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Date 1780

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Francesco Bartolozzi Sir Henry Clinton
Print made by Francesco Bartolozzi, 1728–1815
Sir Henry Clinton
1780
James Gillray The Triumphant Britons
James Gillray, 1756–1815
The Triumphant Britons
1780
Joseph Haynes Bandit with old man and young woman (no.2 of 10)
Joseph Haynes, 1760–1829
Bandit with old man and young woman (no.2 of 10)
1780
Joseph Haynes Six Banditti with Dog (no.1 of 10)
Joseph Haynes, 1760–1829
Six Banditti with Dog (no.1 of 10)
1780
Joseph Haynes Banditti at market (no.2 of 10)
Joseph Haynes, 1760–1829
Banditti at market (no.2 of 10)
1780
Joseph Haynes Woman warding off Monster (no.4 of 10)
Joseph Haynes, 1760–1829
Woman warding off Monster (no.4 of 10)
1780
Joseph Haynes Banditti and Women (no.6 of 10)
Joseph Haynes, 1760–1829
Banditti and Women (no.6 of 10)
1780
Charles Wilson Peale Portrait of a Gentleman
Charles Wilson Peale, 1741–1827
Portrait of a Gentleman
ca. 1785
John Hamilton Mortimer Sleeping Monsters
John Hamilton Mortimer, 1740–1779
Sleeping Monsters
1780
Thomas Rowlandson Nap in the Country - Nap in Town
Thomas Rowlandson, 1756–1827
Nap in the Country - Nap in Town
ca. 1785
Francesco Bartolozzi Vignette: Monk Giving Letter to a Pregnant Woman in a Cell
Francesco Bartolozzi, 1728–1815
Vignette: Monk Giving Letter to a Pregnant Woman in a Cell
ca.1785
Francesco Bartolozzi Time and Beauty
Francesco Bartolozzi, 1728–1815
Time and Beauty
1780
Francesco Bartolozzi Concert Ticket: Benefit Night of Luigi Borghi
Francesco Bartolozzi, 1728–1815
Concert Ticket: Benefit Night of Luigi Borghi
1780
Francesco Bartolozzi Diana of Ephesus Being Unveiled by Cupid and Mercury
Francesco Bartolozzi, 1728–1815
Diana of Ephesus Being Unveiled by Cupid and Mercury
ca.1785
Francesco Bartolozzi Ticket to Mr. Fierville's Ball
Francesco Bartolozzi, 1728–1815
Ticket to Mr. Fierville's Ball
ca.1785
Valentine Green Sir Joshua Reynolds
Valentine Green, 1739–1813
Sir Joshua Reynolds
1780
Charles Reuben Ryley The Heads in this and the Following Plates were drawn by Mr. Mortimer, on a Chimney Piece, from Ideas suggested by the Natural Veins in the Marble
Charles Reuben Ryley, 1752–1798
The Heads in this and the Following Plates were drawn by Mr. Mortimer, on a Chimney Piece, from Ideas suggested by the Natural Veins in the Marble
1780
William Dickinson Sir Anthony Van Dyck
William Dickinson, 1746–1823
Sir Anthony Van Dyck
1780
Francesco Bartolozzi Socrates
Francesco Bartolozzi, 1728–1815
Socrates
1780
Francesco Bartolozzi Illustration From Bell's Edition of The Poets of Great Britain
Francesco Bartolozzi, 1728–1815
Illustration From Bell's Edition of The Poets of Great Britain
ca. 1785
Francesco Bartolozzi Illustration from Bell's Edition of the Poets of Great Britain, Volume LXXXVII Hammond
Francesco Bartolozzi, 1728–1815
Illustration from Bell's Edition of the Poets of Great Britain, Volume LXXXVII Hammond
1780
Francesco Bartolozzi Illustration from Bell's Edition of the Poets of Great Britain, Volume: CVII Churchill
Francesco Bartolozzi, 1728–1815
Illustration from Bell's Edition of the Poets of Great Britain, Volume: CVII Churchill
ca.1785
Francesco Bartolozzi Roman General Julius Caesar Dedicating the Temple of Venus Genetrix in the Forum of Caesar, Rome, 46BC
Francesco Bartolozzi, 1728–1815
Roman General Julius Caesar Dedicating the Temple of Venus Genetrix in the Forum of Caesar, Rome, 46BC
