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Collection
Prints and Drawings
195
Rare Books and Manuscripts
3
Creator
Bartolozzi, Francesco, 1727–1815
33
Blake, William, 1757–1827
28
Unknown artist
24
Gillray, James, 1756–1815
21
Stothard, Thomas, 1755–1834
18
Ritson, Joseph, 1752–1803
17
Cipriani, Giovanni Battista, 1727–1785
15
Bowles, Carington, 1724–1793
14
Smith, John Raphael, 1752–1812
13
Reynolds, Joshua, Sir, 1723–1792
12
Barry, James, 1741–1806
7
Gainsborough, Thomas, 1727–1788
6
Mortimer, John Hamilton, 1740–1779
6
Bunbury, Henry William, 1750–1811
5
Green, Valentine, 1739–1813
5
Kauffmann, Angelica, 1741–1807
5
Sayer, James, 1748–1823
5
Burke, Thomas, 1749–1815
4
Cosway, Richard, 1742–1821
4
Barralet, John James, 1747–1815
3
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Creator
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Date
1800
823
1834
601
1789
417
1802
375
1825
365
1827
365
1794
350
1835
346
1795
334
1792
322
1830
310
1793
309
1833
301
1700
294
1797
294
1799
286
1782
283
1803
283
1791
277
1804
270
1808
268
1820
268
1836
259
1546
248
1796
225
1775
224
1823
224
1798
219
1809
215
1821
215
1780
213
1801
210
1790
209
1832
209
1824
200
1783
[remove]
198
1807
196
1739
192
1812
190
1828
189
1826
183
1814
182
1630
181
1811
181
1837
181
1813
180
1788
178
1784
171
1810
170
1818
167
1816
166
1831
165
1850
156
1819
153
1822
145
1786
144
1805
144
1754
141
1787
141
1785
140
1806
134
1778
132
1838
132
1745
127
1815
127
1817
125
1779
122
1771
121
1859
121
1781
118
1829
118
1755
117
1770
114
1776
114
2000
113
1989
110
1750
109
1880
109
1900
105
0
104
1772
103
1999
103
1768
99
1839
97
1876
95
1765
93
1762
91
1773
90
1777
89
1897
89
1674
88
1751
88
1890
88
1738
87
1855
87
1882
87
1896
86
1767
82
1769
82
1887
80
On-site Access
Accessible by appointment in the Study Room
198
Image Use
Free to Use
194
Under Certain Circumstances
4
Image Available
Available
165
Unavailable
33
Classification
Prints
[remove]
198
Creator Gender
male
174
unknown
27
female
6
Collective Title
A Select Collection of English Songs
17
There Is No Natural Religion, Copy B
12
Iconographie Anglaise par Reynolds et Autres
6
Period
18th century
189
18th century-19th century
6
Materials & Techniques
laid paper
38
stipple engraving
35
mezzotint
27
wove paper
21
line engraving
12
color printing
11
etching (printing process)
11
relief etching
11
watercolor
5
hand coloring
4
black ink
1
brown ink
1
engraver's proof
1
soft-ground etching
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
0
to
67
Unknown
83
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
0
to
309
Unknown
84
Work Type
intaglio print
80
relief print
11
engraving
3
frontispiece
2
watercolor
2
Genre
portrait
35
literary theme
34
genre subject
18
religious and mythological subject
18
military art
4
landscape
3
historical subject
2
cityscape
1
marine art
1
sporting art
1
Subject Terms
literary theme
25
portrait
16
trees
13
tropics
11
men
10
text
10
beach
9
dog (animal)
6
oval
6
religious and mythological subject
6
vine
6
costume
5
man
5
woman
5
branches
4
coat
4
fire
4
sash
4
women
4
Portuguese
3
more
Subject Terms
»
Associated Places
Ariccia
1
Bedfordshire
1
Church of Santa Maria dell'Assunzione
1
England
1
Europe
1
Italy
1
Lazio
1
Palazzo Chigi
1
Roma
1
United Kingdom
1
West Indies
1
Associated People
Shakespeare, William (1564–1616), playwright and poet
