Date: 1770 / Period: 18th century-19th century / Image Use: Free to Use

1. A Study for the Wellington Monument

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 8 inches (25.1 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Westminster Bridge and the Royal Barge (The Royal Barge and Westminster)

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Gray wash and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/8 × 5 1/2 inches (10.5 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Sketch of Classical Figures in Action

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 15/16 x 9 5/8in. (22.7 x 24.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Study for Telemachus

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Pen and brown ink; verso: graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 9 1/8 × 11 7/8 inches (23.2 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Classical Figures Drawing

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Graphite and pen and black ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 5 1/8 × 5 3/4 inches (13 × 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Study for the Wellington Shield

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slighltly textured, cream wove paper
Dimensions:: Sheet: 8 3/8 × 6 7/8 inches (21.3 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. For the Triumph of Britannia

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Pen and gray ink; verso: pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/8 × 6 1/2 inches (10.5 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Relief Design for a Silver Salt Cellar

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Brown wash and graphite with pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 4 1/2 × 8 3/8 inches (11.4 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Apollo Preceding Hector with His Aegis, and Dispersing the Greeks, Fuseli's Lectures

Creator:: John Flaxman, 1755–1826
Date:: undated
Materials & Techniques:: Graphite, black chalk, red chalk, watercolor, and gouache on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 x 11 5/8 inches (20.3 x 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. The Adoration of the Magi, a Design for Bas Relief

Creator:: John Flaxman, 1755–1826
Date:: undated
Materials & Techniques:: Graphite, gray wash, and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 x 18 inches (28.3 x 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Miss Haffey

Creator:: Robert Laurie, 1755?–1836
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Francis Drake Esqr.

Creator:: John Young, 1755–1825
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 13/16 × 14 inches (50.3 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Trees in the Villa Negroni Planted by M. Angelo

Creator:: John Flaxman, 1755–1826
Date:: undated
Materials & Techniques:: Black ink and varnish on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 6 1/4 x 8 inches (15.9 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

14. Untitled

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Brown wash, brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 3/16 × 2 3/4 inches (10.6 × 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Anonymous Gift

15. Tree Study

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Gray wash and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 × 8 1/2 inches (17.8 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Girl, Full Length, Facing Front

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink on medium, slightly textured, cream laid paper mounted on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/8 × 2 3/8 inches (11.7 × 6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Back of Naked Figure

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/8 × 1 1/8 inches (5.4 × 2.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Charity Children and Little Vagabonds

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/4 × 6 3/4 inches (14.6 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Girl, Full Length, Facing Right

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 3/8 × 1 3/4 inches (11.1 × 4.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Twenty Young Girls in a Group Walking to the Left

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Brown wash and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 5/8 × 5 1/2 inches (11.7 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Seated Girl by an Urn

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Gray wash, brown wash, and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 2 3/8 × 2 1/2 inches (6 × 6.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Solicitude: A Man Supporting a Fainting Woman

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 7/8 × 4 3/8 inches (17.5 × 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Study of Trees

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Graphite, gray wash, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 × 8 3/4 inches (17.8 × 22.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. A Woman Rescued from the Sea and Assisted Ashore, Rowing Boat and Rescuers in Background

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 8 5/8 inches (16.5 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Frieze of a Medieval Wedding

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Gray wash, graphite, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 3/8 × 9 1/8 inches (8.6 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Illustration to the Virtuous Orphan

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 7/8 × 2 7/8 inches (12.4 × 7.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Study for Illustration - A Princess with her Attendants

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Gray wash and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 5/8 × 7 inches (19.4 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Chinese Flower Seller

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Watercolor with pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 9 5/8 × 7 1/2 inches (24.4 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Memoranda

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Watercolor with pen and black ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 9 7/16 × 6 3/4 inches (24 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Chinese Youth Weaving

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Watercolor and pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 x 8 1/2in. (22.9 x 21.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. January 1st: "of all the birds on bush or tree" (Vol. 1, p.30) January 2nd: The Stood in an Avenue (Vol. 1, p. 54)

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Watercolor with pen and black ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 3 5/8 × 4 1/2 inches (9.2 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. February 1st: Amy Fear Me Not (Vol. 1, p. 81) February 2nd: [Tressilian] Drew His Sword as He Spoke (Vol. 1, P. 89)

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Watercolor with pen and black ink and pen and brown ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 3 3/4 × 4 1/2 inches (9.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. June 1st: There Is Nothing to Be Feared (Vol. 2, p. 83) June 2nd: [Laid if] on the [Very] Spot (Vol. 2, p. 48)

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 3 3/4 × 4 1/4 inches (9.5 × 10.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. April 1st: It is I your Host (Vol. 1, p. 199) April 2nd: There is a Marsh [Hard] By (Vol. 1, p. 257)

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Gray wash with pen and brown ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 3 7/8 × 4 1/2 inches (9.8 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. August 1st: She Wrote Her Own Line (Vol. 2, p. 141) August 2nd: Amen! [Pretty] Janet (Vol. 2, p. 286)

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Gray wash with pen and brown ink, and pen and black ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 3 3/4 × 4 1/2 inches (9.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. December 1st: The Mangled and Yet Warm Remains (Vol. 3, p. 343) December 2nd: Had There Perished Miserably (Vol. 3, p. 345)

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Gray wash with pen and brow ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 3 3/4 × 4 1/2 inches (9.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. May 1st: No Man Lives That Looks on Him (Vol. 1, p. 255) May 2nd: He Found Only Two Gentlemen (Vol. 2, p. 23)

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 3 7/8 × 4 1/2 inches (9.8 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. October 1st: Yeomen Make Room (Vol. 2, p. 335) October 2nd: She Stood With One Foot Advanced (Vol. 3, p. 156)

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 3 3/4 × 4 1/2 inches (9.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. July 1st: She [Sat] Beneath an Awning (Vol. 2, p. 50) July 2nd: Here Sussex is My Hand (Vol. 2, p. 85)

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 3 3/4 × 4 3/8 inches (9.5 × 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. November 1st: Where is My Lord of Leicester (Vol. 3, p. 164) November 2nd: Die a Liar as They Hast Lived (Vol. 3, p. 282)

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Gray wash with pen and brown ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 3 3/4 × 4 1/2 inches (9.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Dr. Johnson

Creator:: R. Page, active 1816–1825
Date:: undated
Materials & Techniques:: Engraving
Dimensions:: Sheet: 9 1/2 x 6 5/8in. (24.1 x 16.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Herman W. Liebert

42. Punt Fishing in the Thames

Creator:: Robert Pollard, 1755–1838
Date:: undated
Materials & Techniques:: Graphite, with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/16 x 13 1/16 inches (10.6 x 33.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Fly Fishing

Creator:: Robert Pollard, 1755–1838
Date:: undated
Materials & Techniques:: Graphite, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/4 x 10 9/16 inches (10.8 x 26.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Bottom Fishing Near Totten Mill

Creator:: Robert Pollard, 1755–1838
Date:: undated
Materials & Techniques:: Graphite and pen and brown ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 4 1/4 x 12 7/8 inches (10.8 x 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Anglers Packing Up

Creator:: Robert Pollard, 1755–1838
Date:: undated
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/4 × 13 inches (10.8 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Chinese Youth (balancing a jar held aloft)

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Watercolor with pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 9 7/16 × 6 3/4 inches (24 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. A Tiger, Full-Length, in Profile, Walking Towards Right

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Watercolor, with pen, in gray ink, and black ink, over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 8 9/16 × 12 inches (21.7 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Study of a Gentleman, called Dr. Johnson

Creator:: John Flaxman, 1755–1826
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 2 1/4 x 1 1/4 inches (5.7 x 3.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Herman W. Liebert

49. Dr. Johnson

Creator:: R. Page, active 1816–1825
Date:: undated
Materials & Techniques:: Engraving
Dimensions:: Sheet: 8 3/4 x 5 3/4in. (22.2 x 14.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Herman W. Liebert

50. The Club

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Pen and brown ink, gray ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 6 1/4 x 6 1/4 inches (15.8 x 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

51. Sir Roger de Coverly

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 7 7/8 × 7 inches (20 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

52. Illustrations for 'Gil Blas', plate II

Creator:: Print made by Charles Grignion, 1717–1810
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

53. Illustration to Milton's Paradise Lost: Adam and Eve Guarded by the Angels

Creator:: John Flaxman, 1755–1826
Date:: undated
Materials & Techniques:: Pen and gray ink, gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/2 x 5 3/4 inches (11.4 x 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Woman Carrying a Child in Her Arms

Creator:: John Flaxman, 1755–1826
Date:: undated
Materials & Techniques:: Gray ink with gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 x 3 1/4 inches (15.2 x 8.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Two Women and a Child

Creator:: John Flaxman, 1755–1826
Date:: undated
Materials & Techniques:: Gray ink, graphite, and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/4 x 7 1/8 inches (21 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. The Morn, All Beauteous to Behold, from Aeschylus, The Persians

Creator:: after John Flaxman, 1755–1826
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 x 12 5/8 inches (20 x 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Two Women Talking to a Man at a Counter

Creator:: John Flaxman, 1755–1826
Date:: undated
Materials & Techniques:: Gray ink, brown ink, gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 x 6 1/8 inches (20 x 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Back View of a Woman with Child Looking Over Her Shoulder

Creator:: John Flaxman, 1755–1826
Date:: undated
Materials & Techniques:: Gray ink with graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 x 3 3/8 inches (15.2 x 8.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Sheet of Figure Studies for The Odyssey

Creator:: John Flaxman, 1755–1826
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/4 x 12 1/4 inches (13.3 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Richard T. Godfrey

60. To Phoebus at His Birth, From Aeschylus, Furies

Creator:: John Flaxman, 1755–1826
Date:: undated
Materials & Techniques:: Brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 × 9 inches (18.1 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Study of Three Lampstands

Creator:: John Flaxman, 1755–1826
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/2 x 6 inches (19.1 x 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of David Bindman

62. The Reverend Anthony Stephen Mathew

Creator:: John Flaxman, 1755–1826
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/2 x 6 inches (19.1 x 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

63. Prometheus

Creator:: Prince Hoare, 1755–1834
Date:: undated
Materials & Techniques:: Black chalk on thin, smooth, cream laid paper
Dimensions:: Sheet: 6 3/8 x 9 1/8 inches (16.2 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. The Judgement of Paris

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 x 10 1/4 inches (20.6 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. A Girl Giving a Key to a Cavalier

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Mount: 8 1/8 × 6 5/8 inches (20.6 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

66. John Flaxman

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 9/16 × 9 1/2 inches (24.3 × 24.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Ryskamp

67. Design for a Silver Chalice (Design for a Wine-Cooler (?) for Rundell, Bride and Rundell)

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Sepia on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 15 7/16 × 16 3/4 inches (39.2 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. British, Neoclassical frame

Creator:: unknown framemaker
Date:: late 18th to early 19th century
Materials & Techniques:: Wood and compo, later patinated oil and water gilding over original gilding
Collection:: Frames
Credit Line:: Yale Center for British Art

69. British Provincial 'Carlo Maratta' frame

Creator:: unknown framemaker
Date:: late 18th to early 19th century
Materials & Techniques:: Carved wood, regilded over original gilding
Collection:: Frames
Credit Line:: Yale Center for British Art

70. British, Régence style frame

Creator:: unknown framemaker
Date:: late 18th to early 19th century
Materials & Techniques:: Carved wood, later gilding over original gilding
Dimensions:: Frame: 40 5/8 × 35 × 2 3/4 inches (103.2 × 88.9 × 7 cm)
Collection:: Frames
Credit Line:: Yale Center for British Art

71. British, 'Carlo Maratta' frame

Creator:: unknown framemaker
Date:: late 18th to early 19th century
Materials & Techniques:: Carved wood and compo, later oil and water gilding over original gilding
Collection:: Frames
Credit Line:: Yale Center for British Art

72. British, Neoclassical frame

Creator:: unknown framemaker
Date:: late 18th to early 19th century
Materials & Techniques:: Carved wood and compo, probably original oil and water gilding
Collection:: Frames
Credit Line:: Yale Center for British Art

