Probably John Trevor, third Baron Trevor, of St. Anne's Hill, Surrey, and Trevalyn Hall, Denbighshire (formerly T. Travers, Esq.)
1763
Not on view
4
Thomas Patch, 1725–1782
British Gentlemen at Sir Horace Mann's Home in Florence
between 1763 and 1765
Not on view
5
John Singleton Copley, 1738–1815
General Thomas Gage
ca. 1768
Not on view
6
Joseph Wright of Derby, 1734–1797
Philosopher Giving a Lecture on the Orrery
ca. 1768
Not on view
7
Sir Joshua Reynolds, 1723–1792
Sir Jeffery Amherst
ca. 1768
Not on view
8
Sir Joshua Reynolds, 1723–1792
Charles Carroll of Carrollton
1763
Not on view
9
Hugh Barron, 1745–1791
A Man, Probably a Self-Portrait
ca. 1768
Not on view
10
Gavin Hamilton, 1723–1798
The Death of Lucretia
1763 to 1767
Not on view
11
Anne Seymour Damer, 1748–1828
Caroline Conway, Lady Aylesbury
18th century-19th century
Not on view
12
William Hogarth, 1697–1764
John Wilkes, Esq
1763
13
William Hogarth, 1697–1764
The Bruiser
1763
14
Samuel De Wilde, 1748–1832
Head of a Man with a Beard Looking to the Left
undated
15
Luigi Balugani, 1737–1770
2 birds "Aroust el Bahar"
ca. 1768
16
Luigi Balugani, 1737–1770
Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot and berries
ca. 1768
17
Luigi Balugani, 1737–1770
Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot, with details of flowers, leaf, and fruits
ca. 1768
18
Joseph Wright of Derby, 1734–1797
Portrait of a Man
ca. 1768
19
James Bruce, 1730–1794
Entrance Gate Zaghouan
ca. 1768
20
James Bruce, 1730–1794
Entrance Gate, Zaghouan
ca. 1768
21
James Bruce, 1730–1794
Aquaduct at Cherchel
ca. 1768
22
James Bruce, 1730–1794
Aquaduct at Cherchel
ca. 1768
23
James Bruce, 1730–1794
Ruins of Temples at Saltronza
ca. 1768
24
James Bruce, 1730–1794
Sketch of Arches in Perspective
ca. 1768
25
Luigi Balugani, 1737–1770
Albizia gummifera (J.F. Gmel.) C.A. Sm. (Gummy Albizia Tree): finished drawing of flowering head of shoot, with details of inflorescence, florets, and leaf
ca. 1768
26
James Bruce, 1730–1794
Elevation and Plan of Arch at Makther
ca. 1768
27
James Bruce, 1730–1794
Arch of Trajan Mactar Modern Makther set in Landscape
ca. 1768
28
James Bruce, 1730–1794
Temple Above Spring at Zaghouan
ca. 1768
29
James Bruce, 1730–1794
Sketch of Temple Ruins
ca. 1768
30
James Bruce, 1730–1794
Details of Temple Above Spring at Zaghouan
ca. 1768
31
James Bruce, 1730–1794
Drawing of Temple Ruins and Figures
ca. 1768
32
James Bruce, 1730–1794
Sketches of Temple Columns
ca. 1768
33
Nathaniel Hone, 1718–1784
Portrait of a Gentleman
1763
34
Samuel De Wilde, 1748–1832
An Actor
undated
35
James Bruce, 1730–1794
Commiphora gileadensis (L.) C. Chr. (Balm of Gilead, Opobalsam): finished drawing of fruit, dissected fruits, and leaves
ca. 1768
36
James Bruce, 1730–1794
Dik-dik
ca. 1768
37
James Bruce, 1730–1794
Felis caligata (Booted Lynx)
ca. 1768
38
James Bruce, 1730–1794
Heterohyrax brucei (Yellow-Spotted Rock Hyrax)
ca. 1768
39
James Bruce, 1730–1794
Jerboa
ca. 1768
40
James Bruce, 1730–1794
Heterohyrax brucei (Yellow-Spotted Rock Hyrax)
ca. 1768
41
John Fisher, Bishop of Salisbury, 1748–1825
The Thames with Sion House
undated
42
Thomas Malton the Younger, 1748–1804
East India House
undated
43
Thomas Malton the Younger, 1748–1804
Horse Guards, Whitehall
undated
44
Thomas Malton the Younger, 1748–1804
The Admiralty
undated
45
Print made by Joseph Collyer, 1748–1827
John Bacon, Esq., R. A
undated
46
Print made by James Watson, 1740–1790
Lady Almeria Carpenter
ca. 1768
47
Print made by Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
1763
48
Print made by unknown artist
The Husband's Fortune Told
ca. 1768
49
Print made by Coplestone Warre Bampfylde, 1719–1791
Collection of Prints by Notable Dilettanti
1763
50
Print made by Coplestone Warre Bampfylde, 1719–1791
Collection of Prints by Notable Dilettanti
1763
51