1780
Francesco Bartolozzi Cipriani's Daughter
Francesco Bartolozzi, 1728–1815
Cipriani's Daughter
ca.1785
Thomas Rowlandson Skating on the Serpentine
Thomas Rowlandson, 1756–1827
Skating on the Serpentine
before 1790
Thomas Rowlandson An Audience Watching a Play at Drury Lane Theatre
Thomas Rowlandson, 1756–1827
An Audience Watching a Play at Drury Lane Theatre
ca. 1785
unknown artist Captain Jonathan Carver
Print made by unknown artist
Captain Jonathan Carver
1780
unknown artist Political Reformation
Print made by unknown artist
Political Reformation
1780
unknown artist Views in the Levant: Landscape with Town and Harbour and Distant View of the Sea
unknown artist
Views in the Levant: Landscape with Town and Harbour and Distant View of the Sea
ca. 1785
Willey Reveley Views in the Levant: A Camel
Willey Reveley, 1760–1799
Views in the Levant: A Camel
ca. 1785
Willey Reveley Views in the Levant: Back View of the Head of the Sphinx
Willey Reveley, 1760–1799
Views in the Levant: Back View of the Head of the Sphinx
ca. 1785
unknown artist Views in the Levant: Study of Figures From a Frieze or Panel
unknown artist
Views in the Levant: Study of Figures From a Frieze or Panel
ca. 1785
unknown artist Views in the Levant: Temple of Pergamon (?) with Statues of Horsemen on Plinths at Each Side of the Steps
unknown artist
Views in the Levant: Temple of Pergamon (?) with Statues of Horsemen on Plinths at Each Side of the Steps
ca. 1785
Willey Reveley Views in the Levant: Faceless Bust of Statue Supporting a Broken Capital on Her Head
Willey Reveley, 1760–1799
Views in the Levant: Faceless Bust of Statue Supporting a Broken Capital on Her Head
ca. 1785
unknown artist Views in the Levant: Men Loading a Small Sailing Boat With a View of Building and Large Moored Boat
unknown artist
Views in the Levant: Men Loading a Small Sailing Boat With a View of Building and Large Moored Boat
ca. 1785
unknown artist Views in the Levant: Study of Man with Long-stemmed Pipe
unknown artist
Views in the Levant: Study of Man with Long-stemmed Pipe
ca. 1785
unknown artist Views in the Levant: Men Sailing Small Boat with Cabin Past Buildings and a Camel
unknown artist
Views in the Levant: Men Sailing Small Boat with Cabin Past Buildings and a Camel
ca. 1785
unknown artist Views in the Levant: Three Men in Small Boat Moored to Bank with a View of Buildings on Islands
unknown artist
Views in the Levant: Three Men in Small Boat Moored to Bank with a View of Buildings on Islands
ca. 1785
Willey Reveley Views in the Levant: Ruined Flat Archway
Attributed to Willey Reveley, 1760–1799
Views in the Levant: Ruined Flat Archway
ca. 1785
unknown artist Views in the Levant: Man on Horseback Approaching Gateway to a Town
unknown artist
Views in the Levant: Man on Horseback Approaching Gateway to a Town
ca. 1785
unknown artist Views in the Levant: Men Sailing Small Boat With Canopy Past Buildings and Many Palm Trees
unknown artist
Views in the Levant: Men Sailing Small Boat With Canopy Past Buildings and Many Palm Trees
ca. 1785
Willey Reveley Views in the Levant: Landscape With Sea, Town and Hills
Willey Reveley, 1760–1799
Views in the Levant: Landscape With Sea, Town and Hills
ca. 1785
Willey Reveley Views in the Levant: Harbour Town Surrounded by Windmills
Willey Reveley, 1760–1799
Views in the Levant: Harbour Town Surrounded by Windmills
ca. 1785
Willey Reveley Views in the Levant: Stormy Landscape with Rockfall at Right, Viewed From the Sea
