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Collection
Frames
100
Prints and Drawings
66
Creator
Unknown framemaker
100
Stothard, Thomas, 1755–1834
41
Flaxman, John, 1755–1826
16
Unknown artist
5
Pollard, James, 1792–1867
4
Pollard, Robert, 1755–1838
4
Page, R., active 1816–1825
2
Beechey, William, Sir, 1753–1839
1
Grignion, Charles, 1717–1810
1
Hoare, Prince, 1755–1834
1
Laurie, Robert, 1755?–1836
1
Young, John, 1755–1825
1
Date
1796
365
1771
362
1772
295
1749
284
1784
220
1748
204
1795
198
1770
[remove]
166
1775
154
1764
127
1799
99
1793
77
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75
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72
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64
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60
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54
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49
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48
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46
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45
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41
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37
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37
1767
35
1791
35
1743
34
1780
33
1798
32
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31
1781
31
1762
30
1759
29
1794
28
1766
27
1773
27
1777
27
1785
27
1792
26
1747
23
1750
23
1763
23
1746
22
1753
22
1783
22
1757
21
1779
20
1740
19
1760
19
1744
18
1758
17
1739
16
1741
15
1800
15
1742
11
1776
11
1827
9
1769
8
1807
8
1761
7
1801
7
1754
6
1808
6
1814
6
1737
5
1751
4
1898
4
1701
3
1736
3
1752
3
1802
3
1804
3
1806
3
1809
3
1811
3
1819
3
1821
3
1825
3
1706
2
1738
2
1805
2
1812
2
1813
2
1815
2
1820
2
1823
2
1830
2
1834
2
1836
2
1863
2
0
1
1665
1
1674
1
1699
1
1730
1
1732
1
1735
1
1803
1
On-site Access
Accessible by appointment in the Study Room
66
Image Use
Free to Use
164
Under Certain Circumstances
2
Image Available
Available
[remove]
166
Classification
Frames
100
Drawings & Watercolors
59
Prints
6
Drawing & Watercolors-Architectural
1
Creator Gender
male
66
unknown
5
Collective Title
Iconographie Anglaise par Reynolds et Autres
1
Period
18th century-19th century
[remove]
166
Materials & Techniques
wood
100
gold leaf
99
original gilding
90
compo
58
water gilding
56
later gilding
55
oil gilding
54
wove paper
34
graphite
31
regilding
30
gray wash
23
black ink
22
laid paper
21
brown ink
19
pen
13
pens
13
watercolor
10
gray ink
9
brown wash
5
burnishing (polishing)
3
more
Materials & Techniques
»
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
0
to
185
Unknown
73
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
0
to
259
Unknown
73
Work Type
frame
100
drawing
60
watercolor
37
intaglio print
4
Genre
genre subject
23
figure study
18
religious and mythological subject
8
portrait
5
sporting art
4
landscape
3
literary theme
3
still life
3
animal art
1
architectural subject
1
cityscape
1
historical subject
1
marine art
1
Subject Terms
frame style: Neoclassical
72
frame cross-section: Concave
50
frame alteration: yes
41
frame status: Out of period
33
frame status: Contemporary
30
genre subject
20
frame alteration: probably not
18
men
16
figure study
15
frame alteration: probably
15
frame status: Possibly original
15
frame feature: One of a pair
14
frame alteration: no alteration
13
frame feature: Alteration evidence
13
frame status: Period
13
frame alteration: possibly
12
frame style: 'Carlo Maratta' frame
12
women
12
frame ornament: Beading; lotus leaf sight edge
11
Kenilworth, by Walter scott, 1821
10
more
Subject Terms
»
Associated Places
England
2
Thames
2
Europe
1
Italy
1
London
1
Rome
1
United Kingdom
1
Westminster
1
Westminster bridge
1
Associated People
Adam
1
Aphrodite
1
Apollo
1
Athena
1
Balthasar
1
Caspar
1
Eve
1
Flaxman, John (1755–1826), sculptor
1
Hector
1
Hera
1
Jesus Christ (7–2 BC/BCE to 30–36 AD/CE)
1
Mathew, Anthony Stephen
1
Melchior
1
Paris
1
Prometheus
1
Sir Roger de Coverley (character in The Spectator, 1711)
1
Telemachus
1
The Three Wise Men
1
The Virgin Mary
1
Exhibition History
Noble Simplicity and Silent Greatness - Neoclassical Art from 1700 - 1900 (Yale University Art Gallery, 1991-04-26 - 1991-09-29)
2
A Decade of Gifts and Acquisitions (Yale Center for British Art, 2017-06-01 - 2017-08-13)
1
Art in Focus : John Flaxman Modeling Bust of William Hayley (Yale Center for British Art, 2010-02-04 - 2010-05-30)
1
Visions of Antiquity - Neo-classic Figure Drawings (Los Angeles County Museum of Art, 1993-07-22 - 1993-09-19)
1
Visions of Antiquity - Neo-classic Figure Drawings (Minneapolis Institute of Arts, 1994-02-06 - 1994-04-03)
1
Visions of Antiquity - Neo-classic Figure Drawings (Philadelphia Museum of Art, 1993-10-30 - 1994-01-02)
1
Credit Line
Yale Center for British Art
100
Yale Center for British Art, Paul Mellon Collection
53
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
3
Yale Center for British Art, Paul Mellon Fund
2
Yale Center for British Art; Gift of Herman W. Liebert
2
Yale Center for British Art, Anonymous Gift
1
Yale Center for British Art, Gift of Charles Ryskamp
1
Yale Center for British Art, Gift of David Bindman
1
Yale Center for British Art, Gift of Herman W. Liebert
1
Yale Center for British Art, Gift of Richard T. Godfrey
1
Yale Center for British Art; Yale University Art Gallery Collection
1
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Date
1770
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Period
18th century-19th century
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1
Thomas Stothard, 1755–1834
Untitled
undated
2
John Young, 1755–1825
Francis Drake Esqr
undated
3
Thomas Stothard, 1755–1834
Study for the Wellington Shield
undated
4
Thomas Stothard, 1755–1834
Classical Figures Drawing
undated
5
Thomas Stothard, 1755–1834
Chinese Flower Seller
undated
6
Thomas Stothard, 1755–1834
Study for Illustration - A Princess with her Attendants
undated
7
Thomas Stothard, 1755–1834
Frieze of a Medieval Wedding
undated
8
Thomas Stothard, 1755–1834
Solicitude: A Man Supporting a Fainting Woman
undated
9
Thomas Stothard, 1755–1834
A Woman Rescued from the Sea and Assisted Ashore, Rowing Boat and Rescuers in Background
undated
10
Thomas Stothard, 1755–1834
Twenty Young Girls in a Group Walking to the Left
undated
11
Thomas Stothard, 1755–1834
Westminster Bridge and the Royal Barge (The Royal Barge and Westminster)
undated
12
John Flaxman, 1755–1826
Apollo Preceding Hector with His Aegis, and Dispersing the Greeks, Fuseli's Lectures
undated
13
John Flaxman, 1755–1826
The Adoration of the Magi, a Design for Bas Relief
undated
14
John Flaxman, 1755–1826
Trees in the Villa Negroni Planted by M. Angelo
undated
15
Robert Laurie, 1755?–1836
Miss Haffey
undated
16
Thomas Stothard, 1755–1834
Illustration to the Virtuous Orphan
undated
17
Thomas Stothard, 1755–1834
Study of Trees
undated
18
Thomas Stothard, 1755–1834
Seated Girl by an Urn
undated
19
Thomas Stothard, 1755–1834