Thomas Malton the Younger, 1748–1804
St. Martin-in-the-Fields, Interior
undated
52
Thomas Malton the Younger, 1748–1804
The Sessions House, Junction of Farringdon and Clerkenwell Roads
undated
53
Thomas Malton the Younger, 1748–1804
Banqueting House, Whitehall
undated
54
Pierre Charles Canot, ca. 1710–1777
View of the City of New York: A South East View of the City of New York in North America
1763
55
Print made by Thomas Chambars, ca. 1724–1789
Godfrey Schalcken
1763
56
Print made by Thomas Chambars, ca. 1724–1789
Godfrey Schalcken
1763
57
Print made by John Greenwood, 1727–1792
Venus and Cupid
ca. 1768
58
Rev. William Gilpin, 1724–1804
Landscape with Two Trees and Castle
1763
59
Francesco Bartolozzi, 1728–1815
Saint Francis of Assisi
1763
60
Print made by Francesco Bartolozzi, 1728–1815
Atalanta and Hippomanes
1763
61
Edward Fisher, 1722–1785
The Honorable Augustus Hervey, Captain in his Majesty's Navy
1763
62
Francesco Bartolozzi, 1728–1815
Narcissus
1763
63
Francesco Bartolozzi, 1728–1815
Diana, The Huntress
1763
64
Antoine de Marcenay de Ghuy, 1724–1811
A la Memoire de l'Illustre Vandike, Peintre de la Nature
1763
65
Francesco Bartolozzi, 1728–1815
Camillus Rescuing Rome From Brennus
1763
66
Print made by Francesco Bartolozzi, 1728–1815
Gerolamo Tartarotti
1763
67
unknown artist
A View of the Royal Palace of Hampton Court
1763
68
Richard Gough, 1735–1809
Roman Tower in Hound's Ditch, 28 April 1763
1763
69
Print made by Giuseppe Marchi, ca. 1735–1808
Miss Cholmondeley
ca. 1768
70
Print made by Joseph Collyer, 1748–1827
David Hume
undated
71
Paul Sandby, 1731–1809
Capriccio with Edinburgh Castle and Arthur's Seat
before 1773
72
James Gwin, 1700–1769
Position de la Garde de Tierce et le Coup de Seconde
1763
73
James Gwin, 1700–1769
Position pour le Garde en Tierce et le Coup de Tierce
1763
74
James Gwin, 1700–1769
Premiere Position pour tirer L'Epée
1763
75
James Gwin, 1700–1769
De la Volte sur la Passe au Dehors des Armes
1763
76
James Gwin, 1700–1769
Demi Volte sur les Coups Forcés au Dehors des Armes
1763
77
James Gwin, 1700–1769
Position Aprés Avoir Desarmé sur le Coup de Quarte
1763
78
James Gwin, 1700–1769
Du Desarmement Aprés la Parade au Dehors des Armes
1763
79
James Gwin, 1700–1769
Risposte Aprés Avoir Trompé la Parade du Poignard
1763
80
Print made by unknown artist
Miss Eyebright
between 1763 and 1779
81
Butler Clowes, active 1768, died 1782
The Hen Peckt Husband
ca. 1768
82
Francesco Bartolozzi, 1728–1815
Marcus Furius Camillus Liberating Rome From Brennus
1763
83
William Marlow, 1740–1813
Tivoli
ca. 1768
84
John Carter, 1748–1817
Stalls in St. George's Chapel, Windsor Castle
undated
85
James Bruce, 1730–1794
Vulture
ca. 1768
86
James Bruce, 1730–1794
Madoqua (Dik-dik)
ca. 1768
87
James Bruce, 1730–1794
Bee Cuckoo
ca. 1768
88
James Bruce, 1730–1794
Gypaetus barbatus (Bearded Vulture)
ca. 1768
89
James Bruce, 1730–1794
Sagittarius serpentarius (Secretary Bird)
ca. 1768
90
James Gwin, 1700–1769
Du Desarmement Aprés Avoir Paré le Coup de Quarte
1763
91
James Gwin, 1700–1769
Du Desarmement sur le Coup de Tierce
1763
92
James Gwin, 1700–1769
De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise
1763
93
James Gwin, 1700–1769
Position de la Garde Italienne de L'Epée & Poignard
1763
94
James Gwin, 1700–1769
Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne
1763
95
James Gwin, 1700–1769
L'Epée & Lanterne Combattüe par L'Epée et Manteau
1763
96
James Gwin, 1700–1769
De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson
1763
97
James Gwin, 1700–1769
Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B
1763
98
James Gwin, 1700–1769
Position pour la Garde en Quarte et le Coup de Quarte
1763
99
James Gwin, 1700–1769
Position pour la Garde en Tierce
1763
100
James Gwin, 1700–1769
Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes