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Date 1770

Remove constraint Date: 1770

Period 18th century-19th century

Remove constraint Period: 18th century-19th century

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Thomas Stothard Untitled
Thomas Stothard, 1755–1834
Untitled
undated
John Young Francis Drake Esqr.
John Young, 1755–1825
Francis Drake Esqr
undated
Thomas Stothard Study for the Wellington Shield
Thomas Stothard, 1755–1834
Study for the Wellington Shield
undated
Thomas Stothard Classical Figures Drawing
Thomas Stothard, 1755–1834
Classical Figures Drawing
undated
Thomas Stothard Chinese Flower Seller
Thomas Stothard, 1755–1834
Chinese Flower Seller
undated
Thomas Stothard Study for Illustration - A Princess with her Attendants
Thomas Stothard, 1755–1834
Study for Illustration - A Princess with her Attendants
undated
Thomas Stothard Frieze of a Medieval Wedding
Thomas Stothard, 1755–1834
Frieze of a Medieval Wedding
undated
Thomas Stothard Solicitude: A Man Supporting a Fainting Woman
Thomas Stothard, 1755–1834
Solicitude: A Man Supporting a Fainting Woman
undated
Thomas Stothard A Woman Rescued from the Sea and Assisted Ashore, Rowing Boat and Rescuers in Background
Thomas Stothard, 1755–1834
A Woman Rescued from the Sea and Assisted Ashore, Rowing Boat and Rescuers in Background
undated
Thomas Stothard Twenty Young Girls in a Group Walking to the Left
Thomas Stothard, 1755–1834
Twenty Young Girls in a Group Walking to the Left
undated
Thomas Stothard Westminster Bridge and the Royal Barge (The Royal Barge and Westminster)
Thomas Stothard, 1755–1834
Westminster Bridge and the Royal Barge (The Royal Barge and Westminster)
undated
John Flaxman Apollo Preceding Hector with His Aegis, and Dispersing the Greeks, Fuseli's Lectures
John Flaxman, 1755–1826
Apollo Preceding Hector with His Aegis, and Dispersing the Greeks, Fuseli's Lectures
undated
John Flaxman The Adoration of the Magi, a Design for Bas Relief
John Flaxman, 1755–1826
The Adoration of the Magi, a Design for Bas Relief
undated
John Flaxman Trees in the Villa Negroni Planted by M. Angelo
John Flaxman, 1755–1826
Trees in the Villa Negroni Planted by M. Angelo
undated
Robert Laurie Miss Haffey
Robert Laurie, 1755?–1836
Miss Haffey
undated
Thomas Stothard Illustration to the Virtuous Orphan
Thomas Stothard, 1755–1834
Illustration to the Virtuous Orphan
undated
Thomas Stothard Study of Trees
Thomas Stothard, 1755–1834
Study of Trees
undated
Thomas Stothard Seated Girl by an Urn
Thomas Stothard, 1755–1834
Seated Girl by an Urn
undated
Thomas Stothard Back of Naked Figure
Thomas Stothard, 1755–1834
Back of Naked Figure
undated
Thomas Stothard Girl, Full Length, Facing Right
Thomas Stothard, 1755–1834
Girl, Full Length, Facing Right
undated
Thomas Stothard Tree Study
Thomas Stothard, 1755–1834
Tree Study
undated
Thomas Stothard Charity Children and Little Vagabonds
Thomas Stothard, 1755–1834
Charity Children and Little Vagabonds
undated
Thomas Stothard Girl, Full Length, Facing Front
Thomas Stothard, 1755–1834
Girl, Full Length, Facing Front
undated
Thomas Stothard Relief Design for a Silver Salt Cellar
Thomas Stothard, 1755–1834
Relief Design for a Silver Salt Cellar
undated
Thomas Stothard For the Triumph of Britannia
Thomas Stothard, 1755–1834
For the Triumph of Britannia
undated
Thomas Stothard Study for Telemachus
Thomas Stothard, 1755–1834
Study for Telemachus
undated
Thomas Stothard Sketch of Classical Figures in Action
Thomas Stothard, 1755–1834
Sketch of Classical Figures in Action
undated
Thomas Stothard A Study for the Wellington Monument
Thomas Stothard, 1755–1834
A Study for the Wellington Monument
undated
Thomas Stothard Memoranda
Thomas Stothard, 1755–1834
Memoranda
undated
Thomas Stothard Chinese Youth Weaving
Thomas Stothard, 1755–1834
Chinese Youth Weaving
undated
Thomas Stothard January 1st: "of all the birds on bush or tree" (Vol. 1, p.30) January 2nd: The Stood in an Avenue (Vol. 1, p. 54)
Thomas Stothard, 1755–1834
January 1st: "of all the birds on bush or tree" (Vol. 1, p.30) January 2nd: The Stood in an Avenue (Vol. 1, p. 54)
undated
Thomas Stothard August 1st: She Wrote Her Own Line (Vol. 2, p. 141) August 2nd: Amen! [Pretty] Janet (Vol. 2, p. 286)
Thomas Stothard, 1755–1834
August 1st: She Wrote Her Own Line (Vol. 2, p. 141) August 2nd: Amen! [Pretty] Janet (Vol. 2, p. 286)
undated
Thomas Stothard July 1st: She [Sat] Beneath an Awning (Vol. 2, p. 50) July 2nd: Here Sussex is My Hand (Vol. 2, p. 85)
Thomas Stothard, 1755–1834
July 1st: She [Sat] Beneath an Awning (Vol. 2, p. 50) July 2nd: Here Sussex is My Hand (Vol. 2, p. 85)
undated
Thomas Stothard February 1st: Amy Fear Me Not (Vol. 1, p. 81) February 2nd: [Tressilian] Drew His Sword as He Spoke (Vol. 1, P. 89)
Thomas Stothard, 1755–1834
February 1st: Amy Fear Me Not (Vol. 1, p. 81) February 2nd: [Tressilian] Drew His Sword as He Spoke (Vol. 1, P. 89)
undated
Thomas Stothard June 1st: There Is Nothing to Be Feared (Vol. 2, p. 83) June 2nd: [Laid if] on the [Very] Spot (Vol. 2, p. 48)
Thomas Stothard, 1755–1834
June 1st: There Is Nothing to Be Feared (Vol. 2, p. 83) June 2nd: [Laid if] on the [Very] Spot (Vol. 2, p. 48)
undated
Thomas Stothard May 1st: No Man Lives That Looks on Him (Vol. 1, p. 255) May 2nd: He Found Only Two Gentlemen (Vol. 2, p. 23)
Thomas Stothard, 1755–1834
May 1st: No Man Lives That Looks on Him (Vol. 1, p. 255) May 2nd: He Found Only Two Gentlemen (Vol. 2, p. 23)
undated
Thomas Stothard December 1st: The Mangled and Yet Warm Remains (Vol. 3, p. 343) December 2nd: Had There Perished Miserably (Vol. 3, p. 345)
Thomas Stothard, 1755–1834
December 1st: The Mangled and Yet Warm Remains (Vol. 3, p. 343) December 2nd: Had There Perished Miserably (Vol. 3, p. 345)
undated
Thomas Stothard November 1st: Where is My Lord of Leicester (Vol. 3, p. 164) November 2nd: Die a Liar as They Hast Lived (Vol. 3, p. 282)
Thomas Stothard, 1755–1834
November 1st: Where is My Lord of Leicester (Vol. 3, p. 164) November 2nd: Die a Liar as They Hast Lived (Vol. 3, p. 282)
undated
Thomas Stothard October 1st: Yeomen Make Room (Vol. 2, p. 335) October 2nd: She Stood With One Foot Advanced (Vol. 3, p. 156)
Thomas Stothard, 1755–1834
October 1st: Yeomen Make Room (Vol. 2, p. 335) October 2nd: She Stood With One Foot Advanced (Vol. 3, p. 156)
undated
Robert Pollard Punt Fishing in the Thames
Robert Pollard, 1755–1838
Punt Fishing in the Thames
undated
Thomas Stothard April 1st: It is I your Host (Vol. 1, p. 199) April 2nd: There is a Marsh [Hard] By (Vol. 1, p. 257)
Thomas Stothard, 1755–1834
April 1st: It is I your Host (Vol. 1, p. 199) April 2nd: There is a Marsh [Hard] By (Vol. 1, p. 257)
undated
Thomas Stothard Chinese Youth (balancing a jar held aloft)
Thomas Stothard, 1755–1834
Chinese Youth (balancing a jar held aloft)
undated
Robert Pollard Anglers Packing Up
Robert Pollard, 1755–1838
Anglers Packing Up
undated
Robert Pollard Bottom Fishing Near Totten Mill
Robert Pollard, 1755–1838
