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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Paintings and Sculpture
1
Prints and Drawings
1
Creator
Bunbury, Henry William, 1750–1811
1
Dickinson, William, 1746–1823
1
Renaldi, Francesco, 1755–after 1798
1
Date
1771
2
1784
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2
1794
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1814
2
1825
2
1745
1
1747
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1749
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1760
1
1765
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1766
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1772
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1773
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1783
1
1788
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1789
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1791
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1792
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1793
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1795
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1799
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1824
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1827
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1830
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1833
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1839
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1846
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1850
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1855
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1859
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1860
1
1863
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1869
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1894
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1928
1
1929
1
1930
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1950
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1961
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1965
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1986
1
2004
1
On-site Access
Accessible by appointment in the Study Room
1
Not on view
1
Image Use
Free to Use
2
Image Available
Available
1
Unavailable
1
Classification
Paintings
1
Prints
1
Creator Gender
male
2
Period
18th century
2
Materials & Techniques
canvas
1
etching (printing process)
1
laid paper
1
oil paint
1
painting (technique)
1
stipple engraving
1
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Work Type
intaglio print
1
painting
1
Genre
genre subject
2
Subject Terms
genre subject
2
stool
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2
Indian
1
anklets
1
begging
1
bows
1
bracelets (jewelry)
1
castle
1
collar
1
columns
1
curls
1
dagger
1
dog (animal)
1
doors
1
earrings
1
feathers
1
girl
1
hats
1
hookah
1
interior (space)
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Associated Places
Bangladesh
1
Dacca
1
India
1
Exhibition History
"Brilliant Effects" [ Jewels ] (Yale Center for British Art, 2003-07-10 - 2004-01-10)
1
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
1
The Splendours of Princely India (The Metropolitan Museum of Art, 1985-11 - 1986-02-23)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
2
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1784
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stool
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1
Francesco Renaldi, 1755–after 1798
An Unknown Woman
1789
Not on view
2
William Dickinson, 1746–1823
Rosamund and the Fair Annett
1784