Credit, Or, The State Idol...
Creator:
William Dent, active 1784–1793
Date:
1791
Materials & Techniques:
Etching with watercolor on laid paper
Dimensions:
Sheet: 13 7/8 x 9 11/16in. (35.2 x 24.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

312. Rare News from India, or, Things going on Swimmingly in the East

Rare News from India, or, Things going on Swimmingly in the East
Creator:
William Dent, active 1784–1793
Date:
1791
Materials & Techniques:
Etching with watercolor on laid paper
Dimensions:
Sheet: 9 3/4 x 13 5/8in. (24.8 x 34.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

313. Story of *Nell's Coach made good by the Cunning Man. Addressed to the Ducal Conjurer and Dutchess of [chamber pot] *in The Devil to Pay.

Story of *Nell's Coach made good by the Cunning Man. Addressed to the Ducal Conjurer and Dutchess of [chamber pot] *in The Devil to Pay.
Creator:
William Dent, active 1784–1793
Date:
1791
Materials & Techniques:
Etching with watercolor on laid paper
Dimensions:
Sheet: 9 1/4 x 15 1/2in. (23.5 x 39.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

314. The Humbug or an Attempt at Tragedy with the Jordan (struck through and replaced by) Joram Upsett

The Humbug or an Attempt at Tragedy with the Jordan (struck through and replaced by) Joram Upsett
Creator:
Isaac Cruikshank, 1764–1811
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 1/4 x 15 1/2in. (23.5 x 39.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

315. The Quarrel between the Political Builders, Or, Opinions Diametrically Opposite

The Quarrel between the Political Builders, Or, Opinions Diametrically Opposite
Creator:
Attributed to George Townshend, 1724–1807
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 10 1/4 x 14 1/2in. (26 x 36.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

316. Absolution

Absolution
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 7 5/8 x 10 1/2in. (19.4 x 26.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

317. A Visit to the R---l Cole Pit

A Visit to the R---l Cole Pit
Creator:
Richard Newton, 1777–1798
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/4 x 13in. (21 x 33cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

318. A Race on the Sands at Weymouth

A Race on the Sands at Weymouth
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 x 18 3/4in. (22.9 x 47.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

319. The Prussian Prize-fighter and his Allies attempting to tame Imperial Kate, or, The State of the European Bruisers.

The Prussian Prize-fighter and his Allies attempting to tame Imperial Kate, or, The State of the European Bruisers.
Creator:
William Dent, active 1784–1793
Date:
1791
Materials & Techniques:
Etching with watercolor on wove paper
Dimensions:
Sheet: 7 5/8 x 22 3/16in. (19.4 x 56.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

320. Modern Marriage A La Mode Sweet Fruits of the Third Honey Moon!!

Modern Marriage A La Mode Sweet Fruits of the Third Honey Moon!!
Creator:
Isaac Cruikshank, 1764–1811
Date:
ca. 1796
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 11 1/16 x 15 5/16in. (28.1 x 38.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

321. An Imperial Stride!

An Imperial Stride!
Creator:
Print made by Thomas Rowlandson, 1756–1827
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 11 3/16 x 14 11/16in. (28.4 x 37.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

322. The Wrangling Friends or Opposition in Disorder

The Wrangling Friends or Opposition in Disorder
Creator:
Print made by Isaac Cruikshank, 1764–1811
Date:
1791
Materials & Techniques:
Etching
Dimensions:
Sheet: 9 5/8 x 14 3/8in. (24.4 x 36.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

323. How to Avoid the Horse Duty

How to Avoid the Horse Duty
Creator:
John Nixon, ca. 1760–1818
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 6 5/8 x 8 3/4in. (16.8 x 22.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

324. A Modern Cherub, - Vide Peters

A Modern Cherub, - Vide Peters
Creator:
James Gillray, 1756–1815
Date:
1791
Materials & Techniques:
Etching and aquatint, hand-colored
Dimensions:
Sheet: 4 1/4 x 3in. (10.8 x 7.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

