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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Paintings and Sculpture
3
Creator
Ryley, Charles Reuben, 1752–1798
2
Stubbs, George, 1724–1806
1
Date
1798
7
1786
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3
1767
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1769
2
1773
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1781
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1788
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1794
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1729
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1745
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1746
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1835
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1845
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1849
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1862
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1863
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1864
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1869
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1870
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1932
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1938
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2013
1
On-site Access
Not on view
3
Image Use
Free to Use
3
Image Available
Available
3
Classification
Paintings
3
Creator Gender
male
3
Period
18th century
3
Materials & Techniques
oil paint
3
painting (technique)
3
canvas
2
beeswax
1
millboard
1
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Work Type
painting
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3
Genre
literary theme
3
genre subject
1
Subject Terms
literary theme
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3
The Vicar of Wakefield (1766)
2
basket
2
children
2
gesture
2
men
2
women
2
Common Raven
1
Fifty-one Fables in Verse or Fables of John Gay (1727, Part the Second 1738)
1
Georgian
1
bird
1
bonnet (hat)
1
boys
1
broken
1
cane
1
chair
1
chairs
1
chaplain
1
coats
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comfort
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Associated Places
England
1
United Kingdom
1
Wakefield
1
Exhibition History
George Stubbs (1724-1806) Tate Gallery (Tate Britain, 1984-10-17 - 1985-01-06)
1
George Stubbs (1724-1806) Tate Gallery (Yale Center for British Art, 1985-02-13 - 1985-04-07)
1
George Stubbs in the Collection of Paul Mellon: a Memorial Exhibition (Virginia Museum of Fine Arts, 2000-02-14 - 2000-05-15)
1
George Stubbs in the Collection of Paul Mellon: a Memorial Exhibition (Yale Center for British Art, 1999-04-30 - 1999-09-05)
1
Painting in England 1700-1850 - From The Collection of Mr. and Mrs. Paul Mellon (Yale University Art Gallery, 1965-04-15 - 1965-06-20)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
3
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Date
1786
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1
George Stubbs, 1724–1806
The Farmer's Wife and the Raven
1786
Not on view
2
Charles Reuben Ryley, 1752–1798
'The Vicar of Wakefield,' Vol. II, Chap. III: The Return of Olivia
1786
Not on view
3
Charles Reuben Ryley, 1752–1798
'The Vicar of Wakefield,' Vol. I, Chap. VIII: Dining in the Hayfields' (Surprised by Mr. Thornhill's Chaplain)
1786
Not on view