Date: 1763 - YCBA Collections Search Search Results

1. Zebra

Creator:: George Stubbs, 1724–1806
Date:: 1763
Materials & Techniques:: Oil on canvas
Dimensions:: 40 1/2 × 50 1/4 inches (102.9 × 127.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Mary and Joseph Outside the Inn

Creator:: John Runciman, 1744–1768
Date:: 1763 to 1768
Materials & Techniques:: Oil on panel
Dimensions:: 9 x 11 1/2 inches (22.9 x 29.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. Philosopher Giving a Lecture on the Orrery

Creator:: Joseph Wright of Derby, 1734–1797
Date:: ca. 1768
Materials & Techniques:: Oil on canvas
Dimensions:: 17 5/8 x 23 1/2 inches (44.8 x 59.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. General Thomas Gage

Creator:: John Singleton Copley, 1738–1815
Date:: ca. 1768
Materials & Techniques:: Oil on canvas mounted on masonite
Dimensions:: 50 x 39 3/4 inches (127 x 101 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. Sir Jeffery Amherst

Creator:: Sir Joshua Reynolds, 1723–1792
Date:: ca. 1768
Materials & Techniques:: Oil on canvas
Dimensions:: 30 x 25 inches (76.2 x 63.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. Charles Carroll of Carrollton

Creator:: Sir Joshua Reynolds, 1723–1792
Date:: 1763
Materials & Techniques:: Oil on canvas
Dimensions:: 30 1/4 x 25 1/4 inches (76.8 x 64.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. British Gentlemen at Sir Horace Mann's Home in Florence

Creator:: Thomas Patch, 1725–1782
Date:: between 1763 and 1765
Materials & Techniques:: Oil on canvas
Dimensions:: 37 15/16 x 48 15/16 inches (96.4 x 124.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. Probably John Trevor, third Baron Trevor, of St. Anne's Hill, Surrey, and Trevalyn Hall, Denbighshire (formerly T. Travers, Esq.)

Creator:: Arthur Devis, 1712–1787
Date:: 1763
Materials & Techniques:: Oil on canvas
Dimensions:: 30 1/8 x 25 inches (76.5 x 63.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Bequest of Mr. Ernest Hillman, Jr.
On View:: Not on view

9. A Man, Probably a Self-Portrait

Creator:: Hugh Barron, 1745–1791
Date:: ca. 1768
Materials & Techniques:: Oil on canvas
Dimensions:: 29 x 24 1/2 inches (73.7 x 62.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

10. The Death of Lucretia

Creator:: Gavin Hamilton, 1723–1798
Date:: 1763 to 1767
Materials & Techniques:: Oil on canvas
Dimensions:: 84 x 104 inches (213.4 x 264.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

11. Caroline Conway, Lady Aylesbury

Creator:: Anne Seymour Damer, 1748–1828
Date:: 18th century-19th century
Materials & Techniques:: Verona marble relief, mounted on rose velvet in an oval ebonized wood frame
Dimensions:: Overall: 13 x 11 inches (33 x 27.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

12. John Wilkes, Esq.

Creator:: William Hogarth, 1697–1764
Date:: 1763
Materials & Techniques:: Etching and engraving
Dimensions:: Sheet: 15 1/2 x 10 1/4in. (39.4 x 26cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Allen Evarts Foster, B.A.

13. The Bruiser

Creator:: William Hogarth, 1697–1764
Date:: 1763
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 3/4 × 12 inches (40 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Thomas S. Holman, New York, NY

14. An Actor

Creator:: Samuel De Wilde, 1748–1832
Date:: undated
Materials & Techniques:: Watercolor, graphite, and red chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 9 1/4 inches (38.1 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Elevation and Plan of Arch at Makther

Creator:: James Bruce, 1730–1794
Date:: ca. 1768
Materials & Techniques:: Graphite, gray wash, pen and black ink, red pencil on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 25 3/8 × 19 1/8 inches (64.5 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Temple Above Spring at Zaghouan

Creator:: James Bruce, 1730–1794
Date:: ca. 1768
Materials & Techniques:: Graphite with pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 7/8 × 21 3/4 inches (40.3 × 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Details of Temple Above Spring at Zaghouan

Creator:: James Bruce, 1730–1794
Date:: ca. 1768
Materials & Techniques:: Pen and black ink with graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 3/4 × 21 1/2 inches (40 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Entrance Gate Zaghouan

Creator:: James Bruce, 1730–1794
Date:: ca. 1768
Materials & Techniques:: Graphite, pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 3/4 × 16 1/2 inches (55.2 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Aquaduct at Cherchel

Creator:: James Bruce, 1730–1794
Date:: ca. 1768
Materials & Techniques:: Watercolor, pen and brown ink, gouache, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 × 16 1/8 inches (30.5 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Aquaduct at Cherchel

Creator:: James Bruce, 1730–1794
Date:: ca. 1768
Materials & Techniques:: Gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 19 × 25 1/4 inches (48.3 × 64.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Ruins of Temples at Saltronza

Creator:: James Bruce, 1730–1794
Date:: ca. 1768
Materials & Techniques:: Watercolor, pen and brown ink, gouache, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 21 7/8 × 31 3/4 inches (55.6 × 80.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Sketch of Temple Ruins

Creator:: James Bruce, 1730–1794
Date:: ca. 1768
Materials & Techniques:: Graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 1/2 × 20 3/4 inches (39.4 × 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Drawing of Temple Ruins and Figures

Creator:: James Bruce, 1730–1794
Date:: ca. 1768
Materials & Techniques:: Graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 3/4 × 25 inches (45.1 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Sketches of Temple Columns

Creator:: James Bruce, 1730–1794
Date:: ca. 1768
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 × 21 1/4 inches (38.1 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Sketch of Arches in Perspective

Creator:: James Bruce, 1730–1794
Date:: ca. 1768
Materials & Techniques:: Graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 13/16 × 21 9/16 inches (40.2 × 54.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Tivoli

Creator:: William Marlow, 1740–1813
Date:: ca. 1768
Materials & Techniques:: Watercolor, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 x 15 1/8in. (27.3 x 38.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Stalls in St. George's Chapel, Windsor Castle

Creator:: John Carter, 1748–1817
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 15/16 × 9 9/16 inches (50.6 × 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Portrait of a Gentleman

Creator:: Nathaniel Hone, 1718–1784
Date:: 1763
Materials & Techniques:: Enamel on porcelain
Dimensions:: Image: 1 1/4 x 1 1/8 inches (3.2 x 2.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Atalanta and Hippomanes

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1763
Materials & Techniques:: Line engraving and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Diana, The Huntress

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1763
Materials & Techniques:: Line engraving and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. A la Memoire de l'Illustre Vandike, Peintre de la Nature

Creator:: Antoine de Marcenay de Ghuy, 1724–1811
Date:: 1763
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Camillus Rescuing Rome From Brennus

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1763
Materials & Techniques:: Line engraving and stipple engraving, sepia
Dimensions:: Sheet: 17 1/8 x 22 1/4in. (43.5 x 56.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. The Honorable Augustus Hervey, Captain in his Majesty's Navy

Creator:: Edward Fisher, 1722–1785
Date:: 1763
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 14 × 9 15/16 inches (35.5 × 25.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Capriccio with Edinburgh Castle and Arthur's Seat

Creator:: Paul Sandby, 1731–1809
Date:: before 1773
Materials & Techniques:: Etching
Dimensions:: Image: 8 3/8 x 6 9/16in. (21.3 x 16.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

35. Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/2 × 15 1/2 inches (26.7 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Position de la Garde en Quarte, et le Coup de Quarte Basse

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 7/8 × 16 5/16 inches (27.6 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Premiere Position du Salut

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/4 × 10 1/16 inches (26 × 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Seconde Position du Salut

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/8 × 10 3/16 inches (25.7 × 25.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Quatrieme Position du Salut

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/2 × 10 15/16 inches (26.7 × 27.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. De la Parade de Seconde sur le Coup de Seconde

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 15/16 × 17 1/4 inches (27.8 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. De la Risposte de Quarte apres la Parade de Quarte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 5/8 × 16 5/16 inches (27 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. De la Risposte en Quinte de Pied forme sur le Coup de Seconde

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 5/8 × 17 1/4 inches (27 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 16 inches (27.3 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. De la Passe en Quarte du Dehors des Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 × 15 3/8 inches (27.9 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 15 15/16 inches (27.3 × 40.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Du Desarmement Aprés Avoir Paré le Coup de Quarte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 3/16 × 15 1/2 inches (28.4 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Demi Volte sur les Coups Forcés au Dehors des Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 15/16 × 16 inches (27.8 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Du Desarmement sur le Coup de Tierce

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 3/16 × 15 3/16 inches (28.4 × 38.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Position Aprés Avoir Desarmé sur le Coup de Quarte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 3/16 × 15 11/16 inches (28.4 × 39.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. De la Volte sur la Passe au Dehors des Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 3/8 × 15 1/8 inches (28.9 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Du Desarmement sur le Coup de Quarte ou de Seconde Paré de Prime

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/8 × 15 1/16 inches (26.4 × 38.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Position Aprés Avoir Désarmé sur le Coup de Tierce

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 7/16 × 14 1/8 inches (29.1 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 11/16 × 15 1/4 inches (27.1 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Position de la Garde Italienne de L'Epée & Poignard

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 15 15/16 inches (27.3 × 40.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Risposte Aprés Avoir Trompé la Parade du Poignard

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 16 7/16 inches (27.3 × 41.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 3/16 × 16 3/8 inches (28.4 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. L'Epée & Lanterne Combattüe par L'Epée et Manteau

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/16 × 17 inches (28.1 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B.

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/16 × 16 7/16 inches (28.1 × 41.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Premiere Position pour tirer L'Epée

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, beige wove paper
Dimensions:: Contemporary drawn border: 10 9/16 × 8 5/16 inches (26.8 × 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Position pour la Garde en Tierce

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/4 × 11 1/4 inches (26 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Position pour le Garde en Tierce et le Coup de Tierce

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/2 × 16 1/8 inches (26.7 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Position pour la Garde en Quarte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 7/16 × 11 7/8 inches (26.5 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Position de la Garde de Tierce et le Coup de Seconde

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/8 × 17 1/16 inches (26.4 × 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Position pour la Garde en Quarte et le Coup de Quarte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 9/16 × 15 1/2 inches (26.8 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Position de la Garde en Quarte, et le Coup de Flanconnade

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/4 × 15 7/8 inches (26 × 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Cinquieme Position du Salut

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/16 × 10 7/8 inches (25.9 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 5/8 × 16 5/8 inches (27 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. De la Parade de Tierce, sur le Coup de Tierce

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/2 × 16 15/16 inches (26.7 × 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. De la Parade du Cavé sur le Coup de Flanconnade

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/8 × 17 1/16 inches (26.4 × 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. De la Parade de Prime sur le Coup de Seconde

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/16 × 16 inches (28.1 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. De la Parade du Demi-Cercle sur le Coup, de Quarte Basse

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/8 × 17 11/16 inches (28.3 × 44.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 16 1/4 inches (27.3 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. De la Parade Dequinte sur le Coup de Quinte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 17 1/2 inches (27.3 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 × 17 3/8 inches (27.9 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. David Hume

Creator:: Print made by Joseph Collyer, 1748–1827
Date:: undated
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream wove paper, laid in mount
Dimensions:: Sheet: 7 1/16 × 4 1/2 inches (17.9 × 11.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

78. The Hen Peckt Husband

Creator:: Butler Clowes, active 1768, died 1782
Date:: ca. 1768
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 15 7/8 x 20in. (40.3 x 50.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Troisieme Position du Salut

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 9 15/16 × 10 inches (25.2 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 7/8 × 16 inches (27.6 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 7/8 × 16 15/16 inches (27.6 × 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Du Coupé sur Pointe de Quarte en Quarte sur les Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/2 × 16 inches (29.2 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Du Desarmement Aprés la Parade au Dehors des Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 7/8 × 14 15/16 inches (27.6 × 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Venus and Cupid

Creator:: Print made by John Greenwood, 1727–1792
Date:: ca. 1768
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 1/2 x 12 15/16 inches (44.4 x 32.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

85. Lady Almeria Carpenter

Creator:: Print made by James Watson, 1740–1790
Date:: ca. 1768
Materials & Techniques:: Mezzotint (first state) on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 13 15/16 × 11 1/4 inches (35.4 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

86. Landscape with Two Trees and Castle

Creator:: Rev. William Gilpin, 1724–1804
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and black ink on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 10 15/16 x 15 1/4in. (27.8 x 38.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Arthur Weyhe

87. Miss Eyebright

Creator:: Print made by unknown artist
Date:: between 1763 and 1779
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 5 1/16 x 4 1/2in. (12.9 x 11.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Marcus Furius Camillus Liberating Rome From Brennus

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1763
Materials & Techniques:: Line engraving and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Gerolamo Tartarotti

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1763
Materials & Techniques:: Line engraving and stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 9 11/16 × 7 1/4 inches (24.6 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. The Savoy Hospital in the Strand the Chapel of the Hospital

Creator:: George Vertue, 1684–1756
Date:: 1763
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. The Thames with Sion House

Creator:: John Fisher, Bishop of Salisbury, 1748–1825
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 × 8 3/4 inches (15.2 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Head of a Man with a Beard Looking to the Left

Creator:: Samuel De Wilde, 1748–1832
Date:: undated
Materials & Techniques:: black ink and brown ink with gray and brown wash on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 6 5/8 × 5 1/2 inches (16.8 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Portrait of a Man

Creator:: Joseph Wright of Derby, 1734–1797
Date:: ca. 1768
Materials & Techniques:: Black chalk, white chalk and brown chalk on medium, slightly textured, white laid paper
Dimensions:: Sheet: 14 1/2 x 11 1/4 inches (36.8 x 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Arch of Trajan Mactar Modern Makther set in Landscape

Creator:: James Bruce, 1730–1794
Date:: ca. 1768
Materials & Techniques:: Graphite, gray wash, pen and black ink on moderately textured, thick, cream laid paper
Dimensions:: Sheet: 19 1/4 × 25 1/2 inches (48.9 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Entrance Gate, Zaghouan

Creator:: James Bruce, 1730–1794
Date:: ca. 1768
Materials & Techniques:: Graphite with pen and black ink on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 3/4 × 21 5/8 inches (40 × 54.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Albizia gummifera (J.F. Gmel.) C.A. Sm. (Gummy Albizia Tree): finished drawing of flowering head of shoot, with details of inflorescence, florets, and leaf

Albizia gummifera (J.F. Gmel.) C.A. Sm. (Gummy Albizia Tree): finished drawing of flowering head of shoot, with details of inflorescence, florets, and leaf

Creator:: Luigi Balugani, 1737–1770
Date:: ca. 1768
Materials & Techniques:: Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 3/8 × 9 3/4 inches (31.4 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. 2 birds "Aroust el Bahar"

Creator:: Luigi Balugani, 1737–1770
Date:: ca. 1768
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 3/8 × 13 1/2 inches (44.1 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot and berries

Creator:: Luigi Balugani, 1737–1770
Date:: ca. 1768
Materials & Techniques:: Pen and black ink, gray wash over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 8 5/8 inches (27.3 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot, with details of flowers, leaf, and fruits

Creator:: Luigi Balugani, 1737–1770
Date:: ca. 1768
Materials & Techniques:: Pen and black ink, gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 8 5/8 inches (27.9 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Commiphora gileadensis (L.) C. Chr. (Balm of Gilead, Opobalsam): finished drawing of fruit, dissected fruits, and leaves

