A Specimen of Ancient Building (Old houses in King Street)
1791
5
John William Edy, 1760–1820
A View of Westminster Bridge, the Abbey and Church
1791
6
William Ellis, 1747–1810
Hackney
1791
7
unknown artist
Speed's Monument in the Chancel of St. Giles, Cripplegate
1791
8
unknown artist
Pye Corner, Smithfield
1791
9
Joseph Grozer, ca. 1755–1798
William Augustus Bowles, Chief of the Embassy from the Creeke & Cherokee Nations
1791
10
unknown artist
In St. Mary Overie's or St. Saviour's, Southwark
1791
11
unknown artist
Memorial to Theodore King of Corsica in St. Ann, Westminster
1791
12
Thomas Prattent, active 1780–1810
Newcastle House, Clerkenwell Close
1791
13
Alfred William Warren, active 1791–1809
George Horne D.D. Late Lord Bishop of Norwich
undated
14
unknown artist
Stowe's Monument in St. Andrew, Undershaft
1791
15
unknown artist
William, Earl of Craven
1791
16
James Barry, 1741–1806
Elysium and Tartarus or the State of Final Retribution
1791
17
Charles Rosenberg, active 1790–1820
Mr. H. Angelo's Fencing Academy
1791
18
Isaac Cruikshank, 1764–1811
Resist Unto Blood, the True Christian Warfare, The Spirit Against the Flesh (A Clerical Boxing Match)
1791
19
Isaac Cruikshank, 1764–1811
A Disunion or the Family Compact Disturbed
1791
20
Isaac Cruikshank, 1764–1811
Rights of Man Alias French Liberty Alias Entering Volunteers for the Republic (from: Caricature, vol. 3) ( from: Caricature, vol. 3)
1791
21
Isaac Cruikshank, 1764–1811
A Stroke at the Plenipo or Mary's Mistake
1791
22
unknown artist
Pedlar and his Dog, St. Mary's, Lambeth
1791
23
Philip Dawe, ca.1750–ca.1790
Evening at Rest
1791
24
unknown artist
Lollard's Prison
1791
25
unknown artist
Memorial in St. Mary's, Lambeth
1791
26
Francesco Bartolozzi, 1728–1815
Hebe
1791
27
Francesco Bartolozzi, 1728–1815
George, Prince of Wales
1791
28
Francesco Bartolozzi, 1728–1815
Vignette: Four Putti, Two Holding Hands
1791
29
Francesco Bartolozzi, 1728–1815
Vignette: Four Putti, Two Holding Hands
1791
30
Francesco Bartolozzi, 1728–1815
St. Paul
1791
31
Francesco Bartolozzi, 1728–1815
The Departure of Hagar
1791
32
Francesco Bartolozzi, 1728–1815
A Sacrifice To Diana The Goddess Of Hunting
1791
33
Isaac Cruikshank, 1764–1811
The Aristocratic Crusade, or Chilvalry Revived by Don Quixote de St. Omer and His Friend Sancho
1791
34
unknown artist
Sion Lodge
1791
35
Print made by Peter Simon, 1750–1810
Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)
1791
36
Francis Jukes, 1747–1812
North End, Hampstead
1791
37
William Ellis, 1747–1810
Hornsey
1791
38
unknown artist
Rosamond's Pond
1791
39
unknown artist
A Curious House at Stepney
1791
40
Print made by Francesco Bartolozzi, 1728–1815
Portrait of Joseph Haydn
1791
41
unknown artist
Guy, Earl of Warwick, From a Basso Relievio in Warwick Lane
1791
42
John Raphael Smith, 1752–1812
Madona Col Bambino
1791
43
John Jones, ca. 1745–1797
Sylvia
1791
44
unknown artist
Pye Corner, Smithfield
1791
45
John Thomas Smith, 1766–1833
Domestic Architecture - N. E. View of an Old House lately Standing in Sweedon's Passage, Grub Street
1791
46
John William Edy, 1760–1820
A View of Albion Mill on Fire
1791
47
unknown artist
London Stone in Cannon Street
1791
48
unknown artist
London Stone in Cannon Street
1791
49
unknown artist
A Basso Relievo of a Gardiner. Against Mr. Holylands stables Gardiners Lane, the corner of High Timber Street, is this Sculpture: but why put up, cannot learn. Tradition says the site was once Gardens
1791
50
Francesco Bartolozzi, 1728–1815
Contemplation
1791
51
Bastiaen Stopendael, 1636/7–c.1708
Stad en Revier Van Rochester. Chatham (The Dutch Fleet in Medway) 12-23 June 1667
Published 1791
52
unknown artist
Sir Paul Pindar's Lodge...
