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Collection
Prints and Drawings
459
Rare Books and Manuscripts
57
Paintings and Sculpture
4
Reference Library
1
Creator
Bruce, James, 1730–1794
149
Heath, James, 1757–1834
146
Blake, William, 1757–1827
55
Bartolozzi, Francesco, 1727–1815
34
Unknown artist
25
Chalon, John, 1738 – 1795
22
Rijn, Rembrandt van, 1606–1669
22
Rowlandson, Thomas, 1756–1827
16
Cozens, John Robert, 1752–1797
15
Morland, George, 1763–1804
15
Reynolds, Joshua, Sir, 1723–1792
13
Wyatt, James, 1746–1813
13
Gillray, James, 1756–1815
11
Webber, John, 1752–1793
10
Cipriani, Giovanni Battista, 1727–1785
8
Ward, William, 1766–1826
7
Dayes, Edward, 1763–1804
6
Girtin, Thomas, 1775–1802
6
Hamilton, William, 1751–1801
6
Romney, George, 1734–1802
6
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Creator
»
Date
1745
638
1792
545
1791
535
1775
526
1789
[remove]
521
1794
496
1790
493
1793
492
1700
487
1797
442
1795
426
1799
374
1785
369
1780
360
1750
340
1798
326
1796
319
1749
314
1767
305
1783
298
1768
294
1752
286
1788
284
1773
280
1787
273
1770
270
1730
269
1784
256
1739
241
1800
236
1786
233
1778
229
1776
224
1725
220
1782
216
1758
210
1771
209
1755
205
1754
202
1738
201
1777
190
1760
188
1762
186
1763
186
1779
186
1781
176
1765
170
1740
169
1772
161
1764
156
1742
154
1769
147
1753
145
1735
124
1751
123
1774
118
1717
111
1757
104
1748
101
1761
98
1766
97
1736
93
1715
89
1746
87
1705
85
1747
79
1720
76
1737
75
1756
75
1732
74
1731
72
1759
72
1743
66
1741
65
1712
63
1744
62
1719
58
1729
58
1728
48
1710
46
1734
37
1733
34
1723
32
1727
32
1701
28
1724
28
1707
24
1709
23
1726
23
0
20
1713
20
1722
19
1718
18
1714
17
1716
16
1721
16
1703
15
1690
14
1699
13
1704
13
On-site Access
Accessible by appointment in the Study Room
516
Not on view
4
Accessible by appointment in the Reference Library
1
Image Use
Free to Use
463
Under Certain Circumstances
58
Image Available
Available
438
Unavailable
83
New Additions
2023-2024
1
Classification
Prints
407
Books
51
Drawings & Watercolors
39
Drawing & Watercolors-Architectural
13
Archives & Manuscripts
4
Paintings
4
Drawings & Watercolors-Miniatures
2
Maps & Atlas (printed)
1
Creator Gender
male
448
unknown
83
female
7
Collective Title
Songs of Innocence and of Experience, Copy F
17
Songs of Innocence, Copy G
17
Studies of Trees
14
The Book of Thel, Copy R
10
The Book of Thel, Copy B
9
Views in the South Seas 1776-1780
6
Iconographie Anglaise par Reynolds et Autres
3
Four Seasons
1
Songs of Innocence and of Experience, Copy L
1
The Merchant of Venice
1
Period
18th century
[remove]
521
19th century
2
20th century
1
Materials & Techniques
wove paper
98
laid paper
86
watercolor
73
stipple engraving
51
relief etching
50
etching (printing process)
48
black ink
44
graphite
41
pen
28
ink
26
mezzotint
20
aquatint
18
line engraving
15
soft-ground etching
14
brown ink
12
colored ink
6
gray ink
6
canvas
4
gray wash
4
oil paint
4
more
Materials & Techniques
»
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
6
to
158
Unknown
244
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
0
to
221
Unknown
246
Work Type
intaglio print
109
drawing
93
watercolor
78
relief print
51
engraving
8
armorial bookplates (provenance)
6
map
4
painting
4
ticket
4
aquatint
3
auction catalog
3
etching
2
frontispiece
2
handbooks and manual
2
miniature
2
soft-ground etching
2
admission ticket
1
advertisement
1
aerial view
1
annotations (provenance)
1
more
Work Type
»
Genre
literary theme
47
genre subject
45
landscape
40
religious and mythological subject
29
architectural subject
28
portrait
26
figure study
24
historical subject
20
animal art
9
cityscape
5
sporting art
4
marine art
3
military art
1
Subject Terms
trees
54
text
49
children
45
leaf
40
literary theme
40
women
40
vines
39
men
38
branches
31
man
31
architectural subject
27
woman
26
genre subject
21
landscape
21
religious and mythological subject
20
figure study
19
mother
18
portrait
18
historical subject
17
flowers (plants)
16
more
Subject Terms
»
Subject Period
18th century
6
19th century
1
Associated Places
England
31
United Kingdom
28
Kent
14
Cobham
12
Cobham Hall
12
Europe
11
Great Britain
10
London
7
Italy
4
London (England)
4
Oxford (England)
4
Wales
3
Bath (England)
2
Berkshire
2
Cheltenham (England)
2
City of Westminster
2
Derby (England)
2
Dublin (Ireland)
2
France
2
Gloucester (England)
2
more
Associated Places
»
Associated People
Shakespeare, William (1564–1616), playwright and poet
11
Hamilton, Emma, Lady Hamilton (bap. 1765, d. 1815), social celebrity and artist's model
4
Cephisa
2
Charles-Louis de Secondat, Baron de la Brède et de Montesquieu (1689 - 1755), academic/intellectual
2
Cupid
2
Palladio, Andrea, 1508–1580
2
Portlock, Nathaniel, 1748?-1817
2
Sleeping Cupid
2
Vitruvius Pollio
2
Antonio (character in The Merchant of Venice)
1
Bannister, John (1760–1836), actor
1
Bassiano (character in The Merchant of Venice)
1
Beaufort, Henry [called the Cardinal of England] (1375?–1447), bishop of Winchester and cardinal
1
Benwell, William, 1765–1796
1
Beresford, William, active 1788
1
Blake, Charlotte Sophia Delaval (d. 1823)
1
Bottom (character in A Midsummer Night's Dream)
1
Boydell, John (1720–1804), engraver and printseller
1
Brander, Gustavus, 1720–1787
1
Brownlow, Frances
1
more
Associated People
»
Exhibition History
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
18
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
18
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
14
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
11
British Vision - Observation and Imagination in British Art (Museum of Fine Arts Ghent, 2007-10-06 - 2008-01-13)
5
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
5
John Webber, R. A. (1752-1793) (Kunstmuseum Bern, 1996-03-26 - 1996-05-27)
4
John Webber, R. A. (1752-1793) (Whitworth Art Gallery, 1996-07-04 - 1996-09-15)
4
Noble Exercise - The Sporting Ideal in Eighteenth-Century British Art (Yale Center for British Art, 1982-07-14 - 1982-09-19)
4
Painters and Engraving - The Reproductive Print from Hogarth to Wilkie (Yale Center for British Art, 1980-03-26 - 1980-06-22)
4
Pleasures and Pastimes (Yale Center for British Art, 1990-02-21 - 1990-04-29)
4
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
4
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
4
William Blake and the Age of Aquarius (Block Museum of Art, 2017-09-23 - 2018-03-11)
4
Shakespeare and British Art (Yale Center for British Art, 1981-04-23 - 1981-07-05)
3
William Blake (The Metropolitan Museum of Art, 2000-03-26 - 2000-07-05)
3
An American's Passion for British Art - Paul Mellon's Legacy (Royal Academy of Arts, 2007-10-20 - 2008-01-27)
2
An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29)
2
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
2
English Portrait Drawings & Miniatures (Yale Center for British Art, 1979-12-05 - 1980-02-17)
2
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
416
Yale Center for British Art, Paul Mellon Fund
38
Yale Center for British Art
4
Yale Center for British Art, Gift of Bernard Quaritch Ltd.
1
Yale Center for British Art, Gift of Frederick W. Hilles
1
Yale Center for British Art, Gift of Lowell Libson in honor of Kasha Jenkinson
1
Yale Center for British Art, Gift of Michael D. Coe, Yale MAH 1968
1
Yale Center for British Art, Gift of Paul F. Walter.
1
Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery
1
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery
1
Yale Center for British Art, Yale University Art Gallery Collection
1
Language
English
53
French
1
German
1
Japanese
1
Latin
1
Search Constraints
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Date
1789
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Period
18th century
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1
George Morland, 1763–1804
The Anglers' Repast
1789
Not on view
2
Johann Heinrich Ramberg, 1763–1840
Olivia, Maria and Malvolio from "Twelfth Night," Act III, Scene iv
1789
Not on view
3
George Morland, 1763–1804
A Party Angling
1789
Not on view
4
George Garrard, 1760–1826
A Bay Horse Approached by a Stable-Lad with Food and a Halter
1789
Not on view
5
Joseph Mallord William Turner, 1775–1851
Villa in a Valley near Vietri sul Mare
ca. 1794
6
Joseph Mallord William Turner, 1775–1851
Autumn Sowing of the Grain
ca. 1794
7
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
8
Print made by William Blake, 1757–1827
Songs of Innocence, Title Page (Plate 2)
1789
9
Print made by William Blake, 1757–1827
Introduction (Plate 3)
1789
10
Print made by William Blake, 1757–1827
The Ecchoing Green (Plate 8)
1789
11
Print made by William Blake, 1757–1827
Thel's Motto (Plate 1)
1789
12
Print made by William Blake, 1757–1827
Title Page, The Book of Thel (Plate 2)
1789
13
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
14
Print made by William Blake, 1757–1827
IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
1789
15
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
16
Print made by William Blake, 1757–1827
The Ecchoing Green (Plate 10)
1789
17
Print made by William Blake, 1757–1827
The Shepherd (Plate 4)
1789
18
Print made by William Blake, 1757–1827
The Chimney Sweeper (Plate 10)
1789
19
Print made by William Blake, 1757–1827
Spring (Plate 12)
1789
20
Print made by William Blake, 1757–1827
Laughing Song (Plate 14)
1789
21
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 16)
1789
22
Print made by William Blake, 1757–1827
The Lamb (Plate 18)
1789
23
Print made by William Blake, 1757–1827
The Little Girl Lost (Plate 20)
1789
24
Print made by William Blake, 1757–1827
The Little Black Boy (Plate 6)
1789
25
Print made by William Blake, 1757–1827
The Little Girl Found (Plate 22)
1789
26
Print made by William Blake, 1757–1827
II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
1789
27
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
28
Print made by William Blake, 1757–1827
The Divine Image (Plate 24)
1789
29
Print made by William Blake, 1757–1827
Infant Joy (Plate 28)
1789
30
Print made by William Blake, 1757–1827
Night (Plate 30)
1789
31
Print made by William Blake, 1757–1827
A Cradle Song (Plate 26)
1789
32
Print made by William Blake, 1757–1827
Infant Joy (Plate 14)
1789
33
Print made by William Blake, 1757–1827
Night (Plate 16)
1789
34
Print made by William Blake, 1757–1827
On Anothers Sorrow (Plate 24)
1789
35
Print made by William Blake, 1757–1827
Laughing Song (Plate 28)
1789
36
Print made by William Blake, 1757–1827
Introduction (Plate 3)
1789
37
Print made by William Blake, 1757–1827
A Dream (Plate 4)
1789
38
Print made by William Blake, 1757–1827
The Little Girl Found (Plate 6)
1789
39
Print made by William Blake, 1757–1827
The Lamb (Plate 8)
1789
40
Print made by William Blake, 1757–1827
The Divine Image (Plate 12)
1789
41
Print made by William Blake, 1757–1827
A Cradle Song (Plate 18)
1789
42
Print made by William Blake, 1757–1827
Songs of Innocence, Title Page (Plate 2)
1789
43
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 20)
1789
44
Print made by William Blake, 1757–1827
Nurse's Song (Plate 22)
1789
45
Print made by William Blake, 1757–1827
Spring (Plate 26)
1789
46
Print made by William Blake, 1757–1827
Thel's Motto (Plate 1)
1789
47
Print made by William Blake, 1757–1827
Title Page, The Book of Thel (Plate 2)
1789
48
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
49
Print made by William Blake, 1757–1827
Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
1789
50
Print made by William Blake, 1757–1827
IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
1789
51
Print made by William Blake, 1757–1827
Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
1789
52
Print made by William Blake, 1757–1827
II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
1789
53
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
54
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
55
William Blake, 1757–1827
Original Wrapper to The Book of Thel
1789
56
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
57
Prints made by William Blake, 1757–1827
The Book of Thel
1789
58
Prints made by William Blake, 1757–1827
Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
1789-1794
59
Print made by William Blake, 1757–1827
The Little Black Boy (Plate 30)
1789
60
George Romney, 1734–1802
Group of Four Women Embracing
between 1789 and 1790
61
Print made by Francesco Bartolozzi, 1728–1815
Professional Concert 1789, First Night Hanover Square
1789
62
Frederick George Byron, 1764–1794
Shooting Party Returning Home
1789
63
unknown artist
George III's Visit to Portsmouth
ca. 1794
64
Print made by unknown artist
The Restricted Regency
1789
65
Print made by James Gillray, 1756–1815
The (Coward), Comforted; - or - A Scene Immediately After the Duel ---
1789
66
Print made by James Gillray, 1756–1815
John Bull, in a Quandary, Which Way Shall I Turn Me, How Shall I Decide?
1789
67
Print made by Isaac Cruikshank, 1764–1811
Les Sacrefices Forces
1789
68
unknown artist
The Royal Duel
1789
69
unknown artist
Opening the Sluices or the Secret Expedition
1789
70
unknown artist
View of Tenby Town & Harbour
1789
71
Print made by William Hinton, active 1779–1786
The Rage
ca. 1794
72
James Gillray, 1756–1815
The English Regency
1789
73
Print made by Isaac Cruikshank, 1764–1811
The New Birth
1789
74
Thomas Rowlandson, 1756–1827
Suitable Restrictions
1789
75
Thomas Rowlandson, 1756–1827
The Modern Egbert, or the King of Kings
1789
76
Thomas Rowlandson, 1756–1827
Britannia's Support or the Conspirators Defeated - The Hospital for Lunatics
1789
77
Thomas Rowlandson, 1756–1827
The Minister Casting Up His Accounts
1789
78
Thomas Rowlandson, 1756–1827
Britannia's Support or the Conspirators Defeated - The Hospital for Lunatics
1789
79
Thomas Rowlandson, 1756–1827
A New Speaker - The Wedding Night
1789
80
Print made by Thomas Rowlandson, 1756–1827
Medical Intelligence - Extraordinary - A Coronation in Pall Mall
1789
81
Thomas Rowlandson, 1756–1827
(The) This Irish Ambassadors Extraordinary a Gallante(e) Show
1789
82
William O'Keefe, active 1794–1807
Private Conference on the Meeting of P-L-M-N-T
ca. 1794
83
James Sayer, 1748–1823
To be seen at Mr J------n's Menagerie-----
1789
84
James Sayer, 1748–1823
The Rights of the People, a Mis-Fire-at the Consitution ____
1789
85
unknown artist
An Irish Bull Bait in England
1789
86
Print made by unknown artist
Plan of Mud Island, off the Kingdom of Corsica
ca. 1794
87
unknown artist
A Visit to the Tombs in Westminister Abbey
1789
88
Print made by Isaac Cruikshank, 1764–1811
Le Roi Esclave on Les Sujets Rois Female Patriotism
1789
89
Isaac Cruikshank, 1764–1811
The Freemen Triumphant or the Mare Foald or Here Folly
1789
90
unknown artist
The Rival Candidates
1789
91
Francesco Bartolozzi, 1728–1815
Apollo and the Muses
1789
92
William O'Keefe, active 1794–1807
A-La-Mode
1789
93
James Sayer, 1748–1823
The Regency Twelfth Cake not cut up, and All the People rejoiced and said "Long Live the King"
1789
94
James Sayer, 1748–1823
Barataria
1789
95
James Sayer, 1748–1823
Neddy's Black Box, Containing what he does not value Three Shipps of a Louse
1789
96
James Sayer, 1748–1823
Untitled (Seated Barrister)
1789
97
James Gillray, 1756–1815
The Funeral Procession of Miss Regency
1789
98
Print made by James Gillray, 1756–1815
Hyde-Park; - Sunday, - or - Both Hemispheres of the World in a Sweat ---
1789
99
Samuel Collings, active 1784–1795
Essay on Duelling - Anglice Doing = Him!
1789
100
John Kay, 1742–1826
"Why, Sir John, my face does you no harm..."
1789
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