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Date 1789

Remove constraint Date: 1789

Period 18th century

Remove constraint Period: 18th century

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George Morland The Anglers' Repast
George Morland, 1763–1804
The Anglers' Repast
1789
Not on view
Johann Heinrich Ramberg Olivia, Maria and Malvolio from "Twelfth Night," Act III, Scene iv
Johann Heinrich Ramberg, 1763–1840
Olivia, Maria and Malvolio from "Twelfth Night," Act III, Scene iv
1789
Not on view
George Morland A Party Angling
George Morland, 1763–1804
A Party Angling
1789
Not on view
George Garrard A Bay Horse Approached by a Stable-Lad with Food and a Halter
George Garrard, 1760–1826
A Bay Horse Approached by a Stable-Lad with Food and a Halter
1789
Not on view
Joseph Mallord William Turner Villa in a Valley near Vietri sul Mare
Joseph Mallord William Turner, 1775–1851
Villa in a Valley near Vietri sul Mare
ca. 1794
Joseph Mallord William Turner Autumn Sowing of the Grain
Joseph Mallord William Turner, 1775–1851
Autumn Sowing of the Grain
ca. 1794
William Blake Songs of Innocence, Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
William Blake Songs of Innocence, Title Page (Plate 2)
Print made by William Blake, 1757–1827
Songs of Innocence, Title Page (Plate 2)
1789
William Blake Introduction (Plate 3)
Print made by William Blake, 1757–1827
Introduction (Plate 3)
1789
William Blake The Ecchoing Green (Plate 8)
Print made by William Blake, 1757–1827
The Ecchoing Green (Plate 8)
1789
William Blake Thel's Motto (Plate 1)
Print made by William Blake, 1757–1827
Thel's Motto (Plate 1)
1789
William Blake Title Page, The Book of Thel (Plate 2)
Print made by William Blake, 1757–1827
Title Page, The Book of Thel (Plate 2)
1789
William Blake I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
William Blake IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
Print made by William Blake, 1757–1827
IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
1789
William Blake Songs of Innocence, Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
William Blake The Ecchoing Green (Plate 10)
Print made by William Blake, 1757–1827
The Ecchoing Green (Plate 10)
1789
William Blake The Shepherd (Plate 4)
Print made by William Blake, 1757–1827
The Shepherd (Plate 4)
1789
William Blake The Chimney Sweeper (Plate 10)
Print made by William Blake, 1757–1827
The Chimney Sweeper (Plate 10)
1789
William Blake Spring (Plate 12)
Print made by William Blake, 1757–1827
Spring (Plate 12)
1789
William Blake Laughing Song (Plate 14)
Print made by William Blake, 1757–1827
Laughing Song (Plate 14)
1789
William Blake The Little Boy Lost (Plate 16)
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 16)
1789
William Blake The Lamb (Plate 18)
Print made by William Blake, 1757–1827
The Lamb (Plate 18)
1789
William Blake The Little Girl Lost (Plate 20)
Print made by William Blake, 1757–1827
The Little Girl Lost (Plate 20)
1789
William Blake The Little Black Boy (Plate 6)
Print made by William Blake, 1757–1827
The Little Black Boy (Plate 6)
1789
William Blake The Little Girl Found (Plate 22)
Print made by William Blake, 1757–1827
The Little Girl Found (Plate 22)
1789
William Blake II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
Print made by William Blake, 1757–1827
II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
1789
William Blake III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
William Blake The Divine Image (Plate 24)
Print made by William Blake, 1757–1827
The Divine Image (Plate 24)
1789
William Blake Infant Joy (Plate 28)
Print made by William Blake, 1757–1827
Infant Joy (Plate 28)
1789
William Blake Night (Plate 30)
Print made by William Blake, 1757–1827
Night (Plate 30)
1789
William Blake A Cradle Song (Plate 26)
Print made by William Blake, 1757–1827
A Cradle Song (Plate 26)
1789
William Blake Infant Joy (Plate 14)
Print made by William Blake, 1757–1827
Infant Joy (Plate 14)
1789
William Blake Night (Plate 16)
Print made by William Blake, 1757–1827
Night (Plate 16)
1789
William Blake On Anothers Sorrow (Plate 24)
Print made by William Blake, 1757–1827
On Anothers Sorrow (Plate 24)
1789
William Blake Laughing Song (Plate 28)
Print made by William Blake, 1757–1827
Laughing Song (Plate 28)
1789
William Blake Introduction (Plate 3)
Print made by William Blake, 1757–1827
Introduction (Plate 3)
1789
William Blake A Dream (Plate 4)
Print made by William Blake, 1757–1827
A Dream (Plate 4)
1789
William Blake The Little Girl Found (Plate 6)
Print made by William Blake, 1757–1827
The Little Girl Found (Plate 6)
1789
William Blake The Lamb (Plate 8)
Print made by William Blake, 1757–1827
The Lamb (Plate 8)
1789
William Blake The Divine Image (Plate 12)
Print made by William Blake, 1757–1827
The Divine Image (Plate 12)
1789
William Blake A Cradle Song (Plate 18)
Print made by William Blake, 1757–1827
A Cradle Song (Plate 18)
1789
William Blake Songs of Innocence, Title Page (Plate 2)
Print made by William Blake, 1757–1827
Songs of Innocence, Title Page (Plate 2)
1789
William Blake The Little Boy Lost (Plate 20)
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 20)
1789
William Blake Nurse's Song (Plate 22)
Print made by William Blake, 1757–1827
Nurse's Song (Plate 22)
1789
William Blake Spring (Plate 26)
Print made by William Blake, 1757–1827
Spring (Plate 26)
1789
William Blake Thel's Motto (Plate 1)
Print made by William Blake, 1757–1827
Thel's Motto (Plate 1)
1789
William Blake Title Page, The Book of Thel (Plate 2)
Print made by William Blake, 1757–1827
Title Page, The Book of Thel (Plate 2)
1789
William Blake III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
William Blake Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
Print made by William Blake, 1757–1827
Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
1789
William Blake IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
Print made by William Blake, 1757–1827
IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
1789
William Blake Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
Print made by William Blake, 1757–1827
Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
1789
William Blake II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
Print made by William Blake, 1757–1827
II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
1789
William Blake III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
William Blake III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
William Blake Original Wrapper to The Book of Thel
William Blake, 1757–1827
Original Wrapper to The Book of Thel
1789
William Blake I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
William Blake The Book of Thel
Prints made by William Blake, 1757–1827
The Book of Thel
1789
William Blake Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
Prints made by William Blake, 1757–1827
Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
1789-1794
William Blake The Little Black Boy (Plate 30)
Print made by William Blake, 1757–1827
The Little Black Boy (Plate 30)
1789
George Romney Group of Four Women Embracing
George Romney, 1734–1802
Group of Four Women Embracing
between 1789 and 1790
Francesco Bartolozzi Professional Concert 1789, First Night Hanover Square
Print made by Francesco Bartolozzi, 1728–1815
Professional Concert 1789, First Night Hanover Square
1789
Frederick George Byron Shooting Party Returning Home
Frederick George Byron, 1764–1794
Shooting Party Returning Home
1789
unknown artist George III's Visit to Portsmouth
unknown artist
George III's Visit to Portsmouth
ca. 1794
unknown artist The Restricted Regency
Print made by unknown artist
The Restricted Regency
1789
James Gillray The (Coward), Comforted; - or - A Scene Immediately After the Duel ---
Print made by James Gillray, 1756–1815
The (Coward), Comforted; - or - A Scene Immediately After the Duel ---
1789
James Gillray John Bull, in a Quandary, Which Way Shall I Turn Me, How Shall I Decide?
Print made by James Gillray, 1756–1815
John Bull, in a Quandary, Which Way Shall I Turn Me, How Shall I Decide?
1789
Isaac Cruikshank Les Sacrefices Forces
Print made by Isaac Cruikshank, 1764–1811
Les Sacrefices Forces
1789
unknown artist The Royal Duel
unknown artist
The Royal Duel
1789
unknown artist Opening the Sluices or the Secret Expedition
unknown artist
Opening the Sluices or the Secret Expedition
1789
unknown artist View of Tenby Town & Harbour
unknown artist
View of Tenby Town & Harbour
1789
William Hinton The Rage
Print made by William Hinton, active 1779–1786
The Rage
ca. 1794
James Gillray The English Regency
James Gillray, 1756–1815
The English Regency
1789
Isaac Cruikshank The New Birth
Print made by Isaac Cruikshank, 1764–1811
The New Birth
1789
Thomas Rowlandson Suitable Restrictions
Thomas Rowlandson, 1756–1827
Suitable Restrictions
1789
Thomas Rowlandson The Modern Egbert, or the King of Kings
Thomas Rowlandson, 1756–1827
The Modern Egbert, or the King of Kings
1789
Thomas Rowlandson Britannia's Support or the Conspirators Defeated - The Hospital for Lunatics
Thomas Rowlandson, 1756–1827
Britannia's Support or the Conspirators Defeated - The Hospital for Lunatics
1789
Thomas Rowlandson The Minister Casting Up His Accounts
Thomas Rowlandson, 1756–1827
The Minister Casting Up His Accounts
1789
Thomas Rowlandson Britannia's Support or the Conspirators Defeated - The Hospital for Lunatics
Thomas Rowlandson, 1756–1827
Britannia's Support or the Conspirators Defeated - The Hospital for Lunatics
1789
Thomas Rowlandson A New Speaker - The Wedding Night
Thomas Rowlandson, 1756–1827
A New Speaker - The Wedding Night
1789
Thomas Rowlandson Medical Intelligence - Extraordinary - A Coronation in Pall Mall
Print made by Thomas Rowlandson, 1756–1827
Medical Intelligence - Extraordinary - A Coronation in Pall Mall
1789
Thomas Rowlandson (The) This Irish Ambassadors Extraordinary a Gallante(e) Show
Thomas Rowlandson, 1756–1827
(The) This Irish Ambassadors Extraordinary a Gallante(e) Show
1789
William O'Keefe Private Conference on the Meeting of P-L-M-N-T
William O'Keefe, active 1794–1807
Private Conference on the Meeting of P-L-M-N-T
ca. 1794
James Sayer To be seen at Mr J------n's Menagerie-----
James Sayer, 1748–1823
To be seen at Mr J------n's Menagerie-----
1789
James Sayer The Rights of the People, a Mis-Fire-at the Consitution ____
James Sayer, 1748–1823
The Rights of the People, a Mis-Fire-at the Consitution ____
1789
unknown artist An Irish Bull Bait in England
unknown artist
An Irish Bull Bait in England
1789
unknown artist Plan of Mud Island, off the Kingdom of Corsica
Print made by unknown artist
Plan of Mud Island, off the Kingdom of Corsica
ca. 1794
unknown artist A Visit to the Tombs in Westminister Abbey
unknown artist
A Visit to the Tombs in Westminister Abbey
1789
Isaac Cruikshank Le Roi Esclave on Les Sujets Rois Female Patriotism
Print made by Isaac Cruikshank, 1764–1811
Le Roi Esclave on Les Sujets Rois Female Patriotism
1789
Isaac Cruikshank The Freemen Triumphant or the Mare Foald or Here Folly
Isaac Cruikshank, 1764–1811
The Freemen Triumphant or the Mare Foald or Here Folly
1789
unknown artist The Rival Candidates
unknown artist
The Rival Candidates
1789
Francesco Bartolozzi Apollo and the Muses
Francesco Bartolozzi, 1728–1815
Apollo and the Muses
1789
William O'Keefe A-La-Mode
William O'Keefe, active 1794–1807
A-La-Mode
1789
James Sayer The Regency Twelfth Cake not cut up, and All the People rejoiced and said "Long Live the King"
James Sayer, 1748–1823
The Regency Twelfth Cake not cut up, and All the People rejoiced and said "Long Live the King"
1789
James Sayer Barataria
James Sayer, 1748–1823
Barataria
1789
James Sayer Neddy's Black Box, Containing what he does not value Three Shipps of a Louse
James Sayer, 1748–1823
Neddy's Black Box, Containing what he does not value Three Shipps of a Louse
1789
James Sayer Untitled (Seated Barrister)
James Sayer, 1748–1823
Untitled (Seated Barrister)
1789
James Gillray The Funeral Procession of Miss Regency
James Gillray, 1756–1815
The Funeral Procession of Miss Regency
1789
James Gillray Hyde-Park; - Sunday, - or - Both Hemispheres of the World in a Sweat ---
Print made by James Gillray, 1756–1815
Hyde-Park; - Sunday, - or - Both Hemispheres of the World in a Sweat ---
1789
Samuel Collings Essay on Duelling - Anglice Doing = Him!
Samuel Collings, active 1784–1795
Essay on Duelling - Anglice Doing = Him!
1789
John Kay "Why, Sir John, my face does you no harm..."
John Kay, 1742–1826
"Why, Sir John, my face does you no harm..."
1789