Creator:: James Bruce, 1730–1794
Date:: ca. 1768
Materials & Techniques:: Watercolor and gouache over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 × 9 5/8 inches (30.5 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Date 1763

Search Results

1. Zebra

2. Mary and Joseph Outside the Inn

3. Philosopher Giving a Lecture on the Orrery

4. General Thomas Gage

5. Sir Jeffery Amherst

6. Charles Carroll of Carrollton

7. British Gentlemen at Sir Horace Mann's Home in Florence

8. Probably John Trevor, third Baron Trevor, of St. Anne's Hill, Surrey, and Trevalyn Hall, Denbighshire (formerly T. Travers, Esq.)

9. A Man, Probably a Self-Portrait

10. The Death of Lucretia

11. Caroline Conway, Lady Aylesbury

12. John Wilkes, Esq.

13. The Bruiser

14. An Actor

15. Elevation and Plan of Arch at Makther

16. Temple Above Spring at Zaghouan

17. Details of Temple Above Spring at Zaghouan

18. Entrance Gate Zaghouan

19. Aquaduct at Cherchel

20. Aquaduct at Cherchel

21. Ruins of Temples at Saltronza

22. Sketch of Temple Ruins

23. Drawing of Temple Ruins and Figures

24. Sketches of Temple Columns

25. Sketch of Arches in Perspective

26. Tivoli

27. Stalls in St. George's Chapel, Windsor Castle

28. Portrait of a Gentleman

29. Atalanta and Hippomanes

30. Diana, The Huntress

31. A la Memoire de l'Illustre Vandike, Peintre de la Nature

32. Camillus Rescuing Rome From Brennus

33. The Honorable Augustus Hervey, Captain in his Majesty's Navy

34. Capriccio with Edinburgh Castle and Arthur's Seat

35. Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes

36. Position de la Garde en Quarte, et le Coup de Quarte Basse

37. Premiere Position du Salut

38. Seconde Position du Salut

39. Quatrieme Position du Salut

40. De la Parade de Seconde sur le Coup de Seconde

41. De la Risposte de Quarte apres la Parade de Quarte

42. De la Risposte en Quinte de Pied forme sur le Coup de Seconde

43. De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde

44. De la Passe en Quarte du Dehors des Armes

45. Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes

46. Du Desarmement Aprés Avoir Paré le Coup de Quarte

47. Demi Volte sur les Coups Forcés au Dehors des Armes

48. Du Desarmement sur le Coup de Tierce

49. Position Aprés Avoir Desarmé sur le Coup de Quarte

50. De la Volte sur la Passe au Dehors des Armes

51. Du Desarmement sur le Coup de Quarte ou de Seconde Paré de Prime

52. Position Aprés Avoir Désarmé sur le Coup de Tierce

53. Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime

54. Position de la Garde Italienne de L'Epée & Poignard

55. Risposte Aprés Avoir Trompé la Parade du Poignard

56. De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise

57. De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson

58. Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne

59. L'Epée & Lanterne Combattüe par L'Epée et Manteau

60. Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B.

61. Premiere Position pour tirer L'Epée

62. Position pour la Garde en Tierce

63. Position pour le Garde en Tierce et le Coup de Tierce

64. Position pour la Garde en Quarte

65. Position de la Garde de Tierce et le Coup de Seconde

66. Position pour la Garde en Quarte et le Coup de Quarte

67. Position de la Garde en Quarte, et le Coup de Flanconnade

68. Cinquieme Position du Salut

69. De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte

70. De la Parade de Tierce, sur le Coup de Tierce

71. De la Parade du Cavé sur le Coup de Flanconnade

72. De la Parade de Prime sur le Coup de Seconde

73. De la Parade du Demi-Cercle sur le Coup, de Quarte Basse

74. De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes

75. De la Parade Dequinte sur le Coup de Quinte