Pont-y-Pair on the River Llugwy near Betws-y-Coed, Denbigh
1791
113
Sir Richard Colt Hoare, 1758–1838
Palace of the Duca di Sora Where the Rivers Separate, at Isola di Sora
1791
114
Sir Richard Colt Hoare, 1758–1838
Ducal Palace etc at Isola di Sora
1791
115
Sir Richard Colt Hoare, 1758–1838
Castle of Balzerrano, in Abbruzo
1791
116
Sir Richard Colt Hoare, 1758–1838
View in Abruzzo, May 1791
1791
117
Bastiaen Stopendael, 1636/7–c.1708
Stad en Revier Van Rochester. Chatham (The Dutch Fleet in Medway) 12-23 June 1667
Published 1791
118
Francesco Bartolozzi, 1728–1815
George, Prince of Wales
1791
119
Print made by Francesco Bartolozzi, 1728–1815
Portrait of Joseph Haydn
1791
120
John William Edy, 1760–1820
A View of Westminster Bridge, the Abbey and Church
1791
121
Print made by Francesco Bartolozzi, 1728–1815
Miss Gunning
ca. 1796
122
Isaac Cruikshank, 1764–1811
The Pleasure of Being Kick'd Out of Company
1791
123
Print made by Isaac Cruikshank, 1764–1811
Mrs. Pickles Mistake or the New Papa Disappointed with Justice Shallows Attempt to Charm the Brutes
1791
124
Isaac Cruikshank, 1764–1811
Bachelor's Hall
1791
125
Isaac Cruikshank, 1764–1811
The Fruition of Nantes or the Vision Interpreted
1791
126
Isaac Cruikshank, 1764–1811
Rehearsal: The Vision of Nantes or the Patriotick Attack of the Troops National
1791
127
Isaac Cruikshank, 1764–1811
The Pot calling the Kettle Black A - Or Two of a Trade can never Agree
1791
128
Print made by unknown artist
Malbrouke
1791
129
Isaac Cruikshank, 1764–1811
The Quornites Disturb'd or Startling the Game
1791
130
Isaac Cruikshank, 1764–1811
A Royal Salute
1791
131
James Gillray, 1756–1815
The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery
1791
132
James Gillray, 1756–1815
The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master
1791
133
Print made by James Gillray, 1756–1815
The Coming-On, of the Monsoons; or - The Retreat from Seringapatam
1791
134
Print made by Frederick George Byron, 1764–1794
The Volcano of Opposition
1791
135
Thomas Rowlandson, 1756–1827
Bardolph Badger'd Or the Portland Hunt
1791
136
Attributed to Thomas Rowlandson, 1756–1827
(The) A Grand Battle between the Famous English Cock and Russian Hen!
1791
137
Richard Newton, 1777–1798
A Sketch from Highlife
1791
138
Print made by Isaac Cruikshank, 1764–1811
The Wrangling Friends or Opposition in Disorder
1791
139
John Nixon, ca. 1760–1818
How to Avoid the Horse Duty
1791
140
Isaac Cruikshank, 1764–1811
Self Murder or the Wolf Tried and Convicted on his own Evidence
1791
141
George Morland, 1763–1804
Set of Five: Studies of Laborers
1791-1795
142
Print made by John Raphael Smith, 1752–1812
Madona col Bambino
1791
143
Print made by Thomas Cheesman, 1760–1834/35
Thomas Philip third Lord Grantham, afterwards Earl De Grey, with his brothers, Frederick John and Philip
1791
144
Print made by John Young, 1755–1825
Mrs. Gwyn
1791
145
Print made by Charles Knight, 1743–c.1826
Miss Farren
1791
146
John Webber, 1752–1793
View in Oheitepeha Bay, Otaheite
1791
147
Charles Hamilton Smith, 1776–1859
Views of Spain, Volume I
undated
148
James Wyatt, 1746–1813
Five Designs for a House in the Gothic Style: Plan of the Chamber Story
1791
149
James Wyatt, 1746–1813
Five Designs for a House in the Gothic Style: Elevation
1791
150
James Wyatt, 1746–1813
Design for Little Frogmore: Elevation
1791
151
James Wyatt, 1746–1813
Five Designs for a House in the Gothic Style: Plan of the Chamber Story
1791
152
James Wyatt, 1746–1813
Five Designs for a House in the Gothic Style: Plan of the Ground Floor or Principal Story
1791
153
Alfred William Warren, active 1791–1809
George Horne D.D. Late Lord Bishop of Norwich
undated
154
unknown artist
William, Earl of Craven
1791
155
Thomas Prattent, active 1780–1810
Newcastle House, Clerkenwell Close
1791
156
unknown artist
Sir Paul Pindar's Lodge...
1791
157
William Dent, active 1784–1793
The Disappointment, or, The King's Evidence treated with the caution he deserves
1791
158
Print made by William Dent, active 1784–1793
No Abatement
1791
159
William Dent, active 1784–1793
Boys' Play, or, the Russian Bear Bait
1791
160
William Dent, active 1784–1793
The Battle of Whigs, or, The Meal-tub Plot discovered
1791
161
Print made by William Dent, active 1784–1793
A Warlike Minister
1791
162
unknown artist
The Northern Bugga Bo
1791
163
Print made by William Dent, active 1784–1793
The Birmingham Priest - and Flaming Patriots inflamed at Birmingham, or An apology for not being at the (Crown) and Anchor
1791
164
Print made by William Dent, active 1784–1793
The Effect of French Wine and French Spirits at a Revolution Drinking bout
1791
165
unknown artist
Capture of the Royal Fugitives
1791
166
William Dent, active 1784–1793
The Recruiting Officer, Or, A Matrimonial Trip to the Continent
1791
167
William Dent, active 1784–1793
An Alarming Anniversary!!! or, King's Champion and 'Squire, Alamode Don Quixote and Sancho, taking a peep at the [Crown] and [Anchor]
1791
168
William Dent, active 1784–1793
Public Credit, Or, The State Idol..
1791
169
William Dent, active 1784–1793
Story of *Nell's Coach made good by the Cunning Man. Addressed to the Ducal Conjurer and Dutchess of [chamber pot] *in The Devil to Pay
1791
170
Richard Newton, 1777–1798
A Visit to the R---l Cole Pit
1791
171
Isaac Cruikshank, 1764–1811
Modern Marriage A La Mode Sweet Fruits of the Third Honey Moon!!
ca. 1796
172
William Dent, active 1784–1793
The Prussian Prize-fighter and his Allies attempting to tame Imperial Kate, or, The State of the European Bruisers
1791
173
unknown artist
Santon Barsisa and The Devil-Vide Burke's Speech
1791
174
unknown artist
Doing Business on Libels or Both in One Mind on Constitutional Matters (from: Caricature, vol. 7)
1791
175
Attributed to Isaac Cruikshank, 1764–1811
Saint Catharine and St. George
1791
176
Print made by unknown artist
Ride for Ride - A Concise Answer to Burke's Pamphlet
1791
177
unknown artist
The Political Weeping Willow
1791
178
James Gillray, 1756–1815
Betty Canning (Gunning) Revived, or a Peep at the Conjuration of Mary Squires and the Gipsy Family
1791
179
John William Edy, 1760–1820
A View of Albion Mill on Fire
1791
180
unknown artist
A Basso Relievo of a Gardiner. Against Mr. Holylands stables Gardiners Lane, the corner of High Timber Street, is this Sculpture: but why put up, cannot learn. Tradition says the site was once Gardens
1791
181
Francesco Bartolozzi, 1728–1815
Contemplation
1791
182
Francesco Bartolozzi, 1728–1815
Hebe
1791
183
Francesco Bartolozzi, 1728–1815
Vignette: Four Putti, Two Holding Hands
1791
184
Francesco Bartolozzi, 1728–1815
Vignette: Four Putti, Two Holding Hands
1791
185
Isaac Cruikshank, 1764–1811
Getting the Length of the Duchess's Foot
1791
186
Isaac Cruikshank, 1764–1811
The Triumphal Entry of 100.000 (Crown)'s or a Luck Hit for E-O T-O P-O HO, and A'll the Rest of the O's (from: Caricature, vol. 4)
1791
187
James Gillray, 1756–1815
Patience on a Monument
1791
188
James Gillray, 1756–1815
A Witch, Upon a Mount's Edge - Vide: Fuzelli
1791
189
James Gillray, 1756–1815
A Natural Crop; - Alias - A Norfolk Dumpling
1791
190
James Gillray, 1756–1815
A Uniform Whig ---
1791
191
James Gillray, 1756–1815
Margarets Ghost. What's the Matter Auntee-Peg, What Makes You Put on Such a Long Face?
1791
192
James Gillray, 1756–1815
The Seige of Blenheim, - or - The New System of Gunning, Discovered -- Vide - A Bold Stroke for a Husband-Dedicated to the Duke of A.-
1791
193
William Hincks, 1752–1797
Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing
1791
194
Print made by John Raphael Smith, 1752–1812
The Slave Trade
1791
195
Print made by John Raphael Smith, 1752–1812
African Hospitality
1791
196
Print made by John Condé, 1765–1794
T. Banks, Sculptor, R. A
1791
197
Robert Strange, 1721–1792
Sir Robert Strange
1791
198
Joseph Grozer, ca. 1755–1798
William Augustus Bowles, Chief of the Embassy from the Creeke & Cherokee Nations