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Collection
Prints and Drawings
38
Paintings and Sculpture
2
Creator
Cozens, John Robert, 1752–1797
14
Dayes, Edward, 1763–1804
5
Boydell, John, 1720–1804
2
Davis, Samuel, 1760–1819
2
Hodges, William, 1744–1797
2
Robertson, George, 1749–1788
2
Tremenheere, Henry Pendarves Capt., c.1763–1841
2
Barralet, John Melchior, active 1750–1787
1
Beaumont, George Howland, Sir, 1753–1827
1
Bonnor, Thomas, ca. 1740–ca. 1812
1
Carracci, Annibale, 1560–1609
1
Ellis, William, 1747–1810
1
Gore, Charles, 1729–1807
1
Green, Valentine, 1739–1813
1
Grose, Francis Capt., 1731–1791
1
Mason, James, 1710–1783
1
More, Jacob, 1740–1793
1
Morland, George, 1763–1804
1
Reynolds, Joshua, Sir, 1723–1792
1
Sandby, Paul, 1731–1809
1
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Date
1791
718
1834
339
1867
255
1800
241
1836
201
1835
192
1826
189
1827
184
1814
175
1802
155
1825
146
1830
146
1820
133
1833
129
1764
124
1767
123
1793
113
1818
109
1775
108
1784
98
1816
95
1832
94
1772
91
1745
89
1803
88
1758
83
1790
79
1792
79
1837
79
1819
75
1799
74
1801
71
1829
71
1811
69
1795
68
1828
68
1762
66
1808
65
1841
65
1859
65
1821
64
1850
64
1805
63
1823
61
1812
60
1847
60
1810
58
1813
57
1831
57
1789
55
1860
55
1822
53
1838
52
1783
49
1993
49
1780
48
1786
48
1817
48
1845
48
1776
47
1804
47
1857
47
1815
46
1824
46
2000
44
1774
43
1840
43
1785
42
1782
41
1807
41
1771
40
1778
[remove]
40
1851
40
1777
39
1797
39
1809
39
1755
38
2003
38
1794
37
1839
37
1855
34
1992
34
1787
33
1788
33
1796
33
1880
33
1925
33
1864
32
1896
32
1861
31
1865
30
1870
30
1842
29
1996
29
1844
28
2002
28
2004
28
1748
27
1770
27
1846
27
On-site Access
Accessible by appointment in the Study Room
38
Not on view
2
Image Use
Free to Use
40
Image Available
Available
35
Unavailable
5
Classification
Drawings & Watercolors
33
Prints
5
Paintings
2
Creator Gender
male
40
Collective Title
Beaumont Album
13
Period
18th century
27
18th century-19th century
12
Materials & Techniques
graphite
27
laid paper
24
watercolor
15
wove paper
13
varnish
9
black ink
7
gray wash
5
gray ink
4
pen
4
brown ink
3
line engraving
3
canvas
2
etching (printing process)
2
gouache
2
oil paint
2
painting (technique)
2
red chalk
2
blue wash
1
brown wash
1
mezzotint
1
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Materials & Techniques
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Height [cm]
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88
Width [cm]
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112
Work Type
drawing
33
watercolor
18
intaglio print
5
painting
2
Genre
landscape
[remove]
40
genre subject
10
architectural subject
5
cityscape
1
portrait
1
Subject Terms
landscape
31
trees
20
mountains
12
hills
11
rocks (landforms)
8
buildings
7
clouds
6
Grand Tour
5
architectural subject
5
genre subject
5
river
4
boats
3
dog (animal)
3
lake
3
men
3
plants
3
ruins
3
arches
2
bridge (built work)
2
cattle
2
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Subject Terms
»
Associated Places
Europe
19
Italy
14
United Kingdom
7
England
5
Terracina
3
Asia
2
France
2
Portici
2
Salerno
2
Aberconwy and Colwyn
1
Adyar
1
Aiguebelle
1
Alps
1
Ariccia
1
Arve
1
Bharat
1
Borromean Islands
1
Chamonix-Mont-Blanc
1
Charlton
1
Church of Santa Maria dell'Assunzione
1
more
Associated Places
»
Associated People
Montagu-Scott, Charles William Henry 4th Duke of Buccleuch and 6th Duke of Queensberry KT (1772—1819)
1
Exhibition History
The Art of Alexander and John Robert Cozens (Yale Center for British Art, 1980-09-17 - 1980-11-16)
12
Classic Ground - British Artists and the Landscape of Italy, 1740-1830 (Yale Center for British Art, 1981-07-29 - 1981-09-20)
2
Oil on Water - Oil Sketches by British Watercolorists (Yale Center for British Art, 1986-08-26 - 1986-11-09)
2
Alexander and J. R. Cozens (Art Gallery of Ontario, 1987-01-30 - 1987-03-29)
1
Art and Emancipation in Jamaica: Isaac Mendes Belisario and his Worlds (Yale Center for British Art, 2007-09-27 - 2007-12-30)
1
Art in Focus: John Goto's High Summer (Yale Center for British Art, 2018-04-06 - 2018-08-19)
1
Company Culture (Yale Center for British Art, 2003-09-16 - 2004-01-05)
1
Deluge (Yale Center for British Art, 2018-12-18 - 2019-03-24)
1
Edward Lear and the Art of Travel (Yale Center for British Art, 2000-09-20 - 2001-01-14)
1
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
1
From San Juan to Paris and Back : Francisco Oller, His Caribbean, and the Era of Impressionism (Museo de Arte de Puerto Rico, 2016-01-29 - 2016-04-24)
1
From San Juan to Paris and Back : Francisco Oller, His Caribbean, and the Era of Impressionism (The Blanton Museum of Art, 2015-06-14 - 2015-09-06)
1
From San Juan to Paris and Back : Francisco Oller, His Caribbean, and the Era of Impressionism (The Brooklyn Museum of Art, 2015-10-02 - 2016-01-03)
1
Nobleness and Grandeur - Forging Historical Landscape in Britain, 1760 - 1850 (Yale Center for British Art, 2005-01-27 - 2005-04-24)
1
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
1
Richard Wilson and the Transformation of European Landscape Painting (Yale Center for British Art, 2014-03-06 - 2014-06-01)
1
The Art of Paul Sandby (Yale Center for British Art, 1985-04-10 - 1985-06-23)
1
The Creative Printmaker (Joseph and Margaret Muscarelle Museum of Art, 1986-03-05 - 1986-04-20)
1
The Creative Printmaker (Yale Center for British Art, 1985-07-09 - 1985-09-01)
1
William Hodges, RA (1744-1797) (Yale Center for British Art, 2005-01-27 - 2005-04-24)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
36
Yale Center for British Art, Paul Mellon Fund
2
Yale Center for British Art, Gift of Elizabeth S. Robinson
1
Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove
1
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1778
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1
William Hodges, 1744–1797
The Marmalong Bridge
ca. 1783
Not on view
2
William Hodges, 1744–1797
Otley Bridge on the River Wharfe
ca. 1783
Not on view
3
George Morland, 1763–1804
Peasants in a Grotto
undated
4
Jacob More, 1740–1793
A View at Terracina
1778
5
Paul Sandby, 1731–1809
View at Charlton, Kent
ca. 1783
6
Print made by William Woollett, 1735–1785
Solitude
1778
7
Samuel Woodforde, 1763–1817
A Rocky Stream
undated
8
Thomas Walmsley, 1763–1806
Composition: River Winding between High Rocks
undated
9
Sir George Howland Beaumont seventh Baronet, 1753–1827
Ruins Outside Rome
ca. 1783
10
Charles Gore, 1729–1807
Chamonix, Mer de Glace
between 1778 and 1779
11
circle of Edward Dayes, 1763–1804
Milkmaid and Dog in a Landscape
undated
12
Print made by Thomas Vivares, c.1735–c.1790
A View in the Island of Jamaica, of Roaring River Estate, belonging to William Beckford Esq.r near Savannah la Marr
1778
13
Print made by James Mason, 1710–1783
A View in the Island of Jamaica, of the Spring-head of Roaring River on the Estate of William Beckford Esq.r
1778
14
John Melchior Barralet, active 1750–1787
The Old Stables, Petworth
1778
15
Capt. Francis Grose, 1731–1791
Near Torrington, Devonshire
1778
16
John Robert Cozens, 1752–1797
Near Raito on the Gulf of Salerno
ca. 1783
17
John Robert Cozens, 1752–1797
From the Inn at Terracina
ca. 1783
18
John Robert Cozens, 1752–1797
Ariccia
ca. 1783
19
John Robert Cozens, 1752–1797
In the Tyrol
ca. 1783
20
John Robert Cozens, 1752–1797
From Mirabella, the Villa of Count Algarotti on the Euganean Hills
ca. 1783
21
John Robert Cozens, 1752–1797
Vietri and Raito
ca. 1783
22
John Robert Cozens, 1752–1797
At Portici
ca. 1783
23
Edward Dayes, 1763–1804
Cumberland Landscape
undated
24
John Robert Cozens, 1752–1797
Tivoli
1778
25
Samuel Davis, 1760–1819
From Rungpore [Rangpur]
ca. 1783
26
John Robert Cozens, 1752–1797
Isola Borromea, Lago Maggiore
ca. 1783
27
Edward Dayes, 1763–1804
Conway Castle, Caernarvonshire
undated
28
Edward Dayes, 1763–1804
The Island of Hoy, the Orkneys
undated
29
Edward Dayes, 1763–1804
Coast Scene with Mouth of a River
undated
30
Samuel Davis, 1760–1819
Rock Formation Above a Village
undated
31
John Robert Cozens, 1752–1797
Monte Circeo from the Road between Terracina and Velletri
ca. 1783
32
John Robert Cozens, 1752–1797
At Portici, Evening, August 9
ca. 1783
33
John Robert Cozens, 1752–1797
Cypress in the Garden of the Franciscans at Salerno
ca. 1783
34
John Robert Cozens, 1752–1797
On the Coast of Salerno
ca. 1783
35
John Robert Cozens, 1752–1797
Near Aiguebelle
ca. 1783
36
Print made by Valentine Green, 1739–1813
Charles William Henry Scott, Earl of Dalkeith
1778
37
Capt. Henry Pendarves Tremenheere, c.1763–1841
Newlyn from Penzance
undated
38
Capt. Henry Pendarves Tremenheere, c.1763–1841
Newlyn Town
undated
39
Print made by Thomas Bonnor, ca. 1740–ca. 1812
Stanford, the Seat of Sir Edward Winnington, Baronet
undated
40
John White Abbott, 1763–1851
Classical Composition
undated