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Collection
Prints and Drawings
46
Paintings and Sculpture
1
Creator
Blake, William, 1757–1827
35
Bartolozzi, Francesco, 1727–1815
4
Hamilton, William, 1751–1801
4
Downman, John, 1750–1824
3
Simon, Peter, 1750–1810
3
Boyne, John, ca. 1750–1810
1
Gillray, James, 1756–1815
1
Northcote, James, 1746–1831
1
Nutter, William, 1754–1802
1
Ramberg, Johann Heinrich, 1763–1840
1
Smith, John Raphael, 1752–1812
1
Thew, Robert, 1758–1802
1
Wright, Joseph, 1734–1797
1
Date
1834
257
1797
114
1804
114
1793
93
1794
73
1837
72
1808
55
1792
54
1839
48
1789
[remove]
47
1788
44
1835
40
1783
34
1821
33
1826
32
0
28
1749
28
1825
27
1830
26
1836
26
1800
24
1803
24
1776
21
1786
21
1833
20
1773
18
1900
17
1745
16
1768
16
1802
16
1779
15
1780
15
1784
15
1896
14
1741
13
1782
13
1798
13
1827
13
1775
12
1785
12
1790
12
1795
12
1778
11
1781
11
1769
10
1787
10
1875
10
2001
10
1674
9
1767
9
1770
9
1772
9
1809
9
1972
9
1791
8
1805
8
1815
8
1844
8
1848
8
1777
7
1796
7
1807
7
1880
7
1700
6
1771
6
1799
6
1801
6
1832
6
1842
6
1857
6
1859
6
1746
5
1813
5
1820
5
1822
5
1824
5
1879
5
1893
5
1705
4
1729
4
1733
4
1761
4
1765
4
1766
4
1774
4
1811
4
1829
4
1843
4
1852
4
1853
4
1854
4
1856
4
1863
4
1876
4
1892
4
1960
4
2002
4
1728
3
1739
3
1748
3
On-site Access
Accessible by appointment in the Study Room
46
Not on view
1
Image Use
Free to Use
47
Image Available
Available
47
Classification
Prints
46
Paintings
1
Creator Gender
male
47
Collective Title
Songs of Innocence, Copy G
17
The Book of Thel, Copy B
8
The Book of Thel, Copy R
8
Songs of Innocence and of Experience, Copy F
2
The Merchant of Venice
1
Period
18th century
47
Materials & Techniques
relief etching
35
wove paper
35
watercolor
34
ink
21
black ink
8
stipple engraving
8
laid paper
5
line engraving
3
etching (printing process)
2
aquatint
1
canvas
1
hand coloring
1
mezzotint
1
oil paint
1
painting (technique)
1
Height [cm]
Height [cm] range begin
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Height [cm] range end
Current results range from
6
to
158
Unknown
3
Width [cm]
Width [cm] range begin
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Width [cm] range end
Current results range from
6
to
221
Unknown
3
Work Type
relief print
35
watercolor
34
drawing
29
intaglio print
9
frontispiece
2
painting
1
Genre
literary theme
[remove]
47
religious and mythological subject
13
genre subject
2
portrait
2
animal art
1
Subject Terms
literary theme
38
text
33
children
26
vines
26
leaf
24
women
22
trees
18
branches
16
men
15
religious and mythological subject
14
flowers (plants)
11
mother
11
nudes
9
vegetation
9
shepherd
6
wings
6
woman
6
birds
5
gowns
5
infant
5
more
Subject Terms
»
Associated Places
England
2
United Kingdom
2
City of Westminster
1
London
1
Somerset
1
Somerset House
1
Westminster Abbey
1
Associated People
Shakespeare, William (1564–1616), playwright and poet
6
Antonio (character in The Merchant of Venice)
1
Bassiano (character in The Merchant of Venice)
1
Beaufort, Henry [called the Cardinal of England] (1375?–1447), bishop of Winchester and cardinal
1
Bottom (character in A Midsummer Night's Dream)
1
Boydell, John (1720–1804), engraver and printseller
1
Cordelia (character in King Lear)
1
Duke of Venice (character in The Merchant of Venice)
1
Feste (character in Twelfth Night)
1
Fool (character in King Lear)
1
Fuseli, Henry [formerly Johann Heinrich Füssli] (1741–1825), painter and writer
1
Henry VI (1421–1471), king of England and lord of Ireland, and duke of Aquitaine
1
King Lear (character in King Lear)
1
Macklin, Charles (1699?–1797), actor and playwright
1
Malvolio (character in Twelfth Night)
1
Maria (character in Twelfth Night)
1
Northcote, James (1746–1831), artist and author
1
Olivia (character in Twelfth Night)
1
Pope, Elizabeth (1739x45–1797), actress
1
Portia (character in The Merchant of Venice)
1
more
Associated People
»
Exhibition History
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
7
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
7
William Blake and the Age of Aquarius (Block Museum of Art, 2017-09-23 - 2018-03-11)
4
Shakespeare and British Art (Yale Center for British Art, 1981-04-23 - 1981-07-05)
3
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
3
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
3
British Vision - Observation and Imagination in British Art (Museum of Fine Arts Ghent, 2007-10-06 - 2008-01-13)
2
Painters and Engraving - The Reproductive Print from Hogarth to Wilkie (Yale Center for British Art, 1980-03-26 - 1980-06-22)
2
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
