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Welcome to YCBA Collections Online
The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
14
Creator
Gwin, James, 1700–1769
12
Marlow, William, 1740–1813
1
O'Neale, Jeffreyes Hamett, 1750–1806
1
Williams, J., 18th century
1
Date
1745
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34
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34
1795
32
1764
23
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22
1818
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1947
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1791
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1780
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1827
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1779
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1836
17
1833
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1700
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1773
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1763
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14
1796
14
1834
14
1772
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1817
13
1775
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1786
12
1804
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1807
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1790
11
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11
0
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1829
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1835
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1967
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1776
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1783
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1788
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1792
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1793
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1811
9
2005
9
1777
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1781
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1784
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1810
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1815
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1822
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1825
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1838
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1860
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1748
7
1755
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1769
7
1806
7
1814
7
1821
7
1847
7
1690
6
1750
6
1767
6
1778
6
1782
6
1826
6
1765
5
1770
5
1774
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1794
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1803
5
1805
5
1809
5
1813
5
1824
5
1828
5
1842
5
1915
5
1917
5
1929
5
1941
5
1950
5
2004
5
1735
4
1738
4
1759
4
1760
4
1812
4
1851
4
1865
4
On-site Access
Accessible by appointment in the Study Room
14
Image Use
Free to Use
14
Image Available
Available
13
Unavailable
1
Classification
Drawings & Watercolors
13
Prints
1
Creator Gender
male
14
Collective Title
Desseins Originaux des Attitudes Continuée dans L'École des Armes
12
Period
18th century
14
Materials & Techniques
graphite
13
gray ink
13
laid paper
13
pen
13
black ink
12
gray wash
12
etching (printing process)
1
watercolor
1
wove paper
1
Height [cm]
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30
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Current results range from
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49
Work Type
drawing
13
watercolor
13
intaglio print
1
Genre
sporting art
12
cityscape
1
landscape
1
Subject Terms
Grand Tour
1
boy
1
cityscape
1
hills
1
landscape
1
trees
1
valley (landform)
1
Associated Places
Italy
1
Lazio
1
Tivoli
1
Exhibition History
Classic Ground - British Artists and the Landscape of Italy, 1740-1830 (Yale Center for British Art, 1981-07-29 - 1981-09-20)
1
Pleasures and Pastimes (Yale Center for British Art, 1990-02-21 - 1990-04-29)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
13
Yale Center for British Art, Gift of Godfrey Pearlson
1
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Date
1763
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38
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Search Results
1
William Marlow, 1740–1813
Tivoli
ca. 1768
2
James Gwin, 1700–1769
De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes
1763
3
James Gwin, 1700–1769
De la Parade de Prime sur le Coup de Seconde
1763
4
James Gwin, 1700–1769
Du Coupé sur Pointe de Quarte en Quarte sur les Armes
1763
5
James Gwin, 1700–1769
De la Volte sur la Passe au Dehors des Armes
1763
6
James Gwin, 1700–1769
Du Desarmement Aprés la Parade au Dehors des Armes
1763
7
James Gwin, 1700–1769
Position de la Garde Italienne de L'Epée & Poignard
1763
8
James Gwin, 1700–1769
Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
1763
9
James Gwin, 1700–1769
Position de la Garde en Quarte, et le Coup de Flanconnade
1763
10
James Gwin, 1700–1769
Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
1763
11
James Gwin, 1700–1769
De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde
1763
12
James Gwin, 1700–1769
Du Desarmement sur le Coup de Quarte ou de Seconde Paré de Prime
1763
13
James Gwin, 1700–1769
Demi Volte sur les Coups Forcés au Dehors des Armes
1763
14
Jeffreyes Hamett O'Neale, 1750–1806
The Seizure, or Give the Devil His Due
1763