73. British, Neoclassical frame

Creator:: unknown framemaker
Date:: late 18th to early 19th century
Materials & Techniques:: Wood and compo, partially regilded over original oil and water gilding
Collection:: Frames
Credit Line:: Yale Center for British Art

74. British, Neoclassical frame

Creator:: unknown framemaker
Date:: late 18th to early 19th century
Materials & Techniques:: Carved wood and compo, later oil gilding and over original oil and water gilding
Collection:: Frames
Credit Line:: Yale Center for British Art

75. British, Neoclassical frame

Creator:: unknown framemaker
Date:: late 18th to early 19th century
Materials & Techniques:: Carved wood, later gilding over original gilding
Dimensions:: Frame: 51 1/4 × 65 1/4 × 4 1/4 inches (130.2 × 165.7 × 10.8 cm)
Collection:: Frames
Credit Line:: Yale Center for British Art

76. British, Neoclassical frame

Creator:: unknown framemaker
Date:: late 18th to early 19th century
Materials & Techniques:: Carved wood, original oil and water gilding
Collection:: Frames
Credit Line:: Yale Center for British Art

77. British, Neoclassical frame

Creator:: unknown framemaker
Date:: late 18th to early 19th century
Materials & Techniques:: Wood and compo, later patinated oil and water gilding over original gilding
Dimensions:: Frame: 21 1/8 × 28 3/8 × 2 1/4 inches (53.7 × 72.1 × 5.7 cm)
Collection:: Frames
Credit Line:: Yale Center for British Art

78. British, 'Carlo Maratta' - NeoClassical variant frame

Creator:: unknown framemaker
Date:: late 18th to early 19th century
Materials & Techniques:: Carved wood and compo, later gilding over original gilding
Dimensions:: Frame: 43 5/8 × 56 × 3 inches (110.8 × 142.2 × 7.6 cm)
Collection:: Frames
Credit Line:: Yale Center for British Art

79. British, Neoclassical style frame

Creator:: unknown framemaker
Date:: late 18th to early 19th century
Materials & Techniques:: Carved wood, later oil and water gilding over original gilding
Dimensions:: Frame: 17 3/4 × 23 5/8 × 2 1/2 inches (45.1 × 60 × 6.4 cm)
Collection:: Frames
Credit Line:: Yale Center for British Art

80. British Neoclassical frame

Creator:: unknown framemaker
Date:: late 18th to early 19th century
Materials & Techniques:: Wood, water gilded
Collection:: Frames
Credit Line:: Yale Center for British Art

81. British, Neoclassical frame

Creator:: unknown framemaker
Date:: late 18th to early 19th century
Materials & Techniques:: Carved wood and compo, partially regilded over original oil and water gilding
Collection:: Frames
Credit Line:: Yale Center for British Art

82. British, Neoclassical frame

Creator:: unknown framemaker
Date:: late 18th to early 19th century
Materials & Techniques:: Carved wood and compo, partially regilded over original oil and water gilding
Collection:: Frames
Credit Line:: Yale Center for British Art

83. British, Louis XIV style frame

Creator:: unknown framemaker
Date:: late 18th to early 19th century
Materials & Techniques:: Carved wood and compo, later oil gilding over original gilding and sanded frieze
Collection:: Frames
Credit Line:: Yale Center for British Art

84. British, Neoclassical frame

Creator:: unknown framemaker
Date:: late 18th to early 19th century
Materials & Techniques:: Carved wood, later gilding over original gilding; rubbed overall to expose bole
Dimensions:: Frame: 59 1/2 × 76 1/4 inches (151.1 × 193.7 cm)
Collection:: Frames
Credit Line:: Yale Center for British Art

85. British, Neoclassical frame

Creator:: unknown framemaker
Date:: late 18th to early 19th century
Materials & Techniques:: Carved wood, later oil gilding over original gilding
Collection:: Frames
Credit Line:: Yale Center for British Art

86. British, Neoclassical frame

Creator:: unknown framemaker
Date:: late 18th to early 19th century
Materials & Techniques:: Carved wood, later oil gilding over original gilding
Collection:: Frames
Credit Line:: Yale Center for British Art

87. British, Neoclassical frame

Creator:: unknown framemaker
Date:: late 18th to early 19th century
Materials & Techniques:: Carved wood and compo, partial later regilding
Collection:: Frames
Credit Line:: Yale Center for British Art

88. British Neoclassical frame

Creator:: unknown framemaker
Date:: late 18th to early 19th century
Materials & Techniques:: Wood and compo, original water gilding
Collection:: Frames
Credit Line:: Yale Center for British Art

89. British, 'Carlo Maratta' frame

Creator:: unknown framemaker
Date:: late 18th to early 19th century
Materials & Techniques:: Carved wood, later oil gilding over original oil and water gilding
Dimensions:: Frame: 44 × 59 × 3 inches (111.8 × 149.9 × 7.6 cm)
Collection:: Frames
Credit Line:: Yale Center for British Art

90. Italian, Neoclassical frame

Creator:: unknown framemaker
Date:: late 18th to early 19th century
Materials & Techniques:: Carved wood, later oil gilding over original gilding
Collection:: Frames
Credit Line:: Yale Center for British Art

91. British, 'Carlo Maratta', NeoClassical variant frame

Creator:: unknown framemaker
Date:: late 18th to early 19th century
Materials & Techniques:: Carved wood, later oil and water gilding over original gilding
Dimensions:: Frame: 73 × 102 inches (185.4 × 259.1 cm)
Collection:: Frames
Credit Line:: Yale Center for British Art

92. British, Neoclassical frame

Creator:: unknown framemaker
Date:: late 18th to early 19th century
Materials & Techniques:: Carved wood and compo, partially regilded over original oil and water gilding
Collection:: Frames
Credit Line:: Yale Center for British Art

93. British, Neoclassical frame

Creator:: unknown framemaker
Date:: late 18th to early 19th century
Materials & Techniques:: Carved wood and compo, partially regilded over original oil and water gilding
Collection:: Frames
Credit Line:: Yale Center for British Art

94. British, Neoclassical frame

Creator:: unknown framemaker
Date:: late 18th century to early 19th century
Materials & Techniques:: Carved wood, later oil gilding over original oil and water gilding
Collection:: Frames
Credit Line:: Yale Center for British Art

95. British Neoclassical frame

Creator:: unknown framemaker
Date:: late 18th to early 19th century
Materials & Techniques:: Wood and compo, partially regilded over original water gilding
Collection:: Frames
Credit Line:: Yale Center for British Art

96. British Neoclassical frame

Creator:: unknown framemaker
Date:: late 18th to early 19th century
Materials & Techniques:: Wood and compo, partially regilded over original water gilding
Collection:: Frames
Credit Line:: Yale Center for British Art

97. British Neoclassical frame

Creator:: unknown framemaker
Date:: late 18th to early 19th century
Materials & Techniques:: Carved wood, later glazed over original gilding
Collection:: Frames
Credit Line:: Yale Center for British Art

98. British, Neoclassical frame

Creator:: unknown framemaker
Date:: late 18th to early 19th century
Materials & Techniques:: Wood and compo, later oil and water gilding over original gilding
Collection:: Frames
Credit Line:: Yale Center for British Art

99. British, Neoclassical (print frame) frame

Creator:: unknown framemaker
Date:: late 18th to early 19th century
Materials & Techniques:: Wood and compo, later oil gilding over original gilding
Collection:: Frames
Credit Line:: Yale Center for British Art

100. British Neoclassical frame

Creator:: unknown framemaker
Date:: late 18th to early 19th century
Materials & Techniques:: Wood and compo, regilded over original gilding
Dimensions:: Frame: 11 × 13 5/8 × 2 inches (27.9 × 34.6 × 5.1 cm)
Collection:: Frames
Credit Line:: Yale Center for British Art

YCBA Collections Search

Refine your search

Search Constraints

Date 1770

Period 18th century-19th century

Image Use Free to Use

Search Results

1. A Study for the Wellington Monument

2. Westminster Bridge and the Royal Barge (The Royal Barge and Westminster)

3. Sketch of Classical Figures in Action

4. Study for Telemachus

5. Classical Figures Drawing

6. Study for the Wellington Shield

7. For the Triumph of Britannia

8. Relief Design for a Silver Salt Cellar

9. Apollo Preceding Hector with His Aegis, and Dispersing the Greeks, Fuseli's Lectures

10. The Adoration of the Magi, a Design for Bas Relief

11. Miss Haffey

12. Francis Drake Esqr.

13. Trees in the Villa Negroni Planted by M. Angelo

14. Untitled

15. Tree Study

16. Girl, Full Length, Facing Front

17. Back of Naked Figure

18. Charity Children and Little Vagabonds

19. Girl, Full Length, Facing Right

20. Twenty Young Girls in a Group Walking to the Left

21. Seated Girl by an Urn

22. Solicitude: A Man Supporting a Fainting Woman

23. Study of Trees

24. A Woman Rescued from the Sea and Assisted Ashore, Rowing Boat and Rescuers in Background

25. Frieze of a Medieval Wedding

26. Illustration to the Virtuous Orphan

27. Study for Illustration - A Princess with her Attendants

28. Chinese Flower Seller

29. Memoranda

30. Chinese Youth Weaving

31. January 1st: "of all the birds on bush or tree" (Vol. 1, p.30) January 2nd: The Stood in an Avenue (Vol. 1, p. 54)

32. February 1st: Amy Fear Me Not (Vol. 1, p. 81) February 2nd: [Tressilian] Drew His Sword as He Spoke (Vol. 1, P. 89)

33. June 1st: There Is Nothing to Be Feared (Vol. 2, p. 83) June 2nd: [Laid if] on the [Very] Spot (Vol. 2, p. 48)

34. April 1st: It is I your Host (Vol. 1, p. 199) April 2nd: There is a Marsh [Hard] By (Vol. 1, p. 257)

35. August 1st: She Wrote Her Own Line (Vol. 2, p. 141) August 2nd: Amen! [Pretty] Janet (Vol. 2, p. 286)

36. December 1st: The Mangled and Yet Warm Remains (Vol. 3, p. 343) December 2nd: Had There Perished Miserably (Vol. 3, p. 345)

37. May 1st: No Man Lives That Looks on Him (Vol. 1, p. 255) May 2nd: He Found Only Two Gentlemen (Vol. 2, p. 23)

38. October 1st: Yeomen Make Room (Vol. 2, p. 335) October 2nd: She Stood With One Foot Advanced (Vol. 3, p. 156)

39. July 1st: She [Sat] Beneath an Awning (Vol. 2, p. 50) July 2nd: Here Sussex is My Hand (Vol. 2, p. 85)

40. November 1st: Where is My Lord of Leicester (Vol. 3, p. 164) November 2nd: Die a Liar as They Hast Lived (Vol. 3, p. 282)

41. Dr. Johnson

42. Punt Fishing in the Thames

43. Fly Fishing

44. Bottom Fishing Near Totten Mill

45. Anglers Packing Up

46. Chinese Youth (balancing a jar held aloft)

47. A Tiger, Full-Length, in Profile, Walking Towards Right

48. Study of a Gentleman, called Dr. Johnson

49. Dr. Johnson

50. The Club

51. Sir Roger de Coverly

52. Illustrations for 'Gil Blas', plate II

53. Illustration to Milton's Paradise Lost: Adam and Eve Guarded by the Angels

54. Woman Carrying a Child in Her Arms

55. Two Women and a Child

56. The Morn, All Beauteous to Behold, from Aeschylus, The Persians

57. Two Women Talking to a Man at a Counter

58. Back View of a Woman with Child Looking Over Her Shoulder

59. Sheet of Figure Studies for The Odyssey

60. To Phoebus at His Birth, From Aeschylus, Furies

61. Study of Three Lampstands

62. The Reverend Anthony Stephen Mathew

63. Prometheus

64. The Judgement of Paris

65. A Girl Giving a Key to a Cavalier

66. John Flaxman

67. Design for a Silver Chalice (Design for a Wine-Cooler (?) for Rundell, Bride and Rundell)

68. British, Neoclassical frame

69. British Provincial 'Carlo Maratta' frame

70. British, Régence style frame

71. British, 'Carlo Maratta' frame

72. British, Neoclassical frame

73. British, Neoclassical frame