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Collection
Prints and Drawings
100
Creator
Ward, James, 1769–1859
40
Hills, Robert, 1769–1844
32
Edridge, Henry, 1769–1821
9
Barker, Thomas, 1769–1847
7
Daniell, William, 1769–1837
4
Pyne, William Henry, 1769–1843
4
Owen, William, 1769–1825
2
Gainsborough, Thomas, 1727–1788
1
Gore, Charles, 1729–1807
1
Joy, John Cantiloe, 1806–1859
1
Joy, William, 1803–1867
1
La, Cave Peter, active 1769–1810
1
Owen, Samuel, 1768–1857
1
Unknown artist
1
Date
1772
236
1771
141
1784
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100
1799
94
1775
93
1793
66
1796
58
1795
54
1774
53
1748
51
1755
45
1790
44
1786
41
1789
40
1770
38
1782
37
1787
35
1768
34
1791
33
1745
27
1788
27
1778
25
1751
24
1764
24
1797
21
1759
20
1781
20
1794
20
1700
19
1765
19
1767
18
1777
18
1740
17
1756
17
1763
17
1780
17
1792
17
1739
16
1746
16
1766
16
1757
15
1744
14
1779
14
1798
14
1762
13
1783
13
1773
11
1785
11
1800
11
1758
9
1776
9
1750
8
1749
7
1769
7
1760
6
1801
6
1747
5
1753
5
1808
5
1814
5
1754
4
1761
4
1807
4
1898
4
1701
3
1741
3
1804
3
1811
3
1819
3
1827
3
1830
3
1706
2
1737
2
1743
2
1752
2
1805
2
1806
2
1809
2
1813
2
1815
2
1823
2
1834
2
1836
2
1863
2
0
1
1674
1
1699
1
1736
1
1802
1
1803
1
1810
1
1812
1
1816
1
1820
1
1821
1
1824
1
1825
1
1832
1
1840
1
1857
1
On-site Access
Accessible by appointment in the Study Room
100
Image Use
Free to Use
100
Image Available
Available
100
Classification
Drawings & Watercolors
100
Creator Gender
male
100
unknown
1
Collective Title
King Lear
1
Period
18th century-19th century
[remove]
100
Materials & Techniques
graphite
92
watercolor
80
wove paper
74
laid paper
27
brown ink
21
gray wash
14
brown wash
12
pen
10
gouache
7
black ink
5
scratching out
4
black chalk
2
scraping
2
brown chalk
1
gray ink
1
ink blue
1
oil paint
1
red crayon
1
red ink
1
scraping out
1
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Materials & Techniques
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Height [cm]
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Height [cm] range end
Current results range from
4
to
64
Width [cm]
Width [cm] range begin
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Width [cm] range end
Current results range from
6
to
76
Work Type
watercolor
[remove]
100
drawing
90
Genre
landscape
42
genre subject
22
architectural subject
19
animal art
16
figure study
8
marine art
6
still life
5
cityscape
3
portrait
3
literary theme
2
sporting art
1
Subject Terms
landscape
41
trees
26
architectural subject
20
genre subject
19
animal art
16
fence
9
figure study
8
clouds
7
house
7
men
7
cows
6
figures
6
horses (animals)
6
river
6
science
6
studies (visual works)
6
cottage
5
farm
5
marine art
5
sky
5
more
Subject Terms
»
Associated Places
United Kingdom
17
England
11
Europe
10
Wales
6
Cymru
4
Surrey
3
Berkshire
2
Kent
2
Aberdulais
1
Albury
1
Althorp
1
Ashtead
1
Asia
1
Barvas
1
Belvoir
1
Belvoir Castle
1
Bilzen
1
Cardiganshire
1
Dorking
1
Englefield
1
more
Associated Places
»
Associated People
Cordelia (character in King Lear)
1
King Lear (character in King Lear)
1
Shakespeare, William (1564–1616), playwright and poet
1
Exhibition History
James Ward (Yale Center for British Art, 2004-05-21 - 2004-08-22)
3
Art in Focus: John Goto's High Summer (Yale Center for British Art, 2018-04-06 - 2018-08-19)
2
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
2
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
2
Art in Focus : Wales (Yale Center for British Art, 2014-04-04 - 2014-08-10)
1
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (The State Hermitage Museum, 2007-10-23 - 2008-01-13)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Virginia Museum of Fine Arts, 2007-07-11 - 2007-09-30)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Yale Center for British Art, 2008-06-09 - 2008-08-17)