325. A Perry-Lous Situation; or, the Doctor and his Friends keeping the Numbrusher and her Myrmidous at Bay

A Perry-Lous Situation; or, the Doctor and his Friends keeping the Numbrusher and her Myrmidous at Bay
Creator:
Published by William Holland, 1757–1815
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 11 3/8 x 15 3/4in. (28.9 x 40cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

326. Irish Fortune Hunters storming the Bristol Boarding School; or, Potatoe Artillery for ever

Irish Fortune Hunters storming the Bristol Boarding School; or, Potatoe Artillery for ever
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 12 3/16 x 17 7/8in. (31 x 45.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

327. The Political Blind - Buff Man or the Minist----l Expediency

The Political Blind - Buff Man or the Minist----l Expediency
Creator:
Published by William Holland, 1757–1815
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 11 x 16 5/16in. (27.9 x 41.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

328. Bal(l)ance of Power or a Parody of the 14th of July....1791

Bal(l)ance of Power or a Parody of the 14th of July....1791
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 21 x 16 1/4in. (53.3 x 41.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

329. Liberty in Utopia - Liberty in France

Liberty in Utopia - Liberty in France
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 14 x 22 7/8in. (35.6 x 58.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

330. The Elopment!

The Elopment!
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 6 1/4 x 9in. (15.9 x 22.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

331. A Bon, Fire for the Poor, - or - The Shame of Albion Exposed

A Bon, Fire for the Poor, - or - The Shame of Albion Exposed
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 7 3/8 x 9 7/8in. (18.7 x 25.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

332. An Ass - of the -Ton (Jimmy Lincum Feadle)

An Ass - of the -Ton (Jimmy Lincum Feadle)
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 11/16 x 6 5/16in. (22.1 x 16cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

333. The First Interview, or the Presentation of the Prussian Pearl

The First Interview, or the Presentation of the Prussian Pearl
Creator:
Isaac Cruikshank, 1764–1811
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 x 13 3/8in. (22.9 x 34cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

334. Present State of the Nation, Or, What's Saved at the Spiggot Let Out at the Bunghole.

Present State of the Nation, Or, What's Saved at the Spiggot Let Out at the Bunghole.
Creator:
William Dent, active 1784–1793
Date:
1791
Materials & Techniques:
Etching with watercolor on laid paper
Dimensions:
Sheet: 9 3/4 x 13 7/8in. (24.8 x 35.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

335. The Disappointment, or, The King's Evidence treated with the caution he deserves

The Disappointment, or, The King's Evidence treated with the caution he deserves
Creator:
William Dent, active 1784–1793
Date:
1791
Materials & Techniques:
Etching, hand-colored on laid paper
Dimensions:
Sheet: 11 3/8 x 9 5/8in. (28.9 x 24.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

336. Boys' Play, or, the Russian Bear Bait

Boys' Play, or, the Russian Bear Bait
Creator:
William Dent, active 1784–1793
Date:
1791
Materials & Techniques:
Etching with watercolor on laid paper
Dimensions:
Sheet: 10 7/8 x 14 5/8in. (27.6 x 37.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

337. The Battle of Whigs, or, The Meal-tub Plot discovered

The Battle of Whigs, or, The Meal-tub Plot discovered
Creator:
William Dent, active 1784–1793
Date:
1791
Materials & Techniques:
Etching with watercolor on laid paper
Dimensions:
Sheet: 9 5/8 x 13 5/8in. (24.4 x 34.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

338. The Northern Bugga Bo

The Northern Bugga Bo
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 x 13 1/2in. (20.3 x 34.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

339. Santon Barsisa and The Devil-Vide Burke's Speech

Santon Barsisa and The Devil-Vide Burke's Speech
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 7 13/16 x 10 3/8in. (19.8 x 26.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

340. An English Hobby Horse; or, Who Pays the Piper?

An English Hobby Horse; or, Who Pays the Piper?
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Etching, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

341. Symptoms of Affection, Or - A Specimen of Martial Prowess

Symptoms of Affection, Or - A Specimen of Martial Prowess
Creator:
Isaac Cruikshank, 1764–1811
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 3/4 x 14 11/16in. (22.2 x 37.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

342. The Political Weeping Willow

The Political Weeping Willow
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 11 1/4 x 9 11/16in. (28.6 x 24.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

343. The Political Warrior Mowing Down the Russian Trade

The Political Warrior Mowing Down the Russian Trade
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 10 7/8 x 15 5/16in. (27.6 x 38.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

344. Pheasant Shooting

Pheasant Shooting
Creator:
Robert Dighton, 1752–1814
Date:
before 1801
Materials & Techniques:
Watercolor, pen and black ink, gray ink, graphite and gouache on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 10 1/16 × 14 1/2 inches (25.6 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

345. Rosamond's Pond

Rosamond's Pond
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

346. Pye Corner, Smithfield

Pye Corner, Smithfield
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

347. Monmouth House, Soho Square

Monmouth House, Soho Square
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

348. A Specimen of Ancient Building (Old houses in King Street)

A Specimen of Ancient Building (Old houses in King Street)
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

349. A Curious House at Stepney

A Curious House at Stepney
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

350. William Augustus Bowles, Chief of the Embassy from the Creeke & Cherokee Nations

William Augustus Bowles, Chief of the Embassy from the Creeke & Cherokee Nations
Creator:
Joseph Grozer, ca. 1755–1798
Date:
1791
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 16 3/4 × 11 7/16 inches (42.5 × 29 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

351. A View of Albion Mill on Fire

A View of Albion Mill on Fire
Creator:
John William Edy, 1760–1820
Date:
1791
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

352. London Stone in Cannon Street

London Stone in Cannon Street
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

353. London Stone in Cannon Street

London Stone in Cannon Street
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

354. A Curious Pump

A Curious Pump
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

355. George, Prince of Wales

George, Prince of Wales
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1791
Materials & Techniques:
Stipple engraving and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

356. T. Banks, Sculptor, R. A.

T. Banks, Sculptor, R. A.
Creator:
Print made by John Condé, 1765–1794
Date:
1791
Materials & Techniques:
Stipple engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/16 x 5 1/16 inches (21.4 x 12.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

357. The Aristocratic Crusade, or Chilvalry Revived by Don Quixote de St. Omer and His Friend Sancho

The Aristocratic Crusade, or Chilvalry Revived by Don Quixote de St. Omer and His Friend Sancho
Creator:
Isaac Cruikshank, 1764–1811
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 3/8 x 15 1/2in. (23.8 x 39.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

358. Mrs. Pickles Mistake or the New Papa Disappointed with Justice Shallows Attempt to Charm the Brutes

Mrs. Pickles Mistake or the New Papa Disappointed with Justice Shallows Attempt to Charm the Brutes
Creator:
Print made by Isaac Cruikshank, 1764–1811
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 12 1/2 x 9 1/8in. (31.8 x 23.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

359. Malbrouke

Malbrouke
Creator:
Print made by unknown artist
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 3/8 x 13in. (21.3 x 33cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

360. Getting the Length of the Duchess's Foot

Getting the Length of the Duchess's Foot
Creator:
Isaac Cruikshank, 1764–1811
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 10 3/8 x 15 13/16in. (26.4 x 40.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

361. The Triumphal Entry of 100.000 (Crown)'s or a Luck Hit for E-O T-O P-O HO, and A'll the Rest of the O's (from: Caricature, vol. 4)

The Triumphal Entry of 100.000 (Crown)'s or a Luck Hit for E-O T-O P-O HO, and A'll the Rest of the O's (from: Caricature, vol. 4)
Creator:
Isaac Cruikshank, 1764–1811
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 7 1/4 x 22 9/16in. (18.4 x 57.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

362. The Quornites Disturb'd or Startling the Game

The Quornites Disturb'd or Startling the Game
Creator:
Isaac Cruikshank, 1764–1811
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 14 3/8 x 18 7/8in. (36.5 x 47.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

363. Sion Lodge

Sion Lodge
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

364. Bachelor's Hall

Bachelor's Hall
Creator:
Isaac Cruikshank, 1764–1811
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 6 13/16 x 9 1/16in. (17.3 x 23cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

365. The Pot calling the Kettle Black A - Or Two of a Trade can never Agree

The Pot calling the Kettle Black A - Or Two of a Trade can never Agree
Creator:
Isaac Cruikshank, 1764–1811
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 7/8 x 14 5/8in. (22.5 x 37.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

366. Plate III: View taken in the County of Louth Representing taking the Flax out of the Bog when it has lain a sufficient time to seperate the Rind, which is the Flax from the Stem, & strengthen it, spreading it to dry, stoving, beetling, and breaking it.

Plate III: View taken in the County of Louth Representing taking the Flax out of the Bog when it has lain a sufficient time to seperate the Rind, which is the Flax from the Stem, & strengthen it, spreading it to dry, stoving, beetling, and breaking it.
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

367. Plate II: View taken near Hillsborough in the County of Downe, Representing Pulling the Flax when grown, Stooking or putting it up to Dry, Ripling or saving the Seed, and Boging or burying it in Water.

Plate II: View taken near Hillsborough in the County of Downe, Representing Pulling the Flax when grown, Stooking or putting it up to Dry, Ripling or saving the Seed, and Boging or burying it in Water.
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

368. Plate V: A Perspective View of a Scutch Mill, with the Method of Breakng the Flax with groved Rollers, and Scutching it with Blades first on a Shaft, both turn'd by the Main Wheel, Great Improvements in the Method of Braking and Scutching of Flax

Plate V: A Perspective View of a Scutch Mill, with the Method of Breakng the Flax with groved Rollers, and Scutching it with Blades first on a Shaft, both turn'd by the Main Wheel, Great Improvements in the Method of Braking and Scutching of Flax
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

369. Plate VII: representing Winding, Warping with a new improved Warping Mill, and Weaving

Plate VII: representing Winding, Warping with a new improved Warping Mill, and Weaving
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

370. Plate X: Perspective View of a Bleach Green taken in the County of Downe, Shewing the methods of Wet & Dry Bleaching, and the outside View of a Bleach Mill, on the most approved construction

Plate X: Perspective View of a Bleach Green taken in the County of Downe, Shewing the methods of Wet & Dry Bleaching, and the outside View of a Bleach Mill, on the most approved construction
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

371. Plate IX: Perspective View of all the Machinery of a Bleach Mill, upon the Newest and Most approved Constructions, Consisting of the Wash Mill, Rubbing Boards moved by a Crank, and Beetling Engine for Glazing the Cloth, with a View of the Boiling House

Plate IX: Perspective View of all the Machinery of a Bleach Mill, upon the Newest and Most approved Constructions, Consisting of the Wash Mill, Rubbing Boards moved by a Crank, and Beetling Engine for Glazing the Cloth, with a View of the Boiling House
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

372. Plate XI: A Perspective View of a Lapping Room, with the Measuring, Crisping or Folding the Cloth in Lengths, Picking the Laps or Lengths, Tying the Clips, acting by the Mechanic power of the Laver to press the Cloth round & firm, and Sealing it ...

Plate XI: A Perspective View of a Lapping Room, with the Measuring, Crisping or Folding the Cloth in Lengths, Picking the Laps or Lengths, Tying the Clips, acting by the Mechanic power of the Laver to press the Cloth round & firm, and Sealing it ...
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

373. Plate XII: Perspective View of the Linen Hall in Dublin, with the Boxes and Bales of Linen ready for Exportation, the Emblems of their Industry

Plate XII: Perspective View of the Linen Hall in Dublin, with the Boxes and Bales of Linen ready for Exportation, the Emblems of their Industry
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

374. Plate IV: representing the common Method of Beetling, Scutching and Hackling the Flax

Plate IV: representing the common Method of Beetling, Scutching and Hackling the Flax
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

375. Plate VIII: representing the Brown Linen Market at Banbridge, in the County of Downe, The Weavers holding up their Pieces of Linen to View, the Bleachers elevated on Forms examining its Quality

Plate VIII: representing the Brown Linen Market at Banbridge, in the County of Downe, The Weavers holding up their Pieces of Linen to View, the Bleachers elevated on Forms examining its Quality
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

376. Plate VI: Taken on the Spot in the County of Downe, Representing Spinning, Reeling with the Clock Reel, and Boiling the Yarn

