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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
2
Creator
Angus, William, 1752–1821
1
Barret, George, 1732–1784
1
Ryley, Charles Reuben, 1752–1798
1
Sandby, Thomas, 1721–1798
1
Date
1715
5
1918
5
1915
4
1917
4
1810
3
1820
3
1920
3
1922
3
2005
3
1767
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2
1776
2
1821
2
1822
2
1909
2
1916
2
1921
2
1731
1
1736
1
1737
1
1745
1
1749
1
1750
1
1756
1
1765
1
1775
1
1786
1
1792
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1800
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1802
1
1803
1
1807
1
1812
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1816
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1819
1
1823
1
1844
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1850
1
1899
1
1903
1
1906
1
1907
1
1923
1
1924
1
1926
1
1928
1
On-site Access
Accessible by appointment in the Study Room
2
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2
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2
Classification
Prints
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2
Creator Gender
male
2
Collective Title
The Seats of the Nobility and Gentry in Great Britain and Wales in a Collection of Select Views
1
Period
18th century
1
18th century-19th century
1
Materials & Techniques
etching (printing process)
2
wove paper
2
line engraving
1
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19
Work Type
intaglio print
2
Genre
architectural subject
2
cityscape
1
landscape
1
Subject Terms
architectural subject
2
men
2
trees
2
walls
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2
arches
1
architecture
1
basket
1
battlements
1
birds
1
boots
1
breeches
1
bridges (built works)
1
bridles
1
buildings
1
carriage
1
cart
1
castle
1
child
1
chimneys
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cityscape
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Associated Places
England
2
United Kingdom
2
Europe
1
Flixton Hall
1
Flixton, The Saints
1
Greater London
1
Kensington
1
London
1
Suffolk
1
Waveney
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
2
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1767
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walls
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Masonry
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1
Print made by George Barret, ca. 1728/32–1784
Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone
undated
2
Print made by William Angus, 1752–1821
Flixton Hall in Suffolk, the Seat of Alexander Adair Esqr
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