1
Sensation and Sensibility: Viewing Gainsborough's " Cottage Door " (The Huntington Library, Art Collections, and Botanical Gardens, 2006-02-11 - 2006-05-14)
1
Sensation and Sensibility: Viewing Gainsborough's " Cottage Door " (Yale Center for British Art, 2005-10-06 - 2005-12-31)
1
Shakespeare and British Art (Yale Center for British Art, 1981-04-23 - 1981-07-05)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
99
Yale Center for British Art, Paul Mellon Fund
1
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Date
1784
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1
Thomas Barker, 1769–1847
Man Leading a Horse
undated
2
Charles Gore, 1729–1807
Garden of Vieux Joncs near Maestricht
between 1784 and 1794
3
James Ward, 1769–1859
A Brown long-eared bat (Plecotus auritus)
undated
4
William Henry Pyne, 1769–1843
Poulterer's Shop
undated
5
Thomas Barker, 1769–1847
Woodland Landscape
undated
6
James Ward, 1769–1859
Dolbadarn Castle
undated
7
James Ward, 1769–1859
An Approaching Storm
undated
8
James Ward, 1769–1859
Boy Carrying a Pail on His Head
undated
9
James Ward, 1769–1859
Cottage and Farm Buildings
undated
10
James Ward, 1769–1859
Scottish Peasant Women
undated
11
William Henry Pyne, 1769–1843
Old London, View from St. James Park Looking East
undated
12
James Ward, 1769–1859
Sky Study
undated
13
William Henry Pyne, 1769–1843
An Illustration to Rob Roy: Interior with a Party Drinking
undated
14
James Ward, 1769–1859
A Little Boy with Red Shoes (Child with Red Shoes and a Top Hat)
undated
15
Robert Hills, 1769–1844
Two Studies: a Foal, and a Mare and Foal
undated
16
James Ward, 1769–1859
Studies of Boats on a Riverside
undated
17
James Ward, 1769–1859
A Boy and Girl Conversing
undated
18
William Daniell, 1769–1837
The Great Bull and Pagoda at Tanjore
undated
19
William Daniell, 1769–1837
Belvoir Castle, Rutland
undated
20
William Daniell, 1769–1837
Althorp House, Northamptonshire
undated
21
James Ward, 1769–1859
Study of a Hill Top and Sky
undated
22
James Ward, 1769–1859
A Thatched Cottage and Trees at the Turn of a Country Road
undated
23
James Ward, 1769–1859
Sea Breaking on Stony Cliffs at Left
undated
24
James Ward, 1769–1859
View Overlooking Fields to Distant Mountains, with a Cottage at Right
undated
25
William Daniell, 1769–1837
Druidical Stone at Strather, near Barvas, Isle of Lewis
undated
26
Robert Hills, 1769–1844
Budds Green, Kent
undated
27
Robert Hills, 1769–1844
A Woodcutter and Other Studies
undated
28
Robert Hills, 1769–1844
Carting Hops and Other Studies
undated
29
James Ward, 1769–1859
Waterfall, North Wales
undated
30
James Ward, 1769–1859
Studies of Figures
undated
31
James Ward, 1769–1859
Studies of Geese
undated
32
James Ward, 1769–1859
The Artist's Son, Henry, Asleep
undated
33
James Ward, 1769–1859
An Oat Cake
undated
34
James Ward, 1769–1859
Study of a Coat and Breeches
undated
35
James Ward, 1769–1859
A Foliated Branch
undated
36
James Ward, 1769–1859
Henry James William Ward, Son of the Artist
undated
37
James Ward, 1769–1859
Mountainous Landscape
undated
38
James Ward, 1769–1859
House among Trees
undated
39
James Ward, 1769–1859
Harlech
undated
40
Thomas Barker, 1769–1847
Landscape with a Man Driving Sheep
undated
41
Thomas Barker, 1769–1847
Landscape with Shepherd and Sheep
undated
42
James Ward, 1769–1859
Sky Study
undated
43
James Ward, 1769–1859
Ruins of Richbro' Castle, Isle of Thanet
undated
44
James Ward, 1769–1859
An Outhouse Wall
undated
45
Follower of Henry Edridge, 1769–1821
View of Harrow Church