Willey Reveley, 1760–1799
Views in the Levant: Stormy Landscape with Rockfall at Right, Viewed From the Sea
ca. 1785
Francesco Bartolozzi I Have Laid The Foundation And Another Buildeth Thereon, But Let Every Man Take Heed How He Buildeth Thereon, 1 Cor. 3, 10
Francesco Bartolozzi, 1728–1815
I Have Laid The Foundation And Another Buildeth Thereon, But Let Every Man Take Heed How He Buildeth Thereon, 1 Cor. 3, 10
ca.1785
Francesco Bartolozzi Three Putti And A Goat
Francesco Bartolozzi, 1728–1815
Three Putti And A Goat
ca.1785
Francesco Bartolozzi Three Cupids With Bows & Arrows, And Two Doves
Francesco Bartolozzi, 1728–1815
Three Cupids With Bows & Arrows, And Two Doves
ca.1785
Francesco Bartolozzi Classical Scene: Woman, Two Children, One Sheep, Man Reading In Background
Francesco Bartolozzi, 1728–1815
Classical Scene: Woman, Two Children, One Sheep, Man Reading In Background
ca.1785
Francesco Bartolozzi Group Of Four Children
Francesco Bartolozzi, 1728–1815
Group Of Four Children
ca.1785
Francesco Bartolozzi Concert Ticket: Benefit Night of Luigi Borghi
Francesco Bartolozzi, 1728–1815
Concert Ticket: Benefit Night of Luigi Borghi
1780
Francesco Bartolozzi Ticket for the Benefit of Mr. Giardini
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
1780
Francesco Bartolozzi Ticket for the Benefit of Mr. Giardini
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
1780
Thomas Colley The English Lion Dismember'd
Thomas Colley, active 1780s
The English Lion Dismember'd
1780
James Gillray National Discourse
James Gillray, 1756–1815
National Discourse
1780
unknown artist [ man with a candle ]
unknown artist
[ man with a candle ]
178-?
William Hodges Original Drawings for Choix de Vues de L'Inde and Others, Volume II
William Hodges, 1744–1797
Original Drawings for Choix de Vues de L'Inde and Others, Volume II
between 1780 and 1788
William Hodges Original Drawings for Choix de Vues de L'Inde and Others, Volume I
William Hodges, 1744–1797
Original Drawings for Choix de Vues de L'Inde and Others, Volume I
between 1780 and 1788
Willey Reveley Views in the Levant: The Colossus of Barletta
Willey Reveley, 1760–1799
Views in the Levant: The Colossus of Barletta
ca. 1785
Thomas Rowlandson George Morland
Thomas Rowlandson, 1756–1827
George Morland
between 1780 and 1799
Francesco Bartolozzi Miniature Of Elizabeth Farren, Countess Of Derby
Francesco Bartolozzi, 1728–1815
Miniature Of Elizabeth Farren, Countess Of Derby
ca.1785
Charles Howard Hodges Mrs. Anne Warren
Charles Howard Hodges, 1764–1837
Mrs. Anne Warren
between 1780 and 1837
James Gillray Sophia, Honour, and the Chambermaid
James Gillray, 1756–1815
Sophia, Honour, and the Chambermaid
1780
Francesco Bartolozzi Lavinia, The Milk Maid
Francesco Bartolozzi, 1728–1815
Lavinia, The Milk Maid
ca.1785
Francesco Bartolozzi Medalian Design Of Francis Hutchenson, A Philosopher (Above) and Laurence Natter, A Medalist (Center)
Francesco Bartolozzi, 1728–1815
Medalian Design Of Francis Hutchenson, A Philosopher (Above) and Laurence Natter, A Medalist (Center)
1780
Henry Roberts An Exact Representation of the Burning, Plundering, and Destruction of Newgate by the Rioters
Henry Roberts, ca. 1710–1790
An Exact Representation of the Burning, Plundering, and Destruction of Newgate by the Rioters
1780
Willey Reveley Views in the Levant: View From a Hillside Over Looking a Seaside Village in Turkey
Attributed to Willey Reveley, 1760–1799