Back of Naked Figure
undated
20
Thomas Stothard, 1755–1834
Girl, Full Length, Facing Right
undated
21
Thomas Stothard, 1755–1834
Tree Study
undated
22
Thomas Stothard, 1755–1834
Charity Children and Little Vagabonds
undated
23
Thomas Stothard, 1755–1834
Girl, Full Length, Facing Front
undated
24
Thomas Stothard, 1755–1834
Relief Design for a Silver Salt Cellar
undated
25
Thomas Stothard, 1755–1834
For the Triumph of Britannia
undated
26
Thomas Stothard, 1755–1834
Study for Telemachus
undated
27
Thomas Stothard, 1755–1834
Sketch of Classical Figures in Action
undated
28
Thomas Stothard, 1755–1834
A Study for the Wellington Monument
undated
29
Thomas Stothard, 1755–1834
Memoranda
undated
30
Thomas Stothard, 1755–1834
Chinese Youth Weaving
undated
31
Thomas Stothard, 1755–1834
January 1st: "of all the birds on bush or tree" (Vol. 1, p.30) January 2nd: The Stood in an Avenue (Vol. 1, p. 54)
undated
32
Thomas Stothard, 1755–1834
August 1st: She Wrote Her Own Line (Vol. 2, p. 141) August 2nd: Amen! [Pretty] Janet (Vol. 2, p. 286)
undated
33
Thomas Stothard, 1755–1834
July 1st: She [Sat] Beneath an Awning (Vol. 2, p. 50) July 2nd: Here Sussex is My Hand (Vol. 2, p. 85)
undated
34
Thomas Stothard, 1755–1834
February 1st: Amy Fear Me Not (Vol. 1, p. 81) February 2nd: [Tressilian] Drew His Sword as He Spoke (Vol. 1, P. 89)
undated
35
Thomas Stothard, 1755–1834
June 1st: There Is Nothing to Be Feared (Vol. 2, p. 83) June 2nd: [Laid if] on the [Very] Spot (Vol. 2, p. 48)
undated
36
Thomas Stothard, 1755–1834
May 1st: No Man Lives That Looks on Him (Vol. 1, p. 255) May 2nd: He Found Only Two Gentlemen (Vol. 2, p. 23)
undated
37
Thomas Stothard, 1755–1834
December 1st: The Mangled and Yet Warm Remains (Vol. 3, p. 343) December 2nd: Had There Perished Miserably (Vol. 3, p. 345)
undated
38
Thomas Stothard, 1755–1834
November 1st: Where is My Lord of Leicester (Vol. 3, p. 164) November 2nd: Die a Liar as They Hast Lived (Vol. 3, p. 282)
undated
39
Thomas Stothard, 1755–1834
October 1st: Yeomen Make Room (Vol. 2, p. 335) October 2nd: She Stood With One Foot Advanced (Vol. 3, p. 156)
undated
40
Robert Pollard, 1755–1838
Punt Fishing in the Thames
undated
41
Thomas Stothard, 1755–1834
April 1st: It is I your Host (Vol. 1, p. 199) April 2nd: There is a Marsh [Hard] By (Vol. 1, p. 257)
undated
42
Thomas Stothard, 1755–1834
Chinese Youth (balancing a jar held aloft)
undated
43
Robert Pollard, 1755–1838
Anglers Packing Up
undated
44
Robert Pollard, 1755–1838
Bottom Fishing Near Totten Mill
undated
45
Robert Pollard, 1755–1838
Fly Fishing
undated
46
John Flaxman, 1755–1826
Study of a Gentleman, called Dr. Johnson
undated
47
R. Page, active 1816–1825
Dr. Johnson
undated
48
Thomas Stothard, 1755–1834
A Tiger, Full-Length, in Profile, Walking Towards Right
undated
49
R. Page, active 1816–1825
Dr. Johnson
undated
50
Thomas Stothard, 1755–1834
Sir Roger de Coverly
undated
51
Thomas Stothard, 1755–1834
The Club
undated
52
unknown artist
John Flaxman
undated
53
Thomas Stothard, 1755–1834
A Girl Giving a Key to a Cavalier
undated
54
John Flaxman, 1755–1826
Sheet of Figure Studies for The Odyssey
undated
55
Print made by Charles Grignion, 1717–1810
Illustrations for 'Gil Blas', plate II
undated
56
John Flaxman, 1755–1826
Two Women and a Child
undated
57
unknown artist
The Judgement of Paris
undated
58
after John Flaxman, 1755–1826
The Morn, All Beauteous to Behold, from Aeschylus, The Persians
undated
59
John Flaxman, 1755–1826
Back View of a Woman with Child Looking Over Her Shoulder