1791
53
unknown artist
Samuel Cooper's Monument in St. Pancras Church
1791
54
unknown artist
Newgate
1791
55
John Jones, ca. 1745–1797
Admiral Edward Vernon
1791
56
Print made by John Jones, ca. 1745–1797
The Roguish Boy
1791
57
Print made by Richard Earlom, 1743–1822
A Brewhouse Yard
1791
58
George Keating, 1762–1842
The Deserter, 29 July 1791
1791
59
George Keating, 1762–1842
The Deserter, 29 July 1791
1791
60
Jacob C. Schnebbelie, 1760–1792
Painting on the South Side Severts Tomb
1791
61
unknown artist
A Curious Pump
1791
62
George Isham Parkyns, 1749/50–c.1820
Gateway of the Old Palace at Richmond
1791
63
John Jones, ca. 1745–1797
Mrs. Jordan in the Character of Hypolita
1791
64
George Keating, 1762–1842
The Deserter, 29 July 1791
1791
65
Samuel William Reynolds, 1773–1835
A Young Lady
ca. 1796
66
George Keating, 1762–1842
The Deserter, 29 July 1791
1791
67
Print made by John Condé, 1765–1794
T. Banks, Sculptor, R. A
1791
68
William Hincks, 1752–1797
Plate X: Perspective View of a Bleach Green taken in the County of Downe, Shewing the methods of Wet & Dry Bleaching, and the outside View of a Bleach Mill, on the most approved construction
1791
69
Robert Strange, 1721–1792
Sir Robert Strange
1791
70
William Hincks, 1752–1797
Plate II: View taken near Hillsborough in the County of Downe, Representing Pulling the Flax when grown, Stooking or putting it up to Dry, Ripling or saving the Seed, and Boging or burying it in Water
1791
71
William Hincks, 1752–1797
Plate VI: Taken on the Spot in the County of Downe, Representing Spinning, Reeling with the Clock Reel, and Boiling the Yarn
1791
72
William Hincks, 1752–1797
Plate III: View taken in the County of Louth Representing taking the Flax out of the Bog when it has lain a sufficient time to seperate the Rind, which is the Flax from the Stem, & strengthen it, spreading it to dry, stoving, beetling, and breaking it
1791
73
William Hincks, 1752–1797
Plate VII: representing Winding, Warping with a new improved Warping Mill, and Weaving
1791
74
William Hincks, 1752–1797
Plate VIII: representing the Brown Linen Market at Banbridge, in the County of Downe, The Weavers holding up their Pieces of Linen to View, the Bleachers elevated on Forms examining its Quality
1791
75
William Hincks, 1752–1797
Plate IX: Perspective View of all the Machinery of a Bleach Mill, upon the Newest and Most approved Constructions, Consisting of the Wash Mill, Rubbing Boards moved by a Crank, and Beetling Engine for Glazing the Cloth, with a View of the Boiling House
1791
76
William Hincks, 1752–1797
Plate V: A Perspective View of a Scutch Mill, with the Method of Breakng the Flax with groved Rollers, and Scutching it with Blades first on a Shaft, both turn'd by the Main Wheel, Great Improvements in the Method of Braking and Scutching of Flax
1791
77
William Hincks, 1752–1797
Plate XI: A Perspective View of a Lapping Room, with the Measuring, Crisping or Folding the Cloth in Lengths, Picking the Laps or Lengths, Tying the Clips, acting by the Mechanic power of the Laver to press the Cloth round & firm, and Sealing it ..
1791
78
William Hincks, 1752–1797
Plate XII: Perspective View of the Linen Hall in Dublin, with the Boxes and Bales of Linen ready for Exportation, the Emblems of their Industry
1791
79
William Hincks, 1752–1797
Plate IV: representing the common Method of Beetling, Scutching and Hackling the Flax
1791
80
James Gillray, 1756–1815
Les Trois Magots
1791
81
James Gillray, 1756–1815
French Democrats surprizing the Royal Runaways
1791
82
Print made by Jean B. Michel, active 1803
King Henry VI, Part III: Act V, Scene VII (Queen Bess Presenting King Edward . . . with Their Infant Son)
1791
83
Page, fl. 1784–1803
Taming... Act II, Sc. I
1791
84
W. Taylor, active 1790–1810
All's Well... Act III, Sc. V
1791
85
J. Barlow, active 1791
Merchant of Venice, Act III, Sc. I
1791
86
Page, fl. 1784–1803
Taming...Act III, Scene I
1791
87
John Jones, ca. 1745–1797
The Father of the Turf. Tregonwell Frampton, Esquire of Moreton in Dorsetshire - Keeper of Running Horses at Newmarket, to their Majesties William the Third, Queen Anne, George the First & George the Second. ..
1791
88
Print made by John Young, 1755–1825
Mrs. Bunbury
1791
89
Print made by Charles Wilkin, 1750–1814
Lady Cockburn and Children
1791
90
Print made by John Keyse Sherwin, c.1751–1790
Mary Isabella, Duchess of Rutland
1791
91
Print made by John Raphael Smith, 1752–1812
Madona col Bambino
1791
92
Print made by John Jones, ca. 1745–1797
Caroline, Duchess of Marlborough
1791
93
George Morland, 1763–1804
Set of Five: Studies of Laborers
1791-1795
94
George Morland, 1763–1804
Set of Five: Five studies of Peddlers
1791-1795
95
George Morland, 1763–1804
Set of Five: Eight studies: Woman with Basket, Blinkered Cart Horse, etc
1791-1795
96
George Morland, 1763–1804
Set of Five: Studies of Children, a Dog, a Cat, etc
1791-1795
97
George Morland, 1763–1804
Set of Five: Studies of Girls, one Playing with Hoop, one Picking Berries, Man and Horse, etc