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Miss Mary Horneck
Creator:
Print made by Robert Dunkarton, 1744–1811
Date:
1778
Materials & Techniques:
Mezzotint (first state) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 20 5/8 × 14 7/8 inches (52.4 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Court of Equity, Belle Savage Inn, Ludgate Hill
Creator:
Robert Laurie, 1755?–1836
Date:
1778
Materials & Techniques:
Photomechanical reproduction of a mezzotint published 1780
Dimensions:
Plate: 12 x 15 7/8in. (30.5 x 40.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lady Elizabeth Herbert and Son
Creator:
Print made by John Dean, 1754–1798
Date:
1778
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
A View in the Island of Jamaica
Creator:
James Mason, 1710–1783
Date:
1778
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection
The Silver Age
Creator:
John Raphael Smith, 1752–1812
Date:
1778
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 × 22 9/16 inches (48.3 × 57.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Love

Love
Creator:
Francesco Bartolozzi, 1728–1815
Date:
ca. 1783
Materials & Techniques:
Stipple engraving on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 4 1/2 × 3 5/8 inches (11.4 × 9.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Avarice, Charity, Devotion, Sacrilege
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1778
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View in the Island of Jamaica, of Roaring River Estate, belonging to William Beckford Esq.r near Savannah la Marr
Creator:
Print made by Thomas Vivares, c.1735–c.1790
Date:
1778
Materials & Techniques:
Line engraving on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 18 1/2 x 22 1/4in. (47 x 56.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View in the Island of Jamaica, of the Spring-head of Roaring River on the Estate of William Beckford Esq.r
Creator:
Print made by James Mason, 1710–1783
Date:
1778
Materials & Techniques:
Line engraving on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 18 1/2 × 22 1/4 inches (47 × 56.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Miss Wicket and Miss Trigger
Creator:
Print made by unknown artist
Date:
1778
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 18 1/2 × 11 1/2 inches (47 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
No cover image available
Creator:
Print made by Valentine Green, 1739–1813
Date:
1778
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 21 1/4 × 15 1/4 inches (54 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
No cover image available
Creator:
Print made by Valentine Green, 1739–1813
Date:
1778
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 19 3/4 × 14 5/8 inches (50.2 × 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
No cover image available
Creator:
Print made by Valentine Green, 1739–1813
Date:
1778
Materials & Techniques:
Mezzotint (first proof) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 18 3/8 × 13 1/2 inches (46.7 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund