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Collection
Prints and Drawings
42
Creator
Blake, William, 1757–1827
30
Girtin, Thomas, 1775–1802
7
Unknown artist
3
Chinnery, George, 1774–1852
2
Cozens, John Robert, 1752–1797
1
Gore, Charles, 1729–1807
1
Piranesi, Giovanni Battista, 1720–1778
1
Sandby, Paul, 1731–1809
1
Turner, J. M. W. (Joseph Mallord William), 1775–1851
1
Date
1800
87
1772
63
1745
60
1793
50
1789
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1775
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1790
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1797
36
1799
36
1784
33
1794
33
1795
31
1814
30
1867
27
1830
26
1783
25
1771
24
1804
24
1820
20
1780
19
1788
19
1805
19
1792
18
1827
18
1774
17
1787
17
1796
17
1825
17
1739
16
1746
16
1782
16
1785
16
1801
16
1810
15
1857
15
1700
14
1740
14
1759
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1765
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1770
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1786
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1807
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1836
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1748
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1755
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1778
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1798
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1821
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1802
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1812
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1817
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1861
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1823
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1835
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1742
9
1768
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1808
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1813
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1819
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0
8
1764
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1803
8
1840
8
1749
7
1809
7
1818
7
1833
7
1834
7
1811
6
1822
6
1831
6
1832
6
1848
6
1717
5
1753
5
1757
5
1761
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1806
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1829
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1839
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1843
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1844
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1845
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1866
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1880
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1917
5
1701
4
1718
4
1750
4
1766
4
1767
4
1773
4
On-site Access
Accessible by appointment in the Study Room
42
Image Use
Free to Use
41
Under Certain Circumstances
1
Image Available
Available
42
Classification
Prints
30
Drawings & Watercolors
12
Creator Gender
male
42
unknown
3
Collective Title
Songs of Innocence and of Experience, Copy F
14
Songs of Innocence, Copy G
12
The Book of Thel, Copy B
2
The Book of Thel, Copy R
2
Period
18th century
35
18th century-19th century
6
19th century
1
Materials & Techniques
watercolor
42
wove paper
35
relief etching
30
black ink
17
ink
9
graphite
8
laid paper
7
brown ink
5
pen
5
black chalk
1
gouache
1
Height [cm]
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Work Type
watercolor
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42
drawing
36
relief print
30
frontispiece
2
Genre
literary theme
18
historical subject
12
landscape
11
religious and mythological subject
7
architectural subject
6
genre subject
2
cityscape
1
Subject Terms
trees
[remove]
42
text
28
leaf
26
vines
24
branches
23
children
22
women
18
literary theme
16
men
16
historical subject
13
vegetation
13
landscape
11
woman
9
hills
8
mother
8
religious and mythological subject
8
sheep
8
shepherd
8
boy
7
grass
7
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Subject Terms
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Associated Places
Europe
10
United Kingdom
6
England
4
Devon
2
Italy
2
Aberconwy and Colwyn
1
Berry Pomeroy Castle
1
Buckinghamshire
1
Campania
1
Campello sul Clitunno
1
Charenton-le-Pont
1
Conway
1
Conway Castle
1
Conwy
1
Cymru
1
Dresden
1
Elbe
1
France
1
Germany
1
Guisborough
1
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Exhibition History
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
14
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
14
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
8
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
5
British Vision - Observation and Imagination in British Art (Museum of Fine Arts Ghent, 2007-10-06 - 2008-01-13)
4
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
3
William Blake and the Age of Aquarius (Block Museum of Art, 2017-09-23 - 2018-03-11)
3
Caribbean - Crossroads of the World (El Museo del Barrio, 2012-06-12 - 2013-01-06)
1
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
1
The Creative Printmaker (Joseph and Margaret Muscarelle Museum of Art, 1986-03-05 - 1986-04-20)
1
The Creative Printmaker (Yale Center for British Art, 1985-07-09 - 1985-09-01)
1
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
42
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1
Joseph Mallord William Turner, 1775–1851
Villa in a Valley near Vietri sul Mare
ca. 1794
2
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
3
Print made by William Blake, 1757–1827
Songs of Innocence, Title Page (Plate 2)
1789
4
Print made by William Blake, 1757–1827
Introduction (Plate 3)
1789
5
Print made by William Blake, 1757–1827
The Ecchoing Green (Plate 8)
1789
6
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
7
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
8
Print made by William Blake, 1757–1827
The Shepherd (Plate 4)
1789
9
Print made by William Blake, 1757–1827
Spring (Plate 12)
1789
10
Print made by William Blake, 1757–1827
Laughing Song (Plate 14)
1789
11
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 16)
1789
12
Print made by William Blake, 1757–1827
The Lamb (Plate 18)
1789
13
Print made by William Blake, 1757–1827
The Little Girl Lost (Plate 20)
1789
14
Print made by William Blake, 1757–1827
The Little Black Boy (Plate 6)
1789
15
Print made by William Blake, 1757–1827
The Little Girl Found (Plate 22)
1789
16
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
17
Print made by William Blake, 1757–1827
The Divine Image (Plate 24)
1789
18
Print made by William Blake, 1757–1827
Night (Plate 30)
1789
19
Print made by William Blake, 1757–1827
Infant Joy (Plate 14)
1789
20
Print made by William Blake, 1757–1827
On Anothers Sorrow (Plate 24)
1789
21
Print made by William Blake, 1757–1827
Laughing Song (Plate 28)
1789
22
Print made by William Blake, 1757–1827
Introduction (Plate 3)
1789
23
Print made by William Blake, 1757–1827
A Dream (Plate 4)
1789
24
Print made by William Blake, 1757–1827
The Lamb (Plate 8)
1789
25
Print made by William Blake, 1757–1827
The Divine Image (Plate 12)
1789
26
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 20)
1789
27
Print made by William Blake, 1757–1827
Nurse's Song (Plate 22)
1789
28
Print made by William Blake, 1757–1827
Spring (Plate 26)
1789
29
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
30
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
31
Print made by William Blake, 1757–1827
The Little Black Boy (Plate 30)
1789
32
Thomas Girtin, 1775–1802
Headland on the Coast of South Devon, Possibly Shaldon
undated
33
Paul Sandby, 1731–1809
Conway Castle
1789
34
Charles Gore, 1729–1807
Konigstein
1789
35
Thomas Girtin, 1775–1802
Chalfont Lodge, Buckinghamshire
undated
36
unknown artist
Tempio di Clitumno, Rome, after Piranesi
undated
37
follower of Thomas Girtin, 1775–1802
Guisborough Priory
undated
38
unknown artist
Berry Pomeroy Castle, Devon
undated
39
unknown artist
The Watermill Above the Bridge at Charenton
undated
40
Thomas Girtin, 1775–1802
Harrow-on-the-Hill, Middlesex
ca. 1794
41
George Chinnery, 1774–1852
Trees on a Hillside Path
undated
42
George Chinnery, 1774–1852
Trees by a River
undated