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Date 1775
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501
- Wynn Stay in Denbighshire, the Seat of Sir Watkin Williams Wynn Bart
- 1775
502
- Oval Hilly Landscape
- ca. 1780
503
- Design for a Bridge near Somerset Place
- ca. 1780
504
- A Road in a Mountain Landscape with Trees to the Right
- ca. 1780
505
- A Waterfall
- ca. 1780
506
- In the Garden of a Villa
- ca. 1780
507
- The Roman Arch at Canterbury
- ca. 1780
508
- A Design for a Temple at Bellevue House on the Derg, County Tipperary, the Seat of Charles Cooke, Esq
- undated
509
- Coleus edulis Vatke (Ethiopian Potato): finished drawing by J.F. Miller, of leafy flowering shoot, with details of flowers
- 1775
510
- Solanum capsicoides Allioni (Nightshade): finished drawing of flowering and fruiting plant, with details of fruit and flowers
- ca 1775
511
- New Bridge at Durham
- 1775
512
- Blank Page
- 1775
513
- Conisbrough Castle
- 1775
514
- View near Sheffield
- 1775
515
- Cockle Castle near Morpeth in Northumberland
- 1775
516
- Six Landskips Drawn from Nature
- 1775
517
- Jane, Duchess of Gordon
- 1775
518
- Duchess of Buccleuch with her daughter, Lady Mary Scott
- 1775
519
- The Rural Italian's Wedding
- 1775
520
- James Macpherson
- 1775
521
- Elizabeth Lamb, Viscountess Melborne, and Her Son, Peniston Lambe, 1st Viscount Melborne
- 1775
522
- The Cave of Despair, from Spenser
- 1775
523
- Jane, Duchess of Gordon
- 1775
524
- Views in the Levant: The Port of Aegina
- ca. 1780
525
- Views in the Levant: Entrance of the Acropolis at Athens
- ca. 1780
526
- A View of the Parade at Bath
- ca. 1780
527
- Princess Sophia Matilda, Daughter to their Royal Highnesses the Duke and Duchess of Gloucester
- 1775
528
- The Right Reverend Thomas Newton, D.D. Lord Bishop of Bristol, and Dean of St. Paul's
- 1775
529
- Putting Arms in the Hands of the Indians
- undated
530
- Inside View of the Theatre Royal, Drury Lane
- 1775
531
- Landscape in the Lake District
- undated
532
- Lowdore
- undated
533
- Industry and Idleness Exemplified in the Conduct of Two Fellow Apprentices in Twelve Moral & Instructive Prints
- 1775
534
- Untitled Figure Drawing
- undated
535
- Untitled Figure Drawing
- undated
536
- Portrait of Mrs. Elliot Reigate, or Mrs. Elliot of Reigate
- ca. 1780
537
- Conisbrough Castle, Yorkshire
- 1775
538
- A catalogue of the genuine collection of pictures, of Mrs. Gamberini, widow of the late Charles Gamberini Esq., deceased, by whom these pictures were collected, at a great expence out of the principal cabinets abroad : consisting of the most eminent and approved masters of the Italian and other schools, amongst which are the undoubted works of Titian, Corregio, Raphael, Rembrant, Rubens, Vandyke, Poussin, Albert Durer, Carracci, Guercino, Guido, Zucharelli, Demenichino, Gio. Dom. Porta, Michael Angelo and other scarce performances, some remarkably curious : also her houshold furniture, an exceeding fine ton'd double key'd harpsichord, by Hawes of Hamburgh : a ditto single key'd harpsichord, with two unison, by Jos. Shudi, in a neat mahogany case : a neat brass measuring wheel, by Adams, on a new construction; and a great variety of other valuable effects : which by order of the executrix will be sold at publick auction by Miles Nightingall, on Wednesday the 10th May, 1775, and two following days, at his great room, the end of Saville Row, next Conduit-Street : beginning each day punctually at 12 o'clock : catalogues may be had as above, the Rainbow Coffee-House Cornhill, and at the auctioneer's in Golden Square
- [1775]
539
- XII views in aquatinta from drawings taken on the spot in South-Wales
- MDCCLXXV [1775-1776]
540
- Exposition anatomique des organes des sens
- MDCCLXXV [1775]
541
- Tree
- not after 1828
542
- British or Irish (?), Neoclassical frame
- 4th quarter of 18th century
543
- British or Irish (?), Neoclassical frame
- 4th quarter of 18th century
544
- British, 'Carlo Maratta' frame
- 4th quarter of 18th century
545
- British Neoclassical frame
- 4th quarter of 18th century
546
- British Neoclassical frame
- 4th quarter of 18th century
547
- British Neoclassical frame
- 4th quarter of 18th century
548
- British Neoclassical frame
- 4th quarter of 18th century
549
- British, 'Carlo Maratta' frame
- 4th quarter of 18th century
550
- British, Neoclassical, "Romey" frame
- 4th quarter of 18th century
551
- British, Neoclassical frame
- 4th quarter of 18th century
552
- British, Neoclassical frame
- 4th quarter of 18th century
553
- British, Neoclassical frame
- 4th quarter of 18th century
554
- British, Neoclassical, "Romney" frame
- 4th quarter of 18th century
555
- British, Neoclassical frame
- 4th quarter of 18th century
556
- British, 'Carlo Maratta' frame
- 4th quarter of 18th century
557
- British, Neoclassical frame
- 4th quarter of 18th century
558
- British, Neoclassical frame
- 4th quarter of 18th century
559
- British, Neoclassical frame
- 4th quarter of 18th century
560
- British, Neoclassical frame
- 4th quarter of 18th century
561
- British, Baroque frame
- 4th quarter of 18th century
562
- British, Neoclassical frame
- 4th quarter of 18th century
563
- British, 'Carlo Maratta' - NeoClassical variant frame
- 4th quarter of 18th century
564
- British (?), Neoclassical frame
- 4th quarter of 18th century
565
- British, Neoclassical frame
- 4th quarter of 18th century
566
- British, Neoclassical, 'Wright of Derby' frame
- 4th quarter of 18th century
567
- British, Neoclassical, 'Wright of Derby' frame
- 4th quarter of 18th century
568
- British, Neoclassical frame
- 4th quarter of 18th century
569
- British 'Carlo Maratta' - Neoclassical variant frame
- 4th quarter of 18th century
570
- British, Neoclassical frame
- 4th quarter of 18th century
571
- British, Neoclassical frame
- 4th quarter of 18th century
572
- British, Neoclassical frame
- 4th quarter of 18th century
573
- British, Neoclassical frame
- 4th quarter of 18th century
574
- British, Neoclassical frame
- 4th quarter of 18th century
575
- British, Neoclassical frame
- 4th quarter of 18th century
576
- British, Neoclassical frame
- 4th quarter of 18th century
577
- British, 'Carlo Maratta' frame
- 4th quarter of 18th century
578
- British 'Carlo Maratta' frame
- 4th quarter of 18th century
579
- British, 'Carlo Maratta' frame
- 4th quarter of 18th century
580
- British, 'Carlo Maratta' frame
- 4th quarter of 18th century
581
- British, 'Carlo Maratta' frame
- 4th quarter of 18th century
582
- British, 'Carlo Maratta' - NeoClassical Variant frame
- 4th quarter of 18th century
583
- British Baroque frame
- 3rd quarter of 18th century
584
- British, Provincial variant 'Carlo Maratta' frame
- 4th quarter of 18th century
585
- British 'Carlo Maratta' frame
- 4th quarter of 18th century
586
- British, 'Carlo Maratta' frame
- 4th quarter of 18th century
587
- British, 'Carlo Maratta' frame
- 4th quarter of 18th century
588
- British 'Carlo Maratta' frame
- 4th quarter of 18th century
589
- British, 'Carlo Maratta' frame
- 4th quarter of 18th century
590
- British, Neoclassical frame
- 4th quarter of 18th century
591
- British, 'Carlo Maratta' frame
- 3rd quarter of 18th century
592
- British, 'Carlo Maratta' - NeoClassical variant frame
- 4th quarter of 18th century
593
- British, Neoclassical frame
- 4th quarter of 18th century
594
- British Neoclassical frame
- 4th quarter of 18th century
595
- British, Neoclassical frame
- 4th quarter of 18th century
596
- British, Neoclassical frame
- 4th quarter of 18th century
597
- British Provincial 'Carlo Maratta' frame
- 4th quarter of 18th century
598
- British, 'Carlo Maratta' frame
- 4th quarter of 18th century
599
- British, 'Carlo Maratta' frame
- 4th quarter of 18th century
600
- British, 'Carlo Maratta' - NeoClassical variant frame
- 4th quarter of 18th century