Views in the Levant: View From a Hillside Over Looking a Seaside Village in Turkey
ca. 1785
Willey Reveley Views in the Levant: Burial Ground Surrounded by Ruined Columns and Pinetrees....Turkey
Willey Reveley, 1760–1799
Views in the Levant: Burial Ground Surrounded by Ruined Columns and Pinetrees....Turkey
ca. 1785
Willey Reveley Views in the Levant: View of a Harbour and Town From the Sea, Turkey
Willey Reveley, 1760–1799
Views in the Levant: View of a Harbour and Town From the Sea, Turkey
ca. 1785
Willey Reveley Views in the Levant: Place of Worship with Three Bell Towers with Crosses
Workshop of Willey Reveley, 1760–1799
Views in the Levant: Place of Worship with Three Bell Towers with Crosses
ca. 1785
Willey Reveley Views in the Levant: Corner of Stone and Wood Building, with Inscription on Wall
Willey Reveley, 1760–1799
Views in the Levant: Corner of Stone and Wood Building, with Inscription on Wall
ca. 1785
Willey Reveley Views in the Levant: Ruined Bridge with Four Pointed Arches Near Rome
Willey Reveley, 1760–1799
Views in the Levant: Ruined Bridge with Four Pointed Arches Near Rome
ca. 1785
Willey Reveley Views in the Levant: Ruins in Rome with Goats, Cows and Herdsmen
Willey Reveley, 1760–1799
Views in the Levant: Ruins in Rome with Goats, Cows and Herdsmen
ca. 1785
Willey Reveley Views in the Levant: View of a Walled Town and Harbour with Towers Seen From the Sea
Willey Reveley, 1760–1799
Views in the Levant: View of a Walled Town and Harbour with Towers Seen From the Sea
ca. 1785
Willey Reveley Views in the Levant: Corner of a Stone Building with Palm Tree at Right
Willey Reveley, 1760–1799
Views in the Levant: Corner of a Stone Building with Palm Tree at Right
ca. 1785
Willey Reveley Views in the Levant: Landscape With Hills in Distance (page from a sketchbook)
Willey Reveley, 1760–1799
Views in the Levant: Landscape With Hills in Distance (page from a sketchbook)
ca. 1785
Willey Reveley Views in the Levant: Two Rowing Boats and a Sailboat by a Steep Cliff, Hilly Landscape Seen From the Sea
Willey Reveley, 1760–1799
Views in the Levant: Two Rowing Boats and a Sailboat by a Steep Cliff, Hilly Landscape Seen From the Sea
ca. 1785
Francesco Bartolozzi Vignette: Angel Holding Medallion Of Composer. G.F. Handel
Francesco Bartolozzi, 1728–1815
Vignette: Angel Holding Medallion Of Composer. G.F. Handel
ca.1785
unknown artist The Burning and Plundering of Newgate and Setting the Felons at Liberty by the Mob
unknown artist
The Burning and Plundering of Newgate and Setting the Felons at Liberty by the Mob
1780
Thomas Bowles III A View of Amsterdam on each side the Old Rampart as seen from the Harbor
Print made by Thomas Bowles III, ca. 1712–1767
A View of Amsterdam on each side the Old Rampart as seen from the Harbor
between 1780 and 1815
Thomas Bowles III A View of Little St. Mark's Place at Venice to the Sea
Print made by Thomas Bowles III, ca. 1712–1767
A View of Little St. Mark's Place at Venice to the Sea
between 1780 and 1815
Thomas Bowles III A Perspective View of the Town and Fortifications of Malta
Thomas Bowles III, ca. 1712–1767
A Perspective View of the Town and Fortifications of Malta
between 1780 and 1815
Thomas Bowles III A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London
Print made by Thomas Bowles III, ca. 1712–1767
A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London
between 1780 and 1815
John Couse The City of Lisbon as before the dreadful Earthquake of November 1st 1755;...
