Thomas Philip third Lord Grantham, afterwards Earl De Grey, with his brothers, Frederick John and Philip
1791
12
Print made by John Young, 1755–1825
Mrs. Gwyn
1791
13
Print made by Charles Knight, 1743–c.1826
Miss Farren
1791
14
Print made by John Raphael Smith, 1752–1812
Madona col Bambino
1791
15
Print made by Charles Wilkin, 1750–1814
Lady Cockburn and Children
1791
16
Print made by Charles Knight, 1743–c.1826
Miss Farren
1791
17
Print made by Richard Earlom, 1743–1822
A Brewhouse Yard
1791
18
Print made by Joseph Grozer, ca. 1755–1798
The Honorable Miss Harris
1791
19
Print made by Francesco Bartolozzi, 1728–1815
Peniston, William, and Frederick James Lamb: The Affectionate Brothers
1791
20
Print made by Charles Knight, 1743–c.1826
Miss Farren
1791
21
Print made by John Jones, ca. 1745–1797
Caroline, Duchess of Marlborough
1791
22
Print made by John Young, 1755–1825
Mrs. Bunbury
1791
23
Print made by John Condé, 1765–1794
T. Banks, Sculptor, R. A
1791
24
George Siegmund Facius, 1750–1804
George III
1791
25
Print made by unknown artist
Collection of Prints by Notable Dilettanti
1791
26
Print made by John Carter, 1748–1817
Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard
1791
27
Print made by Francesco Bartolozzi, 1728–1815
Portrait of Joseph Haydn
1791
28
unknown artist
Pye Corner, Smithfield
1791
29
George Keating, 1762–1842
The Deserter, 29 July 1791
1791
30
unknown artist
A Curious House at Stepney
1791
31
John William Edy, 1760–1820
A View of Albion Mill on Fire
1791
32
John William Edy, 1760–1820
A View of Westminster Bridge, the Abbey and Church
1791
33
John Thomas Smith, 1766–1833
Domestic Architecture - N. E. View of an Old House lately Standing in Sweedon's Passage, Grub Street
1791
34
unknown artist
London Stone in Cannon Street
1791
35
unknown artist
Guy, Earl of Warwick, From a Basso Relievio in Warwick Lane
1791
36
unknown artist
A Basso Relievo of a Gardiner. Against Mr. Holylands stables Gardiners Lane, the corner of High Timber Street, is this Sculpture: but why put up, cannot learn. Tradition says the site was once Gardens
1791
37
William Hincks, 1752–1797
Plate V: A Perspective View of a Scutch Mill, with the Method of Breakng the Flax with groved Rollers, and Scutching it with Blades first on a Shaft, both turn'd by the Main Wheel, Great Improvements in the Method of Braking and Scutching of Flax
1791
38
William Hincks, 1752–1797
Plate VII: representing Winding, Warping with a new improved Warping Mill, and Weaving
1791
39
William Hincks, 1752–1797
Plate VIII: representing the Brown Linen Market at Banbridge, in the County of Downe, The Weavers holding up their Pieces of Linen to View, the Bleachers elevated on Forms examining its Quality
1791
40
William Hincks, 1752–1797
Plate XI: A Perspective View of a Lapping Room, with the Measuring, Crisping or Folding the Cloth in Lengths, Picking the Laps or Lengths, Tying the Clips, acting by the Mechanic power of the Laver to press the Cloth round & firm, and Sealing it ..
1791
41
William Hincks, 1752–1797
Plate IV: representing the common Method of Beetling, Scutching and Hackling the Flax
1791
42
William Hincks, 1752–1797
Plate II: View taken near Hillsborough in the County of Downe, Representing Pulling the Flax when grown, Stooking or putting it up to Dry, Ripling or saving the Seed, and Boging or burying it in Water
1791
43
William Hincks, 1752–1797
Plate VI: Taken on the Spot in the County of Downe, Representing Spinning, Reeling with the Clock Reel, and Boiling the Yarn
1791
44
Robert Strange, 1721–1792
Sir Robert Strange
1791
45
John Raphael Smith, 1752–1812
A Widow - Une Veuve
1791
46
John Raphael Smith, 1752–1812
A Wife - Une Femme Mariee
1791
47
John Raphael Smith, 1752–1812
A Maid - Une Pucelle
1791
48
John Raphael Smith, 1752–1812
What You Will - Ce Qui Vous Plaira
1791
49
James Gillray, 1756–1815
The Balance of Power. - OR - "The Posterity of the Immortal Chatham, Turn'd Posture Master." - Vide Sheridan's Speech -
1791
50
James Gillray, 1756–1815
The Coming-on of the Monsoons; - or - The Retreat from Seringapatam
1791
51
James Gillray, 1756–1815
The Devil to Pay; The Wife Metamorphos'd or Neptune reposing after Fording the Jordan
1791
52
James Gillray, 1756–1815
Alecto and Her Train, at the Gate of Pandeomonium; - or - The Recruiting Sargeant Enlisting John Bull, Into the Revolution Service
1791
53
James Gillray, 1756–1815
French Democrats Surprizing the Royal-Runaways
1791
54
James Gillray, 1756–1815
An Excrescence; - Afungus; - Alias - A Toadstool Upon a Dung-Hill
1791
55
Richard Newton, 1777–1798
An Astonishing Paragraph
1791
56
Richard Newton, 1777–1798
An Escape A La Francois!