3
Abington, Frances (1737–1815), actress
2
Pinto de Sousa Coutinho, Luis, first Viscount Balsemão (1735–1804 )
2
Africana, Cornelia (191 or 190 BC–100 BC)
1
Artemis
1
Cavendish [née Spencer], Georgiana, duchess of Devonshire (1757–1806), political hostess
1
Cephalus
1
Deane, Silas (1737–1789) American merchant, politician and diplomat
1
Defoe, Daniel, 1661?-1731
1
Diana
1
God
1
Gracchus, Gaius (154 BC–121 BC), Roman Populares politician
1
Gracchus, Tiberius (163 or 162 BC–133 BC), Roman Populares politician
1
Henderson, John (bap. 1747, d. 1785), British actor and draftsman
1
Hume, Sir Abraham, second baronet (1749–1838), collector of art and precious stones
1
Joseph (son of Jacob)
1
Kauffmann, Angelica (1741–1807), history and portrait painter
1
Manners, Lord Robert (1758–1782), naval officer
1
Pina Manique, Diogo Inácio (1733–1805), magistrate
1
Procris
1
more
Associated People
»
Exhibition History
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
27
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
27
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
5
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
3
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
2
A Primer of Printmaking Processes (Yale University Art Gallery, 1993-09-01 - 1993-11-28)
1
Art in Focus: John Goto's High Summer (Yale Center for British Art, 2018-04-06 - 2018-08-19)
1
British Comic Art 1730 - 1830 (Museum of Art and Archaelogy, University of Missouri-Columbia, 1988-10-14 - 1988-12-04)
1
Circa 1800 - The Beginnings of Modern Printmaking (Rutgers University Art Gallery, 1981-03-08 - 1981-04-19)
1
Circa 1800 - The Beginnings of Modern Printmaking (The Baltimore Museum of Art, 1981-05-12 - 1981-06-28)
1
Company Culture (Yale Center for British Art, 2003-09-16 - 2004-01-05)
1
Noble Exercise - The Sporting Ideal in Eighteenth-Century British Art (Yale Center for British Art, 1982-07-14 - 1982-09-19)
1
Painters and Engraving - The Reproductive Print from Hogarth to Wilkie (Yale Center for British Art, 1980-03-26 - 1980-06-22)
1
Pleasures and Pastimes (Yale Center for British Art, 1990-02-21 - 1990-04-29)
1
Red Letter Days - British Sporting Art of the 18th and 19th Centuries (Sweetbriar College Art Galleries, 1990-11-09 - 1991-02-10)
1
Rembrandt in Eighteenth Century England (Yale Center for British Art, 1983-10-19 - 1983-12-30)
1
The Black Figure in the European Imaginary (Cornell Fine Arts Museum, 2017-01-20 - 2017-05-15)
1
The Creative Printmaker (Joseph and Margaret Muscarelle Museum of Art, 1986-03-05 - 1986-04-20)
1
The Creative Printmaker (Yale Center for British Art, 1985-07-09 - 1985-09-01)
1
Three Centuries of Comic Art-Eighteenth Century Satire: John Collet (Museum of Art and Archaelogy, University of Missouri-Columbia, 1998-06-06 - 1998-08-23)
1
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
151
Yale Center for British Art, Paul Mellon Fund
15
Yale Center for British Art, Yale University Art Gallery Collection
12
Yale Center for British Art; Yale University Art Gallery Collection
12
Yale Center for British Art
1
Yale Center for British Art, Gift of Godfrey Pearlson
1
Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth
1
Yale Center for British Art, Yale Art Gallery Collection, The Edwin Austin Abbey Memorial Collection
1
Yale Center for British Art; Gift of Prof. William H. Dunham Jr.
1
Language
English
3
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Date
1783
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1
Print made by William Blake, 1757–1827
Frontispiece (Plate 1)
ca. 1788
2
Print made by William Blake, 1757–1827
II. "Man by his reasoning power can only compare..." (Plate 4)
ca. 1788
3
Print made by William Blake, 1757–1827
III. "From a perception of only 3 senses..." (Plate 5)
ca. 1788
4
Print made by William Blake, 1757–1827
VI. "The desires & perceptions of man untaught..." (Plate 8)
ca. 1788
5
Print made by William Blake, 1757–1827
"Therefore God becomes as we are..." (Plate 9)
ca. 1788
6
Print made by William Blake, 1757–1827
I. "Mans perceptions are not bounded by organs of perception..." (Plate 10)
ca. 1788
7
Print made by William Blake, 1757–1827
II. "Reason or the ratio of all we have already known..." (Plate 11)
ca. 1788
8
Print made by William Blake, 1757–1827
The Argument. "Man has no notion of moral fitness..." (Plate 2"
ca. 1788
9
Print made by William Blake, 1757–1827
I. "Man cannot naturally Percieve..."(Plate 3)
ca. 1788
10
Print made by William Blake, 1757–1827
IV. "None could have other than natural or organic thoughts..." (Plate 6)
ca. 1788
11
Print made by William Blake, 1757–1827
V. "Mans desires are limited by his perceptions..." (Plate 7)
ca. 1788
12
Print made by William Blake, 1757–1827
There is No Natural Religion
ca. 1788
13
John Raphael Smith, 1752–1812
Honorable Mrs. Stanhope
1783
14
Print made by Johann Rudolph Schellenberg, 1740–1806
Artist Drawing a Woman's Silhouette
1783
15
Thomas Milton, 1742/1743–1827
Lucan-House
1783
16
James Barry, 1741–1806
The Queen or Domestic Education at Windsor (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
after 1783
17
James Barry, 1741–1806
The Thames or the Triumph of Navigation (Designs for the Great Room of the Society for the Encouragement of the Arts)
after 1783
18
James Barry, 1741–1806
The Society for the Encouragement of the Arts (2 copies)
after 1783
19
Print made by James Parker, 1750–1805
The Fall of Agandecca
1783
20
James Barry, 1741–1806
Orpheus instructing..in Theology (Designs for the Walls of the Great Room of Society for the Encouragement of the Arts)
After 1783
21
James Barry, 1741–1806
His Majesty Recommending a Law (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
after 1783
22
James Parker, 1750–1805
Fainasollis, Borbar and Fingal
1783
23
James Barry, 1741–1806
A Grecian Harvest Home (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
after 1783
24
Print made by John Raphael Smith, 1752–1812
Mademoiselle Baccelli
1783
25
James Barry, 1741–1806
The Diagorides Victors at Olympia (Design for the Walls of the Great Room of the Society for the Encouragement of the Arts)
after 1783
26
Valentine Green, 1739–1813
Louisa Finch (née Thynne), Countess of Aylesford
1783
27
unknown artist
Front, Side View, and Back Front, of a Modern fine Gentleman
1783
28
unknown artist
The Inflexible Porter, a Tragedy
1783
29
Thomas Malton, 1726–1801
King Street, Guildhall
1783
30
Benjamin Thomas Pouncey, active 1772–1799
Building of a Cutter
1783
31
Thomas Burke, 1749–1815
The Battle of Agincourt
1783
32
Benjamin Thomas Pouncey, active 1772–1799
Chase of a Cutter
1783
33
Thomas Burke, 1749–1815
The Battle of Agincourt
1783
34
Robert Blyth, 1750–1784
The Elevation of the Brazen Serpent in the Wilderness
1783
35
Print made by Henry Kingsbury, active 1750–1780
Samuel, Lord Hood
1783
36
Print made by James Walker, 1748–1808
The Spell, or Hobnelia
1783
37
unknown artist
The Encampment in the Museum Garden
1783
38
Print made by James Basire, 1730–1802
Chapel of Henry V at Westminster
1783–1799
39
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
40
Print made by William Sharp, 1749–1824
The Tempest, Act I Sc. 3
1783
41
Print made by John Raphael Smith, 1752–1812
The Calling of Samuel
1783
42
Print made by John Raphael Smith, 1752–1812
George, Prince of Wales
1783
43
Print made by John Jones, ca. 1745–1797
John Henderson
1783
44
Print made by John Raphael Smith, 1752–1812
Hon. Mrs. Stanhope
1783
45
Print made by Francis Haward, 1759–1797
The Infant Academy
1783
46
Print made by John Jones, ca. 1745–1797
Sir Abraham Hume, Bart. F.R.S
1783
47
Print made by William Dickinson, 1746–1823
Lord Robert Manners, Captain R.N
1783
48
Print made by John Raphael Smith, 1752–1812
Mrs. Smith
1783
49
Valentine Green, 1739–1813
Lady Amelia Hume
1783
50
Edward Fisher, 1722–1785
John, Lord Cardiff
1783
51
John Raphael Smith, 1752–1812
Sir William James
1783
52
Figures engraved by Francesco Bartolozzi, 1728–1815
The Death of Captain Cook
1783
53
John Raphael Smith, 1752–1812
Sir Harbord Harbord Bart
1783
54
Print made by John Raphael Smith, 1752–1812
Sir Harbord Harbord
1783
55
Print made by unknown artist
The Feathered Fair, Feeding the Feathered Fowl
1783
56
Print made by William Walker, 1729–1793
Grandison, Plate XXVIII
1783
57
Print made by William Walker, 1729–1793
Grandison, Plate XI
1783
58
Thomas Burke, 1749–1815
The Battle of Agincourt
1783
59
Robert Blyth, 1750–1784
The Elevation of the Brazen Serpent in the Wilderness
1783
60
Robert Blyth, 1750–1784
Soldiers with Pack-Horse (Laid down on same sheet as B1977.14.12070)
1783
61
unknown artist
S. E. View of Copenhagen House
1783
62
Francesco Bartolozzi, 1728–1815
Lady Elizabeth Harriet Bulkeley (née Warren)
1783
63
James Walker, 1748–1808
View of Mr. Hatchett's Capital House in Long Acre
1783
64
Francesco Bartolozzi, 1728–1815
Paulus Aemelius
1783
65
Francesco Bartolozzi, 1728–1815
Diana, The Huntress
1783
66
Francesco Bartolozzi, 1728–1815
Cleopatra And Meleagar
1783
67
Francesco Bartolozzi, 1728–1815
Prosperity
1783
68
Francesco Bartolozzi, 1728–1815
Prudence, Holding A Land Mirror, And An Arrow With A Serpant
1783
69
Francesco Bartolozzi, 1728–1815
G. B. Cipriani, RA
1783
70
Francesco Bartolozzi, 1728–1815
Cherub Whispering To Woman Holding Letter
1783
71
James Sayer, 1748–1823
A Transfer of East India Stock
1783
72
unknown artist
St. James's Park
1783
73
Francesco Bartolozzi, 1728–1815
A Sacrifice To Cupid
1783
74
Francesco Bartolozzi, 1728–1815
Meekness
1783
75
Francesco Bartolozzi, 1728–1815
Beauty
1783
76
Francesco Bartolozzi, 1728–1815
George, 4th Duke Of Marlborough, Caroline HIs Duchess And Child
1783
77
Francesco Bartolozzi, 1728–1815
Sappho Embracing Love
1783
78
James Sayer, 1748–1823
Carlo Khan's Triumphal entry into Leadenhall Street
1783
79
William Watts, 1752–1851
Chiswick House in Middlesex, the Seat of Duke of Devonshire
1783
80
unknown artist
The Encampment in St. James's Park MDCCLXXX
1783
81
James Gillray, 1756–1815
Squire Thomas Just Arriv'd, Touch Me Not! I'm Still a Maid
1783
82
James Bretherton, ca. 1730–1806
A pair: 1. Symptoms of Rearing, 2. Moses
1783
83
unknown artist
A Perspective View of the Cities of London & Westminster
1783
84
Francesco Bartolozzi, 1728–1815
Mrs. Abington As Thalia
1783
85
Francesco Bartolozzi, 1728–1815
Polyhemus, Playing The Panpipes For Galatea
1783
86
Print made by John Robert Cozens, 1752–1797
Ariccia
between 1783 and 1789
87
Francesco Bartolozzi, 1728–1815
The Power of Beauty
1783
88
Francesco Bartolozzi, 1728–1815
Love Caressed
1783
89
Francesco Bartolozzi, 1728–1815
Prudence
1783
90
James Gillray, 1756–1815
A Sun Setting in a Fog, With The Old Hanover Hack Descending
1783
91
James Gillray, 1756–1815
A Warm Birth for the Old Administration -----
1783
92
James Gillray, 1756–1815
A New Administration, or - The State Quacks Administring
1783
93
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
94
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
95
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
96
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
97
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
98
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
99
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
100
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
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