Italianate Landscape with Castle, Cascade and Anglers
between 1780 and 1790
3
Willey Reveley, 1760–1799
Views in the Levant: Paestum
ca. 1785
4
Willey Reveley, 1760–1799
Views in the Levant: Rome with Ruins seen Through an Archway
ca. 1785
5
Print made by Nathaniel Parr, active 1742–1751
The Great Place or Square of St. Mark as seen from the Great Clock. On the left side is the Portal of St. Marks Church. The magnificent Building on the side in front are the dwellings of the Procurators of St. Mark
between 1780-1815
6
Print made by Thomas Bowles III, ca. 1712–1767
A Perspective View of Venice
between 1780 and 1815
7
Print made by Thomas Bowles III, ca. 1712–1767
A View of Little St. Mark's Place at Venice to the Sea
between 1780 and 1815
8
Print made by Remi Parr, 1743–after 1750
A Front View of the Church of Madonna della Salute belonging to the Regulars of the Congregation of Somascha with their Monastry Situate on the Grand Canal of Venice
between 1780 and 1815
9
Print made by Nathaniel Parr, active 1742–1751
A View of the Doge's Palace at Venice with the Grand landing place before it. The Prison on the right hand the Custom House and Entrance of the Grand Canal in front
between 1780-1815
10
Willey Reveley, 1760–1799
Views in the Levant: Temple Ruins at Paestum
ca. 1785
11
Willey Reveley, 1760–1799
Views in the Levant: Ruins in Rome with Goats, Cows and Herdsmen
ca. 1785
12
Willey Reveley, 1760–1799
Views in the Levant: Ruined Bridge with Four Pointed Arches Near Rome
ca. 1785
13
Willey Reveley, 1760–1799
Views in the Levant: The Colossus of Barletta
ca. 1785
14
John Robert Cozens, 1752–1797
On the Lake of Nemi
between 1780 and 1783
15
Richard Cooper the Younger, 1740–1814
Classical Italian Landscape with Temples and a Ruined Aquaduct