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Collection
Prints and Drawings
15
Paintings and Sculpture
1
Creator
Serres, John Thomas, 1759–1825
13
Boydell, John, 1720–1804
2
Earlom, Richard, 1743–1822
2
Lorrain, Claude, 1600–1682
2
Wright, Joseph, 1734–1797
1
Date
1774
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1800
9
1767
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1850
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1745
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1820
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1790
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1803
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1764
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1833
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1857
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1631
2
1759
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1778
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1784
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1787
2
1788
2
1789
2
1791
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1797
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1805
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1807
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1808
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1812
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1819
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1822
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1840
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1900
2
1946
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1630
1
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1747
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1756
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1
1783
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1
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1
1802
1
1804
1
1818
1
1824
1
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1
1828
1
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1
1830
1
1831
1
1832
1
1835
1
1843
1
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1
1848
1
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1
1852
1
1859
1
1861
1
1864
1
1875
1
1886
1
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1
1893
1
1904
1
1907
1
1910
1
1914
1
1918
1
1920
1
1921
1
On-site Access
Accessible by appointment in the Study Room
15
Not on view
1
Image Use
Free to Use
16
Image Available
Available
16
Classification
Drawings & Watercolors
13
Prints
2
Paintings
1
Creator Gender
male
16
Collective Title
Liber Veritatis
2
Period
18th century-19th century
13
18th century
3
Materials & Techniques
graphite
12
watercolor
12
wove paper
11
brown ink
4
etching (printing process)
2
laid paper
2
mezzotint
2
canvas
1
oil paint
1
painting (technique)
1
Height [cm]
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117
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141
Work Type
drawing
13
watercolor
13
intaglio print
2
painting
1
Genre
landscape
14
architectural subject
2
genre subject
2
marine art
2
Subject Terms
coast
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16
sea
14
cliffs
13
landscape
13
hills
10
beach
3
castle
3
architectural subject
2
coats
2
genre subject
2
labor
2
lighthouse
2
marine art
2
peninsula
2
rocks (landforms)
2
ships
2
shore (landform)
2
working
2
Grand Tour
1
anchor (watercraft equipment)
1
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Subject Terms
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Associated Places
England
4
United Kingdom
4
Cornwall
1
Devon
1
Dover
1
Dover castle
1
Europe
1
Falmouth
1
Freshwater Bay
1
Isle of Wight
1
Italy
1
Kent
1
Naples
1
Start Point
1
Ventnor
1
Exhibition History
Spreading Canvas - Eighteenth - Century British Marine Painting (Yale Center for British Art, 2016-09-09 - 2016-12-04)
1
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
13
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Theodore Sizer
2
Yale Center for British Art, Bequest of Pamela Askew
1
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1
Joseph Wright of Derby, 1734–1797
Cavern, near Naples
1774
Not on view
2
Print made by Richard Earlom, 1743–1822
View of a Sea Port
1774
3
Print made by Richard Earlom, 1743–1822
Scene of a Storm, with a Vessel Wrecked
1774
4
John Thomas Serres, 1759–1825
Bolt Head, South East, 1/2 South (4 or 5 miles)
undated
5
John Thomas Serres, 1759–1825
St. Maws Castle, Falmouth, East South East
undated
6
John Thomas Serres, 1759–1825
The Start, West North West
undated
7
John Thomas Serres, 1759–1825
The Start Point, North East by North (one of five drawings on one mount)
undated
8
John Thomas Serres, 1759–1825
Dunmose, West by North (one of five drawings on one mount)
undated
9
John Thomas Serres, 1759–1825
Dover Castle, North East, 1/2 North (one of five drawings on one mount)
undated
10
John Thomas Serres, 1759–1825
The Bill of Portland (one of three drawings on one mount)
undated
11
John Thomas Serres, 1759–1825
The Needles Bearing East (one of five drawings on one mount)
undated
12
John Thomas Serres, 1759–1825
The Ram Head (one of five drawings on one mount)
undated
13
John Thomas Serres, 1759–1825
Piveral Point (one of five drawings on one mount)
undated
14
John Thomas Serres, 1759–1825
The North Foreland (one of three drawings on one mount)
undated
15
John Thomas Serres, 1759–1825
Ram Head, North by West (2 miles distance)
undated
16
John Thomas Serres, 1759–1825
The High Land of Dungarven, West by North
undated