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Date 1783

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William Blake II. "Reason or the ratio of all we have already known..." (Plate 11)
Print made by William Blake, 1757–1827
II. "Reason or the ratio of all we have already known..." (Plate 11)
ca. 1788
William Blake The Argument. "Man has no notion of moral fitness..." (Plate 2"
Print made by William Blake, 1757–1827
The Argument. "Man has no notion of moral fitness..." (Plate 2"
ca. 1788
William Blake I. "Man cannot naturally Percieve..."(Plate 3)
Print made by William Blake, 1757–1827
I. "Man cannot naturally Percieve..."(Plate 3)
ca. 1788
William Blake II. "Man by his reasoning power can only compare..." (Plate 4)
Print made by William Blake, 1757–1827
II. "Man by his reasoning power can only compare..." (Plate 4)
ca. 1788
William Blake IV. "None could have other than natural or organic thoughts..." (Plate 6)
Print made by William Blake, 1757–1827
IV. "None could have other than natural or organic thoughts..." (Plate 6)
ca. 1788
William Blake V. "Mans desires are limited by his perceptions..." (Plate 7)
Print made by William Blake, 1757–1827
V. "Mans desires are limited by his perceptions..." (Plate 7)
ca. 1788
William Blake "Therefore God becomes as we are..." (Plate 9)
Print made by William Blake, 1757–1827
"Therefore God becomes as we are..." (Plate 9)
ca. 1788
William Blake III. "From a perception of only 3 senses..." (Plate 5)
Print made by William Blake, 1757–1827
III. "From a perception of only 3 senses..." (Plate 5)
ca. 1788
William Blake VI. "The desires & perceptions of man untaught..." (Plate 8)
Print made by William Blake, 1757–1827
VI. "The desires & perceptions of man untaught..." (Plate 8)
ca. 1788
William Blake I. "Mans perceptions are not bounded by organs of perception..." (Plate 10)
Print made by William Blake, 1757–1827
I. "Mans perceptions are not bounded by organs of perception..." (Plate 10)
ca. 1788
William Blake Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Frontispiece (Plate 1)
ca. 1788
William Blake There is No Natural Religion
Print made by William Blake, 1757–1827
There is No Natural Religion
ca. 1788
John Raphael Smith Mrs. Smith
Print made by John Raphael Smith, 1752–1812
Mrs. Smith
1783
John Raphael Smith George, Prince of Wales
Print made by John Raphael Smith, 1752–1812
George, Prince of Wales
1783
John Jones John Henderson
Print made by John Jones, ca. 1745–1797
John Henderson
1783
John Raphael Smith Sir Harbord Harbord
Print made by John Raphael Smith, 1752–1812
Sir Harbord Harbord
1783
Johann Rudolph Schellenberg Artist Drawing a Woman's Silhouette
Print made by Johann Rudolph Schellenberg, 1740–1806
Artist Drawing a Woman's Silhouette
1783
John Raphael Smith Sir Harbord Harbord Bart.
John Raphael Smith, 1752–1812
Sir Harbord Harbord Bart
1783
unknown artist The Inflexible Porter, a Tragedy
unknown artist
The Inflexible Porter, a Tragedy
1783
Robert Blyth Soldiers with Pack-Horse (Laid down on same sheet as B1977.14.12070)
Robert Blyth, 1750–1784
Soldiers with Pack-Horse (Laid down on same sheet as B1977.14.12070)
1783
Henry Kingsbury Samuel, Lord Hood
Print made by Henry Kingsbury, active 1750–1780
Samuel, Lord Hood
1783
James Walker The Spell, or Hobnelia
Print made by James Walker, 1748–1808
The Spell, or Hobnelia
1783
unknown artist The Encampment in the Museum Garden
unknown artist
The Encampment in the Museum Garden
1783
Benjamin Thomas Pouncey Building of a Cutter
Benjamin Thomas Pouncey, active 1772–1799
Building of a Cutter
1783
Benjamin Thomas Pouncey Chase of a Cutter
Benjamin Thomas Pouncey, active 1772–1799
Chase of a Cutter
1783
John Robert Cozens Ariccia
Print made by John Robert Cozens, 1752–1797
Ariccia
between 1783 and 1789
unknown artist The Eclipse at an End - and Political Tilting Discovered
Print made by unknown artist
The Eclipse at an End - and Political Tilting Discovered
ca. 1788
Edward Topham The Union, - Whom --- Has Join'd, Let No Man put Asunder!
Edward Topham, 1751–1820
The Union, - Whom --- Has Join'd, Let No Man put Asunder!
1783
Carington Bowles Twelve Illustrations of Robinson Crusoe
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
Carington Bowles Twelve Illustrations of Robinson Crusoe
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
Carington Bowles Twelve Illustrations of Robinson Crusoe
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
Carington Bowles Twelve Illustrations of Robinson Crusoe
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
unknown artist All Alive, or the Political Churchyard
unknown artist
All Alive, or the Political Churchyard
1783
unknown artist The True State of the Junction; or Men of Abilities Call'd For
unknown artist
The True State of the Junction; or Men of Abilities Call'd For
1783
Thomas Colley Tax on Receipts
Thomas Colley, active 1780s
Tax on Receipts
1783
unknown artist Coalition - The Fox & Badger Both in a Hole
unknown artist
Coalition - The Fox & Badger Both in a Hole
1783
James Gillray A Warm Birth for the Old Administration -----
James Gillray, 1756–1815
A Warm Birth for the Old Administration -----
1783
James Gillray A New Administration, or - The State Quacks Administring
James Gillray, 1756–1815
A New Administration, or - The State Quacks Administring
1783
Carington Bowles Twelve Illustrations of Robinson Crusoe
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
Carington Bowles Twelve Illustrations of Robinson Crusoe
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
Carington Bowles Twelve Illustrations of Robinson Crusoe
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
Carington Bowles Twelve Illustrations of Robinson Crusoe
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
Carington Bowles Twelve Illustrations of Robinson Crusoe
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
Carington Bowles Twelve Illustrations of Robinson Crusoe
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
Carington Bowles Twelve Illustrations of Robinson Crusoe
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
James Bretherton A pair: 1. Symptoms of Rearing, 2. Moses
James Bretherton, ca. 1730–1806
A pair: 1. Symptoms of Rearing, 2. Moses
1783
Francesco Bartolozzi The Power of Beauty
Francesco Bartolozzi, 1728–1815
The Power of Beauty
1783
Francesco Bartolozzi The Power of Love
Francesco Bartolozzi, 1728–1815
The Power of Love
1783
Francesco Bartolozzi Love Caressed
Francesco Bartolozzi, 1728–1815
Love Caressed
1783
William Watts Sion House in Middlesex
William Watts, 1752–1851
Sion House in Middlesex
1783
James Gillray A Sun Setting in a Fog, With The Old Hanover Hack Descending
James Gillray, 1756–1815
A Sun Setting in a Fog, With The Old Hanover Hack Descending
1783
James Gillray Balaam, - or - The Majesty of the People,- The Lord Open'd the Mouth of the Ass, . . . etc.
James Gillray, 1756–1815
Balaam, - or - The Majesty of the People,- The Lord Open'd the Mouth of the Ass, . . . etc
1783
James Gillray Bonus - Melior - Optimus, or the Devil's The Best of the Bunch
James Gillray, 1756–1815
Bonus - Melior - Optimus, or the Devil's The Best of the Bunch
1783
James Gillray The Cole - Heavers. Two Virtuous Elves, Taking care of Themselves
James Gillray, 1756–1815
The Cole - Heavers. Two Virtuous Elves, Taking care of Themselves
1783
James Gillray Jack A Both Sides!
James Gillray, 1756–1815
Jack A Both Sides!
1783
James Gillray A Block for the Wigs - or, The New State Whirligig
James Gillray, 1756–1815
A Block for the Wigs - or, The New State Whirligig
1783
James Gillray A Coalition of Parties, Give Justice Her Claims
Print made by James Gillray, 1756–1815
A Coalition of Parties, Give Justice Her Claims
1783
unknown artist The Siphons or Tale of a Tub
Print made by unknown artist
The Siphons or Tale of a Tub
1783
James Gillray Two New Sliders for the State Magic Lanthern
James Gillray, 1756–1815
Two New Sliders for the State Magic Lanthern
1783
unknown artist A Perspective View of the Cities of London & Westminster
unknown artist
A Perspective View of the Cities of London & Westminster
1783
James Gillray Squire Thomas Just Arriv'd, Touch Me Not! I'm Still a Maid.
James Gillray, 1756–1815
Squire Thomas Just Arriv'd, Touch Me Not! I'm Still a Maid
1783
unknown artist The Ladies Church Yard
unknown artist
The Ladies Church Yard
1783
unknown artist Charley Boy Crying for the Loss of his Political Father
unknown artist
Charley Boy Crying for the Loss of his Political Father
ca. 1788
Louis Charles Ruotte The West India Flower Girl
Print made by Louis Charles Ruotte, 1754–ca. 1806
The West India Flower Girl
undated
James Sayer A Transfer of East India Stock
James Sayer, 1748–1823
A Transfer of East India Stock
1783
James Sayer The Patriot Exalted
James Sayer, 1748–1823
The Patriot Exalted
ca. 1788
James Sayer Such was the Love of Office of the Noble Lord, That finding he would not be Permitted to Mount the Box, He had been Content to get up Behind
James Sayer, 1748–1823
Such was the Love of Office of the Noble Lord, That finding he would not be Permitted to Mount the Box, He had been Content to get up Behind
1783
Francesco Bartolozzi Cornelia, Mother of the Gracchi
Print made by Francesco Bartolozzi, 1728–1815
Cornelia, Mother of the Gracchi
1783
Francesco Bartolozzi Sappho Embracing Love
Francesco Bartolozzi, 1728–1815
Sappho Embracing Love
1783
James Parker The Fall of Agandecca
Print made by James Parker, 1750–1805
The Fall of Agandecca
1783
Valentine Green Louisa Finch (née Thynne), Countess of Aylesford
Valentine Green, 1739–1813
Louisa Finch (née Thynne), Countess of Aylesford
1783
John Raphael Smith Mademoiselle Baccelli
Print made by John Raphael Smith, 1752–1812
Mademoiselle Baccelli
1783
James Barry Orpheus instructing..in Theology (Designs for the Walls of the Great Room of Society for the Encouragement of the Arts)
James Barry, 1741–1806
Orpheus instructing..in Theology (Designs for the Walls of the Great Room of Society for the Encouragement of the Arts)
After 1783
James Barry The Society for the Encouragement of the Arts (2 copies)
James Barry, 1741–1806
The Society for the Encouragement of the Arts (2 copies)
after 1783
James Barry The Queen or Domestic Education at Windsor (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
James Barry, 1741–1806
The Queen or Domestic Education at Windsor (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
after 1783
unknown artist Front, Side View, and Back Front, of a Modern fine Gentleman
unknown artist
Front, Side View, and Back Front, of a Modern fine Gentleman
1783
Francesco Bartolozzi The Death of Captain Cook
Figures engraved by Francesco Bartolozzi, 1728–1815
The Death of Captain Cook
1783
William Dickinson Lord Robert Manners, Captain R.N.
Print made by William Dickinson, 1746–1823
Lord Robert Manners, Captain R.N
1783
John Raphael Smith Hon. Mrs. Stanhope
Print made by John Raphael Smith, 1752–1812
Hon. Mrs. Stanhope
1783
Francis Haward The Infant Academy
Print made by Francis Haward, 1759–1797
The Infant Academy
1783
John Jones Sir Abraham Hume, Bart. F.R.S.
Print made by John Jones, ca. 1745–1797
Sir Abraham Hume, Bart. F.R.S
1783
James Barry The Diagorides Victors at Olympia (Design for the Walls of the Great Room of the Society for the Encouragement of the Arts)
James Barry, 1741–1806
The Diagorides Victors at Olympia (Design for the Walls of the Great Room of the Society for the Encouragement of the Arts)
after 1783
James Parker Fainasollis, Borbar and Fingal
James Parker, 1750–1805
Fainasollis, Borbar and Fingal
1783
James Barry His Majesty Recommending a Law (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
James Barry, 1741–1806
His Majesty Recommending a Law (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
after 1783
James Barry A Grecian Harvest Home (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
James Barry, 1741–1806
A Grecian Harvest Home (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
after 1783
James Barry The Thames or the Triumph of Navigation (Designs for the Great Room of the Society for the Encouragement of the Arts)
James Barry, 1741–1806
The Thames or the Triumph of Navigation (Designs for the Great Room of the Society for the Encouragement of the Arts)
after 1783
John Raphael Smith Sir William James
John Raphael Smith, 1752–1812
Sir William James
1783
Valentine Green Lady Amelia Hume
Valentine Green, 1739–1813
Lady Amelia Hume
1783
William Walker Grandison, Plate XXVIII
Print made by William Walker, 1729–1793
Grandison, Plate XXVIII
1783
William Walker Grandison, Plate XI
Print made by William Walker, 1729–1793
Grandison, Plate XI
1783
Francesco Bartolozzi George, 4th Duke Of Marlborough, Caroline HIs Duchess And Child
Francesco Bartolozzi, 1728–1815
George, 4th Duke Of Marlborough, Caroline HIs Duchess And Child
1783
Francesco Bartolozzi Cherub Whispering To Woman Holding Letter
Francesco Bartolozzi, 1728–1815
Cherub Whispering To Woman Holding Letter
1783
James Sayer Carlo Khan's Triumphal entry into Leadenhall Street
James Sayer, 1748–1823
Carlo Khan's Triumphal entry into Leadenhall Street
1783
Francesco Bartolozzi Sappho Embracing Love
Francesco Bartolozzi, 1728–1815
Sappho Embracing Love
1783
James Sayer A Transfer of East India Stock
James Sayer, 1748–1823
A Transfer of East India Stock
1783
John Raphael Smith Young Lady in Feathered Hat
John Raphael Smith, 1752–1812
Young Lady in Feathered Hat
1783
unknown artist A View of Paddington Green
unknown artist
A View of Paddington Green
1783
John Raphael Smith Honorable Mrs. Stanhope
John Raphael Smith, 1752–1812
Honorable Mrs. Stanhope
1783
Thomas Burke Cephalus and Procris
Print made by Thomas Burke, 1749–1815
Cephalus and Procris
1783
Francesco Bartolozzi Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão
Print made by Francesco Bartolozzi, 1728–1815
Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão
undated