Bottom Fishing Near Totten Mill
undated
Robert Pollard Fly Fishing
Robert Pollard, 1755–1838
Fly Fishing
undated
John Flaxman Study of a Gentleman, called Dr. Johnson
John Flaxman, 1755–1826
Study of a Gentleman, called Dr. Johnson
undated
R. Page Dr. Johnson
R. Page, active 1816–1825
Dr. Johnson
undated
Thomas Stothard A Tiger, Full-Length, in Profile, Walking Towards Right
Thomas Stothard, 1755–1834
A Tiger, Full-Length, in Profile, Walking Towards Right
undated
R. Page Dr. Johnson
R. Page, active 1816–1825
Dr. Johnson
undated
Thomas Stothard Sir Roger de Coverly
Thomas Stothard, 1755–1834
Sir Roger de Coverly
undated
Thomas Stothard The Club
Thomas Stothard, 1755–1834
The Club
undated
unknown artist John Flaxman
unknown artist
John Flaxman
undated
Thomas Stothard A Girl Giving a Key to a Cavalier
Thomas Stothard, 1755–1834
A Girl Giving a Key to a Cavalier
undated
John Flaxman Sheet of Figure Studies for The Odyssey
John Flaxman, 1755–1826
Sheet of Figure Studies for The Odyssey
undated
Charles Grignion Illustrations for 'Gil Blas', plate II
Print made by Charles Grignion, 1717–1810
Illustrations for 'Gil Blas', plate II
undated
John Flaxman Two Women and a Child
John Flaxman, 1755–1826
Two Women and a Child
undated
unknown artist The Judgement of Paris
unknown artist
The Judgement of Paris
undated
John Flaxman The Morn, All Beauteous to Behold, from Aeschylus, The Persians
after John Flaxman, 1755–1826
The Morn, All Beauteous to Behold, from Aeschylus, The Persians
undated
John Flaxman Back View of a Woman with Child Looking Over Her Shoulder
John Flaxman, 1755–1826
Back View of a Woman with Child Looking Over Her Shoulder
undated
John Flaxman Woman Carrying a Child in Her Arms
John Flaxman, 1755–1826
Woman Carrying a Child in Her Arms
undated
John Flaxman Illustration to Milton's Paradise Lost: Adam and Eve Guarded by the Angels
John Flaxman, 1755–1826
Illustration to Milton's Paradise Lost: Adam and Eve Guarded by the Angels
undated
John Flaxman Two Women Talking to a Man at a Counter
John Flaxman, 1755–1826
Two Women Talking to a Man at a Counter
undated
John Flaxman To Phoebus at His Birth, From Aeschylus, Furies
John Flaxman, 1755–1826
To Phoebus at His Birth, From Aeschylus, Furies
undated
John Flaxman Study of Three Lampstands
John Flaxman, 1755–1826
Study of Three Lampstands
undated
John Flaxman The Reverend Anthony Stephen Mathew
John Flaxman, 1755–1826
The Reverend Anthony Stephen Mathew
undated
Prince Hoare Prometheus
Prince Hoare, 1755–1834
Prometheus
undated
unknown framemaker British, Neoclassical frame
unknown framemaker
British, Neoclassical frame
late 18th to early 19th century
unknown framemaker British, Régence style frame
unknown framemaker
British, Régence style frame
late 18th to early 19th century
unknown framemaker British Neoclassical frame
unknown framemaker
British Neoclassical frame
late 18th to early 19th century
unknown framemaker British, Louis XIV style frame
unknown framemaker
British, Louis XIV style frame
late 18th to early 19th century
unknown framemaker British, Neoclassical style frame
unknown framemaker
British, Neoclassical style frame
late 18th to early 19th century
unknown framemaker British, Neoclassical frame
unknown framemaker
British, Neoclassical frame
late 18th century to early 19th century
unknown framemaker British Provincial 'Carlo Maratta' frame
unknown framemaker
British Provincial 'Carlo Maratta' frame
late 18th to early 19th century
unknown framemaker British, 'Carlo Maratta' frame