undated
46
unknown artist
The Death of Cordelia
undated
47
Robert Hills, 1769–1844
Farm Laborers and Other Studies
undated
48
James Ward, 1769–1859
Study of a Tree
undated
49
Robert Hills, 1769–1844
Reminiscence of Gainsborough
undated
50
Robert Hills, 1769–1844
Between Netley Heath and Albury
undated
51
James Ward, 1769–1859
Studies of Horses
undated
52
Robert Hills, 1769–1844
Studies of a Turkey
undated
53
Robert Hills, 1769–1844
Studies of Farmhouses by a Gate, Ploughing and Harrows
undated
54
James Ward, 1769–1859
A Rocky Hillside with Trees and Figures
undated
55
James Ward, 1769–1859
A Human Skeleton
undated
56
Follower of William Owen, 1769–1825
Shipping in a Choppy Sea
undated
57
Follower of William Owen, 1769–1825
Shipping in a Choppy Sea
undated
58
Peter La Cave, active 1769–1810
Haymakers
undated
59
James Ward, 1769–1859
Aberdulais Mill, Glamorganshire
undated
60
James Ward, 1769–1859
Landscape with Cottages and Figures
undated
61
attributed to Thomas Barker, 1769–1847
Man in a Blue Cloak
undated
62
James Ward, 1769–1859
Farmyard and Horses
undated
63
Robert Hills, 1769–1844
A Wagon With Hops and Two Sketches of Horses
undated
64
Possibly William Henry Pyne, 1769–1843
The Horse Guards Parade
undated
65
attributed to James Ward, 1769–1859
A Cottage Wall and Window
undated
66
James Ward, 1769–1859
A Canopied Boat and Two Rowing Boats at a Jetty; Inset Left, a Pencil Study of the Tintern Livestock Ferry-boat
undated
67
attributed to James Ward, 1769–1859
Seashore and Cliffs, with a Horse and Cart and a Beached Boat on Shore
undated
68
Robert Hills, 1769–1844
Sketch of a Horse
undated
69
James Ward, 1769–1859
Study of a Plunging Eagle
undated
70
Henry Edridge, 1769–1821
Farm Buildings among Trees
undated
71
Henry Edridge, 1769–1821
Boxhill from Westhumble Lane
undated
72
Henry Edridge, 1769–1821
A Winding River
undated
73
Henry Edridge, 1769–1821
Portrait of an Indian Prince
undated
74
Henry Edridge, 1769–1821
Portrait of a Young Lady in a Turban
undated
75
after Henry Edridge, 1769–1821
Singer's Farm, Bushey, Hertfordshire
undated
76
Henry Edridge, 1769–1821
On the Monnow, Monmouth
undated
77
Henry Edridge, 1769–1821
Part of a House and Garden
undated
78
James Ward, 1769–1859
Looking Upwards from Devil's Bridge, Cardiganshire, Wales
undated
79
Robert Hills, 1769–1844
Beech Trees
undated
80
Robert Hills, 1769–1844
Three Donkeys
undated
81
Robert Hills, 1769–1844
Trees and Barns in Ashstead Park, Surrey
undated
82
Robert Hills, 1769–1844
A Farm at Harrow
undated
83
Robert Hills, 1769–1844
A Farm at Eton
undated
84
Robert Hills, 1769–1844
An Oak in Englefield Park
undated
85
Robert Hills, 1769–1844
Children With a Dog in Farmyard
undated
86
Robert Hills, 1769–1844
The Wave
undated
87
Robert Hills, 1769–1844
Figure Studies: A Farm Worker, Mr. Samuel, the Drawing Master Reclining and Dozing, and a Slight Sketch of a Man in a Hat
undated
88
Robert Hills, 1769–1844
Looking Across the Maas from Rotterdam
undated
89
Robert Hills, 1769–1844
Stags and Deer at Rest
undated
90
Attributed to Thomas Barker, 1769–1847
The Cottage Door
undated
91
Robert Hills, 1769–1844
Forest Pool
undated
92
Robert Hills, 1769–1844
The Wood
undated
93
Robert Hills, 1769–1844
Drove of Sheep and Cows
undated
94
Robert Hills, 1769–1844
Farmyard with Horses Waiting
undated
95
Robert Hills, 1769–1844
A Donkey and Foal
undated
96
Robert Hills, 1769–1844
Sketches of Cottages: Two Studies on one Sheet
undated
97
Robert Hills, 1769–1844
A Woodland Glade
undated
98
Robert Hills, 1769–1844
A Country Lane with Haystack and Gate
undated
99
Robert Hills, 1769–1844
Long-Horned Cattle
undated
100
Robert Hills, 1769–1844
A Cow Byre
undated