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Date 1782

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Subject Terms ruins

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Wigmore Castle, Herefordshire
Creator:
William Alexander, 1767–1816
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 x 12 5/16 inches (40 x 31.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Ruins of the College of Lincluden
Creator:
Print made by William Byrne, 1743–1805
Date:
1782
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 10 13/16 x 14 15/16 inches (27.5 x 38 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Temple of Venus Monday, March 18th, 1782
Creator:
Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:
1782
Materials & Techniques:
Graphite and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Mount: 14 × 19 9/16 inches (35.6 × 49.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Small Sailing Ship Drawn Up on the Shore Below Some Fortified Buildings
Creator:
William Alexander, 1767–1816
Date:
undated
Materials & Techniques:
Gray wash with graphite and black ink on medium, smooth, cream laid paper
Dimensions:
Sheet: 7 3/8 x 11 1/4 inches (18.7 x 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Man Sleeping Outdoors
Creator:
John Glover, 1767–1849
Date:
undated
Materials & Techniques:
Graphite on medium, moderately textured, blue-green laid paper
Dimensions:
Sheet: 7 1/2 x 12 1/4 inches (19.1 x 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Knaresborough Castle
Creator:
William Alexander, 1767–1816
Date:
undated
Materials & Techniques:
Brown wash, gray wash, and graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 13 1/2 × 9 5/8 inches (34.3 × 24.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection