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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
2
Paintings and Sculpture
1
Creator
Barret, George, 1732–1784
2
Ryley, Charles Reuben, 1752–1798
2
Hodges, William, 1744–1797
1
Marlow, William, 1740–1813
1
Date
1745
6
1800
6
1865
6
1767
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3
1770
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1782
3
1802
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1810
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1825
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1827
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1842
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1900
3
1749
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1750
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1754
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1755
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1784
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1793
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1808
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1836
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1874
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1625
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1632
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1650
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1684
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1700
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1730
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1752
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1759
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1769
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1786
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1
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1
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1
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1914
1
1921
1
1924
1
1939
1
1960
1
On-site Access
Accessible by appointment in the Study Room
2
Not on view
1
Image Use
Free to Use
3
Image Available
Available
3
Classification
Prints
2
Paintings
1
Creator Gender
male
3
Period
18th century
3
Materials & Techniques
etching (printing process)
2
wove paper
2
painting (technique)
1
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77
Work Type
intaglio print
2
painting
1
Genre
cityscape
3
architectural subject
2
Subject Terms
buildings
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3
cityscape
3
architectural subject
2
men
2
street
2
women
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abbey
1
basket
1
baskets
1
boats
1
boots
1
breeches
1
bridles
1
carriage
1
carriages
1
cart
1
child
1
children
1
chimneys
1
church
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Associated Places
England
3
Greater London
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3
London
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United Kingdom
3
Europe
2
Kensington
2
Thames
1
Westminster
1
Exhibition History
Canaletto to Constable: Paintings of Town and Country from the Yale Center for British Art (Wadsworth Atheneum Museum of Art, 1998-02-08 - 1998-04-26)
1
William Hodges, RA (1744-1797) (National Maritime Museum, 2004-07-06 - 2004-11-21)
1
William Hodges, RA (1744-1797) (Yale Center for British Art, 2005-01-27 - 2005-04-24)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
3
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1767
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buildings
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Masonry
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1
Attributed to William Hodges, 1744–1797
The Thames and the Adelphi
ca. 1772
Not on view
2
Print made by George Barret, ca. 1728/32–1784
Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone
undated
3
Print made by George Barret, ca. 1728/32–1784
Devonshire Place and Wimpole Street, from the New Road, St. Mary le Bone
undated