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Paul Sandby An Unfinished View of the West Gate, Canterbury
Paul Sandby, 1731–1809
An Unfinished View of the West Gate, Canterbury
between 1780 and 1785
Not on view
William Marlow Rochester
William Marlow, 1740–1813
Rochester
1780
Willey Reveley Views in the Levant: View of the domes and spires of Hagia Sophia, Istanbul
Willey Reveley, 1760–1799
Views in the Levant: View of the domes and spires of Hagia Sophia, Istanbul
ca. 1785
unknown artist Views in the Levant: Landscape with Town and Harbour and Distant View of the Sea
unknown artist
Views in the Levant: Landscape with Town and Harbour and Distant View of the Sea
ca. 1785
Willey Reveley Views in the Levant: View of Harbor Town With Flagpole at Right, Seen From Sea
Willey Reveley, 1760–1799
Views in the Levant: View of Harbor Town With Flagpole at Right, Seen From Sea
ca. 1785
Willey Reveley Views in the Levant: Rome with Ruins seen Through an Archway
Willey Reveley, 1760–1799
Views in the Levant: Rome with Ruins seen Through an Archway
ca. 1785
Willey Reveley Views in the Levant: Ruins in Rome with Goats, Cows and Herdsmen
Willey Reveley, 1760–1799
Views in the Levant: Ruins in Rome with Goats, Cows and Herdsmen
ca. 1785
Willey Reveley Views in the Levant: View of a Walled Town and Harbour with Towers Seen From the Sea
Willey Reveley, 1760–1799
Views in the Levant: View of a Walled Town and Harbour with Towers Seen From the Sea
ca. 1785
Thomas Bowles III A View of part of Amsterdam from the Harbour Y, Shewing the Herring Packers Tower, the Sluice of Haarlem, & the New Fishmarket
Print made by Thomas Bowles III, ca. 1712–1767
A View of part of Amsterdam from the Harbour Y, Shewing the Herring Packers Tower, the Sluice of Haarlem, & the New Fishmarket
between 1780 and 1815
Thomas Bowles III A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London
Print made by Thomas Bowles III, ca. 1712–1767
A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London
between 1780 and 1815
John Couse The City of Lisbon as before the dreadful Earthquake of November 1st 1755;...
Print made by John Couse, active 1753–1764
The City of Lisbon as before the dreadful Earthquake of November 1st 1755;..
between 1780 and 1815
Thomas Bowles III A Perspective View of Venice
Print made by Thomas Bowles III, ca. 1712–1767
A Perspective View of Venice
between 1780 and 1815
Thomas Bowles III A View of Amsterdam on each side the Old Rampart as seen from the Harbor
Print made by Thomas Bowles III, ca. 1712–1767
A View of Amsterdam on each side the Old Rampart as seen from the Harbor
between 1780 and 1815
Thomas Bowles III A View of Little St. Mark's Place at Venice to the Sea
Print made by Thomas Bowles III, ca. 1712–1767
A View of Little St. Mark's Place at Venice to the Sea
between 1780 and 1815
Remi Parr A Front View of the Church of Madonna della Salute belonging to the Regulars of the Congregation of Somascha with their Monastry Situate on the Grand Canal of Venice
Print made by Remi Parr, 1743–after 1750
A Front View of the Church of Madonna della Salute belonging to the Regulars of the Congregation of Somascha with their Monastry Situate on the Grand Canal of Venice
between 1780 and 1815
Nathaniel Parr The Great Place or Square of St. Mark as seen from the Great Clock. On the left side is the Portal of St. Marks Church. The magnificent Building on the side in front are the dwellings of the Procurators of St. Mark
Print made by Nathaniel Parr, active 1742–1751
The Great Place or Square of St. Mark as seen from the Great Clock. On the left side is the Portal of St. Marks Church. The magnificent Building on the side in front are the dwellings of the Procurators of St. Mark
between 1780-1815
Nathaniel Parr A View of the Doge's Palace at Venice with the Grand landing place before it. The Prison on the right hand the Custom House and Entrance of the Grand Canal in front
Print made by Nathaniel Parr, active 1742–1751
A View of the Doge's Palace at Venice with the Grand landing place before it. The Prison on the right hand the Custom House and Entrance of the Grand Canal in front
between 1780-1815
Thomas Bowles III A Perspective View of the Town and Fortifications of Malta
Thomas Bowles III, ca. 1712–1767
A Perspective View of the Town and Fortifications of Malta
between 1780 and 1815