Plate VI: Taken on the Spot in the County of Downe, Representing Spinning, Reeling with the Clock Reel, and Boiling the Yarn
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

377. Sir Robert Strange

Sir Robert Strange
Creator:
Robert Strange, 1721–1792
Date:
1791
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

378. A Maid - Une Pucelle

A Maid - Une Pucelle
Creator:
John Raphael Smith, 1752–1812
Date:
1791
Materials & Techniques:
Colored stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 7/8 × 14 1/8 inches (47.9 × 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

379. A Widow - Une Veuve

A Widow - Une Veuve
Creator:
John Raphael Smith, 1752–1812
Date:
1791
Materials & Techniques:
Colored stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 5/8 × 14 1/4 inches (49.8 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

380. A Wife - Une Femme Mariee

A Wife - Une Femme Mariee
Creator:
John Raphael Smith, 1752–1812
Date:
1791
Materials & Techniques:
Colored stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 7/8 × 14 1/2 inches (50.5 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

381. What You Will - Ce Qui Vous Plaira

What You Will - Ce Qui Vous Plaira
Creator:
John Raphael Smith, 1752–1812
Date:
1791
Materials & Techniques:
Colored stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 23 3/16 × 17 1/4 inches (58.9 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

382. Dustanborough Castle from a Distance

Dustanborough Castle from a Distance
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1796
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 5 × 8 1/4 inches (12.7 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

383. A Village in a Wood

A Village in a Wood
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1796
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/8 x 9 1/4 inches (18.7 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

384. Thetford, Norfolk

Thetford, Norfolk
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1796
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/8 × 11 3/8 inches (18.7 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

385. Amsbury Abbey, Wiltshsire, England

Amsbury Abbey, Wiltshsire, England
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite and gray wash on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

386. Drawing for the Frontispiece of Erasmus Darwin's "The Botanic Garden"

Drawing for the Frontispiece of Erasmus Darwin's "The Botanic Garden"
Creator:
Henry Fuseli, 1741–1825
Date:
1791
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 x 6 3/8 inches (22.2 x 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Lowell Libson

387. Stonehenge

Stonehenge
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite and gray wash on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 9/16 × 8 3/8 inches (16.7 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

388. Sandsfoot Castle, Weymouth

Sandsfoot Castle, Weymouth
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/2 × 8 3/8 inches (16.5 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

389. The Esplanade, Weymouth

The Esplanade, Weymouth
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/2 × 8 3/8 inches (16.5 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

390. Abbotsbury Abbey, Dorset, England

Abbotsbury Abbey, Dorset, England
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Gray wash, graphite, pen and black ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/2 × 8 3/8 inches (16.5 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

391. Abbotsbury Abbey, Dorset, England

Abbotsbury Abbey, Dorset, England
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 9/16 × 8 3/8 inches (16.7 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

392. Abbotsbury Abbey, Dorset, England

Abbotsbury Abbey, Dorset, England
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

393. Chapel of the Holy Ghost, Basingstoke, England

Chapel of the Holy Ghost, Basingstoke, England
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite and gray wash on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

394. Study of Sections from the Church of the Holy Ghost

Study of Sections from the Church of the Holy Ghost
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

395. Part of Weymouth Harbour, Dorset, England

Part of Weymouth Harbour, Dorset, England
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/2 × 8 3/8 inches (16.5 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

396. Weymouth Harbour

Weymouth Harbour
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

397. Abbotsbury Abbey, Dorset, England

Abbotsbury Abbey, Dorset, England
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite, gray wash, and yellow wash on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/2 × 8 3/8 inches (16.5 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

398. Interior of St. Catherine's Chapel, in Abbotsbury, Dorset, England

Interior of St. Catherine's Chapel, in Abbotsbury, Dorset, England
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 8 3/8 × 6 9/16 inches (21.3 × 16.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

399. Corfe Castle

Corfe Castle
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/2 × 8 3/8 inches (16.5 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

400. Corfe Castle

Corfe Castle
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/2 × 8 3/8 inches (16.5 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection