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Welcome to YCBA Collections Online
The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
2
Creator
Bartolozzi, Francesco, 1727–1815
1
Bunbury, Henry William, 1750–1811
1
Hull, Thomas H., active 1778–1800
1
Date
1618
5
1741
4
1675
3
1764
3
1800
3
1803
3
1630
2
1728
2
1767
2
1771
2
1780
2
1785
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2
1789
2
1792
2
1821
2
1832
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1836
2
1570
1
1584
1
1610
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1655
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1660
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1673
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1736
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1744
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1746
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1750
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1756
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1772
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1774
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1775
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1776
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1778
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1782
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1786
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1787
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1788
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1793
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1797
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1804
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1806
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1810
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1822
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1823
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1827
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1831
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1835
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1837
1
1840
1
1848
1
1862
1
1887
1
1895
1
1920
1
1960
1
1963
1
On-site Access
Accessible by appointment in the Study Room
2
Image Use
Free to Use
2
Image Available
Available
2
Classification
Drawings & Watercolors
1
Prints
1
Creator Gender
male
2
Period
18th century
2
Materials & Techniques
brown ink
2
black ink
1
etching (printing process)
1
graphite
1
gray ink
1
gum arabic
1
laid paper
1
pen
1
red ink
1
stipple engraving
1
watercolor
1
white gouache
1
wove paper
1
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56
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43
Work Type
drawing
1
intaglio print
1
watercolor
1
Genre
literary theme
1
portrait
1
Subject Terms
fur
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2
Twelfth Night, Act III, Scene IV
1
Twelfth Night; or, What You Will, play by William Shakespeare
1
actors
1
arch
1
belts
1
bonnet
1
bow (costume accessory)
1
breeches
1
capes
1
cloak
1
duel
1
fear
1
feathers
1
fences
1
fighting
1
garden
1
gate
1
hats
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hood
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Associated People
Antonio (character in Twelfth Night)
1
Fabian (character in Twelfth Night)
1
Shakespeare, William (1564–1616), playwright and poet
1
Sir Andrew Aguecheek (character in Twelfth Night)
1
Sir Toby Belch
1
Viola as Cesario
1
Exhibition History
Shakespeare and British Art (Yale Center for British Art, 1981-04-23 - 1981-07-05)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
1
Yale Center for British Art, Paul Mellon Fund
1
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1785
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fur
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1
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Hannah Sparke
1785
2
Henry William Bunbury, 1750–1811
The Duel: 'Twelfth Night,' Act III, Scene IV
ca. 1790