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Date 1783

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William Blake Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Frontispiece (Plate 1)
ca. 1788
William Blake II. "Reason or the ratio of all we have already known..." (Plate 11)
Print made by William Blake, 1757–1827
II. "Reason or the ratio of all we have already known..." (Plate 11)
ca. 1788
William Blake III. "From a perception of only 3 senses..." (Plate 5)
Print made by William Blake, 1757–1827
III. "From a perception of only 3 senses..." (Plate 5)
ca. 1788
William Blake IV. "None could have other than natural or organic thoughts..." (Plate 6)
Print made by William Blake, 1757–1827
IV. "None could have other than natural or organic thoughts..." (Plate 6)
ca. 1788
William Blake VI. "The desires & perceptions of man untaught..." (Plate 8)
Print made by William Blake, 1757–1827
VI. "The desires & perceptions of man untaught..." (Plate 8)
ca. 1788
William Blake "Therefore God becomes as we are..." (Plate 9)
Print made by William Blake, 1757–1827
"Therefore God becomes as we are..." (Plate 9)
ca. 1788
William Blake V. "Mans desires are limited by his perceptions..." (Plate 7)
Print made by William Blake, 1757–1827
V. "Mans desires are limited by his perceptions..." (Plate 7)
ca. 1788
William Blake I. "Mans perceptions are not bounded by organs of perception..." (Plate 10)
Print made by William Blake, 1757–1827
I. "Mans perceptions are not bounded by organs of perception..." (Plate 10)
ca. 1788
William Blake The Argument. "Man has no notion of moral fitness..." (Plate 2"
Print made by William Blake, 1757–1827
The Argument. "Man has no notion of moral fitness..." (Plate 2"
ca. 1788
William Blake I. "Man cannot naturally Percieve..."(Plate 3)
Print made by William Blake, 1757–1827
I. "Man cannot naturally Percieve..."(Plate 3)
ca. 1788
William Blake II. "Man by his reasoning power can only compare..." (Plate 4)
Print made by William Blake, 1757–1827
II. "Man by his reasoning power can only compare..." (Plate 4)
ca. 1788
William Blake There is No Natural Religion
Print made by William Blake, 1757–1827
There is No Natural Religion
ca. 1788
Thomas Milton Lucan-House
Thomas Milton, 1742/1743–1827
Lucan-House
1783
Francesco Bartolozzi Cherub Whispering To Woman Holding Letter
Francesco Bartolozzi, 1728–1815
Cherub Whispering To Woman Holding Letter
1783
James Sayer Carlo Khan's Triumphal entry into Leadenhall Street
James Sayer, 1748–1823
Carlo Khan's Triumphal entry into Leadenhall Street
1783
Francesco Bartolozzi Diana, The Huntress
Francesco Bartolozzi, 1728–1815
Diana, The Huntress
1783
Francesco Bartolozzi Polyhemus, Playing The Panpipes For Galatea
Francesco Bartolozzi, 1728–1815
Polyhemus, Playing The Panpipes For Galatea
1783
Francesco Bartolozzi George, 4th Duke Of Marlborough, Caroline HIs Duchess And Child
Francesco Bartolozzi, 1728–1815
George, 4th Duke Of Marlborough, Caroline HIs Duchess And Child
1783
Francesco Bartolozzi Mrs. Abington As Thalia
Francesco Bartolozzi, 1728–1815
Mrs. Abington As Thalia
1783
Francesco Bartolozzi Coriolanus, Act 5, Scene III
Francesco Bartolozzi, 1728–1815
Coriolanus, Act 5, Scene III
1783
Carington Bowles Twelve Illustrations of Robinson Crusoe
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
William Sharp The Tempest, Act I Sc. 3
Print made by William Sharp, 1749–1824
The Tempest, Act I Sc. 3
1783
William Walker Grandison, Plate XXVIII
Print made by William Walker, 1729–1793
Grandison, Plate XXVIII
1783
Francesco Bartolozzi The Death of Captain Cook
Figures engraved by Francesco Bartolozzi, 1728–1815
The Death of Captain Cook
1783
unknown artist The Feathered Fair, Feeding the Feathered Fowl
Print made by unknown artist
The Feathered Fair, Feeding the Feathered Fowl
1783
John Raphael Smith Sir Harbord Harbord Bart.
John Raphael Smith, 1752–1812
Sir Harbord Harbord Bart
1783
unknown artist Front, Side View, and Back Front, of a Modern fine Gentleman
unknown artist
Front, Side View, and Back Front, of a Modern fine Gentleman
1783
William Walker Grandison, Plate XI
Print made by William Walker, 1729–1793
Grandison, Plate XI
1783
William Dickinson Lord Robert Manners, Captain R.N.
Print made by William Dickinson, 1746–1823
Lord Robert Manners, Captain R.N
1783
John Raphael Smith George, Prince of Wales
Print made by John Raphael Smith, 1752–1812
George, Prince of Wales
1783
John Jones John Henderson
Print made by John Jones, ca. 1745–1797
John Henderson
1783
John Raphael Smith Mrs. Smith
Print made by John Raphael Smith, 1752–1812
Mrs. Smith
1783
Edward Fisher John, Lord Cardiff
Edward Fisher, 1722–1785
John, Lord Cardiff
1783
John Raphael Smith Honorable Mrs. Stanhope
John Raphael Smith, 1752–1812
Honorable Mrs. Stanhope
1783
Valentine Green Lady Amelia Hume
Valentine Green, 1739–1813
Lady Amelia Hume
1783
John Raphael Smith Sir Harbord Harbord
Print made by John Raphael Smith, 1752–1812
Sir Harbord Harbord
1783
unknown artist A View of Paddington Green
unknown artist
A View of Paddington Green
1783
Robert Blyth Soldiers with Pack-Horse (Laid down on same sheet as B1977.14.12070)
Robert Blyth, 1750–1784
Soldiers with Pack-Horse (Laid down on same sheet as B1977.14.12070)
1783
James Walker The Spell, or Hobnelia
Print made by James Walker, 1748–1808
The Spell, or Hobnelia
1783
Henry Kingsbury Samuel, Lord Hood
Print made by Henry Kingsbury, active 1750–1780
Samuel, Lord Hood
1783
Thomas Burke The Battle of Agincourt
Thomas Burke, 1749–1815
The Battle of Agincourt
1783
Thomas Burke The Battle of Agincourt
Thomas Burke, 1749–1815
The Battle of Agincourt
1783
Robert Blyth The Elevation of the Brazen Serpent in the Wilderness
Robert Blyth, 1750–1784
The Elevation of the Brazen Serpent in the Wilderness
1783
Robert Blyth The Elevation of the Brazen Serpent in the Wilderness
Robert Blyth, 1750–1784
The Elevation of the Brazen Serpent in the Wilderness
1783
Francesco Bartolozzi Prudence
Francesco Bartolozzi, 1728–1815
Prudence
1783
Francesco Bartolozzi Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão
Print made by Francesco Bartolozzi, 1728–1815
Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão
undated
Thomas Burke Cephalus and Procris
Print made by Thomas Burke, 1749–1815
Cephalus and Procris
1783
Francesco Bartolozzi The Power of Beauty
Francesco Bartolozzi, 1728–1815
The Power of Beauty
1783
Francesco Bartolozzi Georgiana, Countess Spencer
Print made by Francesco Bartolozzi, 1728–1815
Georgiana, Countess Spencer
1783
Francesco Bartolozzi Sappho Embracing Love
Francesco Bartolozzi, 1728–1815
Sappho Embracing Love
1783
unknown artist View of the New Public Offices at Somerset House, fronting the Thames
unknown artist
View of the New Public Offices at Somerset House, fronting the Thames
1783
Francesco Bartolozzi Diego Ignacio de Pina Manique
Print made by Francesco Bartolozzi, 1728–1815
Diego Ignacio de Pina Manique
undated
Francesco Bartolozzi Cornelia, Mother of the Gracchi
Print made by Francesco Bartolozzi, 1728–1815
Cornelia, Mother of the Gracchi
1783
unknown artist S. E. View of Copenhagen House
unknown artist
S. E. View of Copenhagen House
1783
Francesco Bartolozzi The Triumph of Beauty and Love
Francesco Bartolozzi, 1728–1815
The Triumph of Beauty and Love
1783
Francesco Bartolozzi A Sacrifice To Cupid
Francesco Bartolozzi, 1728–1815
A Sacrifice To Cupid
1783
Francesco Bartolozzi Beauty
Francesco Bartolozzi, 1728–1815
Beauty
1783
Francesco Bartolozzi Meekness
Francesco Bartolozzi, 1728–1815
Meekness
1783
Francesco Bartolozzi Prosperity
Francesco Bartolozzi, 1728–1815
Prosperity
1783
Francesco Bartolozzi Prudence, Holding A Land Mirror, And An Arrow With A Serpant
Francesco Bartolozzi, 1728–1815
Prudence, Holding A Land Mirror, And An Arrow With A Serpant
1783
Francesco Bartolozzi Cecilia
Francesco Bartolozzi, 1728–1815
Cecilia
1783
Thomas Burke The Battle of Agincourt
Thomas Burke, 1749–1815
The Battle of Agincourt
1783
unknown artist The Encampment in the Museum Garden
unknown artist
The Encampment in the Museum Garden
1783
unknown artist The Encampment in St. James's Park MDCCLXXX
unknown artist
The Encampment in St. James's Park MDCCLXXX
1783
unknown artist St. James's Park
unknown artist
St. James's Park
1783
James Parker Fainasollis, Borbar and Fingal
James Parker, 1750–1805
Fainasollis, Borbar and Fingal
1783
James Parker The Fall of Agandecca
Print made by James Parker, 1750–1805
The Fall of Agandecca
1783
James Barry A Grecian Harvest Home (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
James Barry, 1741–1806
A Grecian Harvest Home (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
after 1783
James Barry His Majesty Recommending a Law (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
James Barry, 1741–1806
His Majesty Recommending a Law (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
after 1783
John Raphael Smith Mademoiselle Baccelli
Print made by John Raphael Smith, 1752–1812
Mademoiselle Baccelli
1783
Valentine Green Louisa Finch (née Thynne), Countess of Aylesford
Valentine Green, 1739–1813
Louisa Finch (née Thynne), Countess of Aylesford
1783
James Barry The Diagorides Victors at Olympia (Design for the Walls of the Great Room of the Society for the Encouragement of the Arts)
James Barry, 1741–1806
The Diagorides Victors at Olympia (Design for the Walls of the Great Room of the Society for the Encouragement of the Arts)
after 1783
James Barry The Thames or the Triumph of Navigation (Designs for the Great Room of the Society for the Encouragement of the Arts)
James Barry, 1741–1806
The Thames or the Triumph of Navigation (Designs for the Great Room of the Society for the Encouragement of the Arts)
after 1783
James Barry The Queen or Domestic Education at Windsor (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
James Barry, 1741–1806
The Queen or Domestic Education at Windsor (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
after 1783
James Barry The Society for the Encouragement of the Arts (2 copies)
James Barry, 1741–1806
The Society for the Encouragement of the Arts (2 copies)
after 1783
James Barry Orpheus instructing..in Theology (Designs for the Walls of the Great Room of Society for the Encouragement of the Arts)
James Barry, 1741–1806
Orpheus instructing..in Theology (Designs for the Walls of the Great Room of Society for the Encouragement of the Arts)
After 1783
Johann Rudolph Schellenberg Artist Drawing a Woman's Silhouette
Print made by Johann Rudolph Schellenberg, 1740–1806
Artist Drawing a Woman's Silhouette
1783
John Raphael Smith Sir William James
John Raphael Smith, 1752–1812
Sir William James
1783
John Raphael Smith Hon. Mrs. Stanhope
Print made by John Raphael Smith, 1752–1812
Hon. Mrs. Stanhope
1783
John Raphael Smith The Calling of Samuel
Print made by John Raphael Smith, 1752–1812
The Calling of Samuel
1783
Francis Haward The Infant Academy
Print made by Francis Haward, 1759–1797
The Infant Academy
1783
John Jones Sir Abraham Hume, Bart. F.R.S.
Print made by John Jones, ca. 1745–1797
Sir Abraham Hume, Bart. F.R.S
1783
unknown artist The Inflexible Porter, a Tragedy
unknown artist
The Inflexible Porter, a Tragedy
1783
James Gillray Squire Thomas Just Arriv'd, Touch Me Not! I'm Still a Maid.
James Gillray, 1756–1815
Squire Thomas Just Arriv'd, Touch Me Not! I'm Still a Maid
1783
James Bretherton A pair: 1. Symptoms of Rearing, 2. Moses
James Bretherton, ca. 1730–1806
A pair: 1. Symptoms of Rearing, 2. Moses
1783
James Gillray A Block for the Whigs - or, The new State Whirligig (Poor John Bulls House Plundered at Noon Day)
James Gillray, 1756–1815
A Block for the Whigs - or, The new State Whirligig (Poor John Bulls House Plundered at Noon Day)
1783
James Gillray A Block for the Whigs - or, The new State Whirligig (Poor John Bull's House Plundered at Noon Day)
James Gillray, 1756–1815
A Block for the Whigs - or, The new State Whirligig (Poor John Bull's House Plundered at Noon Day)
1783
James Gillray The Nabob Rumbled or a Lord Advocates Amusement
James Gillray, 1756–1815
The Nabob Rumbled or a Lord Advocates Amusement
1783
James Gillray Junction of Parties
James Gillray, 1756–1815
Junction of Parties
1783
James Gillray A Block for the Whigs - or, The new State Whirligig (Poor John Bulls House Plundered at Noon Day)
James Gillray, 1756–1815
A Block for the Whigs - or, The new State Whirligig (Poor John Bulls House Plundered at Noon Day)
1783
unknown artist A Perspective View of the Cities of London & Westminster
unknown artist
A Perspective View of the Cities of London & Westminster
1783
Carington Bowles Twelve Illustrations of Robinson Crusoe
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
Carington Bowles Twelve Illustrations of Robinson Crusoe
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
Carington Bowles Twelve Illustrations of Robinson Crusoe
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
Carington Bowles Twelve Illustrations of Robinson Crusoe
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
Carington Bowles Twelve Illustrations of Robinson Crusoe
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
Carington Bowles Twelve Illustrations of Robinson Crusoe
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
Carington Bowles Twelve Illustrations of Robinson Crusoe
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
Carington Bowles Twelve Illustrations of Robinson Crusoe
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
Carington Bowles Twelve Illustrations of Robinson Crusoe
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783