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The museum is reopening to the public in March 2025.
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Collection
Prints and Drawings
4
Creator
Dance, Nathaniel, 1735–1811
1
Fisher, Edward, 1722–1785
1
Gilpin, William, 1724–1804
1
Hall, John, 1739–1797
1
Reynolds, Joshua, Sir, 1723–1792
1
Rosa, Salvator, 1615–1673
1
Ryland, William Wynne, 1732–1783
1
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1795
13
1745
9
1772
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1764
7
1792
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1793
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1800
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2004
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1730
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1771
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1775
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1780
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1781
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1790
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2005
4
1761
3
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1806
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1866
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1870
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1915
2
1974
2
1994
2
1630
1
1683
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1735
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1738
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1750
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1890
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1902
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1906
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On-site Access
Accessible in the Study Room
4
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4
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4
Classification
Prints
3
Drawings & Watercolors
1
Creator Gender
male
4
Collective Title
Iconographie Anglaise par Reynolds et Autres
1
Period
18th century
4
Materials & Techniques
laid paper
3
mezzotint
2
brown ink
1
brown wash
1
graphite
1
gray wash
1
gum
1
pen
1
wove paper
1
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53
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58
Work Type
intaglio print
2
drawing
1
watercolor
1
Genre
portrait
2
landscape
1
Subject Terms
dark
1
figures
1
forest
1
landscape
1
night
1
path
1
portrait
1
trees
1
walking
1
Exhibition History
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
3
Yale Center for British Art, Paul Mellon Fund
1
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Date
1771
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53
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1
Edward Fisher, 1722–1785
Miss Morris, as Hope Nursing Cupid
1771
2
John Hall, 1739–1797
Untitled - Man in bearskin seated holding a shovel, two women in the center and a Roman on the right
1771
3
Rev. William Gilpin, 1724–1804
Forest Scene
1771
4
Print made by William Wynne Ryland, 1732–1783
Diogenes
1771