Print made by John Couse, active 1753–1764
The City of Lisbon as before the dreadful Earthquake of November 1st 1755;..
between 1780 and 1815
Thomas Bowles III A Perspective View of Venice
Print made by Thomas Bowles III, ca. 1712–1767
A Perspective View of Venice
between 1780 and 1815
unknown artist A View of the Palace of Triano towards the Flower Garden
unknown artist
A View of the Palace of Triano towards the Flower Garden
between 1780 and 1815
Remi Parr A Front View of the Church of Madonna della Salute belonging to the Regulars of the Congregation of Somascha with their Monastry Situate on the Grand Canal of Venice
Print made by Remi Parr, 1743–after 1750
A Front View of the Church of Madonna della Salute belonging to the Regulars of the Congregation of Somascha with their Monastry Situate on the Grand Canal of Venice
between 1780 and 1815
Francis Patton The City of Dresden
Print made by Francis Patton, active 1740–1770
The City of Dresden
between 1780 and 1815
Nathaniel Parr A View of the Doge's Palace at Venice with the Grand landing place before it. The Prison on the right hand the Custom House and Entrance of the Grand Canal in front
Print made by Nathaniel Parr, active 1742–1751
A View of the Doge's Palace at Venice with the Grand landing place before it. The Prison on the right hand the Custom House and Entrance of the Grand Canal in front
between 1780-1815
unknown artist A View of the Ruins of the Temple of Jupiter Olympius at Athens
unknown artist
A View of the Ruins of the Temple of Jupiter Olympius at Athens
between 1780 and 1815
Nathaniel Parr The Great Place or Square of St. Mark as seen from the Great Clock. On the left side is the Portal of St. Marks Church. The magnificent Building on the side in front are the dwellings of the Procurators of St. Mark
Print made by Nathaniel Parr, active 1742–1751
The Great Place or Square of St. Mark as seen from the Great Clock. On the left side is the Portal of St. Marks Church. The magnificent Building on the side in front are the dwellings of the Procurators of St. Mark
between 1780-1815
unknown artist A View of Rotterdam, and the River Maese with Variety of Shipping
Print made by unknown artist
A View of Rotterdam, and the River Maese with Variety of Shipping
between 1780 and 1815
unknown artist Review of the York Regiment
unknown artist
Review of the York Regiment
1780
James Stewart The Royal Ass
James Stewart, 1791–1863
The Royal Ass
1780
unknown artist Ass Upon Ass
unknown artist
Ass Upon Ass
1780
unknown artist L(or)d Am(hers)t on Duty
unknown artist
L(or)d Am(hers)t on Duty
1780
Frederick George Byron The Pitt Fall
Print made by Frederick George Byron, 1764–1794
The Pitt Fall
ca. 1785
unknown artist The Whore of Babylons Caravan with a Cargo of Popish Blessings
unknown artist
The Whore of Babylons Caravan with a Cargo of Popish Blessings
1780
unknown artist Father Peters Leading his Mangy Whelp to be Touched for the Evil
unknown artist
Father Peters Leading his Mangy Whelp to be Touched for the Evil
1780
unknown artist The Association Officers or City Defenders
unknown artist
The Association Officers or City Defenders
1780
Agostino Brunias Free Natives of Dominica
Print made by Agostino Brunias, 1728–1796
Free Natives of Dominica
1780