1791
57
Attributed to George Townshend, 1724–1807
The Quarrel between the Political Builders, Or, Opinions Diametrically Opposite
1791
58
unknown artist
Absolution
1791
59
Richard Newton, 1777–1798
French Discernment; or, a Bumling Discovery!
1791
60
Richard Newton, 1777–1798
Meditations on a Jordan
1791
61
unknown artist
A Race on the Sands at Weymouth
1791
62
Richard Newton, 1777–1798
Crops Going to Quod
1791
63
Isaac Cruikshank, 1764–1811
Modern Marriage A La Mode Sweet Fruits of the Third Honey Moon!!
ca. 1796
64
William Dent, active 1784–1793
The Prussian Prize-fighter and his Allies attempting to tame Imperial Kate, or, The State of the European Bruisers
1791
65
unknown artist
Santon Barsisa and The Devil-Vide Burke's Speech
1791
66
unknown artist
The Russian Bear and her Invincible Rider Encountering the British Legion
1791
67
Print made by unknown artist
Ride for Ride - A Concise Answer to Burke's Pamphlet
1791
68
Print made by Thomas Rowlandson, 1756–1827
An Imperial Stride!
1791
69
Isaac Cruikshank, 1764–1811
Symptoms of Affection, Or - A Specimen of Martial Prowess
1791
70
unknown artist
The Political Weeping Willow
1791
71
James Gillray, 1756–1815
Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas)
1791
72
Print made by James Gillray, 1756–1815
Taming of the Shrew. Katharine and Petruchio - The Modern Quixotte, or, What You Will
1791
73
James Gillray, 1756–1815
The Hopes of the Party, Prior to July 14th, ---"From Such Wicked Crown and Anchor-Dreams, Good Lord, Deliver Us."
1791
74
James Gillray, 1756–1815
The Soldier's Return; - or - Rare News for Old England - See the Conquering Hero Comes
1791
75
James Gillray, 1756–1815
The Introduction
1791
76
James Gillray, 1756–1815
La Derniere Resource; - or - Van-Buchells
1791
77
James Gillray, 1756–1815
The Finishing Touch
1791
78
Philip Dawe, ca.1750–ca.1790
Evening at Rest
1791
79
Charles Rosenberg, active 1790–1820
Mr. H. Angelo's Fencing Academy
1791
80
Francesco Bartolozzi, 1728–1815
George, Prince of Wales
1791
81
Bastiaen Stopendael, 1636/7–c.1708
Stad en Revier Van Rochester. Chatham (The Dutch Fleet in Medway) 12-23 June 1667
Published 1791
82
unknown artist
Memorial in St. Mary's, Lambeth
1791
83
Isaac Cruikshank, 1764–1811
Rights of Man Alias French Liberty Alias Entering Volunteers for the Republic (from: Caricature, vol. 3) ( from: Caricature, vol. 3)
1791
84
Isaac Cruikshank, 1764–1811
A Disunion or the Family Compact Disturbed
1791
85
Isaac Cruikshank, 1764–1811
A Stroke at the Plenipo or Mary's Mistake
1791
86
George Keating, 1762–1842
The Deserter, 29 July 1791
1791
87
Alfred William Warren, active 1791–1809
George Horne D.D. Late Lord Bishop of Norwich
undated
88
Print made by John Raphael Smith, 1752–1812
African Hospitality
1791
89
Etched by Thomas Rowlandson, 1756–1827
French Barracks
1791
90
James Gillray, 1756–1815
A Modern Cherub, - Vide Peters
1791
91
unknown artist
Irish Fortune Hunters storming the Bristol Boarding School; or, Potatoe Artillery for ever
1791
92
Published by William Holland, 1757–1815
A Perry-Lous Situation; or, the Doctor and his Friends keeping the Numbrusher and her Myrmidous at Bay
1791
93
unknown artist
Bal(l)ance of Power or a Parody of the 14th of July....1791
1791
94
Published by William Holland, 1757–1815
The Political Blind - Buff Man or the Minist----l Expediency
1791
95
unknown artist
Liberty in Utopia - Liberty in France
1791
96
Published by William Holland, 1757–1815
Launce and His Dog Crab
1791
97
Isaac Cruikshank, 1764–1811
The First Interview, or the Presentation of the Prussian Pearl
1791
98
unknown artist
An Ass - of the -Ton (Jimmy Lincum Feadle)
1791
99
William Dent, active 1784–1793
Present State of the Nation, Or, What's Saved at the Spiggot Let Out at the Bunghole
1791
100
Print made by James Gillray, 1756–1815
The Coming-On, of the Monsoons; or - The Retreat from Seringapatam