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Collection
Prints and Drawings
81
Paintings and Sculpture
5
Creator
Romney, George, 1734–1802
44
Stothard, Thomas, 1755–1834
22
Miller, James, active 1773–1814
4
Brookshaw, Richard, 1736–1804
2
Brunias, Agostino, 1728–1796
2
Adam, Robert, 1728–1792
1
Baillie, William, 1723–1810
1
Bowles, Carington, 1724–1793
1
Collet, John, ca. 1725–1780
1
Dawe, Philip, ca.1750–ca.1790
1
Flaxman, John, 1755–1826
1
Greville, Louisa Augusta Lady, 1743–active 1762
1
Guercino, Giovanni Francesco Barbieri, 1591–1666
1
Heissig, Franz Carl, active 1770
1
Le, Nain Mathieu
1
Marlow, William, 1740–1813
1
Mitford, Mary, active 1770
1
Morland, George, 1763–1804
1
Morland, Henry Robert, 1730–1797
1
Mortimer, John Hamilton, 1740–1779
1
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Date
1772
148
1790
98
1770
[remove]
86
1960
79
1800
74
1850
58
1784
53
1775
48
1855
46
1817
43
1825
43
1795
42
1754
41
1867
41
1793
40
1835
40
1786
38
1818
38
1813
37
1828
37
1798
35
1715
34
1745
34
1805
34
1810
34
1740
33
1785
33
1807
32
1812
32
1789
31
1820
31
1765
30
1792
29
1821
29
2004
29
1799
28
1824
28
1830
28
1719
27
1788
27
1822
27
1771
26
1755
24
1762
24
1774
24
1815
24
1782
23
1787
23
1797
23
1933
23
1965
23
1748
22
1780
22
1925
22
1929
22
1717
21
1819
21
1827
21
1773
20
1801
20
1808
20
1826
20
1749
19
1750
19
1791
19
1840
19
1873
19
1764
18
1779
18
1823
18
1832
18
1675
17
1700
17
1767
17
1776
17
1783
17
1794
17
1842
17
1836
16
1847
16
1803
15
1831
15
1837
15
1838
15
1932
15
1814
14
1843
14
1848
14
1849
14
1864
14
1736
13
1747
13
1809
13
1908
13
1796
12
1802
12
1804
12
1806
12
1834
12
1857
12
On-site Access
Accessible in the Study Room
81
Not on view
5
Image Use
Free to Use
86
Image Available
Available
[remove]
86
Classification
Drawings & Watercolors
73
Prints
7
Paintings
5
Drawing & Watercolors-Architectural
1
Creator Gender
male
85
female
2
Collective Title
Selection from a Sketchbook of London Views
4
Period
18th century
62
18th century-19th century
22
19th century
1
Materials & Techniques
laid paper
54
graphite
37
brown ink
30
wove paper
18
gray wash
15
pens
15
black ink
13
watercolor
6
mezzotint
5
painting (technique)
5
pen
4
etching (printing process)
3
oil paint
3
brown wash
2
canvas
2
gray ink
2
gouache
1
panel (wood)
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
8
to
112
Unknown
1
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
7
to
142
Unknown
1
Work Type
drawing
74
watercolor
27
intaglio print
6
painting
5
Genre
genre subject
86
figure study
47
architectural subject
5
cityscape
4
landscape
3
portrait
2
still life
2
Subject Terms
genre subject
[remove]
86
figure study
25
woman
20
men
15
Kenilworth, by Walter scott, 1821
12
women
9
man
8
seated
8
courtiers
7
hats
7
trees
7
costume
6
swords
6
architectural subject
5
children
5
standing
5
boy
4
buildings
4
cityscape
4
cloak
4
more
Subject Terms
»
Associated Places
United Kingdom
5
England
4
London
4
Greater London
2
Banqueting House
1
Caribbean
1
Dumfries and Galloway
1
Europe
1
France
1
Heathan House
1
Kirkdale
1
Putney
1
Scotland
1
Seine
1
Twickenham
1
West Indies
1
Westminster
1
Whitehall
1
Wigtownshire
1
Associated People
Jones, Inigo (1573–1652), architect and theatre designer
1
Sir Roger de Coverley (character in The Spectator, 1711)
1
Exhibition History
Canaletto to Constable: Paintings of Town and Country from the Yale Center for British Art (Wadsworth Atheneum Museum of Art, 1998-02-08 - 1998-04-26)
2
Historias Afro-Atlanticas (Instituto Tomie Ohtake, 2018-06-28 - 2018-10-21)
2
Art in Focus : John Flaxman Modeling Bust of William Hayley (Yale Center for British Art, 2010-02-04 - 2010-05-30)
1
British Architectural Drawings (Yale Center for British Art) (Yale Center for British Art, 1982-04-21 - 1982-05-30)
1
British Comic Art 1730 - 1830 (Museum of Art and Archaelogy, University of Missouri-Columbia, 1988-10-14 - 1988-12-04)
1
Canaletto to Constable: Paintings of Town and Country from the Yale Center for British Art (Ferrara Galleries of Modern & Contemporary Art, 2001-02-25 - 2001-05-20)