unknown framemaker
British, 'Carlo Maratta' frame
late 18th to early 19th century
unknown framemaker British, Neoclassical frame
unknown framemaker
British, Neoclassical frame
late 18th to early 19th century
unknown framemaker British, Neoclassical frame
unknown framemaker
British, Neoclassical frame
late 18th to early 19th century
unknown framemaker British, Neoclassical frame
unknown framemaker
British, Neoclassical frame
late 18th to early 19th century
unknown framemaker British, Neoclassical frame
unknown framemaker
British, Neoclassical frame
late 18th to early 19th century
unknown framemaker British, 'Carlo Maratta' frame
unknown framemaker
British, 'Carlo Maratta' frame
late 18th to early 19th century
unknown framemaker British, Neoclassical frame
unknown framemaker
British, Neoclassical frame
late 18th to early 19th century
unknown framemaker British, Neoclassical frame
unknown framemaker
British, Neoclassical frame
late 18th to early 19th century
unknown framemaker British, 'Carlo Maratta' - NeoClassical variant frame
unknown framemaker
British, 'Carlo Maratta' - NeoClassical variant frame
late 18th to early 19th century
unknown framemaker British, Neoclassical frame
unknown framemaker
British, Neoclassical frame
late 18th to early 19th century
unknown framemaker Italian, Neoclassical frame
unknown framemaker
Italian, Neoclassical frame
late 18th to early 19th century
unknown framemaker British, 'Carlo Maratta', NeoClassical variant frame
unknown framemaker
British, 'Carlo Maratta', NeoClassical variant frame
late 18th to early 19th century
unknown framemaker British Neoclassical frame
unknown framemaker
British Neoclassical frame
late 18th to early 19th century
unknown framemaker French, Neoclassical frame
unknown framemaker
French, Neoclassical frame
late 18th to early 19th century
unknown framemaker British, Neoclassical frame
unknown framemaker
British, Neoclassical frame
late 18th to early 19th century
unknown framemaker British Neoclassical frame
unknown framemaker
British Neoclassical frame
late 18th to early 19th century
unknown framemaker British, Neoclassical frame
unknown framemaker
British, Neoclassical frame
late 18th to early 19th century
unknown framemaker British, Neoclassical frame
unknown framemaker
British, Neoclassical frame
late 18th to early 19th century
unknown framemaker British, Neoclassical frame
unknown framemaker
British, Neoclassical frame
late 18th to early 19th century
unknown framemaker British Neoclassical frame
unknown framemaker
British Neoclassical frame
late 18th to early 19th century
unknown framemaker British (?), Neoclassical frame
unknown framemaker
British (?), Neoclassical frame
late 18th to early 19th century
unknown framemaker British (?), Neoclassical frame
unknown framemaker
British (?), Neoclassical frame
late 18th to early 19th century
unknown framemaker British, Neoclassical frame
unknown framemaker
British, Neoclassical frame
late 18th to early 19th century
unknown framemaker British, Neoclassical frame
unknown framemaker
British, Neoclassical frame
late 18th century to early 19th century
unknown framemaker British, Palladian frame
unknown framemaker
British, Palladian frame
late 18th century to early 19th century
unknown framemaker British Neoclassical frame
unknown framemaker
British Neoclassical frame
late 18th to early 19th century
unknown framemaker British Neoclassical frame
unknown framemaker
British Neoclassical frame
late 18th to early 19th century