2
William Blake (The Metropolitan Museum of Art, 2000-03-26 - 2000-07-05)
2
British Comic Art 1730 - 1830 (Museum of Art and Archaelogy, University of Missouri-Columbia, 1988-10-14 - 1988-12-04)
1
Caribbean - Crossroads of the World (El Museo del Barrio, 2012-06-12 - 2013-01-06)
1
Shakespeare on Canvas (Yale Center for British Art, 2012-01-02 - 2012-06-30)
1
The Creative Printmaker (Joseph and Margaret Muscarelle Museum of Art, 1986-03-05 - 1986-04-20)
1
The Creative Printmaker (Yale Center for British Art, 1985-07-09 - 1985-09-01)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
42
Yale Center for British Art, Paul Mellon Fund
4
Yale Center for British Art, Yale University Art Gallery Collection
1
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Date
1789
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1
Johann Heinrich Ramberg, 1763–1840
Olivia, Maria and Malvolio from "Twelfth Night," Act III, Scene iv
1789
Not on view
2
Print made by William Blake, 1757–1827
Thel's Motto (Plate 1)
1789
3
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
4
Print made by William Blake, 1757–1827
Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
1789
5
Print made by William Blake, 1757–1827
II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
1789
6
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
7
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
8
Print made by William Blake, 1757–1827
IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
1789
9
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
10
Print made by William Blake, 1757–1827
Songs of Innocence, Title Page (Plate 2)
1789
11
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
12
Print made by William Blake, 1757–1827
The Ecchoing Green (Plate 10)
1789
13
Print made by William Blake, 1757–1827
Infant Joy (Plate 14)
1789
14
Print made by William Blake, 1757–1827
Night (Plate 16)
1789
15
Print made by William Blake, 1757–1827
A Cradle Song (Plate 18)
1789
16
Print made by William Blake, 1757–1827
Songs of Innocence, Title Page (Plate 2)
1789
17
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 20)
1789
18
Print made by William Blake, 1757–1827
Introduction (Plate 3)
1789
19
Print made by William Blake, 1757–1827
The Little Girl Found (Plate 6)
1789
20
Print made by William Blake, 1757–1827
The Lamb (Plate 8)
1789
21
Print made by William Blake, 1757–1827
On Anothers Sorrow (Plate 24)
1789
22
Print made by William Blake, 1757–1827
Spring (Plate 26)
1789
23
Print made by William Blake, 1757–1827
Laughing Song (Plate 28)
1789
24
Print made by William Blake, 1757–1827
A Dream (Plate 4)
1789
25
Print made by William Blake, 1757–1827
Thel's Motto (Plate 1)
1789
26
Print made by William Blake, 1757–1827
Title Page, The Book of Thel (Plate 2)
1789
27
Print made by William Blake, 1757–1827
Title Page, The Book of Thel (Plate 2)
1789
28
Print made by William Blake, 1757–1827
Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
1789
29
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
30
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
31
Print made by William Blake, 1757–1827
IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
1789
32
Print made by William Blake, 1757–1827
II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
1789
33
Print made by William Blake, 1757–1827
The Divine Image (Plate 12)
1789
34
Print made by William Blake, 1757–1827
Nurse's Song (Plate 22)
1789
35
Print made by William Blake, 1757–1827
The Little Black Boy (Plate 30)
1789
36
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
37
Peter Simon, 1750–1810
Tom Jones; The Interview of Tom Jones, and Sophia, after the Reconciliation
1789
38
Francesco Bartolozzi, 1728–1815
Mr. Kemble in the Character of King Richard the Third - "Richard III," Act V, Scene V
1789
39
Francesco Bartolozzi, 1728–1815
Mr. Kemble in the Character of King Richard the Third - "Richard III," Act V, Scene V
1789
40
John Raphael Smith, 1752–1812
The Lady in Milton's Comus
1789
41
Francesco Bartolozzi, 1728–1815
June
1789
42
Francesco Bartolozzi, 1728–1815
July
1789
43
William Nutter, 1754–1802
Mr. Macklin and Mrs. Pope in the Characters of Shylock and Portia
1789
44
Print made by James Gillray, 1756–1815
Shakespeare Sacrificed; or, The Offering to Avarice
1789
45
Print made by Robert Thew, 1758–1802
King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)
1789
46
Peter Simon, 1750–1810
Tom Jones: 'The Philosopher Square, Discovered in Molly Seagrim's Garret'
1789
47
Peter Simon, 1750–1810
The Interview of Tom Jones and Sophia, After the Reconciliation
1789