undated
60
John Flaxman, 1755–1826
Woman Carrying a Child in Her Arms
undated
61
John Flaxman, 1755–1826
Illustration to Milton's Paradise Lost: Adam and Eve Guarded by the Angels
undated
62
John Flaxman, 1755–1826
Two Women Talking to a Man at a Counter
undated
63
John Flaxman, 1755–1826
To Phoebus at His Birth, From Aeschylus, Furies
undated
64
John Flaxman, 1755–1826
Study of Three Lampstands
undated
65
John Flaxman, 1755–1826
The Reverend Anthony Stephen Mathew
undated
66
Prince Hoare, 1755–1834
Prometheus
undated
67
unknown framemaker
British, Neoclassical frame
late 18th to early 19th century
68
unknown framemaker
British, Régence style frame
late 18th to early 19th century
69
unknown framemaker
British Neoclassical frame
late 18th to early 19th century
70
unknown framemaker
British, Louis XIV style frame
late 18th to early 19th century
71
unknown framemaker
British, Neoclassical style frame
late 18th to early 19th century
72
unknown framemaker
British, Neoclassical frame
late 18th century to early 19th century
73
unknown framemaker
British Provincial 'Carlo Maratta' frame
late 18th to early 19th century
74
unknown framemaker
British, 'Carlo Maratta' frame
late 18th to early 19th century
75
unknown framemaker
British, Neoclassical frame
late 18th to early 19th century
76
unknown framemaker
British, Neoclassical frame
late 18th to early 19th century
77
unknown framemaker
British, Neoclassical frame
late 18th to early 19th century
78
unknown framemaker
British, Neoclassical frame
late 18th to early 19th century
79
unknown framemaker
British, 'Carlo Maratta' frame
late 18th to early 19th century
80
unknown framemaker
British, Neoclassical frame
late 18th to early 19th century
81
unknown framemaker
British, Neoclassical frame
late 18th to early 19th century
82
unknown framemaker
British, 'Carlo Maratta' - NeoClassical variant frame
late 18th to early 19th century
83
unknown framemaker
British, Neoclassical frame
late 18th to early 19th century
84
unknown framemaker
Italian, Neoclassical frame
late 18th to early 19th century
85
unknown framemaker
British, 'Carlo Maratta', NeoClassical variant frame
late 18th to early 19th century
86
unknown framemaker
British Neoclassical frame
late 18th to early 19th century
87
unknown framemaker
French, Neoclassical frame
late 18th to early 19th century
88
unknown framemaker
British, Neoclassical frame
late 18th to early 19th century
89
unknown framemaker
British Neoclassical frame
late 18th to early 19th century
90
unknown framemaker
British, Neoclassical frame
late 18th to early 19th century
91
unknown framemaker
British, Neoclassical frame
late 18th to early 19th century
92
unknown framemaker
British, Neoclassical frame
late 18th to early 19th century
93
unknown framemaker
British Neoclassical frame
late 18th to early 19th century
94
unknown framemaker
British (?), Neoclassical frame
late 18th to early 19th century
95
unknown framemaker
British (?), Neoclassical frame
late 18th to early 19th century
96
unknown framemaker
British, Neoclassical frame
late 18th to early 19th century
97
unknown framemaker
British, Neoclassical frame
late 18th century to early 19th century
98
unknown framemaker
British, Palladian frame
late 18th century to early 19th century
99
unknown framemaker
British Neoclassical frame
late 18th to early 19th century
100
unknown framemaker
British Neoclassical frame
late 18th to early 19th century
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