1
Canaletto to Constable: Paintings of Town and Country from the Yale Center for British Art (The Grand Rapids Art Museum, 1999-10-22 - 2000-01-02)
1
Country Houses in Great Britain - Yale Center for British Art (Yale Center for British Art, 1979-10-10 - 1980-01-29)
1
Crown Pictorial - Art and the British Monarchy (Yale Center for British Art, 1990-12-05 - 1991-02-17)
1
Life in England 1750 - 1850 (Paul Mellon Arts Center, 1990-03-27 - 1990-05-21)
1
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
1
Roads to Rails - Revolution in British Transport (Yale Center for British Art, 1992-04-15 - 1992-06-28)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
30
Yale Center for British Art, Paul Mellon Fund
25
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938
16
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery
6
Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove
4
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
3
Yale Center for British Art, Yale Art Gallery Collection
1
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, Yale BA 1938
1
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Date
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1
William Marlow, 1740–1813
Whitehall
ca. 1775
Not on view
2
George Morland, 1763–1804
A Soldier's Return
late 18th century
Not on view
3
John Collet, ca. 1725–1780
Scene in a London Street
1770
Not on view
4
Agostino Brunias, 1728–1796
A Mother with her Son and a Pony
ca. 1775
Not on view
5
Agostino Brunias, 1728–1796
Servants Washing a Deer
ca. 1775
Not on view
6
George Romney, 1734–1802
Figure Composition Study 50
1770s
7
George Romney, 1734–1802
Study of Two Figures and a Face
1770s
8
George Romney, 1734–1802
Figure Study 10
1770s
9
George Romney, 1734–1802
Figure Composition Study 49
1770s
10
George Romney, 1734–1802
Figure Study of a Woman
1770s
11
George Romney, 1734–1802
Composition of Two Figures
1770s
12
George Romney, 1734–1802
Figure Composition Study 39
1770s
13
George Romney, 1734–1802
Figure Composition Study 9
1770s
14
George Romney, 1734–1802
Figure Composition Study 11
1770s
15
George Romney, 1734–1802
Figure Composition Study 17
1770s
16
George Romney, 1734–1802
Figure Composition Study 25
1770s
17
George Romney, 1734–1802
Two Figure Studies 30
1770s
18
George Romney, 1734–1802
Figure Composition Study 2
early 1770s
19
George Romney, 1734–1802
Figure Composition Study 8
1770s
20
George Romney, 1734–1802
Figure Composition Study 14
early 1770s
21
George Romney, 1734–1802
Figure Study 9
1770s
22
George Romney, 1734–1802
Figure Composition Study 27
1770s
23
George Romney, 1734–1802
Figure Composition Study 34
1770s
24
George Romney, 1734–1802
Figure Composition Study 36
1770s
25
George Romney, 1734–1802
Figure Composition Study 37
1770s
26
George Romney, 1734–1802
Study of Two Seated Figures
1770s
27
George Romney, 1734–1802
Three Sketches of a Man in Uniform
1770-1771
28
George Romney, 1734–1802
Seated Woman
1770s
29
George Romney, 1734–1802
Figure Composition; possibly Samson and Delilah
1770s
30
George Romney, 1734–1802
Seated Woman, Lightly Draped
1770s
31
George Romney, 1734–1802
Seated Woman, Possibly Mrs. Harris
1770s
32
George Romney, 1734–1802
Agitated Youth
1770s
33
George Romney, 1734–1802
Seated Woman: Possibly Mrs. Harris
early 1770s
34
George Romney, 1734–1802
Study for a Portrait of a Woman
1770s
35
George Romney, 1734–1802
Sketches for Reclining and Prostrate Figures
1770s
36
George Romney, 1734–1802
Reclining Figures
1770s
37
George Romney, 1734–1802
Crowd before a Prophetess
1770s
38
George Romney, 1734–1802
Seated Woman
1770s
39
George Romney, 1734–1802
Seated and Standing Figures
1770s
40
George Romney, 1734–1802
Two Studies of Couples Dancing
1770s
41
George Romney, 1734–1802
Seated Woman
1770s
42
George Romney, 1734–1802
Study of a Seated Woman
1770s
43
George Romney, 1734–1802
Two Putti
1770s
44
George Romney, 1734–1802
Studies of Children Examining a Book
1770s
45
George Romney, 1734–1802
Standing Woman with Classical Drapery
1770s
46
George Romney, 1734–1802
Study for a Portrait of a Standing Man
1770s
47
George Romney, 1734–1802
Figure of an Old Man
1770s
48
George Romney, 1734–1802
Two Standing Figures
1770s
49
George Romney, 1734–1802
Two Standing Youths
late 1770s
50
Thomas Stothard, 1755–1834
Illustration to the Virtuous Orphan
undated
51
Thomas Stothard, 1755–1834
Illustration to the Virtuous Orphan
undated
52
Thomas Stothard, 1755–1834
Frieze of a Medieval Wedding
undated
53
Thomas Stothard, 1755–1834
Charity Children and Little Vagabonds
undated
54
Thomas Stothard, 1755–1834
A Woman Rescued from the Sea and Assisted Ashore, Rowing Boat and Rescuers in Background
undated
55
Thomas Stothard, 1755–1834
Solicitude: A Man Supporting a Fainting Woman
undated
56
Print made by Philip Dawe, ca.1750–ca.1790
The Pretty Maid with Her Apron Before the Candle
1770
57
Thomas Stothard, 1755–1834
February 1st: Amy Fear Me Not (Vol. 1, p. 81)February 2nd: [Tressilian] Drew His Sword as He Spoke (Vol. 1, P. 89)
undated
58
Thomas Stothard, 1755–1834
January 1st: "of all the birds on bush or tree" (Vol. 1, p.30)January 2nd: The Stood in an Avenue (Vol. 1, p. 54)
undated
59
Thomas Stothard, 1755–1834
June 1st: There Is Nothing to Be Feared (Vol. 2, p. 83)June 2nd: [Laid if] on the [Very] Spot (Vol. 2, p. 48)
undated
60
Thomas Stothard, 1755–1834
March 1st: Listening to the Prattle of Her Attendant (Vol. 1, p. 127)March 2nd: I Will Sit on This Footstool at Thy Feet (Vol. 1, p. 148)
undated
61
Thomas Stothard, 1755–1834
July 1st: She [Sat] Beneath an Awning (Vol. 2, p. 50)July 2nd: Here Sussex is My Hand (Vol. 2, p. 85)
undated
62
Thomas Stothard, 1755–1834
May 1st: No Man Lives That Looks on Him (Vol. 1, p. 255)May 2nd: He Found Only Two Gentlemen (Vol. 2, p. 23)
undated
63
Thomas Stothard, 1755–1834
December 1st: The Mangled and Yet Warm Remains (Vol. 3, p. 343)December 2nd: Had There Perished Miserably (Vol. 3, p. 345)
undated
64
Thomas Stothard, 1755–1834
April 1st: It is I your Host (Vol. 1, p. 199)April 2nd: There is a Marsh [Hard] By (Vol. 1, p. 257)
undated
65
Thomas Stothard, 1755–1834
November 1st: Where is My Lord of Leicester (Vol. 3, p. 164)November 2nd: Die a Liar as They Hast Lived (Vol. 3, p. 282)
undated
66
Thomas Stothard, 1755–1834
August 1st: She Wrote Her Own Line (Vol. 2, p. 141)August 2nd: Amen! [Pretty] Janet (Vol. 2, p. 286)
undated
67
Thomas Stothard, 1755–1834
October 1st: Yeomen Make Room (Vol. 2, p. 335)October 2nd: She Stood With One Foot Advanced (Vol. 3, p. 156)
undated
68
Thomas Stothard, 1755–1834
September 1st: The High Roads Were Filled (Vol. 2, p. 324)September 2nd: The Princely Castle Appeared (Vol. 2, p. 329)
undated
69
James Miller, active 1773–1814
Near Putney
1770s
70
Mary Mitford, active 1770
On the Seine
1770
71
John Hamilton Mortimer, 1740–1779
A Man Kneeling
1770
72
Robert Adam, 1728–1792
Study for a Stable Court of Kirkdale, Wigtownshire, Scotland
between 1770 and 1780
73
Thomas Stothard, 1755–1834
Twenty Young Girls in a Group Walking to the Left
undated
74
Print made by Richard Brookshaw, 1736–1804
The Contented Dutchmen
1770
75
Print made by James Watson, 1740–1790
The Honourable. Mrs. Bouverie and Her Child
1770
76
Print made by Franz Carl Heissig, active 1770
La petite marchande de carpe
ca. 1775
77
Print made by Richard Brookshaw, 1736–1804
The Ragged Concert
1770
78
William Baillie, 1723–1810
Parish Orphans
1770
79
Louisa Augusta Greville, 1743–active 1762
Two People Fording a River, Dog on Riverbank, Round Building in Middle Distance
1770
80
James Miller, active 1773–1814
Figures on a Street
1770s
81
James Miller, active 1773–1814
Gentlemen Punting near a Country Villa/ Heathan House, Twickenham
1770s
82
James Miller, active 1773–1814
Gentlemen Punting
1770s
83
Thomas Stothard, 1755–1834
A Girl Giving a Key to a Cavalier
undated
84
Thomas Stothard, 1755–1834
The Club
undated
85
Thomas Stothard, 1755–1834
Sir Roger de Coverly
undated
86
John Flaxman, 1755–1826
Two Women Talking to a Man at a Counter
undated