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Collection
Prints and Drawings
2
Creator
Berger, D. (Daniel), 1744–1825
1
Chodowieki, Daniel Nlkolaus, German, 1726–1801
1
More, Jacob, 1740–1793
1
Date
1772
41
1792
15
1850
15
1741
13
1798
13
1807
13
1770
12
1780
12
1800
11
1818
11
1790
10
1745
9
1765
9
1785
8
1789
8
1821
8
1835
8
1715
7
1784
7
1802
7
1812
7
1827
7
1782
6
1795
6
1799
6
1810
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1817
6
1819
6
1712
5
1755
5
1773
5
1781
5
1793
5
1805
5
1808
5
1815
5
1820
5
1826
5
1839
5
1855
5
1675
4
1734
4
1749
4
1761
4
1766
4
1771
4
1779
4
1787
4
1791
4
1797
4
1803
4
1824
4
1825
4
1830
4
1833
4
1842
4
1700
3
1717
3
1731
3
1739
3
1744
3
1750
3
1762
3
1768
3
1796
3
1801
3
1809
3
1813
3
1814
3
1822
3
1843
3
1847
3
1848
3
1875
3
1915
3
1710
2
1723
2
1737
2
1738
2
1740
2
1747
2
1751
2
1754
2
1764
2
1769
2
1775
2
1778
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2
1783
2
1786
2
1788
2
1794
2
1811
2
1816
2
1823
2
1828
2
1829
2
1831
2
1832
2
1837
2
1845
2
On-site Access
Accessible by appointment in the Study Room
2
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Available
2
Classification
Drawings & Watercolors
1
Prints
1
Creator Gender
male
2
Period
18th century
2
Materials & Techniques
laid paper
2
black ink
1
etching (printing process)
1
graphite
1
watercolor
1
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41
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Current results range from
27
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55
Work Type
drawing
1
intaglio print
1
watercolor
1
Genre
genre subject
1
landscape
1
literary theme
1
Subject Terms
hats
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2
men
2
Grand Tour
1
Hamlet, play by William Shakespeare
1
actors
1
axes
1
beach
1
boats
1
child
1
clouds
1
columns
1
court
1
dresses
1
feathers
1
fishermen
1
fishing
1
fur
1
genre subject
1
hills
1
labor
1
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Subject Terms
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Associated Places
Europe
1
Italy
1
Latina
1
Lazio
1
Terracina
1
Associated People
Hamlet
1
Ophelia (character in Hamlet)
1
Shakespeare, William (1564–1616), playwright and poet
1
Exhibition History
Edward Lear and the Art of Travel (Yale Center for British Art, 2000-09-20 - 2001-01-14)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
1
Yale Center for British Art, Paul Mellon Fund
1
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Date
1778
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hats
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1
Jacob More, 1740–1793
A View at Terracina
1778
2
Print made by Daniel Berger, 1744–1824
Die Maussalle.... - "Hamlet," Act III, Scene II
between 1778 and 1780