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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
17
Creator
Serres, John Thomas, 1759–1825
16
Cozens, John Robert, 1752–1797
1
Date
1814
39
1867
37
1774
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17
1745
10
1764
5
1804
5
1772
4
1793
4
1800
4
1820
4
1866
4
1781
3
1784
3
1785
3
1790
3
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3
1799
3
1808
3
1809
3
1827
3
1845
3
1762
2
1765
2
1768
2
1788
2
1797
2
1803
2
1810
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1832
2
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2
1631
1
1700
1
1739
1
1746
1
1751
1
1755
1
1769
1
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1778
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1
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1
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1
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1
1834
1
1837
1
1839
1
1840
1
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1
1843
1
1846
1
1848
1
1855
1
1859
1
1865
1
1890
1
1904
1
1947
1
On-site Access
Accessible by appointment in the Study Room
17
Image Use
Free to Use
17
Image Available
Available
17
Classification
Drawings & Watercolors
17
Creator Gender
male
17
Period
18th century-19th century
16
18th century
1
Materials & Techniques
graphite
16
watercolor
16
wove paper
14
brown ink
3
black ink
1
black wash
1
Height [cm]
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37
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Current results range from
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52
Work Type
drawing
17
watercolor
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17
Genre
landscape
17
marine art
1
Subject Terms
cliffs
[remove]
17
landscape
16
sea
14
coast
11
hills
10
beach
2
grasses
2
lighthouse
2
peninsula
2
Grand Tour
1
buildings
1
castle
1
clouds
1
flag
1
island
1
marine art
1
mountains
1
rocks (landforms)
1
ship
1
trees
1
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Subject Terms
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Associated Places
England
5
United Kingdom
5
Europe
3
Devon
2
Gibraltar
2
Campagna
1
Dorset
1
Dover
1
Dover castle
1
Freshwater Bay
1
Isle of Wight
1
Italy
1
Kent
1
Nemi
1
Nemi, Lago di
1
Salcombe
1
Start Point
1
Swanage
1
Swanage Bay
1
Ventnor
1
Exhibition History
Classic Ground - British Artists and the Landscape of Italy, 1740-1830 (Yale Center for British Art, 1981-07-29 - 1981-09-20)
1
Romance and Reality (Wildenstein) (Wildenstein & Company, Inc., 1978-09-22 - 1978-12-07)
1
Spreading Canvas - Eighteenth - Century British Marine Painting (Yale Center for British Art, 2016-09-09 - 2016-12-04)
1
The Art of Alexander and John Robert Cozens (Yale Center for British Art, 1980-09-17 - 1980-11-16)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
17
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Date
1774
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watercolor
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cliffs
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1
John Thomas Serres, 1759–1825
Ram Head, North by West (2 miles distance)
undated
2
John Thomas Serres, 1759–1825
Old Harry, Swanage Bay
undated
3
John Thomas Serres, 1759–1825
The Start Point, North East by North (one of five drawings on one mount)
undated
4
John Thomas Serres, 1759–1825
Dunmose, West by North (one of five drawings on one mount)
undated
5
John Thomas Serres, 1759–1825
The Bolt Head, West North West (one of five drawings on one mount)
undated
6
John Thomas Serres, 1759–1825
The South Foreland (one of three drawings on one mount)
undated
7
John Thomas Serres, 1759–1825
The Ram Head (one of five drawings on one mount)
undated
8
John Thomas Serres, 1759–1825
The Bill of Portland (one of three drawings on one mount)
undated
9
John Thomas Serres, 1759–1825
Piveral Point (one of five drawings on one mount)
undated
10
John Thomas Serres, 1759–1825
Gibraltar, South West by West
undated
11
John Thomas Serres, 1759–1825
Gibraltar, The Signal House
undated
12
John Thomas Serres, 1759–1825
The Start, West North West
undated
13
John Thomas Serres, 1759–1825
Bolt Head, South East, 1/2 South (4 or 5 miles)
undated
14
John Thomas Serres, 1759–1825
The High Land of Dungarven, West by North
undated
15
John Thomas Serres, 1759–1825
Dover Castle, North East, 1/2 North (one of five drawings on one mount)
undated
16
John Thomas Serres, 1759–1825
The Needles Bearing East (one of five drawings on one mount)
undated
17
John Robert Cozens, 1752–1797
The Lake and Town of Nemi
ca. 1779