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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
23
Creator
Serres, John Thomas, 1759–1825
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23
Date
1774
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23
1791
2
1674
1
1775
1
On-site Access
Accessible by appointment in the Study Room
23
Image Use
Free to Use
23
Image Available
Available
23
Classification
Drawings & Watercolors
23
Creator Gender
male
23
Period
18th century-19th century
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23
Materials & Techniques
watercolor
21
graphite
20
wove paper
16
brown ink
4
laid paper
2
black ink
1
gray ink
1
pen
1
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64
Work Type
watercolor
23
drawing
22
Genre
landscape
18
marine art
4
cityscape
1
genre subject
1
Subject Terms
landscape
17
cliffs
16
sea
16
coast
13
hills
11
beach
2
castle
2
grasses
2
lighthouse
2
marine art
2
peninsula
2
rocks (landforms)
2
Land
1
boats
1
field
1
figure study
1
flag
1
genre subject
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island
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men
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Associated Places
England
6
United Kingdom
6
Europe
4
Devon
2
Gibraltar
2
Cornwall
1
Dorset
1
Dover
1
Dover castle
1
Falmouth
1
Freshwater Bay
1
Isle of Wight
1
Kent
1
Salcombe
1
Start Point
1
Swanage
1
Swanage Bay
1
Ventnor
1
Associated People
Shakespeare, William (1564–1616), playwright and poet
1
Exhibition History
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
1
Spreading Canvas - Eighteenth - Century British Marine Painting (Yale Center for British Art, 2016-09-09 - 2016-12-04)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
23
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Date
1774
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Period
18th century-19th century
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Creator
Serres, John Thomas, 1759–1825
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1
John Thomas Serres, 1759–1825
Plymouth Roads
undated
2
John Thomas Serres, 1759–1825
Italian Peasants
undated
3
John Thomas Serres, 1759–1825
The Bolt Head, West North West (one of five drawings on one mount)
undated
4
John Thomas Serres, 1759–1825
Dunmose, West by North (one of five drawings on one mount)
undated
5
John Thomas Serres, 1759–1825
The South Foreland and Shakespeare's Cliff (one of five drawings on one mount)
undated
6
John Thomas Serres, 1759–1825
The North Foreland (one of three drawings on one mount)
undated
7
John Thomas Serres, 1759–1825
Rochester
undated
8
John Thomas Serres, 1759–1825
St. Maws Castle, Falmouth, East South East
undated
9
John Thomas Serres, 1759–1825
The High Land of Dungarven, West by North
undated
10
John Thomas Serres, 1759–1825
The Start, West North West
undated
11
John Thomas Serres, 1759–1825
Old Harry, Swanage Bay
undated
12
John Thomas Serres, 1759–1825
Dover Castle, North East, 1/2 North (one of five drawings on one mount)
undated
13
John Thomas Serres, 1759–1825
The Bill of Portland (one of three drawings on one mount)
undated
14
John Thomas Serres, 1759–1825
The South Foreland (one of three drawings on one mount)
undated
15
John Thomas Serres, 1759–1825
Piveral Point (one of five drawings on one mount)
undated
16
John Thomas Serres, 1759–1825
The Ram Head (one of five drawings on one mount)
undated
17
John Thomas Serres, 1759–1825
The Needles Bearing East (one of five drawings on one mount)
undated
18
John Thomas Serres, 1759–1825
Ram Head, North by West (2 miles distance)
undated
19
John Thomas Serres, 1759–1825
Gibraltar, The Signal House
undated
20
John Thomas Serres, 1759–1825
Bolt Head, South East, 1/2 South (4 or 5 miles)
undated
21
John Thomas Serres, 1759–1825
Gibraltar, South West by West
undated
22
John Thomas Serres, 1759–1825
The Start Point, North East by North (one of five drawings on one mount)
undated
23
John Thomas Serres, 1759–1825
Southampton Water
undated